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Walking the Edit a system that makes it possible to compose a film while walking through the city
The starting point - It is possible to give a spatial address to images - It is possible to record and to share our trajectory - A trajectory's form resembles that of a film - The mobile communication of computer data is guaranteed To sum up: it is possible to share geolocated imagesand to access them in real life
The route, the destination - Our trajectory leaves behind a trace and creates a form(form of the journey, form of the editing) ,[object Object],- Our recorded walk composes a film(in an interactive, intuitive and ludic manner) To sum up: as we walk we access the audio-visual memoryof the area and we recombine it in a unique, personal film
Instructions for use 1) Put in the earphones 2) Launch the WE application on the iPhone 3) Start recording the trajectory 4) Walk, listen, look… 5) Stop the recording 6) Watch the result(on the iPhone directly or on the project's website)
Summary The images exist before the trajectory(specific database, archives, social networks, etc.) The iPhone records the trajectory(the smartphone digitalises our behaviour) We hear the film as we walk(we can imagine the images from what we hear) We see the film once the recording is complete(the film is the formal reflection of our trajectory) And above all: pleasure, discovery, surprises…
At the start of the journey, some questions ,[object Object],[object Object],[object Object],[object Object]
Filming – the recording Film Analogue video Digital tools Digital video Metadata Metadata t Metadata
Filming – the recording Summing up - Cameras have become small computers with an eye and an ear… and diverse sensors - Qualitative development of the image and sound; quantitative for the metadata - We record the "story" and the context of the filming via the metadata t
Editing – the content Database … Motion sensor data GPS data cameraman settings date name metadata About 10% of the images
Editing – the content Database What happens to the remaining 90% of images ?
Projection – the screens Cinema Home cinemaComputers Mobile phones Public screens Some questions:  ,[object Object],- What is the relation between images and context ? ,[object Object],[object Object]
Presentation options for Walking the Edit Artistic option: Edit a film based on material carefully filmed and indexed beforehand by a production team. Database "Utilitarian" option: Edit a film based on historical material, architectural or urbanistic data. Combination of several existing databases. Touristic option: Edit a film based on shared material (Flickr, You Tube, etc.), on specific material.
At the end of the journey, some perspectives: Moving images can exist outside the screensInvent new ways to create images (use of metadata),off-frame, then off-screen: a new life for images…
At the end of the journey, some perspectives:The digital world can mix with the analogue, organic worldvariability versus reproducibility;a digital memory linked to the living world and so constantly being rewritten
At the end of the journey, some perspectives: The urban space is not only the sum of visible objectsto access the "sensitive data", the audiovisual memoryto be able to read and write in / on the urban space
At the end of the journey, some perspectives: Images as transmitters(re)consider the importance of sharing versus copyright;the issue of co-creation
Past, present, future: The "Walking the Edit" system was made possible by a research project carried out between January 2008 and July 2009 for the HES-SO Masters in Cinema at the University of Art and Design Lausanne (ECAL). Since the summer of 2009, C-SIDE Productions has continued to develop the project which has received the financial support of the following: PourcentCulturelMigros, support for new media Multidisciplinary creation and production, City of Geneva Adaptations anticipated for 2010-2011: Paris (at the CitéUniversitaire) Geneva http://walking-the-edit.net
Thanks for your attention!
Walking the Edit presentation in english
Walking the Edit presentation in english
Walking the Edit presentation in english
Walking the Edit presentation in english

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Walking the Edit presentation in english

  • 1. Walking the Edit a system that makes it possible to compose a film while walking through the city
  • 2. The starting point - It is possible to give a spatial address to images - It is possible to record and to share our trajectory - A trajectory's form resembles that of a film - The mobile communication of computer data is guaranteed To sum up: it is possible to share geolocated imagesand to access them in real life
  • 3.
  • 4. Instructions for use 1) Put in the earphones 2) Launch the WE application on the iPhone 3) Start recording the trajectory 4) Walk, listen, look… 5) Stop the recording 6) Watch the result(on the iPhone directly or on the project's website)
  • 5. Summary The images exist before the trajectory(specific database, archives, social networks, etc.) The iPhone records the trajectory(the smartphone digitalises our behaviour) We hear the film as we walk(we can imagine the images from what we hear) We see the film once the recording is complete(the film is the formal reflection of our trajectory) And above all: pleasure, discovery, surprises…
  • 6.
  • 7. Filming – the recording Film Analogue video Digital tools Digital video Metadata Metadata t Metadata
  • 8. Filming – the recording Summing up - Cameras have become small computers with an eye and an ear… and diverse sensors - Qualitative development of the image and sound; quantitative for the metadata - We record the "story" and the context of the filming via the metadata t
  • 9. Editing – the content Database … Motion sensor data GPS data cameraman settings date name metadata About 10% of the images
  • 10. Editing – the content Database What happens to the remaining 90% of images ?
  • 11.
  • 12. Presentation options for Walking the Edit Artistic option: Edit a film based on material carefully filmed and indexed beforehand by a production team. Database "Utilitarian" option: Edit a film based on historical material, architectural or urbanistic data. Combination of several existing databases. Touristic option: Edit a film based on shared material (Flickr, You Tube, etc.), on specific material.
  • 13. At the end of the journey, some perspectives: Moving images can exist outside the screensInvent new ways to create images (use of metadata),off-frame, then off-screen: a new life for images…
  • 14. At the end of the journey, some perspectives:The digital world can mix with the analogue, organic worldvariability versus reproducibility;a digital memory linked to the living world and so constantly being rewritten
  • 15. At the end of the journey, some perspectives: The urban space is not only the sum of visible objectsto access the "sensitive data", the audiovisual memoryto be able to read and write in / on the urban space
  • 16. At the end of the journey, some perspectives: Images as transmitters(re)consider the importance of sharing versus copyright;the issue of co-creation
  • 17. Past, present, future: The "Walking the Edit" system was made possible by a research project carried out between January 2008 and July 2009 for the HES-SO Masters in Cinema at the University of Art and Design Lausanne (ECAL). Since the summer of 2009, C-SIDE Productions has continued to develop the project which has received the financial support of the following: PourcentCulturelMigros, support for new media Multidisciplinary creation and production, City of Geneva Adaptations anticipated for 2010-2011: Paris (at the CitéUniversitaire) Geneva http://walking-the-edit.net
  • 18. Thanks for your attention!