Visual Design for
Digital Storytelling
July 20, 2016
• 45 minute webinar + 15 minutes for questions and answers
• Ask questions through the Zoom Control Panel
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• Check your inbox later this week for the webinar recording and slide deck
The Plan
Voltaire Santos Miran
Co-FounderandCEO
@vsantosmiran
Ben Bilow
SeniorCreativeDirector
World-changers
for
two books,
please.
The Question:
What happened on February 8,
1900 that forever changed the way
we tell stories to each other?
The Brownie Camera: Before & After
The Goal
Wewanttoequipyouwiththetheoryand techniquestocreategreat
visualstoriesonthewebthatresonatewithyouraudiences.Wedesigned
thiswebinartoexpandyourarrayofconceptualandpracticaltoolsfor
visualstorytelling.We’llshowyouthewhyandwhatandhowofpowerful
imagesandinteractivedesign.
Agenda
1. Origins of Visual Storytelling
2. The Science of Visual Perception

3. Hierarchy, Motion, Perspective, &
Resonance in Digital Design 

4. Responsive Storytelling
5. Visualizing Action
6. Questions
The Origins of
Visual Storytelling
“There is no society ever discovered in the remotest
corner of the world that has not had something that we
would consider the arts. Visual arts — decoration of
surfaces and bodies — appears to be a human universal.”
STEVEN PINKER, Cognitive Scientist
Storytelling may have 

evolved because it was a useful “thought
experiment”. By running a scenario and
visualising what happens we learnt what
might happen in real life.
Lascaux Caves
2,000figuresincludinganimals,
humanfigures,abstractsignsand
geometricimages.Animalsappear
tobeinmotionandvisual depth
inthescenedemonstratesa
primitiveformofperspective.
Egyptian
Hieroglyphics
Visuallyhieroglyphsareallmoreor
lessfigurative;theyrepresentreal
thingsinperfectlyrecognizable
forms.Theycanberead
phoneticallyorseenasideograms.
Meaning can be literal and also
conceptual.
Book of Kells
Artistsaddedbrightcolorsandgold
embellishmentstoillustrationsto
enhance perception, mark
important passages, andcomment
on the meaningofthetext.
Painting Masterpieces
Paintingisanunlimitedmodeof
humanexpression.From
representationaltoabstract
mastersoftheformcanconjure
narrative and evoke strong
emotions.
Photography
Photographythatservesapurpose,
suchasphotographsofreal
people can establish an
authentic sense oftheofferingor
institution.
Graphic Design
Typeandimage,composition and
colorcombinedininnovativeways
totell stories about products
and servicesinadvertisingand
entertainment.
Video Games
Thisistheheightofstorytellingand
thebirthofmoderndigitaluser
experience.The audience literally
becomes the main character.
… interpret experiences,
heighten perception, illuminate,
& share.
The Science of
Visual Perception
About one quarter of the human brain is
involved in visual processing — more than
any other sense.
DR. JOHN J. MEDINA, a developmental molecular biologist
10% 60%
We are incredible at remembering pictures.
+
three days later
Light Memory
The brain is highly involved in visual
processing — this results in greater
retention and increased comprehension.
With visual design our ability to understand
and engage vastly improves.
Hierarchy Motion
Perspective Resonance
“Painting is concerned with all the 10
attributes of sight, which are darkness, light,
solidity and color, form and position, distance
and propinquity, motion and rest.”
Leonardo da Vinci
27
Hierarchy
Ratherthantakinginvisualinformationandprocessingitevenly,people
organizewhattheyseeonyourwebsiteintermsof“visualrelationships.”
• correlatesizewithimportance
• classifywithcolor
• usecontrasttoseparate
• arrangeincloseproximitytorelate
CaseStudy:UncleGoose
29
Motion
Motioncreatestheimpressionoflife—establishingthepersonality
ofthecharactersandtheemotionstheyexpress.
• UserInterfaceAnimation(transform,transition,andfeedback)
• UserExperience Choreography(staging)
• MovingPictures(video,animatedgifs,cinemagraphs)
• AnimatedIllustrations&Infographics(gifs,svgs,css)
UIAnimation
further reading and examples at material.google.com/motion
UXChoreography
dribbble.com
CaseStudy:SpeciesinPieces
Movingpictures
cool examples and tool at flixel.com
CaseStudy:ArtCenterCollegeofDesign
AnimatedIllustrations&Infographic
36
Perspective
Perspectiveisthepointofview. Thetechniquecanaddasenseofrealism
toyourstory.Itcanalsoexpandhumanvisualperception.
• alterviewpointstoshow micro and macroviews
• extend beyondtheviewport
• adddepthtocreateasenseofspace
• provideaperspectivethatcan’t be seen anywhere else
CaseStudy:BearsEyeViewofYellowstone
38
Resonance
Choosingvisualsthatcreateanemotionalandintellectual
connectionwithyouraudiences.
• determiningyourstrategyandpurpose
• identifyingmotivesandaspirations
• understandingtheirheadandheart
“The audience does not need to tune themselves to you
—you need to tune your message to them. Understand
their hearts and minds and create a message to resonate
with what’s already there.”
Nancy Duarte, Author of Resonate: Present Visual Stories that Transform Audiences
“It’s about diving into that story, about the
characters leaping off the page, about feeling yourself
in the room, about being transported.”
Scott Dadich, Editor-in-Chief, Wired Magazine
CaseStudy:BostonUniversityAnnualReport2015
Over time the web has evolved toward making
text easier to read and content easier to
understand in order to support more complex
interactions and deeper engagements.
Responsive Design
Disco Disco by Alex Asseily
44
Design for Everywhere
Thewebsiteshouldautomaticallyrespondtotheuser’sdevice
preferences.Onedesignacrossalldevicesusingrelativesizes,common
ratios,aflexiblegridsystem,andcssmediaqueries.
Case Study:

BearsEyeViewofYellowstone
(mobile)
46
Balance Performance & Quality
Thereisnosilverbulletforperformance.Test loadingspeedsandadjustvisual
assetsasneededforasmootheruserexperience.Videosandcomplexanimations
mayneedtobeconditionalbasedonavailablebandwidth.
testmysite.thinkwithgoogle.com
Visualizing Action
Kevin Spacey, ActorandDirector,ContentMarketingWorldConference2014
“The story is everything,
which means that it’s our job
to tell better stories.”
Story first. Department second.
53
Build your Team
Design EditorialStrategy Marketing & Data Technology
Greatdigitalstorytellingisaccomplishedbygreatteams. Bringallthetalenttothe
tableatthebeginningoftheprocess.
Nurture a culture of collaboration.
Start small & celebrate success.
Our Storytelling Series Team
Ben Conley
Visual/UXDesigner


ben.conley@mstoner.com
Abby McLean
Visual/UXDesigner


abby.mclean@mstoner.com
Fran Zablocki
InformationArchitect


fran.zablocki@mstoner.com
Soni Oliver
Visual/UXDesigner


soni.oliver@mstoner.com
Joel Pattison
DirectorofStrategy


joel.pattison@mstoner.com
Greg Zguta
Technologist


greg.zguta@mstoner.com
Voltaire Santos
Miran
ChiefExecutive
Officer


@vsantosmiran
312.420.6778
voltaire.miran@mstoner.com
Mallory Wood
DirectorofMarketing


@mallorywood
802.457.9234
mallory.wood@mstoner.com

Resources
• Learn more about digital
storytelling: 

http://mstnr.me/
DigStoryWebinar
• Join the digital storytelling
mailing list: 

http://mstnr.me/DigStoryEmail
Ben Bilow
SeniorCreativeDirector
773.620.5655
ben.bilow@mstoner.com
Questions & Answers

Visual Design for Digital Storytelling