The document discusses concepts of web 2.0 storytelling and transmedia storytelling. It provides definitions of web 2.0 and how it enables more participatory, open-ended and unpredictable forms of storytelling across multiple digital media compared to earlier forms of online storytelling. Examples of transmedia storytelling are given, along with 10 principles for how integral story elements can be systematically dispersed across different delivery channels to create a unified entertainment experience.

1. Viral Storytelling Communication Design 6. Semester 2011

2. Dagens program Opgaveformulering. Evt. spørgsmål Web 2.0 definition Web 2.0 storytelling Øvelse: 5 frames Eksempler på web 2.0 storytelling Lonelygirl 15 øvelse 10+7 principper for transmedial storytelling Formål : introducere jer til genren. At give hinanden et sprog til projektstyring af en kampagne. At inspirere til vores egen ide.

3. "Stop saying viral video" http://whatconsumesme.com/2009/posts-ive-written/will-i-share-your-branded-content/

4. Opgave "Skab en fiktiv, tværmedial fortælling om en person der forsvinder. Forsøg at engagér flest mulige mennesker i fortællingen."

5. Web 2.0 storytelling / Alexander & Levine "A story has a beginning, a middle, and a cleanly wrapped-up ending". På digitale medier: Open-ended Branching Hyperlinked Cross-media Participatory Exploratory Unpredictable

6. Før Web 2.0 ht-orkestret.dk

7. Teknologier FTP Frontpage Dreamweaver Photoshop = Sites der ikke bliver opdateret særligt ofte

8. Web 2.0 Mikro-indhold "small chunks of content, with each chunk conveying a primary idea or concept" Mindre end hjemmesider Genbrugelige Self-contained "Lower bar for participation and publishing"

9. Eksempel http://www.flickr.com/photos/matt_hintsa/2355216100/ (vis hvordan det billede kommer op på en hjemmeside via ftp)

10. Web 2.0 Socialt Kommenterbart Addresserbart Delbart "Touched by many people" Synergi "Distributed conversations" Findability Tagging & Social bookmarking

11. Storytelling "the storyteller's empathy and sensory detail, as crucial to 'the unique capability to tap into a complex situation we have all experienced and recognized'" "mobilized desire or fear" Web 2.0: "history, fantasy, a presentation, a puzzle, a message, or something that blurs the boundaries of reality and fiction"

12. Undersøg: Dreamingmethods www.dreamingmethods.com

13. Web 2.0 Storytelling Moving target Multilineært Flere indgange "Harvesting storytelling energies of the creative world" EKSEMPLER http://www.flickr.com/groups/visualstory/ http://community.codemasters.com/forum/second-sight-general-discussion-207/42825-i-found-digital-camera-woods-lots-pics.html http://www.twistori.com http://www.wefeelfine.org http://www.youtube.com/watch?v=KmkVWuP_sO0

14. Fortsat http://www.youtube.com/watch?v=2T5_0AGdFic http://cogdogroo.wikispaces.com/StoryTools http://www.2009atruestory.com/ http://www.youtube.com/2009atruestory#p/a/u/1/HqERrILIXY4 http://twitter.com/#!/novelsin3lines

15. Lonelygirl15 Opdel jer i grupper og fortæl os hvad LG15 handler om.

16. 10 principper for transmedial storytelling "Integral elements of a fiction get dispersed systematically across multiple delivery channels for [...] a unified and coordinated entertainment experience". "Each medium creates its own unique contribution". "Current configuration of the entertainment industry makes transmedia expansion an economic imperative". "Complex fictional worlds which can sustain multiple interrelated characters and their stories". "Encyclopedic Impulse". Forlængelse af konceptet, fastholdelse af interesse Forstørre markedet - different entry points

17. Fortsat "Each episode must be accessible on its own terms" - "Additive comprehension" Høj koordinationsgrad "Ideal aesthetic form for an era of collective intelligence" - "likeminds form communities". "Provides a set of roles and goals which readers can assume as they enact aspects of the story through their everyday life". "Encyclopedic ambitions of transmedia texts [...] introduce potential plots which cannot be fully told [...] participation"

18. Core principles of transmedia storytelling Spreadability vs Drillability : "the capacity of the public to engage actively in the circulation of media content through social networks and in the process expand its economic value and cultural worth" vs "forensic fandom" Continuity vs Multiplicity : "collecting the scattered bits and assembling them into a meaningful whole" vs "to take pleasure in alternative retellings" Immersion vs. Extrability : "yearned to enter a story or travel to a faraway land" vs "takes aspects of the story away with them as resources they deploy in the spaces of their everyday life" Worldbuilding : "now, you pitch a world because a world can support multiple characters and multiple stories across multiple media" Seriality : "A serial, then, creates meaningful and compelling story chunks and then disperses the full story across multiple installments" Subjectivity : "to show us the experiences and perspectives of secondary characters" Performance : "invitational strategies"