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Game audio Karen Collins
OUTLINE ,[object Object],[object Object],[object Object],[object Object],[object Object]
Who cares about games? ,[object Object],[object Object],[object Object],[object Object]
Who cares about game audio? ,[object Object],[object Object],[object Object]
What is game audio? ,[object Object],[object Object],[object Object],[object Object],[object Object]
What’s wrong?
How games are not movies: The problems of games audio ,[object Object],[object Object],[object Object],[object Object],[object Object]
What is Interactive Audio? ,[object Object]
Interactive Audio: Footsteps Enemy music cue
What is  adaptive  audio? ,[object Object]
Adaptive Audio Change in music day to night Wolf, crow
What is Dynamic Audio ,[object Object]
[object Object],[object Object]
History
Functions of Games Sound ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
1. Commercial functions ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Sales, marketing and branding
2. Structural reinforcement ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Structural reinforcement
3. Immersion/suspension of disbelief ,[object Object],[object Object],[object Object],[object Object],[object Object]
Immersion/suspension of disbelief
4. Semiotic functions ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Semiotic Preparatory Function
A test of the semiotics of space/place in Zelda ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],A B C D E F G H I
5. Narrative functions ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Narrative: correct response
6. Emotional functions ,[object Object],[object Object],[object Object],[object Object]
Emotional
7. Aesthetic functions ,[object Object],[object Object],[object Object],[object Object],[object Object]
8. Kinetic functions ,[object Object],[object Object],[object Object]
Kinetic Functions ,[object Object]
Problems (and some solutions)  of Interactive Audio in Games
Mixing: Problems: -too many sounds -no “post production” mixing -unpredictable timings : results in “muddy”, clash of sounds
Mixing Solutions! ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Problem: technological constraints ,[object Object]
Solutions: technological constraints:  ,[object Object],[object Object]
Sampling to save size ,[object Object],[object Object],[object Object],[object Object],[object Object]
Sampling to save space ,[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object]
(1) Solution: transitions: Cross fade
[object Object],[object Object],[object Object],[object Object],[object Object]
Solutions: multi-player interactivity ,[object Object],[object Object]
Multi-player music
Problem: listener fatigue ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Solutions: Listener fatigue ,[object Object],[object Object],[object Object]
Dynamic Composition: Variability ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Variable tempo
Variable tempo
Variable pitch
Variable Pitch
Variable volume
Variable DSP ,[object Object],[object Object],[object Object],[object Object]
Variable melodies ,[object Object]
Variable harmony ,[object Object],[object Object]
Variable mixing ,[object Object],[object Object],[object Object]
Cheese Racer ,[object Object],[object Object],[object Object],[object Object]
(cont..)‏ ,[object Object],[object Object],[object Object],[object Object]
Dynamic Music- example ,[object Object]
Russian Squares ,[object Object]
Variable sequencing ,[object Object],[object Object]
Variable structure ,[object Object]
Transition Matrix: No One Lives Forever ,[object Object],[object Object]
No One Lives Forever ,[object Object],[object Object]
What else can be done? ,[object Object]
Super Mario DS ,[object Object],[object Object]
Electroplankton
Rez
Vib Ribbon
Levels of dynamic sound ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Non-dynamic, non-diegetic sound ,[object Object]
Non-dynamic, non-diegetic sound
Adaptive non-diegetic sound ,[object Object],[object Object]
Adaptive non-diegetic sound
Interactive non-diegetic sound ,[object Object],[object Object]
Interactive non-diegetic sound
Non-dynamic diegetic sound ,[object Object]
Non-dynamic diegetic sound
Adaptive diegetic sound ,[object Object]
Adaptive Diegetic Sounds
Interactive diegetic sounds ,[object Object]
Interactive Diegetic Sounds
Kinetic interactive Sound ,[object Object],[object Object],[object Object]

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