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ADVANCED GCE
MEDIA STUDIES G325
Critical Perspectives in Media
!"#$%&'()*!
INSTRUCTIONS TO CANDIDATES
• Write your name clearly in capital letters, your Centre Number and Candidate Number in the spaces
provided on the Answer Booklet.
• Use black ink.
• Read each question carefully and make sure that you know what you have to do before starting your answer.
• Answer both parts of question 1 from Section A and one from Section B.
• Do not write in the bar codes.
INFORMATION FOR CANDIDATES
• The number of marks is given in brackets [ ] at the end of each question or part question.
• The total number of marks for this paper is 100.
• You are advised to divide your time equally between Section A and Section B.
• This document consists of 4 pages. Any blank pages are indicated.
OCR is an exempt Charity
Turn over
© OCR 2010 [500/2589/2]
DC (NF) 13807/3
Candidates answer on the Answer Booklet
OCR Supplied Materials:
• 16 page Answer Booklet
Other Materials Required:
None
Tuesday 15 June 2010
Morning
Duration: 2 hours
THIS IS A NEW SPECIFICATION
! + ' , - !
2
G325 Jun10© OCR 2010
Section A:Theoretical Evaluation of Production
You must answer both 1(a) and 1(b).
In question 1(a) you need to write about your work for the Foundation Portfolio and Advanced Portfolio
units and you may refer to other media production work you have undertaken.
1 (a) Describe the ways in which your production work was informed by research into real media
texts and how your ability to use such research for production developed over time. [25]
In question 1(b) you need to choose one of your media productions to write about.
(b) Analyse one of your coursework productions in relation to genre. [25]
Section A Total [50]
3
G325 Jun10 Turn over© OCR 2010
Section B: Contemporary Media Issues
Answer one question from Section B.
Whichever question you answer, you must refer to at least two media areas in your answer and your
answer should include reference to historical, contemporary and future media.
Contemporary Media Regulation
2 To what extent is contemporary media regulation more or less effective than in previous times?
[50]
3 Discuss the need for media regulation. [50]
Global Media
4 What impact does the increase in global media have on media production? [50]
5 Discuss the positive and negative effects of globalisation of the media. [50]
Media and Collective Identity
6 With reference to any one group of people that you have studied, discuss how their identity has
been ‘mediated’. [50]
7 “Media representations are complex, not simple and straightforward”. How far do you agree with
this statement in relation to the collective group that you have studied? [50]
Media in the Online Age
8 “For media audiences, the internet has changed everything.” Discuss. [50]
9 Explain the extent to which online media exist alongside older methods of distribution in 2010.
[50]
Postmodern Media
10 Why are some media products described as ‘postmodern’? [50]
11 “Postmodern media blur the boundary between reality and representation”. Discuss this idea with
reference to media texts that you have studied. [50]
4
G325 Jun10© OCR 2010
‘We Media’ and Democracy
12 Assess the claim that the media is becoming more democratic. [50]
13 What is ‘we media’ and what difference does it make to citizens? [50]
Section B Total [50]
Total [100]
Copyright Information
OCR is committed to seeking permission to reproduce all third-party content that it uses in its assessment materials. OCR has attempted to identify and contact all copyright holders
whose work is used in this paper. To avoid the issue of disclosure of answer-related information to candidates, all copyright acknowledgements are reproduced in the OCR Copyright
Acknowledgements Booklet. This is produced for each series of examinations, is given to all schools that receive assessment material and is freely available to download from our public
website (www.ocr.org.uk) after the live examination series.
If OCR has unwittingly failed to correctly acknowledge or clear any third-party content in this assessment material, OCR will be happy to correct its mistake at the earliest possible
opportunity.
For queries or further information please contact the Copyright Team, First Floor, 9 Hills Road, Cambridge CB2 1GE.
OCR is part of the Cambridge Assessment Group; Cambridge Assessment is the brand name of University of Cambridge Local Examinations Syndicate (UCLES), which is itself a
department of the University of Cambridge.

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Unit G325 June 2010

  • 1. ADVANCED GCE MEDIA STUDIES G325 Critical Perspectives in Media !"#$%&'()*! INSTRUCTIONS TO CANDIDATES • Write your name clearly in capital letters, your Centre Number and Candidate Number in the spaces provided on the Answer Booklet. • Use black ink. • Read each question carefully and make sure that you know what you have to do before starting your answer. • Answer both parts of question 1 from Section A and one from Section B. • Do not write in the bar codes. INFORMATION FOR CANDIDATES • The number of marks is given in brackets [ ] at the end of each question or part question. • The total number of marks for this paper is 100. • You are advised to divide your time equally between Section A and Section B. • This document consists of 4 pages. Any blank pages are indicated. OCR is an exempt Charity Turn over © OCR 2010 [500/2589/2] DC (NF) 13807/3 Candidates answer on the Answer Booklet OCR Supplied Materials: • 16 page Answer Booklet Other Materials Required: None Tuesday 15 June 2010 Morning Duration: 2 hours THIS IS A NEW SPECIFICATION ! + ' , - !
  • 2. 2 G325 Jun10© OCR 2010 Section A:Theoretical Evaluation of Production You must answer both 1(a) and 1(b). In question 1(a) you need to write about your work for the Foundation Portfolio and Advanced Portfolio units and you may refer to other media production work you have undertaken. 1 (a) Describe the ways in which your production work was informed by research into real media texts and how your ability to use such research for production developed over time. [25] In question 1(b) you need to choose one of your media productions to write about. (b) Analyse one of your coursework productions in relation to genre. [25] Section A Total [50]
  • 3. 3 G325 Jun10 Turn over© OCR 2010 Section B: Contemporary Media Issues Answer one question from Section B. Whichever question you answer, you must refer to at least two media areas in your answer and your answer should include reference to historical, contemporary and future media. Contemporary Media Regulation 2 To what extent is contemporary media regulation more or less effective than in previous times? [50] 3 Discuss the need for media regulation. [50] Global Media 4 What impact does the increase in global media have on media production? [50] 5 Discuss the positive and negative effects of globalisation of the media. [50] Media and Collective Identity 6 With reference to any one group of people that you have studied, discuss how their identity has been ‘mediated’. [50] 7 “Media representations are complex, not simple and straightforward”. How far do you agree with this statement in relation to the collective group that you have studied? [50] Media in the Online Age 8 “For media audiences, the internet has changed everything.” Discuss. [50] 9 Explain the extent to which online media exist alongside older methods of distribution in 2010. [50] Postmodern Media 10 Why are some media products described as ‘postmodern’? [50] 11 “Postmodern media blur the boundary between reality and representation”. Discuss this idea with reference to media texts that you have studied. [50]
  • 4. 4 G325 Jun10© OCR 2010 ‘We Media’ and Democracy 12 Assess the claim that the media is becoming more democratic. [50] 13 What is ‘we media’ and what difference does it make to citizens? [50] Section B Total [50] Total [100] Copyright Information OCR is committed to seeking permission to reproduce all third-party content that it uses in its assessment materials. OCR has attempted to identify and contact all copyright holders whose work is used in this paper. To avoid the issue of disclosure of answer-related information to candidates, all copyright acknowledgements are reproduced in the OCR Copyright Acknowledgements Booklet. This is produced for each series of examinations, is given to all schools that receive assessment material and is freely available to download from our public website (www.ocr.org.uk) after the live examination series. If OCR has unwittingly failed to correctly acknowledge or clear any third-party content in this assessment material, OCR will be happy to correct its mistake at the earliest possible opportunity. For queries or further information please contact the Copyright Team, First Floor, 9 Hills Road, Cambridge CB2 1GE. OCR is part of the Cambridge Assessment Group; Cambridge Assessment is the brand name of University of Cambridge Local Examinations Syndicate (UCLES), which is itself a department of the University of Cambridge.