The document provides details for an art education program for 4th year students, including objectives to explore visual arts and develop artistic skills, content covering figure drawing, animals, plants, landscapes and more, and an evaluation plan addressing criteria like using basic shapes, color mixing, and participating in group art projects. The methodology recommends explaining techniques, assessing student works, and promoting reading to support the program.
The French Revolution, which began in 1789, was a period of radical social and political upheaval in France. It marked the decline of absolute monarchies, the rise of secular and democratic republics, and the eventual rise of Napoleon Bonaparte. This revolutionary period is crucial in understanding the transition from feudalism to modernity in Europe.
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June 3, 2024 Anti-Semitism Letter Sent to MIT President Kornbluth and MIT Cor...Levi Shapiro
Letter from the Congress of the United States regarding Anti-Semitism sent June 3rd to MIT President Sally Kornbluth, MIT Corp Chair, Mark Gorenberg
Dear Dr. Kornbluth and Mr. Gorenberg,
The US House of Representatives is deeply concerned by ongoing and pervasive acts of antisemitic
harassment and intimidation at the Massachusetts Institute of Technology (MIT). Failing to act decisively to ensure a safe learning environment for all students would be a grave dereliction of your responsibilities as President of MIT and Chair of the MIT Corporation.
This Congress will not stand idly by and allow an environment hostile to Jewish students to persist. The House believes that your institution is in violation of Title VI of the Civil Rights Act, and the inability or
unwillingness to rectify this violation through action requires accountability.
Postsecondary education is a unique opportunity for students to learn and have their ideas and beliefs challenged. However, universities receiving hundreds of millions of federal funds annually have denied
students that opportunity and have been hijacked to become venues for the promotion of terrorism, antisemitic harassment and intimidation, unlawful encampments, and in some cases, assaults and riots.
The House of Representatives will not countenance the use of federal funds to indoctrinate students into hateful, antisemitic, anti-American supporters of terrorism. Investigations into campus antisemitism by the Committee on Education and the Workforce and the Committee on Ways and Means have been expanded into a Congress-wide probe across all relevant jurisdictions to address this national crisis. The undersigned Committees will conduct oversight into the use of federal funds at MIT and its learning environment under authorities granted to each Committee.
• The Committee on Education and the Workforce has been investigating your institution since December 7, 2023. The Committee has broad jurisdiction over postsecondary education, including its compliance with Title VI of the Civil Rights Act, campus safety concerns over disruptions to the learning environment, and the awarding of federal student aid under the Higher Education Act.
• The Committee on Oversight and Accountability is investigating the sources of funding and other support flowing to groups espousing pro-Hamas propaganda and engaged in antisemitic harassment and intimidation of students. The Committee on Oversight and Accountability is the principal oversight committee of the US House of Representatives and has broad authority to investigate “any matter” at “any time” under House Rule X.
• The Committee on Ways and Means has been investigating several universities since November 15, 2023, when the Committee held a hearing entitled From Ivory Towers to Dark Corners: Investigating the Nexus Between Antisemitism, Tax-Exempt Universities, and Terror Financing. The Committee followed the hearing with letters to those institutions on January 10, 202
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2024.06.01 Introducing a competency framework for languag learning materials ...Sandy Millin
http://sandymillin.wordpress.com/iateflwebinar2024
Published classroom materials form the basis of syllabuses, drive teacher professional development, and have a potentially huge influence on learners, teachers and education systems. All teachers also create their own materials, whether a few sentences on a blackboard, a highly-structured fully-realised online course, or anything in between. Despite this, the knowledge and skills needed to create effective language learning materials are rarely part of teacher training, and are mostly learnt by trial and error.
Knowledge and skills frameworks, generally called competency frameworks, for ELT teachers, trainers and managers have existed for a few years now. However, until I created one for my MA dissertation, there wasn’t one drawing together what we need to know and do to be able to effectively produce language learning materials.
This webinar will introduce you to my framework, highlighting the key competencies I identified from my research. It will also show how anybody involved in language teaching (any language, not just English!), teacher training, managing schools or developing language learning materials can benefit from using the framework.
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The Roman Empire A Historical Colossus.pdfkaushalkr1407
The Roman Empire, a vast and enduring power, stands as one of history's most remarkable civilizations, leaving an indelible imprint on the world. It emerged from the Roman Republic, transitioning into an imperial powerhouse under the leadership of Augustus Caesar in 27 BCE. This transformation marked the beginning of an era defined by unprecedented territorial expansion, architectural marvels, and profound cultural influence.
The empire's roots lie in the city of Rome, founded, according to legend, by Romulus in 753 BCE. Over centuries, Rome evolved from a small settlement to a formidable republic, characterized by a complex political system with elected officials and checks on power. However, internal strife, class conflicts, and military ambitions paved the way for the end of the Republic. Julius Caesar’s dictatorship and subsequent assassination in 44 BCE created a power vacuum, leading to a civil war. Octavian, later Augustus, emerged victorious, heralding the Roman Empire’s birth.
Under Augustus, the empire experienced the Pax Romana, a 200-year period of relative peace and stability. Augustus reformed the military, established efficient administrative systems, and initiated grand construction projects. The empire's borders expanded, encompassing territories from Britain to Egypt and from Spain to the Euphrates. Roman legions, renowned for their discipline and engineering prowess, secured and maintained these vast territories, building roads, fortifications, and cities that facilitated control and integration.
The Roman Empire’s society was hierarchical, with a rigid class system. At the top were the patricians, wealthy elites who held significant political power. Below them were the plebeians, free citizens with limited political influence, and the vast numbers of slaves who formed the backbone of the economy. The family unit was central, governed by the paterfamilias, the male head who held absolute authority.
Culturally, the Romans were eclectic, absorbing and adapting elements from the civilizations they encountered, particularly the Greeks. Roman art, literature, and philosophy reflected this synthesis, creating a rich cultural tapestry. Latin, the Roman language, became the lingua franca of the Western world, influencing numerous modern languages.
Roman architecture and engineering achievements were monumental. They perfected the arch, vault, and dome, constructing enduring structures like the Colosseum, Pantheon, and aqueducts. These engineering marvels not only showcased Roman ingenuity but also served practical purposes, from public entertainment to water supply.
2. 1.-Objetives:
A.-General objectives from the area of art education:
•Look forward all possibilities related to sound, image and movement as interpretation
and communication elements for expressing ideas and feelings, promoting the affective
equilibrium and the relation with others.
3. A.-General objectives from the area of art education:
•Explore and discover various materials or instruments and
acquire specific techniques of the different artistic languages.
•To apply the artistic knowledge in the observation and the analysis of situations and
objects of the daily reality.
4. A.-General objectives from the area of art education:
•To maintain an attitude of personal and collective research, articulating the perception, the
imagination, the investigation and the sensibility.
•To know some of the possibilities of the audio-visual means and the technologies of the
information and the communication.
5. A.-General objectives from the area of art education:
•
•To know and to value different artistic manifestations of the cultural own heritage and of
other places, collaborating in the conservation and renovation of the local forms of expression
and estimating the enrichment that supposes the exchange with persons of different cultures
who share the same environment.
•To develop a confidence relation with the artistic personal production, respecting the own
creations and the productions of others and being able to receive and express critiques and
opinions.
6. A.-General objectives from the area of art education:
•Being interested for the characteristics of the work of the artists and enjoying as public in the
observation of his productions.
7. B. - Objectives from the area of 4 º
form art education:
Adopt guidelines to follow the procedure of
observation of works of plastic - visual style
To interpret the information that some images
provide as way to express experiences, ideas
and feelings.
To experience the possibilities of the color in contrasts, variations and
combinations, mixing diverse classes of painting as elements of expression and
communication with the others.
8. B. - Objectives from the area of 4 º
form art education:
Organize plastic and artistic activities in group
taking part in an active way
To use digital resources for the
observation, the search of information
and the production of own productions
9. B. - Objectives from the area of 4 º
form art education:
To elaborate images using chromatic spots, tonalities and ranges in
comics, tales, cartels, murals, mosaics, tapestries and impressions.
To enjoy and to respect the principal artistic manifestations of the cultural
own environment and of other cultures
10. 2.- CONTENTS:
Block 1. Art Observation
- Observation to image processing: mapping of the human figure, animals, plants,
objects, landscapes and interior spaces.
- Association images.
- Signs and symbols in visual communication.
- Identification of signals.
- Weather.
- Texture: visual and tactile recognition and application.
11. Block 2. Expression and artistic creation.
-The shape.
- The point.
- The flat and the regular and irregular shapes.
- Geometric shapes.
- The color and use: tones, shade , contrast , mixtures ,
identification, classification criteria
( color wheel, primary colors and blends cool and warm
colors , and objective and subjective colors).
- Coordination of different elements: line- stain, color,
texture and texture - stain.
- The size, proportion and body schema, according to a
canon.
- The composition space.
- The volume and shape.
- The movement in drawing the human figure and
animals.
- Axial symmetry.
- The light in the shape and volume.
12. 3. Evaluation
12
• A. EVALUATION CRITERIA AREA ARTS
EDUCATION FOR 4TH YEAR:
1.Interpret the value of color as expressive
paintings.
2.Combine colors and experimenting with new
mixture.
3.Identify the axis of symmetry of the human
figure.
4.Participate in simple plastic compositions.
5.Recognize the different textures, shapes, sizes
and colors in plastic compositions and objects in
the environment.
13. 13
6.Use the grid to create proportional elements.
7.Explore the expressive and aesthetic possibilities of different visual techniques.
8. Prepare drawings, paintings, collages, prints, illustrations, volumes, modeling and
folding forms.
14. 14
• B. PROCEDURES FOR EVALUATION AND GRADING CRITERIA.
●
• Monitoring of workbooks, in
these we can observe:
●
●
- Presentation
●- Calligraphy-spelling
●- Illustrations
●- Quality of work
●- Performing all jobs
●
●
• Jobs:
●- Individual.
●- Team or collective
(experiences, observations,
information search, murals,
case etc..)
●
●
●
15. 15
• Attitude:
●- Before learning.
●- Participation in common tasks.
●
●
●
-criteria:
●
●
4th Level: Workbook 30%
●
Controls / WORKS 50%
●
Attitude 10%
●
Daily Work 10%
●
●
16. 16
4 . METHODOLOGY
• TEACHING GENERAL PRINCIPLES
-Enable students to do meaningful learning alone.
-Encourage situations where students must update their
knowledge.
-Provide learning situations that make sense to students,
in order to make them motivating.
The principles that guide our educational
practice are:
- Active methodology.
- Motivation.
-Autonomy in learning.
-Gradual programming
-Attention to student diversity.
-Sensitivity for values education.
-Evaluation of the educational process.
17. 7 ATTENTION TO DIVERSITY
One aspect that differences the human with the
other person is the differential fact.
The essential heterogeneity of human beings comes from genetic and
environmental factors combined,
provide the elements that create this singularity.
Personal and social differences in the
teaching-learning process, far from being taken
into account cone enrichment factor and mutual
learning are conceived as an element of
differentiation and causes of learning disabilities,
personal and school maladjustment.
Attention to these students is personalized
17
18. 7- TEACHING MATERIALS
AND RESOURCES
18
Criteria for their development and use:
• They are used to guide the learning process .
• They are appropriate in the psycho-evolutional
characteristics of students.
• What are appropriate to the didactic approach
to the topic.
• Have technical and expressive quality.
• Containing a playful and imaginative
component.
-the resources in the classroom, are
easily accessible and identified and
located and the distribution and
cleaning them, as these influences
the level of motivation, commitment
and involvement of student’s
activities.
We must encourage conservation
of materials and responsibility in
caring for them.
19. 19
A. - SELECTION OF MATERIALS AND
RESOURCES
The crite
ria for se
lection o
material
fc
s t o be a
dopted b urriculum
, follows
y our fac
a set of s
ulty
tandard
provide e
crite
ffective g
eneral ap ria that
to educa
p
tional int
erventio roaches
teaching
na
model p
reviously nd
response
propose
.
d
20. 20
There are some judgments in the
analysis
• Adaptation to the educational context of the school
• Coherence of the objectives proposed with the
contents.
• Good advance of the contents with the objectives.
• Adaptation to the evaluation criteria of the center.
• The variety of activities,
21. 21
Considering all these, we have established a number of specific
guidelines that will guide our selection and are outlined in the
following guidelines for evaluating curriculum materials.
1º Coherence in the Educative Centre Project.
2º Cover all of the objectives of the curriculum.
3º Good organization in the curse’s unit
4º The objectives are clearly stated.
5º The contents have been selected according to the objectives.
6º The selection of content is appropriate to the level of development
7º The progression is adequate.
8º Contributes to the development of basic skills.
9. Part of the background of the students.
10. Ensures the achievement of meaningful learning.
22. 22
11. Wake up the motivation to study and learning.
12. Power using the techniques of intellectual work.
13. Present building activities and expansion.
14. The amount of activities is sufficient.
15. Allow for diversity.
16. The activities are distinct from the contents.
17. Information and explanations of concepts are expressed clearly.
18. The language is adapted to the level.
25. 25
• Knowledge and interaction with the physical world.
• Cultural and artistic.
• Information and digital competition.
26. 26
AIMS
• To explore visual effects.
• To represent the parts and the corporal schemes of the
human figure and animal vertebrates.
• To reproduce different animal covers with the copy
reference.
• To acquire codes and plastic specific technologies.
27. 27
• To use the combination and variation of forms to
produce new and creative plastic effects.
• To investigate mathematical references.
• To enjoy the analysis and alteration of forms and colours.
•
28. 28
• To realice artistic productions.
• To initiative the observation of the present laws.
• To imagine objects from essential geometric forms.
•
29. 29
-To handle different materials and pigments.
- To collaborate in the set of the classroom.
- To express the ideas and emotions of plastic and verbal
form.
-
30. 30
CONTENTS
Figure humanizes: Size and proportion (corporal scheme).
Animals: Drawing of different animals from the same basic forms.
Plants: For example the trees like part of the landscape.
Objects: Geometric composition.
Landscape: Drawing of a landscape estimated from different points of
view.
• Creativity: Like production of a comic.
•
•
•
•
•
•
•
31. CRITERIA OF EVALUATION
31
• Completes corporal corresponding schemes at the age of 9 and 12.
• Use the basic plastic shapes in defining vertebrate animal figures.
• Observes the plastic sequence presented in the landscape models and tries to
reproduce it.
• Use the contour lines.
• Imitates the represented compositions of agreeable visual effect.
• Use the Cartesian references.
• Imitates the forms and colours.
• Explores new forms of plastic representation.
• Cuts the given pieces away with correction and re-compose later a landscape
puzzle.
• Draws human figures.
• Draws sequentially history on prominent figures and animals in movement.
• Expresses the relations between size and distance in his landscape
representations.
• Observes and draws objects with triangular or square form.
• Represents the same landscape with different situation of the line of the
horizon.
•
•
32. MINIMUM REQUIRED
32
• Complete schemes different animals in order to the
defining of each character to be recognized.
• Coloring a tree with two shades of green, corresponding
to light and dark areas.
33. 33
• Differentiate the appropriate paths to the covers
animals: feathers, shells, hair and scales.
• Cut out and glue the pieces of a puzzle into place.
•
Birds have feathers
Snails have shells
Puzzle
Snakes have scales
Lions have hair
34. 34
• Sequencing at least three bullets in a comic.
• Gradually decrease the size of trees in line to represent
the perspective.
•
35. 35
• Draw an everyday object that has a square shape
and one that has a triangular shape.
• Draw and color composition creative nature and
express the feelings associated with the colors
used.
•
Everyday object that
has a square shape
Everyday object that has
a triangular shape
36. 36
METHODOLOGY
• Comment on previous knowledge of the reason for plastic representation.
• Dialogue on personal experiences related to the theme: holidays, animals,
decoration...
• Comment on the relationship between reality and artistic representation.
• Explanation of the technical features in each case.
• Sequencing in conducting the activity: steps for drawing, by the cut and
paste parts, the use of line and color.
• Tips on color: shades, hues, chiaroscuro range.
• Exposure and assessment of the work and its various creative personal
manifestations.