Types of Drawing
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Drawing is an artistic expression that involves marking lines on paper or other materials to visually represent the world. It allows people to express their feelings and create art. There are different types of drawings including sketches, plans, designs, and graphic presentations created using pens, pencils or crayons depending on the purpose. Some common types are life drawings made from direct observation, illustrations that show basic features of objects, cartoons featured in newspapers and magazines, and caricatures that exaggerate structural features of real people.
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Introduction to Drawing
An introduction to drawing for use in Art I and Art II High School Visual Art Classrooom. Warm-up questions are at the end of the presentation.
Figure Drawing Powerpoint
The document discusses three types of figure drawing: gesture drawing, contour drawing, and volume drawing. Gesture drawing focuses on capturing the pose quickly without details. Contour drawing emphasizes awareness of outer edges and looking at the model more than the paper. Volume drawing studies the human form through values without lines, noticing how clothing drapes and joins the body beneath. Examples are provided of each type of drawing.
Still life
A still life is a drawing or painting of inanimate objects arranged by the artist. Setting up an effective still life composition requires choosing a location with good lighting, including architectural elements for direction, and selecting interesting objects to demonstrate value and composition skills. When creating a still life drawing or painting, artists should plan the arrangement of objects, sketch the composition lightly, add value gradually to define shapes rather than using hard lines, and aim for a full range of tones. Proper drawing position and taking time to plan the composition before rendering details are also important tips for developing still life works.
Still life drawing
The document discusses still life drawings and paintings, which depict arranged inanimate objects like fruit, pottery, and flowers. Still lifes allow artists to control composition unlike landscapes. They are a good way to practice observational drawing techniques and developing value scales from light to dark. The tips suggest pretending objects are new, focusing on realistic shading over symbols, and lightly sketching shapes before adding value with techniques like hatching or blending.
Fundamentals of Drawing
I have tried to explain the elementary fundamentals of drawing like shapes, forms, shading, perspective drawing etc.
This training material was prepared for my team consisting primarily of Graphic Designers with the objective that they'd start approaching their work like artists.
There are plenty of exercises at the end of each section as well... hope you enjoy it!
Portraitdrawing
- When drawing a portrait, the width of the head is two-thirds of its height when viewed straight on and seven-eighths of the height when viewed in profile.
- The face can be divided into four equal sections with features falling along these lines, such as the eyes in the middle section.
- Details like eye shape, placement of features, and use of values to render light and shadow are important for accurate portrayal.
Printmaking
This document provides information about printmaking including its purpose of making multiple copies of an original image. It describes various printmaking processes such as silkscreen, lithography, intaglio/etching, monotype, relief, and reduction printing. Tools used in printmaking such as brayers, carving tools, ink plates, and blocks are also outlined. The document concludes with background on how Jennifer Schmitt created the Periodic Table of Printmaking project to combine art and science.
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Printmaking is an indirect means of creating art by transferring an image or design by contact with a matrix such as a block, plate, stone, or screen.
Recommended
Introduction to Drawing
An introduction to drawing for use in Art I and Art II High School Visual Art Classrooom. Warm-up questions are at the end of the presentation.
Figure Drawing Powerpoint
The document discusses three types of figure drawing: gesture drawing, contour drawing, and volume drawing. Gesture drawing focuses on capturing the pose quickly without details. Contour drawing emphasizes awareness of outer edges and looking at the model more than the paper. Volume drawing studies the human form through values without lines, noticing how clothing drapes and joins the body beneath. Examples are provided of each type of drawing.
Still life
A still life is a drawing or painting of inanimate objects arranged by the artist. Setting up an effective still life composition requires choosing a location with good lighting, including architectural elements for direction, and selecting interesting objects to demonstrate value and composition skills. When creating a still life drawing or painting, artists should plan the arrangement of objects, sketch the composition lightly, add value gradually to define shapes rather than using hard lines, and aim for a full range of tones. Proper drawing position and taking time to plan the composition before rendering details are also important tips for developing still life works.
Still life drawing
The document discusses still life drawings and paintings, which depict arranged inanimate objects like fruit, pottery, and flowers. Still lifes allow artists to control composition unlike landscapes. They are a good way to practice observational drawing techniques and developing value scales from light to dark. The tips suggest pretending objects are new, focusing on realistic shading over symbols, and lightly sketching shapes before adding value with techniques like hatching or blending.
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I have tried to explain the elementary fundamentals of drawing like shapes, forms, shading, perspective drawing etc.
This training material was prepared for my team consisting primarily of Graphic Designers with the objective that they'd start approaching their work like artists.
There are plenty of exercises at the end of each section as well... hope you enjoy it!
Portraitdrawing
- When drawing a portrait, the width of the head is two-thirds of its height when viewed straight on and seven-eighths of the height when viewed in profile.
- The face can be divided into four equal sections with features falling along these lines, such as the eyes in the middle section.
- Details like eye shape, placement of features, and use of values to render light and shadow are important for accurate portrayal.
Printmaking
This document provides information about printmaking including its purpose of making multiple copies of an original image. It describes various printmaking processes such as silkscreen, lithography, intaglio/etching, monotype, relief, and reduction printing. Tools used in printmaking such as brayers, carving tools, ink plates, and blocks are also outlined. The document concludes with background on how Jennifer Schmitt created the Periodic Table of Printmaking project to combine art and science.
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Here are the key steps to drawing a mouth:
1. Draw a straight or curved guideline for the top and bottom lips.
2. Draw a small circle in the center for the bow of the upper lip.
3. Draw smaller circles above the guideline for the corners of the mouth.
4. Draw curved lines connecting the circles to form the lips.
5. Add definition and shadows inside the mouth opening.
Practice paying attention to the shapes and proportions. Referencing photos can help capture realistic details. Take your time observing and sketching mouths to improve your skills.
Still life drawing
This document provides instructions for a still life drawing exercise using chiaroscuro techniques. It recommends setting up a simple still life with directional lighting to create shadows and highlights. The instructions describe toning the paper with charcoal dust, then lightly sketching the composition and adding darks with charcoal while subtracting lights with an eraser. Finishing touches include ensuring outlines belong to objects or the background and leaving some objects extending off the edges. The goal is to create a naturalistic drawing using the subtractive and additive process.
Printmaking
Printmaking allows artwork to be more accessible to the public by creating multiple print copies of an original work. There are four main printmaking categories: relief, intaglio, lithography, and serigraphy. Relief printing involves carving the matrix surface to create raised areas that will transfer ink. Intaglio inks are pressed into incised lines on metal plates. Lithography uses a greasy drawing on a stone slab that is treated with acid and inked selectively. Serigraphy uses stencils on a mesh screen to apply paint or ink in a pattern. These various printmaking methods have allowed artwork to be shared more broadly.
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This document introduces different types of drawing techniques, including blind contour drawing where the artist only looks at the subject and not the paper, modified contour drawing where the artist looks mostly at the subject and briefly at the paper, and cross-contour lines that show the three-dimensional form of a subject across its shapes. It also discusses gesture drawings that capture movement through quick sketches, and using value, or light and dark shades, to convey form in two-dimensional drawings. Famous artists like da Vinci, Rembrandt, Picasso, and Escher employed various techniques.
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Intro to printmaking
Printmaking is a form of art that involves transferring ink from a matrix, such as linoleum, to paper to create multiple copies of the same artwork. The document discusses the history and types of printmaking, including relief printing which uses linocuts. It provides instructions for creating a linocut print, including sketching a design, transferring it to linoleum, carving away areas to create the design, inking the linoleum, and printing the design onto paper. Creating prints with multiple colors requires cleaning and re-carving the linoleum between applying each color.
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Figure Drawing
Start by drawing an egg shape for the head and a curved line for the spine and neck. Draw lines to indicate the angles of the shoulders and hips and rectangles for the torso, adding an oval at the belly button. Draw circles for joints and rectangles or ovals for bones of the arms and legs, adding circles for elbows, wrists, knees and ankles. Draw squares for hands and triangles for feet, then practice more poses using magazines or photos as references before adding details like hair and clothing.
Line, contour line, and observation drawing
Here are the key points about lines from the document:
- A line is the path of a moving point in space and is one-dimensional.
- Contour lines follow the outlines and interior details of a subject using continuous lines without picking up the drawing tool. They help show form.
- Line quality, by varying the thickness of lines, can imply shadows and add detail to suggest form.
- Cross contour lines, when added to contour lines, further communicate the three-dimensional form of a subject by indicating planes, contours, and shadows.
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Positive space refers to the area occupied by an object, while negative space is the space around the object. The document discusses how artists use positive and negative space, giving examples of bottles where the positive space is what the bottles occupy and the negative space is the area around them. Artists can manipulate objects by deliberately leaving certain spaces white or adding patterns to trick the viewer's eyes.
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While pen and ink drawings cannot technically create tonal values, there are techniques that can create the illusion of value through hatching, crosshatching, and scumbling. Hatching uses parallel lines to fill an area and appear darker from a distance. Crosshatching layers lines at angles to each other. Scumbling uses small, varied scribbles to build texture and value. These techniques allow pen and ink drawings to suggest light and shadow through line work alone.
Hand art creative expression updated 2023 doc 11.docx
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Hand art creative expression can take various forms and styles, depending on the artist’s intent and chosen techniques. Some common examples include:
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Handprints: Handprints are created by pressing hands onto a surface, leaving a visible imprint. Artists may use various techniques such as finger painting, palm printing, or creating hand stencils to produce unique and personalized artworks.
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Here are the key steps to drawing a mouth:
1. Draw a straight or curved guideline for the top and bottom lips.
2. Draw a small circle in the center for the bow of the upper lip.
3. Draw smaller circles above the guideline for the corners of the mouth.
4. Draw curved lines connecting the circles to form the lips.
5. Add definition and shadows inside the mouth opening.
Practice paying attention to the shapes and proportions. Referencing photos can help capture realistic details. Take your time observing and sketching mouths to improve your skills.
Still life drawing
This document provides instructions for a still life drawing exercise using chiaroscuro techniques. It recommends setting up a simple still life with directional lighting to create shadows and highlights. The instructions describe toning the paper with charcoal dust, then lightly sketching the composition and adding darks with charcoal while subtracting lights with an eraser. Finishing touches include ensuring outlines belong to objects or the background and leaving some objects extending off the edges. The goal is to create a naturalistic drawing using the subtractive and additive process.
Printmaking
Printmaking allows artwork to be more accessible to the public by creating multiple print copies of an original work. There are four main printmaking categories: relief, intaglio, lithography, and serigraphy. Relief printing involves carving the matrix surface to create raised areas that will transfer ink. Intaglio inks are pressed into incised lines on metal plates. Lithography uses a greasy drawing on a stone slab that is treated with acid and inked selectively. Serigraphy uses stencils on a mesh screen to apply paint or ink in a pattern. These various printmaking methods have allowed artwork to be shared more broadly.
Types of drawing
This document introduces different types of drawing techniques, including blind contour drawing where the artist only looks at the subject and not the paper, modified contour drawing where the artist looks mostly at the subject and briefly at the paper, and cross-contour lines that show the three-dimensional form of a subject across its shapes. It also discusses gesture drawings that capture movement through quick sketches, and using value, or light and dark shades, to convey form in two-dimensional drawings. Famous artists like da Vinci, Rembrandt, Picasso, and Escher employed various techniques.
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Sketching Basics- Part 1
The document provides an overview of sketching and discusses the basics of sketching including what a sketch is, the difference between sketching and drawing, common sketching techniques like different pencil grips and strokes, examples of famous designers like Leonardo Da Vinci and Henry Dreyfuss, and exercises to practice sketching techniques like drawing lines, angles, squares and circles. The workshop concludes with an exercise where participants sketch a product by touch alone to practice sketching without sight.
Element of art shape
Shapes are two-dimensional areas enclosed by lines that have height and width. There are two categories of shapes: geometric and organic. Geometric shapes are regular shapes made from straight lines and angles, including basic shapes like squares, triangles, rectangles, and circles, as well as other man-made shapes like diamonds, hexagons, and stars. Organic shapes are irregular and curving with a natural appearance, like leaves, flowers, shells, and clouds.
Intro to printmaking
Printmaking is a form of art that involves transferring ink from a matrix, such as linoleum, to paper to create multiple copies of the same artwork. The document discusses the history and types of printmaking, including relief printing which uses linocuts. It provides instructions for creating a linocut print, including sketching a design, transferring it to linoleum, carving away areas to create the design, inking the linoleum, and printing the design onto paper. Creating prints with multiple colors requires cleaning and re-carving the linoleum between applying each color.
The Visual Elements of Art: TEXTURE
The document discusses texture in visual art. It defines texture as the surface quality or "feel" of an object, describing tactile texture as the actual 3D feel and visual texture as the illusion of texture. It provides examples of texture in nature and art, and discusses different techniques artists use to create the illusion of texture in 2D works, such as using lines, folding paper, stamping, and collage.
Printmaking
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Textures
The document defines texture as the tactile quality of an object's surface, such as its softness or roughness, which is determined by the material used to make the object. It distinguishes between natural textures, which are textures that occur naturally, and artificial textures, which are human-made. It also distinguishes between tactile texture, which is the actual texture that can be felt, and visual texture, which is a simulated texture created through artistic techniques like painting or drawing. The document then provides instructions for two texture-related art projects - creating a texture template and making a mask with various applied textures.
Pastels
The document provides information about pastels including their origins in the 15th century and early use by artists like Leonardo da Vinci and Federico Barocci. It notes that Rosalba Carriera was the first artist renowned for her pastel portraits in the 1700s. Later, artists like Degas championed pastel, raising it to the brilliance of oil paint. The document also describes the composition of pastels, types including soft and hard pastels, techniques for working with them, and surfaces used.
Oil Pastel Technique
Oil pastels can be used in a variety of techniques including stenciling, blending, impasto, hatching and cross-hatching, parallel brush strokes, using fragmented colors, and scratching. The stencil technique involves using oil pastel as a backdrop covered by an ink wash, watercolor, or diluted acrylic paint, allowing the pastel to show through. Blending involves mixing colors using fingers, stumps, or solvents. Impasto creates thick, dense lines that bring out texture and intensity. Hatching and cross-hatching underline relief and create varied hues and textures.
Figure Drawing
Start by drawing an egg shape for the head and a curved line for the spine and neck. Draw lines to indicate the angles of the shoulders and hips and rectangles for the torso, adding an oval at the belly button. Draw circles for joints and rectangles or ovals for bones of the arms and legs, adding circles for elbows, wrists, knees and ankles. Draw squares for hands and triangles for feet, then practice more poses using magazines or photos as references before adding details like hair and clothing.
Line, contour line, and observation drawing
Here are the key points about lines from the document:
- A line is the path of a moving point in space and is one-dimensional.
- Contour lines follow the outlines and interior details of a subject using continuous lines without picking up the drawing tool. They help show form.
- Line quality, by varying the thickness of lines, can imply shadows and add detail to suggest form.
- Cross contour lines, when added to contour lines, further communicate the three-dimensional form of a subject by indicating planes, contours, and shadows.
Positive And Negative Space
Positive space refers to the area occupied by an object, while negative space is the space around the object. The document discusses how artists use positive and negative space, giving examples of bottles where the positive space is what the bottles occupy and the negative space is the area around them. Artists can manipulate objects by deliberately leaving certain spaces white or adding patterns to trick the viewer's eyes.
Pen And Ink
While pen and ink drawings cannot technically create tonal values, there are techniques that can create the illusion of value through hatching, crosshatching, and scumbling. Hatching uses parallel lines to fill an area and appear darker from a distance. Crosshatching layers lines at angles to each other. Scumbling uses small, varied scribbles to build texture and value. These techniques allow pen and ink drawings to suggest light and shadow through line work alone.
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- 2. Drawing is an artistic expression. It is created with the marking of lines into paper or other material where the representation of the visual world is expressed.
- 3. Drawing helps a person to express his/her feelings and creates an art.
- 4. A drawing can consist of: 1. sketch 2. plan 3. design 4. graphic presentation with the help of pens, pencils, or crayons, depending on the purpose.
- 5. 1. Life drawing- created based on direct or real observations. - It is also called still life drawing if you use objects (such as vases, flowers, fruits, among others) for art subjects. - You call it figure drawing if you use models such as person or a cat.
- 6. Still life drawing Figure drawing
- 7. 2. Sketching- created using free- hand or loose drawing. Sketching is used for fast- thinking artists.
- 8. 3. Illustration- a type of drawing created in order to show the basic features of an object. Architects use this type of drawing in order to illustrate the basic figure of a building.
- 9. 4. Cartoon- a drawing featured in newspapers and magazines that tells a joke or humor that criticize. Cartoon characters are popular in the format of comic strips and animation.
- 10. 5. Caricature- a drawn image showing different structural features in an exaggerated way. Caricature means “loaded portrait.” It is created using real- life characters.