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Trailer Script 
ZERO HOUR - 
TRAILER SCRIPT 
INTER-TITLE – “MIRAMAX FILMS” (LOGO) 
DARK ALLEY WAY - NIGHT. 
ESTABLISHING SHOT – SETS THE INITIAL SCENE (DARK AND EERIE) 
LAUREN approaches the alley way and slowly enters it. 
LONG SHOT – LOOKING TOWARDS THE MURDERER DOWN THE ALLEY WAY 
The MURDERER is further up the alley way holding his VICTIM against the hard brick wall. 
LAUREN does not notice until she has entered the alley way. 
CLOSE UP – LAUREN FEELING SCARED AND VULNERABLE 
POINT OF VIEW SHOT – LAUREN WATCHING THE MURDERER 
INTER-TITLE - “IN THE WRONG PLACE” 
LAUREN freezes with fear. 
Distressed cries are heard from his VICTIM as she is stabbed repeatedly. 
INTER-TITLE – “AT THE WRONG TIME” 
*REPEATED SCREAMING* 
POINT OF VIEW SHOT- LAUREN WATHCES THE MURDER 
LAUREN watches from a distance as he bends down and leans over the dead body. 
As he stands again, he turns towards LAUREN, looking directly at her and they both freeze. 
LIVING ROOM OF LAUREN’S HOUSE – NIGHT. 
We see LAUREN speak to the 999 operator on the other end of the phone. 
CLOSE UP – LAUREN MAKING THE PHONE CALL (SHOWING HER HOLDING THE PHONE TO 
HER EAR) 
There is fear and panic seen in her face as she remembers what happened.
Trailer Script 
INTER-TITLE – “ONE PHONE CALL CHANGED EVERYTHING” 
LAUREN: 
(Shakily) 
Can I report a murder? 
*FADES TO BLACK* - SUGGESTS PASSING OF TIME 
STREET – EVENING 
From this point onwards LAUREN begins to feel paranoid that she is being followed by the 
MURDERER as he has not been found by the police. 
LONG SHOT – LAUREN WALKS DOWN THE STREET TOWARDS THE CAMERA (LOOKING 
BEHIND HER FEELING PARANOID) 
HOUSE – EVENING. 
LAUREN returns home and we see her lock her front door and check that she has with the 
constant fear of being stalked. 
POING OF VIEW – AS WE SEE A CLOSE UP OF LAUREN CHECKING THAT THE DOOR IS 
LOCKED (ADDS TENSION AND SUSPICION) 
LAUREN then receives a phone call off of an unknown number. 
CLOSE UP – PHONE RINGING STATING “UNKNOWN NUMBER” 
LAUREN: 
(Fearfully) 
Hello? 
Nobody speaks when she picks up the phone. 
BATHROOM – NIGHT. 
LAUREN gets out of the shower and dresses. 
As she stands up to dry her hair she turns to face the mirror. 
The MURDERER is stood directly behind her holding a knife in his hand. 
OVER THE SHOULDER SHOT- SHOWS HER STOOD IN THE MIRROR WITH THE MURDERER 
STOOD BEHIND HER.
Trailer Script 
INTER-TITLE “CAN SOMETHING BE DONE” 
TWO SHOT – DIRECTLY ON HER WITH THE MURDERER STOOD BEHIND HER 
At this moment LAUREN is beat by the MURDERER and taken towards a car. 
STREET – NIGHT. 
The street is very dark and streetlights are the only source of light. 
LONG SHOT – SHOWS THE ACTION OF LAUREN BEING PUSHED INTO THE CAR 
LAUREN is pushed into the back of the car by the MURDERER and the car speeds away. 
GARAGE – NIGHT. 
LAUREN is now dragged out of the car and shoved into an abandoned garage. 
TWO SHOT – FROM BEHIND, SHOWING HER BEING TAKEN INTO THE GARAGE 
Her blindfold and gag is ripped off so she can see where she is and the threat of the 
MURDERER stood in front of her leaves her speechless. 
CLOSE UP – HER FACE AS THE BLINDFOLD IS RIPPED OFF 
An extreme close up is used to show the MURDERERS hand holding the knife and then a 
pull focus is used to show LAUREN in the background, looking at the knife. 
OFFICE – DAYTIME. 
OVER THE SHOULDER SHOT – THE DETECTIVE LOOKING AT THE NOTE WITH THE CAMERA 
OVER HIS SHOULDER, SHOWING THE AUDIENCE WHAT THE NOTE STATES AT THE SAME 
TIME 
The two DETECTIVES are seen looking at a note that has been sent by the MURDERER 
explaining that LAUREN must be found by 0:00 or she will be killed. 
Over the shoulder shot of the male detective looking at the note 
DETECTIVE 1: 
(Panicked) 
We need to work quickly. 
There is also an over the shoulder shot of them writing things on the whiteboard and 
making links between each piece of evidence. This could also be a two shot of the two 
detectives stood next to each other looking at the evidence.
Trailer Script 
GARAGE –NIGHT. 
CLOSE UPS – A SERIES OF CLOSE UPS ARE USED INTERSPERESED WITH THE FOLLOWING 
INTERTITLES (FAST PACED) 
You can tell by the look on Lauren’s face that she is frightened which draws the audience 
into wanting to know what happens next 
INTER-TITLE - “BEFORE” 
“IT’S” 
“TOO” 
“LATE?” 
*EERIE SOUND EFFECTS, SCREAMS* 
*MUSIC GETS FASTER, RACING HEART* 
INTER-TITLE – “NICKI HILL” 
“MARK PRICE” 
EXTREME CLOSE UP – SHOWING THE CLOCK COUNTING DOWN (SPED UP) AND WHEN THE 
TIME HITS 0:00 EVERYTHING ABRRUPTLY STOPS 
INTER-TITLE “FROM THE DIRECTORS OF ‘THE EQUALIZER’” 
MURDERER: 
Your time is running out. 
*THE MUSIC ENDS ON A LOUD NOTE* 
*A HIGH PITCHED SOUND IS NOW PLAYED AS THE FINAL INTER-TITLES ARE SHOWN* 
INTER-TITLE – “HOUR ZERO” 
“OCTOBER 23RD 2015”

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Trailer Script 2

  • 1. Trailer Script ZERO HOUR - TRAILER SCRIPT INTER-TITLE – “MIRAMAX FILMS” (LOGO) DARK ALLEY WAY - NIGHT. ESTABLISHING SHOT – SETS THE INITIAL SCENE (DARK AND EERIE) LAUREN approaches the alley way and slowly enters it. LONG SHOT – LOOKING TOWARDS THE MURDERER DOWN THE ALLEY WAY The MURDERER is further up the alley way holding his VICTIM against the hard brick wall. LAUREN does not notice until she has entered the alley way. CLOSE UP – LAUREN FEELING SCARED AND VULNERABLE POINT OF VIEW SHOT – LAUREN WATCHING THE MURDERER INTER-TITLE - “IN THE WRONG PLACE” LAUREN freezes with fear. Distressed cries are heard from his VICTIM as she is stabbed repeatedly. INTER-TITLE – “AT THE WRONG TIME” *REPEATED SCREAMING* POINT OF VIEW SHOT- LAUREN WATHCES THE MURDER LAUREN watches from a distance as he bends down and leans over the dead body. As he stands again, he turns towards LAUREN, looking directly at her and they both freeze. LIVING ROOM OF LAUREN’S HOUSE – NIGHT. We see LAUREN speak to the 999 operator on the other end of the phone. CLOSE UP – LAUREN MAKING THE PHONE CALL (SHOWING HER HOLDING THE PHONE TO HER EAR) There is fear and panic seen in her face as she remembers what happened.
  • 2. Trailer Script INTER-TITLE – “ONE PHONE CALL CHANGED EVERYTHING” LAUREN: (Shakily) Can I report a murder? *FADES TO BLACK* - SUGGESTS PASSING OF TIME STREET – EVENING From this point onwards LAUREN begins to feel paranoid that she is being followed by the MURDERER as he has not been found by the police. LONG SHOT – LAUREN WALKS DOWN THE STREET TOWARDS THE CAMERA (LOOKING BEHIND HER FEELING PARANOID) HOUSE – EVENING. LAUREN returns home and we see her lock her front door and check that she has with the constant fear of being stalked. POING OF VIEW – AS WE SEE A CLOSE UP OF LAUREN CHECKING THAT THE DOOR IS LOCKED (ADDS TENSION AND SUSPICION) LAUREN then receives a phone call off of an unknown number. CLOSE UP – PHONE RINGING STATING “UNKNOWN NUMBER” LAUREN: (Fearfully) Hello? Nobody speaks when she picks up the phone. BATHROOM – NIGHT. LAUREN gets out of the shower and dresses. As she stands up to dry her hair she turns to face the mirror. The MURDERER is stood directly behind her holding a knife in his hand. OVER THE SHOULDER SHOT- SHOWS HER STOOD IN THE MIRROR WITH THE MURDERER STOOD BEHIND HER.
  • 3. Trailer Script INTER-TITLE “CAN SOMETHING BE DONE” TWO SHOT – DIRECTLY ON HER WITH THE MURDERER STOOD BEHIND HER At this moment LAUREN is beat by the MURDERER and taken towards a car. STREET – NIGHT. The street is very dark and streetlights are the only source of light. LONG SHOT – SHOWS THE ACTION OF LAUREN BEING PUSHED INTO THE CAR LAUREN is pushed into the back of the car by the MURDERER and the car speeds away. GARAGE – NIGHT. LAUREN is now dragged out of the car and shoved into an abandoned garage. TWO SHOT – FROM BEHIND, SHOWING HER BEING TAKEN INTO THE GARAGE Her blindfold and gag is ripped off so she can see where she is and the threat of the MURDERER stood in front of her leaves her speechless. CLOSE UP – HER FACE AS THE BLINDFOLD IS RIPPED OFF An extreme close up is used to show the MURDERERS hand holding the knife and then a pull focus is used to show LAUREN in the background, looking at the knife. OFFICE – DAYTIME. OVER THE SHOULDER SHOT – THE DETECTIVE LOOKING AT THE NOTE WITH THE CAMERA OVER HIS SHOULDER, SHOWING THE AUDIENCE WHAT THE NOTE STATES AT THE SAME TIME The two DETECTIVES are seen looking at a note that has been sent by the MURDERER explaining that LAUREN must be found by 0:00 or she will be killed. Over the shoulder shot of the male detective looking at the note DETECTIVE 1: (Panicked) We need to work quickly. There is also an over the shoulder shot of them writing things on the whiteboard and making links between each piece of evidence. This could also be a two shot of the two detectives stood next to each other looking at the evidence.
  • 4. Trailer Script GARAGE –NIGHT. CLOSE UPS – A SERIES OF CLOSE UPS ARE USED INTERSPERESED WITH THE FOLLOWING INTERTITLES (FAST PACED) You can tell by the look on Lauren’s face that she is frightened which draws the audience into wanting to know what happens next INTER-TITLE - “BEFORE” “IT’S” “TOO” “LATE?” *EERIE SOUND EFFECTS, SCREAMS* *MUSIC GETS FASTER, RACING HEART* INTER-TITLE – “NICKI HILL” “MARK PRICE” EXTREME CLOSE UP – SHOWING THE CLOCK COUNTING DOWN (SPED UP) AND WHEN THE TIME HITS 0:00 EVERYTHING ABRRUPTLY STOPS INTER-TITLE “FROM THE DIRECTORS OF ‘THE EQUALIZER’” MURDERER: Your time is running out. *THE MUSIC ENDS ON A LOUD NOTE* *A HIGH PITCHED SOUND IS NOW PLAYED AS THE FINAL INTER-TITLES ARE SHOWN* INTER-TITLE – “HOUR ZERO” “OCTOBER 23RD 2015”