Trailer conventions in our own trailer
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Our trailer challenged conventions by starting with fast cuts of the protagonist trying to turn on a torch during a jump scare, then transitioning to a calm setting with slow, constant music. As the villain entered, the pace of the music and cuts sped up to create suspense. Near the end were multiple quick cuts to keep viewers on edge. Theme music started calm on piano but became faster and louder after a scream. The trailer ended by displaying the release date and social media logos to engage the target audience.
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Guy riche research
Guy Ritchie is an English film director known for crime films like Lock, Stock and Two Smoking Barrels and Snatch. The document discusses how Ritchie establishes genre and tone through consistent stylistic elements in his film openings. These include music, camerawork, fonts and mise-en-scene that set the period and convey information about characters. Ritchie's openings across different films have recognizable similarities that signal to audiences they are watching one of his movies.
Fancy Music Video Analysis
The music video for Iggy Azalea's song "Fancy" recreates iconic scenes from the 1995 film "Clueless". Iggy and other actors play the main characters from the film. Each shot in the music video mirrors corresponding scenes from "Clueless" through costumes, sets, and camera angles. The video pays homage to the film through precise intertextual references while also incorporating more modern elements like cell phones.
Music
Horror films effectively use sound in three key ways: music, sound effects, and highlighting important moments. Music establishes atmosphere and tension through isolated instruments, suspenseful notes, and changes in pitch. Sound effects like creaking doors and echoed voices are classic horror tropes that signal danger. Directors strategically incorporate sounds to craft an immersive experience for audiences and connect them to characters' emotions.
Title sequence conv presentation (1)
Title sequences present a film or television program's title and key production members, often using visuals and music. They typically display names in this order: production companies, director, producer, executive producer, top actors, and title. Though order can vary, title sequences aim to introduce viewers to the film's subject and genre through moving imagery and clues about characters. For example, "The Silence of the Lambs" features dying moths in silence, reflecting the title, while "The Pink Panther" begins with Peter Seller's name to signal a mystery. Though different in content, both sequences reveal essential details to set expectations before the story begins.
Lesson 4 sound in tv drama
Diegetic sounds originate from within the scene and can be heard by the characters, while non-diegetic sounds are added in post-production and can only be heard by the audience. Sound is important to drama because it helps viewers understand the plot and suggests what is happening, even without visuals. Different genres of TV drama call for specific types of non-diegetic music, such as hospital dramas using somber music or police dramas employing suspenseful music.
Title Sequence Formal Conventions Research Task
The title sequence introduces the main characters and themes of the film through visuals and sound. It typically lasts 2-5 minutes and establishes the tone and setting. The Spectre sequence shows glimpses of action and elegant visuals, accompanied by the film's theme song. Catch Me If You Can uses silhouettes that transition between settings and a changing soundtrack. Dark Shadows slowly introduces the main character Victoria and her journey to a castle, with a dramatic score that fades out for dialogue.
The good the ugly de-con
The opening credits of the western film feature the iconic theme music composed by Ennio Morricone, setting the tone of the genre. Animated splashes of blood and images of outlaws on horses further establish the violent nature of the film. The early production company logos like United Artists, founded by legends like Charlie Chaplin, signal this will be a major production. Gunshots accompany the prominent billing of star Clint Eastwood, portrayed as a dangerous gunslinger. The director's name is still unknown, building anticipation, as the larger fonts and colors used for the supporting cast are introduced. Through these stylized credits without footage, the film conveys it will be an epic with a big build up for viewers.
The Purpose of Music Videos
Music videos initially emerged in the 1940s as a way to promote songs and artists through visuals synced to music. They gained popularity with the rise of music television channels like MTV in the 1980s. Today, music videos are widely used to market songs, albums, artists, directors, and record labels through various online and social media platforms. They provide additional revenue streams beyond music sales and help cross-promote films, TV shows, and other entertainment properties through collaborative partnerships.
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Guy riche research
Guy Ritchie is an English film director known for crime films like Lock, Stock and Two Smoking Barrels and Snatch. The document discusses how Ritchie establishes genre and tone through consistent stylistic elements in his film openings. These include music, camerawork, fonts and mise-en-scene that set the period and convey information about characters. Ritchie's openings across different films have recognizable similarities that signal to audiences they are watching one of his movies.
Fancy Music Video Analysis
The music video for Iggy Azalea's song "Fancy" recreates iconic scenes from the 1995 film "Clueless". Iggy and other actors play the main characters from the film. Each shot in the music video mirrors corresponding scenes from "Clueless" through costumes, sets, and camera angles. The video pays homage to the film through precise intertextual references while also incorporating more modern elements like cell phones.
Music
Horror films effectively use sound in three key ways: music, sound effects, and highlighting important moments. Music establishes atmosphere and tension through isolated instruments, suspenseful notes, and changes in pitch. Sound effects like creaking doors and echoed voices are classic horror tropes that signal danger. Directors strategically incorporate sounds to craft an immersive experience for audiences and connect them to characters' emotions.
Title sequence conv presentation (1)
Title sequences present a film or television program's title and key production members, often using visuals and music. They typically display names in this order: production companies, director, producer, executive producer, top actors, and title. Though order can vary, title sequences aim to introduce viewers to the film's subject and genre through moving imagery and clues about characters. For example, "The Silence of the Lambs" features dying moths in silence, reflecting the title, while "The Pink Panther" begins with Peter Seller's name to signal a mystery. Though different in content, both sequences reveal essential details to set expectations before the story begins.
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Title Sequence Formal Conventions Research Task
The title sequence introduces the main characters and themes of the film through visuals and sound. It typically lasts 2-5 minutes and establishes the tone and setting. The Spectre sequence shows glimpses of action and elegant visuals, accompanied by the film's theme song. Catch Me If You Can uses silhouettes that transition between settings and a changing soundtrack. Dark Shadows slowly introduces the main character Victoria and her journey to a castle, with a dramatic score that fades out for dialogue.
The good the ugly de-con
The opening credits of the western film feature the iconic theme music composed by Ennio Morricone, setting the tone of the genre. Animated splashes of blood and images of outlaws on horses further establish the violent nature of the film. The early production company logos like United Artists, founded by legends like Charlie Chaplin, signal this will be a major production. Gunshots accompany the prominent billing of star Clint Eastwood, portrayed as a dangerous gunslinger. The director's name is still unknown, building anticipation, as the larger fonts and colors used for the supporting cast are introduced. Through these stylized credits without footage, the film conveys it will be an epic with a big build up for viewers.
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The document discusses several music videos that defy conventions by not including lip syncing. The top video in the first section features ballet dancing throughout with one character. The middle video shows two dancers in a classical style. The bottom video has modern, fast-paced dancing with many dancers. The document suggests including dancing without lip syncing would make the video more interesting to viewers.
Sound planning
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Sound planning
The document discusses non-diegetic sounds that will be used in the opening of a horror film, including production company sound, theme tune, eerie music, and heartbeat sounds. It notes that some sounds will be self-recorded while others will come from free sound effect websites. The use of sounds in horror films adds suspense, tension, and draws the audience into the action by contributing to the atmosphere and scene. Examples are given of how different horror films utilize diegetic and non-diegetic sounds differently.
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Goodwin theory
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Crimson peak title analysis
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In vibes pitch
. The proposal is for a 1970s style music video featuring a band.
. The story will involve undercover police trying to catch a drug lord, with the band playing at certain points.
. Scenes will match the pace of the music - fast scenes for fast music, slow motion for slow music.
. The opening credits will be in colorful font like in the Beastie Boys' "Sabotage" video.
Trailer convetions
Trailers typically include a tagline to hint at the film's narrative and what the audience can expect, with Alien using "In space no one can hear you scream." The title is shown at the end so viewers remember it. Age ratings like PG are also displayed to indicate appropriate audiences. Production companies begin trailers with their logos and hints of the narrative aim to intrigue viewers into watching. Release dates are usually included so the audience knows when they can see the film.
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Different styles of music video
There are several different styles of music videos. Performance videos focus solely on the artist performing, using various camera angles without any narrative. Narrative videos tell a story through performance and additional scenes. Cameo videos feature other artists or celebrities making appearances alongside the main artist. Notion of looking videos show the audience watching or observing the actions of the artist or other characters.
Evaluation 4
The student used several media technologies throughout the construction, research, planning, and evaluation stages of their film project. In pre-production, they used a Nikon camera to visually present characters effectively on screen and conducted research on thriller conventions. They edited the film title in iMovie to be red based on research on thriller color schemes. Premium Beat was used to find music that reflected the storyline and characters. In post-production, Vimeo was used to upload and post the trailer online, and comments on Vimeo provided feedback on audience expectations.
Task 4 - Research into 6x Film Trailers - Shaun of the Dead
The trailer uses several techniques to appeal to audiences. It introduces the main comedic actors Simon Pegg and Nick Frost to attract fans. Though set in a small English village, the trailer adopts conventions of American action films. It employs a British voiceover and quirky music to set a comedic tone, while using intense music, sound effects and intertitles to convey horror elements and build suspense. The fast pace and transitions toward the end showcase intense action scenes to engage audiences.
Creativity in year 12
1) The document discusses the creative process behind two film projects - a thriller film opening title sequence and a music video production.
2) For the thriller sequence, the creator was inspired by techniques from films like Psycho, including tense music and fast-paced camera shots to build suspense.
3) For the music video, the creator drew inspiration from Taylor Swift videos that tell a narrative story, and incorporated bright colors as is common in pop music videos to make it appealing.
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Films and cinemas
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Lucy trailer analysis
This document analyzes a movie trailer and poster. It determines that the trailer is 2 minutes long, includes scene snippets and release information, making it a theatrical trailer rather than a teaser trailer. The editing of the trailer creates a narrative through techniques like intertitles and sound mixing. Genre signifiers used in the trailer include fast pacing, music, and sound effects to denote it as an action film. The poster features the main character and synergizes with the trailer by showing the enigmatic central character.
INSPIRATION
The document discusses several music videos that defy conventions by not including lip syncing. The top video in the first section features ballet dancing throughout with one character. The middle video shows two dancers in a classical style. The bottom video has modern, fast-paced dancing with many dancers. The document suggests including dancing without lip syncing would make the video more interesting to viewers.
Sound planning
The document discusses non-diegetic sounds that will be used in the opening of a horror film, including production company sound, theme tune, eerie music, and heartbeat sounds. It notes that some sounds will be self-recorded while others will come from free sound effect websites. The use of sounds in horror films adds suspense, tension, and draws the audience into the action by contributing to the atmosphere and scene. Examples are given of how different horror films utilize diegetic and non-diegetic sounds differently.
Sound planning
The document discusses non-diegetic sounds that will be used in the opening of a horror film, including production company sound, theme tune, eerie music, and heartbeat sounds. It notes that some sounds will be self-recorded while others will come from free sound effect websites. The use of sounds in horror films adds suspense, tension, and draws the audience into the action by contributing to the atmosphere and scene. Examples are given of how different horror films utilize diegetic and non-diegetic sounds differently.
mp3 217
How you add mp3?
Do you take heed to modern by sites aside from YouTube? Not only can you obtain Yo...
Suicide squad trailer
The trailer uses a montage of random shots to create humor and intrigue audiences about what will happen in the film. It shows brief snippets of dialogue to tease the plot without revealing too much. The target audience includes fans of action, comedy films and DC comics, appealing to both male and female viewers. Scenes of the characters in combat gear and with weapons establishes this as an action film, though it also shows them working as a team, making the "bad guys" seem both threatening and like the protagonists. Upbeat, fast-paced music matches the tone and builds excitement, while softer music introduces the more comedic female character. Editing techniques like montage and establishing shots keep the trailer compelling
Parody In Music Videos
Parody music involves changing or copying lyrics and musical ideas from existing well-known songs in a humorous way. Examples include barelypolitical's parody of "Love The Way You Lie" by Eminem and Rihanna, as well as Eminem's own parodies sometimes mocking other artists or celebrity culture.
My friend pedro music
Navie D is a brown guy from Canada that used to make beats for rappers. The site provides the songs that he made for the official My Friend Pedro soundtrack.
Title sequence analysis
I have looked at the title sequences of 3 different films and created a timelines using "Tiki-Toki" to display the content and timings of the titles which appear on screen. From this information, I have decided on which titles will be featured in my opening sequence, which titles are common in each film and what the titles can tell me in terms of film production and funding. I have also evaluated which method of creating my title sequence would be best for my film, and I have presented all of this information in a PowerPoint format.
Title research
The document discusses various elements that appear in horror film trailers such as titles, credits, quotes, and social media links. It examines where these elements are placed in the sequence and how they fit with the narrative structure, genre/subgenre, and purpose. Titles are usually placed at the end to leave the best for last. Credits provide information about the cast and crew but also attract audiences. Quotes are used to create thrills and fit the horror genre. Social media links appear at the end for marketing purposes. Elements vary in style based on the specific film but generally fit the overarching horror genre through use of colors, fonts, and effects.
Goodwin theory
Goodwin's Theory outlines 6 steps for an effective music video: 1) Relationship between lyrics and visuals, 2) Relationship between music and visuals, 3) Genre icons and styles, 4) Close ups of artists, 5) Iconography, and 6) Voyeurism. The document analyzes Eminem's "Without Me" music video and finds it follows Goodwin's Theory well. It provides illustrative and amplifying examples of how the video synchronizes the lyrics and visuals and shows the artists reacting to the music. Close ups of Eminem as the main artist are used frequently. The video also carries iconography from comic books through its Batman and Robin theme.
Crimson peak title analysis
The title sequence for Crimson Peak uses a dark, gloomy background with white text to introduce the film. Mysterious, murky background images and unsettling music build intrigue for the thriller genre. Color is later introduced along with softer music, suggesting hope in the story. The sequence ends abruptly with a loud instrument sound as a book slams shut, keeping viewers engaged until the end.
Analysis of 4 trap music videos - 4)In For The Kill
This music video for the song "In For The Kill" by KLOUD has a futuristic, computer-based visual concept that strongly matches the lyrics and music. The visuals portray a sci-fi setting without people, using computer screens and code-like lyrics to immerse the audience in a machine world. There are no close-ups of the artist and no narrative elements, as is common for trap music videos focusing entirely on the music and visual experience instead of the artist.
Les mis
This document discusses marketing strategies for a film adaptation of a musical, including targeting audiences who enjoy musical theater and songs. Posters, trailers, social media, and television ads would be used to promote the film. The posters would feature the main characters prominently and use dramatic colors and imagery to convey the story and generate interest. Release dates for the film's trailer, posters, soundtrack, and wide release are also outlined.
In vibes pitch
. The proposal is for a 1970s style music video featuring a band.
. The story will involve undercover police trying to catch a drug lord, with the band playing at certain points.
. Scenes will match the pace of the music - fast scenes for fast music, slow motion for slow music.
. The opening credits will be in colorful font like in the Beastie Boys' "Sabotage" video.
Trailer convetions
Trailers typically include a tagline to hint at the film's narrative and what the audience can expect, with Alien using "In space no one can hear you scream." The title is shown at the end so viewers remember it. Age ratings like PG are also displayed to indicate appropriate audiences. Production companies begin trailers with their logos and hints of the narrative aim to intrigue viewers into watching. Release dates are usually included so the audience knows when they can see the film.
20 ben
The 1975 is a British band known for incorporating the color pink into their album covers, trailers, and music videos to relate to their target female audience. Their album I Like It When You Sleep features shades of pink and white with contrast to make the colors stand out. Teasers and videos for singles from the album continue this color scheme and font to maintain a consistent brand identity across products. Most of their videos simply feature the band performing to highlight their music.
Different styles of music video
There are several different styles of music videos. Performance videos focus solely on the artist performing, using various camera angles without any narrative. Narrative videos tell a story through performance and additional scenes. Cameo videos feature other artists or celebrities making appearances alongside the main artist. Notion of looking videos show the audience watching or observing the actions of the artist or other characters.
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Analysis of 4 trap music videos - 4)In For The Kill
Analysis of 4 trap music videos - 4)In For The Kill
Similar to Trailer conventions in our own trailer
Evaluation 4
The student used several media technologies throughout the construction, research, planning, and evaluation stages of their film project. In pre-production, they used a Nikon camera to visually present characters effectively on screen and conducted research on thriller conventions. They edited the film title in iMovie to be red based on research on thriller color schemes. Premium Beat was used to find music that reflected the storyline and characters. In post-production, Vimeo was used to upload and post the trailer online, and comments on Vimeo provided feedback on audience expectations.
Task 4 - Research into 6x Film Trailers - Shaun of the Dead
The trailer uses several techniques to appeal to audiences. It introduces the main comedic actors Simon Pegg and Nick Frost to attract fans. Though set in a small English village, the trailer adopts conventions of American action films. It employs a British voiceover and quirky music to set a comedic tone, while using intense music, sound effects and intertitles to convey horror elements and build suspense. The fast pace and transitions toward the end showcase intense action scenes to engage audiences.
Creativity in year 12
1) The document discusses the creative process behind two film projects - a thriller film opening title sequence and a music video production.
2) For the thriller sequence, the creator was inspired by techniques from films like Psycho, including tense music and fast-paced camera shots to build suspense.
3) For the music video, the creator drew inspiration from Taylor Swift videos that tell a narrative story, and incorporated bright colors as is common in pop music videos to make it appealing.
Sound research media
- Don Lafontaine was known as the voiceover artist for over 4,000 movie trailers since 1963, often beginning with the phrase "In a world..."
- Music is an important part of movie trailers but often the film score is not complete, so trailer editors source music from other movies, popular songs, or specially composed library music to set the tone
- For example, the trailer for Lemony Snicket's A Series of Unfortunate Events used music from Edward Scissorhands to remind viewers of that Tim Burton film
IDEAS FOR USE OF SOUND
The document discusses using sound in a trailer for a horror film called The Human Carvery. It explains that non-diegetic sound like music can be used to add suspense, tension, and scare audiences. The group plans to use slow then menacing music when the butcher appears, no music during murders to build suspense, and fast-paced music during chase scenes. An analysis of the film Scream shows it uses phone call music to build tension, stops music briefly for chilling lines, and mixes hacking/banging noises with eerie music for the scariest parts of the trailer.
Question 1 media
The document discusses how the media product (a horror trailer and poster) uses and develops conventions of real horror media. Specifically:
- The trailer uses conventions like sound/music to build tension and a camcorder effect to seem realistic. It is set in woods like Friday the 13th.
- The poster is inspired by The Woman in Black and includes elements like a dull tone, reviews, and film ratings like real posters.
- Some elements challenge conventions, like the trailer being less fast-paced and lacking clear protagonists/antagonists. The characters' clothes are also cleaner than typical horror.
- Distribution platforms like YouTube are used to reach audiences, following conventions of real horror
sound ideas
This document discusses the use of non-diegetic sound in film trailers to add suspense, tension, and fear. It analyzes the sounds used in the trailer for the horror film Scream. The group plans to use various non-diegetic sounds in their own horror trailer, including ominous music during establishing shots that gets more intense when the villain appears. During murders there will be no sound, but eerie music before and after. Fast-paced music will accompany chase scenes. Silence will build suspense when the villain searches for victims.
Sound Ideas
This document discusses the use of non-diegetic sound in film trailers to add suspense, tension, and fear. It analyzes the sounds used in the trailer for the horror film Scream. The group plans to use various non-diegetic sounds in their own horror trailer, including ominous music during establishing shots that gets more menacing when the villain appears. During murders there will be no sound, but eerie music before and after. Fast-paced music will accompany chase scenes. Silence will build suspense when the villain searches for victims.
My Evaluation
The student worked in a group of three to create a thriller film opening called "Banshee". The student took responsibility for the storyline, production company identity, and audience feedback aspects. They researched existing horror films to inform the project, focusing on "Blair Witch Project", "Grave Encounters", and "28 Weeks Later". The opening features a false alarm to create unease in the audience. Feedback on the finished opening was generally positive.
Evaluation - Task 1
Our teaser trailer used conventions of real teaser trailers by having a length between 1 to 2 minutes, using montage editing in the second half to contrast a slower introduction, and including voiceovers and soundtrack to portray the genre and narrative. Similarly, our ident, titles, and graphics used in the trailer followed conventions seen in other teaser trailers like "BrOTHERHOOD", which we took inspiration from. Our poster and magazine cover also employed standard design elements typical of those media but tailored them to promote our independent British crime drama film.
Question 2
The document discusses how the poster and radio trailer for a psychological thriller film were designed to effectively promote the main product. It describes researching similar genre films for poster inspiration and creating a draft poster focusing on the mask as a key film element. The final poster was created in Sumo Paint and features shadows, lighting effects and social media links to match the thriller genre. Details are also provided on important inclusions for the radio trailer like suspenseful music, dialogue and sound effects from the film to draw in an audience.
Question 1 - Conventions
This document discusses the conventions used in creating a crime/thriller genre trailer. It describes using teenage characters rather than stereotypical strong males to add realism. Camera work included wide shots for context and a high angle shot to introduce innocent characters. Close-up shots and fast-paced editing kept viewers engaged. Sound incorporated background music that increased in pace with tension and voiceovers to provide context without revealing the full story. Overall, consistency across the trailer and ancillary products like fonts, lighting and dark tone helped viewers associate the products and understand the crime/thriller brand.
Foundation portfolio evaluation
The document summarizes the conventions of horror/slasher films and how the student's opening film sequence adhered to and challenged some of these conventions. It discusses having a vulnerable victim being chased by a disguised killer. It also describes how the student's film used music, camera techniques, editing, and other elements to create tension and establish the horror genre while also subverting some expectations like using a female killer.
Foundation portfolio evaluation
1) The victim, a young girl, is chased through the woods by an unknown figure. Eerie music builds tension as the victim runs in fear.
2) The victim wakes up, revealing the chase was a dream, though a title card hints at impending danger.
3) Conventions like vulnerable victims, masked killers, and scary music were employed to set the genre, though lighting was brighter and violence was omitted to build suspense rather than gore.
Evaluation - Question 1
The document discusses the use of conventions and forms in the opening sequence of a thriller film media product. It summarizes how the opening sequence includes conventional characters of a young male lead and vulnerable female. It also includes typical thriller themes of romance and uses non-diegetic music and titles to introduce characters. The document analyzes how the opening sequence adheres to conventions but also aims to challenge expectations through the use of lighting and editing techniques.
How did you attract/address your audience?
Through creating a Twitter account and posting regular updates, Dark Horse Productions was able to effectively promote its new film. This included uploading a trailer and the first two minutes of footage. Using social media allowed the company to reach a larger, global audience. The teaser trailer for the film was only 21 seconds long but conveyed the dark atmosphere through brief clips and left audiences wanting more information. This increased anticipation and views for the film online. The film's unique selling point is its focus on the psychological characterization of the troubled characters, including a religious subplot, rather than solely focusing on crime elements like many similar thrillers.
Sound research
The document discusses using sound effectively in movie trailers. It provides examples from films like Inception and Prisoners that use sounds like electronic thuds and ticking clocks to build tension and urgency. Short trailers need sound to convey the same information as longer films. Certain sounds can help set the tone, like upbeat music for a teen drama versus dramatic music for a thriller. The document also discusses using recognizable soundtracks to remind audiences of other similar films. However, sounds and music cannot be used without permission and must be royalty-free if obtained from other sources. The document advises researching royalty-free sound options on sites like freesound.org and GarageBand.
Teaser trailer power point
A teaser trailer is released long before a film to generate hype and let audiences know it is coming without revealing much about the plot. Teaser trailers use elements like sound, characters, production logos, and exciting or scary key moments to engage audiences and make them want to learn more without giving away the full story. Effective teaser trailers are strategically edited with techniques like changes in pace, music, and footage cuts to build drama and tension while revealing just enough to intrigue viewers.
Question 1
The document discusses conventions used in film title sequences and openings, using the film Psycho as an example. It describes conventions at both the macro and micro level. At the macro level, Psycho does not show characters in its title sequence but only addresses them in the credits. At the micro level, Psycho uses black and white film stock, dramatic music, and motion titles to set an ominous tone. The document also discusses how the student group applied conventions from Psycho in their own horror title sequence, such as using red text on a black background and dramatic sound and music to signal the genre to viewers.
Sound
The researchers conducted sound research for their film genre and found that sound effects play an important role by suiting each scene. They used gunshot sounds at the beginning to represent a killing, thunder sounds when showing the protagonist sleeping, and suspense music throughout to keep the audience engaged. The sounds were intended to help audiences understand and interact with the story by questioning what happens next.
Similar to Trailer conventions in our own trailer (20)
Task 4 - Research into 6x Film Trailers - Shaun of the Dead
Task 4 - Research into 6x Film Trailers - Shaun of the Dead
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Evaluation question 1
This document summarizes how the media product, including a magazine cover, movie poster, and trailer, uses and develops conventions from real media while also challenging some conventions. It conforms to conventions like including mastheads, cover images, barcodes, and movie titles as the largest text. It challenges conventions by adding a lens flare in the masthead, using a black backdrop instead of a busy background, and including a website link on the poster. Sound effects and shots of characters running and screaming also conform to horror genre conventions.
Evaluation question 3
This document summarizes how the media product, including a magazine cover, movie poster, and trailer, uses and develops conventions from real media while also challenging some conventions. For the magazine cover, conventions like the masthead, cover image, and minimal use of fonts were followed, while a lens flare in the masthead challenged conventions. Darkness and shadows were used on the movie poster to develop horror conventions. The trailer included logos, text, shots of the protagonist, and sounds/music from real horror trailers to conform to conventions, while also featuring original elements like the final girl trope.
Survey responce
(1) The author distributed a survey via social media and messaging apps to gather information about their target audience's fears, preferences in horror movie genres and elements, and what scenarios they find scariest.
(2) The survey results showed the target audience's greatest fears included small spaces and death. They also mostly disliked gore in movies.
(3) Psychological horror was the most preferred genre followed by supernatural and zombie horror. Soundtracks were also an important element for drawing audiences to watch trailers and movies.
(4) Being trapped alone hiding in
Poster layout and Photoshop
Ruby created a movie poster for the film "The Intrusion" by conducting research on horror movie poster conventions. She included the names of the production company and group members. Ruby designed the text in Photoshop and added layers to make it look professional. She also included the movie title, age rating, web address and production company logos. Ruby selected an image taken by Aamina and positioned the text elements to avoid clutter. Additional tweaks included changing text colors and adding a satin overlay to elements to improve readability against the black background.
Research into film magazine covers
The document summarizes the author's research into film magazine covers. They analyzed covers of Empire magazine to understand conventions like typically featuring one main image, a red masthead, and centering the movie title. The author then examined Scream magazine covers, finding they usually include multiple images and a variety of fonts, shots, and layouts compared to Empire's focused style. Deconstructing a cover from each, the author gained insights into professional design and horror-related iconography to apply to their own horror magazine covers.
Creating our logo
The document describes the process of creating a logo for a production company from start to finish using Adobe Photoshop and Premiere. Key steps included:
- Creating a black background in Photoshop and adding barbed wire and text layers. Effects like shadows and overlays were used to style the elements.
- The logo was animated in Premiere using 3D rotations and keyframes to zoom and spin the logo. Lighting and lens flare effects were added.
- Adjustment layers and blend modes were used to composite the elements together realistically. The final animated logo incorporated conventions from horror genres to represent the production company.
Psycho
Alfred Hitchcock directed Psycho, one of the first slasher films that influenced the horror genre. He deliberately filmed Psycho in black and white because he felt color would be too graphic for 1960s audiences. One of the most famous scenes is the shower scene, known for its camera angles and memorable soundtrack. The scene alternates between shots of Marion in the shower and extreme close-ups after she is stabbed, using fast editing to build tension without showing violence explicitly, as required by the censors of the time. This left an impact by implying the violence without directly depicting it.
VAMPIRES
Nosferatu (1922) was one of the first horror movies about vampires. It was based on Dracula but used the name Count Orlok. Orlok was portrayed as inhuman looking with exaggerated features like a long nose and pointy nails. His shadowed silhouette walking up stairs was a famous scary scene.
Horror of Dracula (1958) also portrayed vampires as predators hunting human prey, as did earlier films. It showed vampires could be vulnerable to religious symbols like crucifixes. There were some sexual undertones as Dracula seduced and attacked female victims.
Dracula (1992) highly sexualized vampires and their relationships with humans, being one of
Question 6
The document discusses the technologies learned from constructing a magazine project. The author learned how to use Photoshop to create the magazine cover, contents page, and spreads. They learned tools like the magnetic lasso tool and how to edit images by changing exposure and color. They also learned how to add text and layers. Through using cameras, the author learned how to properly focus shots and take quality pictures. They were introduced to a studio with different lighting sources to learn how lighting creates atmosphere. Other tools like YouTube and video editing software were used to present work and discuss the project.
Dps Photoshop and layour
The document describes the process taken to layout and design a double page spread (DPS) for a music magazine in Photoshop. Key steps included pasting interview text into Notepad for formatting, justifying the text, adding columns and images, and incorporating colors and fonts from the magazine cover design for consistency. The DPS went through several revisions, changing images and layout based on research of conventions from magazines in the R&B genre like XXL and Vibe. The final DPS featured a model image on the right with text in three columns on the left, including a featured artist image and pull quote from the cover font.
Text and features
The document discusses the design choices made for the contents page of a music magazine. Originally, the author wanted to title the page "The R-Side" as a reference to album sides A and B, but realized this did not fit. They then decided to title it "Stream" to reference how music is now streamed online. The contents include article headlines written to be intriguing and link to themes of power and domination. Font and formatting choices were made to mimic established music magazines and seem sophisticated. Artist names are highlighted and all content relates back to music.
Cover layout and photoshop
The document describes the process of designing a magazine cover in Photoshop. Key steps included:
1) Placing the cover image and masthead, then experimenting with colors for the masthead that coordinated with the cover image.
2) Using selection tools to place the cover image behind the masthead.
3) Adding the magazine title and additional text elements like the artist's name and pull quote, experimenting with fonts and layout.
4) Refining elements and changing the cover image to a higher quality photo when issues were noticed. Additional typical magazine elements like graphics, banners, and barcode were also added.
Final shot
This document summarizes the photographer's final shot for an R&B music magazine cover. The long shot shows the model wearing an oversized denim jacket, ripped black jeans, and a sheer black top accessorized with large hoop earrings. The photographer chose not to include a guitar prop to match conventions of R&B magazine covers. Additionally, the loose-fitting jacket avoids portraying the model too sexually in response to audience feedback.
Flat plan feedback
The document contains feedback on different elements of a magazine design project focused on R&B music:
The front cover received feedback that it had too much text and would benefit from a simpler, neutral color scheme. The contents page feedback indicated the layout fit the R&B theme while not being too cluttered. For the double page spread, reviewers liked the use of two images but had mixed opinions on the background watermark. The debrief summarizes the key points to refine the logo, add more images to the contents page, and explore different photo shots within the magazine.
Artist research
R&B combines elements of gospel, jazz, and blues, creating a melodic style. The term was created in the 1940s to replace "race music" and described soul and funk artists like James Brown and Sly Stone by the 1970s. In the 2000s, R&B blended with hip-hop and it became harder to distinguish between the two based on vocals (sung for R&B, rapped for hip-hop). Common R&B lyrics revolve around everyday life themes like love, work, drinking, and sex.
Magazine front cover decon
The document deconstructs the covers of two music magazines featuring Lady Gaga. It analyzes design elements like the masthead, cover images, headers, and quotes. The Q magazine cover portrays Lady Gaga in a revealing pose, sexualizing her for a mature audience. The Top of the Pops cover shows her more modestly dressed, targeting younger female readers. The document concludes that R&B magazines often market female artists sensually, and the author wants their magazine to portray women as independent and strong without sexualization.
Contents page layout
This document describes revisions made to a magazine contents page layout. It discusses changing the layout from a "block like and boring" format to one with rotated images and varied spacing. Images were chosen that relate to the magazine topic of a school publication. Fonts, colors, and graphics were adjusted to match the magazine cover design. Feedback was incorporated that removed unneeded text and enlarged the word "CONTENTS" for clarity. The finished layout is assessed as having better visual appeal and spacing than the original flat plan.
Photo manipulation
The document describes photo manipulations made to an image on a magazine cover. Specifically, it discusses editing a textbook that was in the original image. The orange title highlighting on the textbook clashed with the model's headscarf. To improve this, the author used selection tools to change the orange to a warmer purple hue. This created a clearer color scheme without drawing attention away from the cover model. Additional edits included removing the textbook image completely, matching the background blue color, and adjusting light levels to make the model stand out more. The overall goal of the edits was to focus attention on the cover model by removing distractions and creating a cohesive color palette.
Final shots
This document contains descriptions of several photographs intended for use in a school magazine focused on GCSE exam preparation. The first photo is a mid-shot of a female model holding a textbook with "GCSE" written on it outside at school. Another photo shows the same model smiling in a classroom in front of a computer doing work. A third photo is an over-the-shoulder shot of a student looking at a textbook in the sixth form common room, using a different camera angle.
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Overview of the Global Peatlands Assessment
Presented by Patrick Scheel at GLF Peatlands 2024 - The Global Peatlands Assessment: Mapping, Policy, and Action
Microbial characterisation and identification, and potability of River Kuywa ...
Microbial characterisation and identification, and potability of River Kuywa ...Open Access Research Paper
Water contamination is one of the major causes of water borne diseases worldwide. In Kenya, approximately 43% of people lack access to potable water due to human contamination. River Kuywa water is currently experiencing contamination due to human activities. Its water is widely used for domestic, agricultural, industrial and recreational purposes. This study aimed at characterizing bacteria and fungi in river Kuywa water. Water samples were randomly collected from four sites of the river: site A (Matisi), site B (Ngwelo), site C (Nzoia water pump) and site D (Chalicha), during the dry season (January-March 2018) and wet season (April-July 2018) and were transported to Maseno University Microbiology and plant pathology laboratory for analysis. The characterization and identification of bacteria and fungi were carried out using standard microbiological techniques. Nine bacterial genera and three fungi were identified from Kuywa river water. Clostridium spp., Staphylococcus spp., Enterobacter spp., Streptococcus spp., E. coli, Klebsiella spp., Shigella spp., Proteus spp. and Salmonella spp. Fungi were Fusarium oxysporum, Aspergillus flavus complex and Penicillium species. Wet season recorded highest bacterial and fungal counts (6.61-7.66 and 3.83-6.75cfu/ml) respectively. The results indicated that the river Kuywa water is polluted and therefore unsafe for human consumption before treatment. It is therefore recommended that the communities to ensure that they boil water especially for drinking.
Climate Change All over the World .pptx
Climate change refers to significant and lasting changes in the average weather patterns over periods ranging from decades to millions of years. It encompasses both global warming driven by human emissions of greenhouse gases and the resulting large-scale shifts in weather patterns. While climate change is a natural phenomenon, human activities, particularly since the Industrial Revolution, have accelerated its pace and intensity
原版制作(Newcastle毕业证书)纽卡斯尔大学毕业证在读证明一模一样
学校原件一模一样【微信：741003700 】《(Newcastle毕业证书)纽卡斯尔大学毕业证》【微信：741003700 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
【主营项目】
一.毕业证【q微741003700】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
Recycling and Disposal on SWM Raymond Einyu pptx
Increasing urbanization, rural–urban migration, rising standards of living, and rapid development associated with population growth have resulted in increased solid waste generation by industrial, domestic and other activities in Nairobi City. It has been noted in other contexts too that increasing population, changing consumption patterns, economic development, changing income, urbanization and industrialization all contribute to the increased generation of waste.
With the increasing urban population in Kenya, which is estimated to be growing at a rate higher than that of the country’s general population, waste generation and management is already a major challenge. The industrialization and urbanization process in the country, dominated by one major city – Nairobi, which has around four times the population of the next largest urban centre (Mombasa) – has witnessed an exponential increase in the generation of solid waste. It is projected that by 2030, about 50 per cent of the Kenyan population will be urban.
Aim:
A healthy, safe, secure and sustainable solid waste management system fit for a world – class city.
Improve and protect the public health of Nairobi residents and visitors.
Ecological health, diversity and productivity and maximize resource recovery through the participatory approach.
Goals:
Build awareness and capacity for source separation as essential components of sustainable waste management.
Build new environmentally sound infrastructure and systems for safe disposal of residual waste and replacing current dumpsites which should be commissioned.
Current solid waste management situation:
The status.
Solid waste generation rate is at 2240 tones / day
collection efficiently is at about 50%.
Actors i.e. city authorities, CBO’s , private firms and self-disposal
Current SWM Situation in Nairobi City:
Solid waste generation – collection – dumping
Good Practices:
• Separation – recycling – marketing.
• Open dumpsite dandora dump site through public education on source separation of waste, of which the situation can be reversed.
• Nairobi is one of the C40 cities in this respect , various actors in the solid waste management space have adopted a variety of technologies to reduce short lived climate pollutants including source separation , recycling , marketing of the recycled products.
• Through the network, it should expect to benefit from expertise of the different actors in the network in terms of applicable technologies and practices in reducing the short-lived climate pollutants.
Good practices:
Despite the dismal collection of solid waste in Nairobi city, there are practices and activities of informal actors (CBOs, CBO-SACCOs and yard shop operators) and other formal industrial actors on solid waste collection, recycling and waste reduction.
Practices and activities of these actor groups are viewed as innovations with the potential to change the way solid waste is handled.
CHALLENGES:
• Resource Allocation.
Promoting Multilateral Cooperation for Sustainable Peatland management
Presented by Agus Julianto on GLF Peatlands 2024 - 360 Degree Approach to Improving Capacity of Multiple Stakeholders to Manage Peatland Sustainably
ENVIRONMENT~ Renewable Energy Sources and their future prospects.
This presentation is for us to know that how our Environment need Attention for protection of our natural resources which are depleted day by day that's why we need to take time and shift our attention to renewable energy sources instead of non-renewable sources which are better and Eco-friendly for our environment. these renewable energy sources are so helpful for our planet and for every living organism which depends on environment.
Improving the viability of probiotics by encapsulation methods for developmen...
Improving the viability of probiotics by encapsulation methods for developmen...Open Access Research Paper
The popularity of functional foods among scientists and common people has been increasing day by day. Awareness and modernization make the consumer think better regarding food and nutrition. Now a day’s individual knows very well about the relation between food consumption and disease prevalence. Humans have a diversity of microbes in the gut that together form the gut microflora. Probiotics are the health-promoting live microbial cells improve host health through gut and brain connection and fighting against harmful bacteria. Bifidobacterium and Lactobacillus are the two bacterial genera which are considered to be probiotic. These good bacteria are facing challenges of viability. There are so many factors such as sensitivity to heat, pH, acidity, osmotic effect, mechanical shear, chemical components, freezing and storage time as well which affects the viability of probiotics in the dairy food matrix as well as in the gut. Multiple efforts have been done in the past and ongoing in present for these beneficial microbial population stability until their destination in the gut. One of a useful technique known as microencapsulation makes the probiotic effective in the diversified conditions and maintain these microbe’s community to the optimum level for achieving targeted benefits. Dairy products are found to be an ideal vehicle for probiotic incorporation. It has been seen that the encapsulated microbial cells show higher viability than the free cells in different processing and storage conditions as well as against bile salts in the gut. They make the food functional when incorporated, without affecting the product sensory characteristics.
Optimizing Post Remediation Groundwater Performance with Enhanced Microbiolog...
Results of geophysics and pneumatic injection pilot tests during 2003 – 2007 yielded significant positive results for injection delivery design and contaminant mass treatment, resulting in permanent shut-down of an existing groundwater Pump & Treat system.
Accessible source areas were subsequently removed (2011) by soil excavation and treated with the placement of Emulsified Vegetable Oil EVO and zero-valent iron ZVI to accelerate treatment of impacted groundwater in overburden and weathered fractured bedrock. Post pilot test and post remediation groundwater monitoring has included analyses of CVOCs, organic fatty acids, dissolved gases and QuantArray® -Chlor to quantify key microorganisms (e.g., Dehalococcoides, Dehalobacter, etc.) and functional genes (e.g., vinyl chloride reductase, methane monooxygenase, etc.) to assess potential for reductive dechlorination and aerobic cometabolism of CVOCs.
In 2022, the first commercial application of MetaArray™ was performed at the site. MetaArray™ utilizes statistical analysis, such as principal component analysis and multivariate analysis to provide evidence that reductive dechlorination is active or even that it is slowing. This creates actionable data allowing users to save money by making important site management decisions earlier.
The results of the MetaArray™ analysis’ support vector machine (SVM) identified groundwater monitoring wells with a 80% confidence that were characterized as either Limited for Reductive Decholorination or had a High Reductive Reduction Dechlorination potential. The results of MetaArray™ will be used to further optimize the site’s post remediation monitoring program for monitored natural attenuation.
Epcon is One of the World's leading Manufacturing Companies.
Epcon is One of the World's leading Manufacturing Companies. With over 4000 installations worldwide, EPCON has been pioneering new techniques since 1977 that have become industry standards now. Founded in 1977, Epcon has grown from a one-man operation to a global leader in developing and manufacturing innovative air pollution control technology and industrial heating equipment.
Peatland Management in Indonesia, Science to Policy and Knowledge Education
Peatland Management in Indonesia, Science to Policy and Knowledge EducationGlobal Landscapes Forum (GLF)
Presented by Feri Johana at GLF Peatlands 2024 - 360 Degree Approach to Improving Capacity of Multiple Stakeholders to Manage Peatland SustainablyEvolving Lifecycles with High Resolution Site Characterization (HRSC) and 3-D...
The incorporation of a 3DCSM and completion of HRSC provided a tool for enhanced, data-driven, decisions to support a change in remediation closure strategies. Currently, an approved pilot study has been obtained to shut-down the remediation systems (ISCO, P&T) and conduct a hydraulic study under non-pumping conditions. A separate micro-biological bench scale treatability study was competed that yielded positive results for an emerging innovative technology. As a result, a field pilot study has commenced with results expected in nine-twelve months. With the results of the hydraulic study, field pilot studies and an updated risk assessment leading site monitoring optimization cost lifecycle savings upwards of $15MM towards an alternatively evolved best available technology remediation closure strategy.
Wildlife-AnIntroduction.pdf so that you know more about our environment
All about wildlife, if you are fond of animals and wildlife then do follow us for more content like this
在线办理(lboro毕业证书)拉夫堡大学毕业证学历证书一模一样
学校原件一模一样【微信：741003700 】《(lboro毕业证书)拉夫堡大学毕业证学历证书》【微信：741003700 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
【主营项目】
一.毕业证【q微741003700】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
Kinetic studies on malachite green dye adsorption from aqueous solutions by A...
Kinetic studies on malachite green dye adsorption from aqueous solutions by A...Open Access Research Paper
Water polluted by dyestuffs compounds is a global threat to health and the environment; accordingly, we prepared a green novel sorbent chemical and Physical system from an algae, chitosan and chitosan nanoparticle and impregnated with algae with chitosan nanocomposite for the sorption of Malachite green dye from water. The algae with chitosan nanocomposite by a simple method and used as a recyclable and effective adsorbent for the removal of malachite green dye from aqueous solutions. Algae, chitosan, chitosan nanoparticle and algae with chitosan nanocomposite were characterized using different physicochemical methods. The functional groups and chemical compounds found in algae, chitosan, chitosan algae, chitosan nanoparticle, and chitosan nanoparticle with algae were identified using FTIR, SEM, and TGADTA/DTG techniques. The optimal adsorption conditions, different dosages, pH and Temperature the amount of algae with chitosan nanocomposite were determined. At optimized conditions and the batch equilibrium studies more than 99% of the dye was removed. The adsorption process data matched well kinetics showed that the reaction order for dye varied with pseudo-first order and pseudo-second order. Furthermore, the maximum adsorption capacity of the algae with chitosan nanocomposite toward malachite green dye reached as high as 15.5mg/g, respectively. Finally, multiple times reusing of algae with chitosan nanocomposite and removing dye from a real wastewater has made it a promising and attractive option for further practical applications.
Peatlands of Latin America and the Caribbean
Presented by The Global Peatlands Assessment: Mapping, Policy, and Action at GLF Peatlands 2024 - The Global Peatlands Assessment: Mapping, Policy, and Action
Enhanced action and stakeholder engagement for sustainable peatland management
Enhanced action and stakeholder engagement for sustainable peatland managementGlobal Landscapes Forum (GLF)
Presented by Jan Peters at GLF Peatlands 2024 - The Global Peatlands Assessment: Mapping, Policy, and ActionImproving the Management of Peatlands and the Capacities of Stakeholders in I...
Improving the Management of Peatlands and the Capacities of Stakeholders in I...Global Landscapes Forum (GLF)
Presented by Sonya Dewi at GLF Peatlands 2024 - 360 Degree Approach to Improving Capacity of Multiple Stakeholders to Manage Peatland SustainablyRecently uploaded (20)
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Microbial characterisation and identification, and potability of River Kuywa ...
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Promoting Multilateral Cooperation for Sustainable Peatland management
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Epcon is One of the World's leading Manufacturing Companies.
Epcon is One of the World's leading Manufacturing Companies.
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Peatland Management in Indonesia, Science to Policy and Knowledge Education
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world-environment-day-2024-240601103559-14f4c0b4.pptx
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Wildlife-AnIntroduction.pdf so that you know more about our environment
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Kinetic studies on malachite green dye adsorption from aqueous solutions by A...
Enhanced action and stakeholder engagement for sustainable peatland management
Enhanced action and stakeholder engagement for sustainable peatland management
Improving the Management of Peatlands and the Capacities of Stakeholders in I...
Improving the Management of Peatlands and the Capacities of Stakeholders in I...
Trailer conventions in our own trailer
- 1. TRAILER CONVENTIONS IN OUR OWN TRAILER
- 2. Institutions Logo – This is the name of the institutions involved with the movie for example: Universal Studios, Lions Gate, Paramount Pictures and 20th Century Fox. We added our logo near the begging of the trailer, our logo like many contemporary production company logos is animated. The colours and style of our logo also reflect the horror genre.
- 3. Builds In Pace – When trailers start they usually start of slow then it builds by showing action packed moments of the film or maybe people being chased if it were a horror movie. We challenged this convention within our own trailer as we started with fast cuts of the protagonist trying to turn her torch on. After a jump scare we then started the narrative with a calm setting, with a constant key note at a slow pace. We then sped up the pase of the music, the soundtrack also got louder when the villain entered the house. As the trailer was reaching the end there were multiple cuts which played one after another. We also used pauses within the video to create suspense and the ‘on the edge of your seat feel’. The build up of pase can be seen within trailer for ‘The conjouring’ and ‘The forrest’ These are images showing the comparison of our trailer and the conjuring. Near the begging of the trailers there is a happy aura.
- 4. Theme Music – Theme Music is the music that play throughout the trailer it matched the genre of the film to create the right feeling for the viewer. The music is a key aspect within our horror trailer, we first start off with a very calm piano. After Olivia dies there is a sudden scream. After this there are loud thuds. The music then becomes faster and louder. The music we used matches our
- 5. Release Date – This is the date when the film will be released to the public. They do this to reel the audience in to the movie so it will make them watch it and it appeals to them. This can be seen at the end of our trailer, as well as adding the date we also added social media platform logos. This is to indicate to audience members that more information can be found on the movies social media. This also appeals to my target audience as they are known for being the generation who consume web 2.0 and social media platforms.