This presentation provides a roadmap for TOTA that includes the progress of Living Story Productions, Resident Storytellers and the Traditions Broadcasting Network.
This is my whole Final project of graduation, It's about the national library,starting from the launching campaign, till the BTL and creative media and online advertising
Social Contract Archaeology: a business case for the futureDigVentures Ltd
In July 2012, DigVentures pioneered an entirely new procurement model for archaeology, hosting Europe’s first crowdfunded and crowdsourced excavation at the internationally significant Bronze Age site at Flag Fen (www.digventures.com). Crowdfunding has been most successful in creative industries such as film, music and drama, where supporters can launch projects such as films, records, exhibitions and runway shows through buying perks and rewards (such as invitations to premieres, performances, or limited edition artwork) with creative and social entrepreneurs retaining commercial and artistic ownership of their project. Ideas that may not fit the pattern required by conventional financiers therefore achieve traction in the marketplace, supported by what has been called the ‘wisdom of crowds.’ This new approach to funding (using social networks in the context of e-commerce transactions) was combined with crowdsourcing, inviting the public to join the excavation team – either via a robust digital platform from the comfort of their armchairs (in real time), or with their sleeves rolled up on the site itself. The DigVentures approach can best be described as ‘Social Contract Archaeology’ – a value-led archaeology situated within the emerging trend for social commerce, entering into a social contract with as wide a constituency of funders and stakeholders as possible. Assessing the success of this new business model in terms of audience reach and engagement, this paper will present key metrics for breadth, depth and diversity of on and off-line participation, evaluating our contribution to the public good.
The Big Lunch is a very simple idea from the Eden Project. The aim is to get as many people as possible across the whole of the UK to have lunch with their neighbours annually on the first Sunday in June in a simple act of community, friendship and fun. Since starting in 2009, thousands of Big Lunches have taken place in all types of communities. In 2013, 3.65 million people took to their streets, gardens and community spaces for the fifth annual Big Lunch.
The Big Lunch takes place annually on the first Sunday in June. In 2014 it was held on Sunday 1st June, in 2015 it will be Sunday 7th June.
Find out more about the Evolve Conference from NCVO: http://www.ncvo.org.uk/training-and-events/evolve-conference
This is my whole Final project of graduation, It's about the national library,starting from the launching campaign, till the BTL and creative media and online advertising
Social Contract Archaeology: a business case for the futureDigVentures Ltd
In July 2012, DigVentures pioneered an entirely new procurement model for archaeology, hosting Europe’s first crowdfunded and crowdsourced excavation at the internationally significant Bronze Age site at Flag Fen (www.digventures.com). Crowdfunding has been most successful in creative industries such as film, music and drama, where supporters can launch projects such as films, records, exhibitions and runway shows through buying perks and rewards (such as invitations to premieres, performances, or limited edition artwork) with creative and social entrepreneurs retaining commercial and artistic ownership of their project. Ideas that may not fit the pattern required by conventional financiers therefore achieve traction in the marketplace, supported by what has been called the ‘wisdom of crowds.’ This new approach to funding (using social networks in the context of e-commerce transactions) was combined with crowdsourcing, inviting the public to join the excavation team – either via a robust digital platform from the comfort of their armchairs (in real time), or with their sleeves rolled up on the site itself. The DigVentures approach can best be described as ‘Social Contract Archaeology’ – a value-led archaeology situated within the emerging trend for social commerce, entering into a social contract with as wide a constituency of funders and stakeholders as possible. Assessing the success of this new business model in terms of audience reach and engagement, this paper will present key metrics for breadth, depth and diversity of on and off-line participation, evaluating our contribution to the public good.
The Big Lunch is a very simple idea from the Eden Project. The aim is to get as many people as possible across the whole of the UK to have lunch with their neighbours annually on the first Sunday in June in a simple act of community, friendship and fun. Since starting in 2009, thousands of Big Lunches have taken place in all types of communities. In 2013, 3.65 million people took to their streets, gardens and community spaces for the fifth annual Big Lunch.
The Big Lunch takes place annually on the first Sunday in June. In 2014 it was held on Sunday 1st June, in 2015 it will be Sunday 7th June.
Find out more about the Evolve Conference from NCVO: http://www.ncvo.org.uk/training-and-events/evolve-conference
Successfully obtaining funds for your museum or gallery requires knowledge and creativity. Access to Funding is a workshop delivering specialist knowledge to make accessing funds a reality.
Margaret Thompson, Community Heritage Grants, National Library of AustraliaMuseums & Galleries NSW
Successfully obtaining funds for your museum or gallery requires knowledge and creativity. Access to Funding is a workshop delivering specialist knowledge to make accessing funds a reality.
Successfully obtaining funds for your museum or gallery requires knowledge and creativity. Access to Funding is a workshop delivering specialist knowledge to make accessing funds a reality.
Successfully obtaining funds for your museum or gallery requires knowledge and creativity. Access to Funding is a workshop delivering specialist knowledge to make accessing funds a reality.
Digital Audience Development Workshop 2009Inner Ear
A two hour workshop by digital media production and promotion company Inner Ear on how to use social media to attract audiences and sell tickets to arts events. Devised and delivered for The Edinburgh Festival Fringe.
Rosie Clarke introduces Culture24, Museums at Night and an event marketing ma...Rosie Clarke
Rosie Clarke, Campaigns Officer at non-profit online publisher Culture24, discusses how museums can benefit from Culture24's free services.
Even the smallest cultural and heritage sites can run successful events as part of the Museums at Night festival, and anyone can attract media coverage by using compelling images, writing exciting and relevant press releases, and using a range of other channels including social media and publicity stunts.
Lac du Bonnet Event Park Concept PresentationCyndie Mitchell
The Lac du Bonnet Community Development Corporation is working with local businesses and organizations to examine the development of an Event Park. The park would act as a community hub to create a shared space for outdoor event organizers, increase tourism to Lac du Bonnet, provide opportunities for business development, and support the growth and development of the events and recreational opportunities operating in Lac du Bonnet.
Marketing Tips for Classical Music: Digital Content Marketing – midem 2012 pr...midem
Given by Carnegie Hall’s Director of eStrategy, Christopher Gruits at midem 2012, this presentation highlights how classical managers, presenters and PRs can promote classical music artists, create compelling contents and choose the most effective strategies.
Community Links: engaging communities through social mediaRichard McKeever
A presentation for the Locality 2012 Convention - one part of a session on engaging communities through social media detailing some of Community Links projects and the learning from them
Successfully obtaining funds for your museum or gallery requires knowledge and creativity. Access to Funding is a workshop delivering specialist knowledge to make accessing funds a reality.
Margaret Thompson, Community Heritage Grants, National Library of AustraliaMuseums & Galleries NSW
Successfully obtaining funds for your museum or gallery requires knowledge and creativity. Access to Funding is a workshop delivering specialist knowledge to make accessing funds a reality.
Successfully obtaining funds for your museum or gallery requires knowledge and creativity. Access to Funding is a workshop delivering specialist knowledge to make accessing funds a reality.
Successfully obtaining funds for your museum or gallery requires knowledge and creativity. Access to Funding is a workshop delivering specialist knowledge to make accessing funds a reality.
Digital Audience Development Workshop 2009Inner Ear
A two hour workshop by digital media production and promotion company Inner Ear on how to use social media to attract audiences and sell tickets to arts events. Devised and delivered for The Edinburgh Festival Fringe.
Rosie Clarke introduces Culture24, Museums at Night and an event marketing ma...Rosie Clarke
Rosie Clarke, Campaigns Officer at non-profit online publisher Culture24, discusses how museums can benefit from Culture24's free services.
Even the smallest cultural and heritage sites can run successful events as part of the Museums at Night festival, and anyone can attract media coverage by using compelling images, writing exciting and relevant press releases, and using a range of other channels including social media and publicity stunts.
Lac du Bonnet Event Park Concept PresentationCyndie Mitchell
The Lac du Bonnet Community Development Corporation is working with local businesses and organizations to examine the development of an Event Park. The park would act as a community hub to create a shared space for outdoor event organizers, increase tourism to Lac du Bonnet, provide opportunities for business development, and support the growth and development of the events and recreational opportunities operating in Lac du Bonnet.
Marketing Tips for Classical Music: Digital Content Marketing – midem 2012 pr...midem
Given by Carnegie Hall’s Director of eStrategy, Christopher Gruits at midem 2012, this presentation highlights how classical managers, presenters and PRs can promote classical music artists, create compelling contents and choose the most effective strategies.
Community Links: engaging communities through social mediaRichard McKeever
A presentation for the Locality 2012 Convention - one part of a session on engaging communities through social media detailing some of Community Links projects and the learning from them
Role of social media in heritage tourismAmbuj Saxena
How can social media be used to preserve, celebrate, share and educate communities about Heritage sites in their vicinity. This presentation also enlists steps on how social media can increase the number of tourists visiting heritage sites thus resulting in increased Heritage tourists. This presentation is apt for those who think social media is useless when it comes to encouraging Heritage tourism.
Similar to Traditions of The Ancestors 2021-22 Intiatives (20)
What it means to be undocumented and how to get into college in California. Discussion of strategies for getting financial aid. A description of how Ab540 undocumented students apply for college.
2024.06.01 Introducing a competency framework for languag learning materials ...Sandy Millin
http://sandymillin.wordpress.com/iateflwebinar2024
Published classroom materials form the basis of syllabuses, drive teacher professional development, and have a potentially huge influence on learners, teachers and education systems. All teachers also create their own materials, whether a few sentences on a blackboard, a highly-structured fully-realised online course, or anything in between. Despite this, the knowledge and skills needed to create effective language learning materials are rarely part of teacher training, and are mostly learnt by trial and error.
Knowledge and skills frameworks, generally called competency frameworks, for ELT teachers, trainers and managers have existed for a few years now. However, until I created one for my MA dissertation, there wasn’t one drawing together what we need to know and do to be able to effectively produce language learning materials.
This webinar will introduce you to my framework, highlighting the key competencies I identified from my research. It will also show how anybody involved in language teaching (any language, not just English!), teacher training, managing schools or developing language learning materials can benefit from using the framework.
Read| The latest issue of The Challenger is here! We are thrilled to announce that our school paper has qualified for the NATIONAL SCHOOLS PRESS CONFERENCE (NSPC) 2024. Thank you for your unwavering support and trust. Dive into the stories that made us stand out!
The Roman Empire A Historical Colossus.pdfkaushalkr1407
The Roman Empire, a vast and enduring power, stands as one of history's most remarkable civilizations, leaving an indelible imprint on the world. It emerged from the Roman Republic, transitioning into an imperial powerhouse under the leadership of Augustus Caesar in 27 BCE. This transformation marked the beginning of an era defined by unprecedented territorial expansion, architectural marvels, and profound cultural influence.
The empire's roots lie in the city of Rome, founded, according to legend, by Romulus in 753 BCE. Over centuries, Rome evolved from a small settlement to a formidable republic, characterized by a complex political system with elected officials and checks on power. However, internal strife, class conflicts, and military ambitions paved the way for the end of the Republic. Julius Caesar’s dictatorship and subsequent assassination in 44 BCE created a power vacuum, leading to a civil war. Octavian, later Augustus, emerged victorious, heralding the Roman Empire’s birth.
Under Augustus, the empire experienced the Pax Romana, a 200-year period of relative peace and stability. Augustus reformed the military, established efficient administrative systems, and initiated grand construction projects. The empire's borders expanded, encompassing territories from Britain to Egypt and from Spain to the Euphrates. Roman legions, renowned for their discipline and engineering prowess, secured and maintained these vast territories, building roads, fortifications, and cities that facilitated control and integration.
The Roman Empire’s society was hierarchical, with a rigid class system. At the top were the patricians, wealthy elites who held significant political power. Below them were the plebeians, free citizens with limited political influence, and the vast numbers of slaves who formed the backbone of the economy. The family unit was central, governed by the paterfamilias, the male head who held absolute authority.
Culturally, the Romans were eclectic, absorbing and adapting elements from the civilizations they encountered, particularly the Greeks. Roman art, literature, and philosophy reflected this synthesis, creating a rich cultural tapestry. Latin, the Roman language, became the lingua franca of the Western world, influencing numerous modern languages.
Roman architecture and engineering achievements were monumental. They perfected the arch, vault, and dome, constructing enduring structures like the Colosseum, Pantheon, and aqueducts. These engineering marvels not only showcased Roman ingenuity but also served practical purposes, from public entertainment to water supply.
Embracing GenAI - A Strategic ImperativePeter Windle
Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
Biological screening of herbal drugs: Introduction and Need for
Phyto-Pharmacological Screening, New Strategies for evaluating
Natural Products, In vitro evaluation techniques for Antioxidants, Antimicrobial and Anticancer drugs. In vivo evaluation techniques
for Anti-inflammatory, Antiulcer, Anticancer, Wound healing, Antidiabetic, Hepatoprotective, Cardio protective, Diuretics and
Antifertility, Toxicity studies as per OECD guidelines
Acetabularia Information For Class 9 .docxvaibhavrinwa19
Acetabularia acetabulum is a single-celled green alga that in its vegetative state is morphologically differentiated into a basal rhizoid and an axially elongated stalk, which bears whorls of branching hairs. The single diploid nucleus resides in the rhizoid.
Operation “Blue Star” is the only event in the history of Independent India where the state went into war with its own people. Even after about 40 years it is not clear if it was culmination of states anger over people of the region, a political game of power or start of dictatorial chapter in the democratic setup.
The people of Punjab felt alienated from main stream due to denial of their just demands during a long democratic struggle since independence. As it happen all over the word, it led to militant struggle with great loss of lives of military, police and civilian personnel. Killing of Indira Gandhi and massacre of innocent Sikhs in Delhi and other India cities was also associated with this movement.
1. Traditions Of The Ancestors
Presents:
2021 – 22 Initiatives
Living Stories Production
Traditions Broadcast Network
Resident Storytellers
2. TOTA 2021 – 22 Initiatives
TOTA
Traditions Broadcasting Network
- Podcast & Videocast Programming
Curator of TOTA Cultural Content
Living Story Productions
- Content Source Development
- First-Person Narrative Archive
Initiatives
TOTA Foundation
- Generates Funding for Initiatives
Resident Storytellers
- Presenters of Cultural Stories
3. 1. Living Story Productions
Creating and Attracting Content
For the
Traditions Broadcasting Network
4. 1. Living Story Productions
Objective – To record 100,000 multimedia first-person narratives
of local heroes from American communities.
5. 1. Living Story Productions
Interview Capture Technology - To capture first-person narratives, TOTA has
integrated a video capture and editing service that provides:
• The embedding of ad-free video content into TOTA articles
• Easy upload and edit of Zoom and other video files
• Broadcast of videos to other platforms (Facebook, Twitter, Instagram, etc.)
• Unlimited, permanent video file storage
Example of Embedded Video
6. 1. Living Story Productions
Why 100,000 first-person narratives?
• To create a unique, multimedia, first-of-its-kind archive that will serve
as a resource for families, communities, students of history and future
scholars
• To give young people a safe vehicle for engaging with and learning
from elders
• To give elders a platform for sharing their stories and life lessons
• To identify unique individuals for further interviewing by podcasters
7. 1. Living Story Productions
School-based Pilot Projects:
• Mesa College African American Studies (November 2021)
• Ed Achievers – Youth group interviewing their elders (April 2022)
8. 1. Living Story Productions
Key Contributor:
Buddy Jones – Hosts a Community-Building Lab to inspire connections
and friendships across communities and cultures that include:
• Art of the We Festival - Visalia 2023
• Buddy Jones National Parks Tours – Summer 2022
• Community Drumming Sessions - Ongoing
• Buddy Jones and Friends Weekly Zoom - Ongoing
9. 1. Living Story Productions
Community-based Pilot Projects:
• “The Block” – Stories from the Eastside of 1940’s Riverside (Ongoing)
• NW Native American Sovereignty Curriculum Story (June 2022)
10. 1. Living Story Productions
Key Results achieved in the next 24 months:
• Draft an army of one thousand amateur journalists in the next two
years. Engage students from age twelve to twenty-five to interview their
community elders
• Make the first focus on people of color who have made significant
contributions to the building of their communities.
• Work with Traditions Broadcasting Network, TBN, to invite thirty-six
professional podcasters to deliver compelling, weekly, episodic content.
11. 1. Living Story Productions
Key Results achieved in the next 24 months:
• Submit best productions to American Folk Stories at the Library of
Congress
• Establish The People’s Archive as a searchable database, available for
public and scholarly use
• Signup teams of amateur journalists from forty schools, alumni
groups and service organizations with sponsors to fund their
Community Hero Interview Programs
12. 1. Living Story Productions
Proposed Amateur Journalists Group Service
Living Story Production Kit: Estimated Annual Fee $3,500
Pricing estimate based on 2 classes/year, 25 students/class
$90 to $120 per student per year, equivalent to the cost of a textbook
• Equipment recommendations
• Interview question templates
• Podcast Interview Workshop – Conducted Online
• Multimedia publishing platform
• Lifetime repository of public and private content
13. 1. Living Story Productions
Proposed Amateur Journalists Service
Living Story Production Kit: Estimated annual cost $3,500 year one* - $2,500 year two
Cost estimate based on 2 classes/year, 25 students/class
• Technical Set Up
• Interview question development
• Podcast Interview Workshop
• Multimedia publishing platform
• Client Acquisition – One time cost*
• Customer Relationship Management Cost
14. 1. Living Story Productions
Prospective Sponsors
Annual Goal: 40 Sponsorships @ $3,500/yr. = $140,000/yr.
• Rotary Community Services (current sponsor)
• Community College Ethnic Studies and Journalism Classes: California Requirements
• La Jolla Playhouse Youth Program – A Summer of Learning
• Family Search
• Equity Development Programs
• Parent Teacher Associations
• AARP
• Church Service Groups
15. 1. Living Story Productions
Sponsorship Benefits:
• Sponsorship ads (logo, etc.) on all presentations of journalist work
• Interviews of sponsor alumni
• Sharing interview content on sponsor website
17. 2. Traditions Broadcasting Network
Objective – To deliver professionally produced, engaging daily
episodic programming (multimedia podcasts) that builds an audience in
two years of 9,000 monthly visitors/subscribers.
19. 2. Traditions Broadcasting Network
Key Results to achieve in the next 24 months:
• Invite thirty-six professional podcasters, currently producing discussions,
interviews, storytelling sessions, music events, etc., to add their stories to
our network programming.
• Attract both podcasters and their established audiences by enriching
podcasts with video, text and image content.
• Build a larger audience via connections with genealogy groups, schools,
service organizations and alumni groups.
21. 3. Resident Storytellers
Objective: To present multimedia storytelling from ancestral
storytellers to introduce six of the prominently ethnic communities
featured on TOTA.
22. 4. Resident Storytellers
The Team:
Alyce Smith Cooper
• 2021 California Art Council Legacy Award Winner
• TOTA Resident Storyteller
• Host of Gumbo Pot Poetry Monthly Poetry Jam - Monthly
23. 3. Resident Storytellers
Key Results to achieve in the next 24 months:
• Establish welcome videos for six different American ethnic groups
presented by Resident Storytellers
• Produce an Ancestral Multimedia Story Collection for these ethnic
groups
• Deliver these collections on TOTA on the Traditions Broadcasting
Network
25. 3. Resident Storytellers
Pilot Resident Storytellers:
• First Resident Storyteller – Alyce Smith Cooper (Ongoing)
• First Resident Podcaster - Anthony Thomas (March 2022)
26. 4. TOTA Foundation
Objective - Apply for grants and sponsorships to fund Living Story Productions,
Resident Storytellers and the launch of the Traditions Broadcasting Network
27. 4. TOTA Foundation
Key Results
• Apply for grants to fund startup costs
• Target grants from:
o Tribes
o Education, Museums, Libraries
o Private Foundations
• Solicit individual donors to sponsor growth
• Conduct a Crowdfunding Initiative
• Attract Sponsors for Community Heroes Interview Groups
28. TOTA Development Summary
TOTA.world serves as the public platform for all TOTA content
TOTA Foundation supports creation of free content
Living Story Productions facilitates content creation, curation,
preparation for publication, and marketing of stories, interviews and
events
Traditions Broadcasting Network provides a platform for episodic
programming of cultural audio and video content.
29. TOTA 2021 – 22 Initiatives
TOTA
Traditions Broadcasting Network
- Podcast & Videocast Programming
Curator of TOTA Cultural Content
Living Story Productions
- Content Source Development
- First-Person Narrative Archive
Initiatives
TOTA Foundation
- Generates Funding for Initiatives
Resident Storytellers
- Presenters of Cultural Stories
30. TOTA 2021 – 22 Initiatives
Thank you for taking to review our plans.
If you represent a group interested in our amateur journalist program
or a podcaster presenting stories about remarkable people in your
community, please let us know.
And, if you are interested in sponsoring a group, writing or awarding a
grant, we are always available.
Please contact: Pamela Walz-Looper <pamlooper@traditions.io>