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1. The document provides an analysis of expressionism in Eugene O'Neill's play "Mourning Becomes Electra". 2. It discusses how expressionism symbolizes post-WWI disillusionment and protest against patriarchal family structures. Expressionist works use distortion, exaggeration, and fantasy to convey subjective emotions and psychological states. 3. Key symbols of expressionism in the play include death, characters portrayed through masks, and the house represented as a tomb. The play illustrates expressionism's themes of anxiety, agony, and the distorted realities of death.
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Psychological analysis of ‘ Mourning Becomes Electra’.
Eugene O'Neill's play "Mourning Becomes Electra" explores complex psychological themes inspired by Freudian psychoanalysis. The play depicts a family, the Mannons, destroyed by sexual dysfunction and the Electra complex exhibited by daughter Lavinia towards her father, as well as her Oedipus complex towards her brother. Through characters like the cunning Christine and her disturbed children Orin and Lavinia, O'Neill dramatizes unconscious emotions and a series of violent killings that arise from the family's psychological aberrations.
Expressionism In the play ‘Mourning Becomes Electra’
This document provides an overview of Eugene O'Neill's play "Mourning Becomes Electra". It discusses expressionism as a modernist movement originating in Germany in the early 20th century. Expressionism rejects realism and naturalism, using distorted representations to convey subjective emotions and psychological states. The play is an example of expressionism, with distorted characters and dialogue expressing diseased minds and a case study for psychiatrists. It explores themes of family, guilt, incest, and death through the dysfunctional Mannons family after the death of the patriarch Ezra.
Mourning Becomes Electra
This document provides an analysis of the importance of portraits in Eugene O'Neill's play "Mourning Becomes Electra". It discusses how the play retells the Greek tragedy Oresteia and focuses on the modern Mannon family. It analyzes the male characters and their roles in society and military. It also summarizes the history of the Mannon family, how the family was torn apart by war and love, and how their struggles echoed the national conflicts of the time period. Finally, it discusses how the play uses "mask technique" to invoke the haunting ghosts of the deceased Mannons and convey that history and memory cannot be escaped.
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This document summarizes key elements of Greek tragedy and analyzes how they are used in Eugene O'Neill's play Mourning Becomes Electra. It discusses the tragic hero Lavinia, whose tragic flaw is her lustful love for her father, which leads to multiple deaths in the family. It notes how O'Neill employs the character of Seth Beckwith to represent the chorus and comment on the action. While Greek tragedies often involved fate determined by the gods, O'Neill's work does not use supernatural forces since modern audiences no longer believed in fate in that way.
Mourning becomes electra
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This document provides an analysis of Eugene O'Neill's play Mourning Becomes Electra. It summarizes the fragmented and broken image of the Mannon family in contrast to an ideal family, exploring themes of love, betrayal, despair and the effects of war. It describes the main characters - the wooden daughter Lavinia, the voluptuous Christine, and Ezra Mannon who resembles his father and is driven by an Electra complex seeking revenge for his mother's affair. The document analyzes how the play draws from the Greek myths of Electra and Oedipus to portray the living death of Lavinia and the evil of love within the cursed Mannon family.
Mourning becomes electra
The play Mourning Becomes Electra by Eugene O'Neill explores themes of sin, guilt, incest, and the desire to escape to idyllic South Sea islands. The play is set in a repressive society and centers around the dysfunctional Mannon family, who are all trying to escape their fates and find freedom through sex, murder, and fantasies of the carefree islands. However, their actions only lead to more destruction. In the end, all members of the Mannon family meet tragic ends as they are unable to escape the web of incestuous desires and fate that has entrapped their family for generations.
Mourning Becomes Electra.
Mourning Becomes Electra is a play cycle written by Eugene O'Neil.The story is a retelling of the Oresteia by Aeschylus. The characters parallel characters from the ancient Greek play
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Psychological analysis of ‘ Mourning Becomes Electra’.
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This document summarizes key elements of Greek tragedy and analyzes how they are used in Eugene O'Neill's play Mourning Becomes Electra. It discusses the tragic hero Lavinia, whose tragic flaw is her lustful love for her father, which leads to multiple deaths in the family. It notes how O'Neill employs the character of Seth Beckwith to represent the chorus and comment on the action. While Greek tragedies often involved fate determined by the gods, O'Neill's work does not use supernatural forces since modern audiences no longer believed in fate in that way.
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This document provides an analysis of Eugene O'Neill's play Mourning Becomes Electra. It summarizes the fragmented and broken image of the Mannon family in contrast to an ideal family, exploring themes of love, betrayal, despair and the effects of war. It describes the main characters - the wooden daughter Lavinia, the voluptuous Christine, and Ezra Mannon who resembles his father and is driven by an Electra complex seeking revenge for his mother's affair. The document analyzes how the play draws from the Greek myths of Electra and Oedipus to portray the living death of Lavinia and the evil of love within the cursed Mannon family.
Mourning becomes electra
The play Mourning Becomes Electra by Eugene O'Neill explores themes of sin, guilt, incest, and the desire to escape to idyllic South Sea islands. The play is set in a repressive society and centers around the dysfunctional Mannon family, who are all trying to escape their fates and find freedom through sex, murder, and fantasies of the carefree islands. However, their actions only lead to more destruction. In the end, all members of the Mannon family meet tragic ends as they are unable to escape the web of incestuous desires and fate that has entrapped their family for generations.
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The document provides an overview of various literary and artistic movements from the late 19th and early 20th centuries. It discusses absurdism, existentialism, nihilism, modernism, stream of consciousness, avant-garde movements like expressionism, dadaism and surrealism, postmodernism, and theater of the absurd. Key figures and their works are mentioned for each movement. The document aims to ponder over these trends and movements through presentations by three department members.
Trends and Movements Before and After World war
This is an introductory presentation given by me and my classmates, on various trends and movements that arose during modern and post-modern age.
Expressionism Art Movement
This document provides an overview of Expressionism, including its history, key concepts, and important artists. Expressionism emerged in Germany in the early 1900s in response to feelings of loss of meaning and spirituality in modern life. Expressionist artists sought to convey inner experiences rather than physical reality through distorted forms and bold colors. Key figures who influenced Expressionism include Van Gogh, Munch, and Ensor. The document discusses the founding of groups like Die Brücke and Der Blaue Reiter and highlights works by important Expressionist artists such as Kirchner, Marc, Macke, Schiele, Heckel, and Soutine.
Week 10.romanticism and realism overview
The document discusses responses to revolution in the 19th century. It states that revolution is necessary to change social conditions for lower classes and women. The arts can inspire revolution by visual criticism of oppression. However, there may be other responses to social change besides revolution. The document goes on to discuss romanticism, realism, and developments in various art forms that reflected the political and technological changes of the era.
Expressionism
German Expressionism developed in the early 20th century as an artistic style that used distortion and exaggeration to convey emotional intensity. It drew inspiration from Van Gogh, Munch, Fauvism, and primitive art. Two major German Expressionist groups were Die Brücke and Der Blaue Reiter. Die Brücke aimed to break from traditional German art through woodcuts expressing personal feelings. Der Blaue Reiter was more mystical, seeing primitive art as spiritually pure. Wassily Kandinsky furthered expressionism by abandoning representation for pure abstraction using color's emotional power. Expressionism's emphasis on inner feelings influenced art globally throughout the 20th century.
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Ap art history test 4 term 3
The document summarizes key artworks and artistic movements from 1905 to 1939:
1) It describes Fauvist works like Matisse's Woman with the Hat that used bright, unnatural colors and Kirchner's Street, Berlin that depicted the city as lonely.
2) It discusses Marc's The Large Blue Horses and Der Blaue Reiter group that emphasized spiritual power through color and form.
3) It mentions Picasso's Les Demoiselles d'Avignon that used African influences and fractured space, inspiring Cubism.
Luis daniel andrea_maría_symbolism
The document discusses 19th century art and its influence today. It focuses on the Symbolist movement in France and Belgium during the 19th century. Symbolist artworks aimed to express deep emotions rather than depict reality. One famous Symbolist artist was Edvard Munch, known for works like "The Scream" that portrayed feelings of anxiety and distress. The document then analyzes Munch's life and major works, noting how his art expressed universal human emotions through symbolic use of color, motifs and themes related to his own troubled experiences including death, loneliness and heartbreak.
Drama File (Ibsen and Shaw)
Contents
Modernism
Realism
Henrik Ibsen
Henrik Ibsen’s Approach to Feminism
(Project #1)
“The Master Builder”
Epistemology, techniques, themes, characters
“The Master Builder”: A Kaleidoscopic Play
Autobiographical Elements in “The Master Builder”
Socialist Realism
George Bernard Shaw
“Heartbreak House”: as A Socialist Realist Play
Bibliography
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Romanticism was an artistic and intellectual movement that spread across Europe in the late 18th and early 19th centuries. It emphasized emotion, imagination, individualism, spontaneity, and a fascination with nature and the past. Romantic artists believed imagination was superior to reason and devoted themselves to depicting feelings and emotions in imaginative forms. Their works, like Caspar David Friedrich's "Wanderer above the Sea of Fog," often featured solitary figures in nightmarish or emotional landscapes. Romantic music also pushed boundaries by including complex melodies and climaxes meant to evoke intense feelings.
A Kaleidoscope Of Fluctuating Memories Exploring Tennessee Williams The Gla...
This document provides an in-depth analysis of Tennessee Williams' play "The Glass Menagerie" and how it explores themes of memory and illusion. It discusses how the play uses memory in its structure by having the narrator Tom recollect past events. It also analyzes how the play shows how fragile and deceitful memory can be. Additionally, it explores how the characters withdraw into private worlds of illusion to find comfort, and how Williams combined naturalism with psychological elements in his plays. The document provides significant historical and literary context on memory in drama and how Williams innovated the genre of the "memory play".
Modernism postmodernism
After World War 2, the art world underwent major changes and disruptions. Modernism shifted from Paris to New York City and took on a stricter formalism under the influence of Clement Greenberg. In Europe, art reflected existentialist themes of despair through works like Francis Bacon's painting. Abstract Expressionism emerged in New York featuring gestural paintings like Pollock's. Minimalism and Pop Art also emerged, simplifying forms and using imagery of mass culture. New movements challenged assumptions through Happenings, Conceptual art, and Land art. Architecture integrated sculpture and structure in works like Wright's Guggenheim Museum.
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creative industries 1: 12 expressionism and cubism
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Topic expressionism-in_mourning_becomes_electra
- 1. Topic: Expressionism in ‘Mourning becomes Electra’ ● Name: Malek Hinaben Ibrahimbhai ● Paper no. : 10 The American literature ● Roll no. : 8 ● Semester: MA Semester 3 ● Year: 2019-21 ● Enrollment no. : 2069108420200026 ● Email Id: hinamalek21@gmail.com ● Submitted to: Department of English M.K. Bhavanagar University
- 2. Introduction of the play ● Eugene O’Neill’s famed Mourning Becomes Electra is a complex and tragic play in three parts. ● Set in New England at the close of the Civil War, it was first published and staged in 1931. ● The play is based off Aeschylus’s Greek tragedy The Oresteia and its three sections: 1. “Homecoming,” 2. “The Hunted,” 3. “The Haunting”
- 3. Regarding the title, O’Neill explained, “By the title Mourning Becomes Electra I sought to convey that mourning benefits Electra; it becomes Electra to mourn; it is her fate; black is becoming to her and it is the color that becomes her destiny.”
- 4. What is Expressionism? Expressionism, in a way, symbolizes the post-World War I disillusionment. One of the symptomatic features of this disillusionment is the protest against the stultifying patriarchal concept of a family. The protest is invariably directed against family relationships and the way in which these relationships prevent the youth from developing their individuality.
- 5. Historical context of the play: ● Mourning Becomes Electra was completed after O'Neill's prolonged stay outside the United States. This trilogy is largely inspired by Aeschylus's Oresteia but it is set in a Puritan New England town at the end of the Civil War. ● The reference to Greek theatre illustrates the playwright's determination to bring a serious and adult mode to the American stage which was, according to him, plagued by superficial melodrama. ● Eugene O'Neill's late plays usually deal with the revelation of grim, intimate secrets that unfold in the stifling atmosphere of isolated barrooms and family living rooms.
- 6. In Historical sense of Expressionism ● Expressionism, in a way, symbolizes the post-World War I disillusionment. One of the symptomatic features of this disillusionment is the protest against the stultifying patriarchal concept of a family. ● Expressionism itself was not a concerted or well defined movement. ● Frederick Nietzsche, a German philosopher, played a key role in originating modern ‘expressionism’ by clarifying and serving as a conduit for previously neglected currents in ancient art. ● The arrival of Expressionism announced new a standards in the creation and judgment of art.
- 7. According to Nietzsche, The basic characteristics of expressionism are ● Dionysian: bold colors, distorted forms in dissolution, two-dimensional, without experience.
- 8. Art and paintings ● Naturalism & Realism ● a state of mind, an inner crisis, a psychological condition ● Expressions involved of the dream state ● Subjective emotions ● The artist accomplishes this aim through distortion, exaggeration, primitivism, and fantasy and through the vivid. jarring, violent, or dynamic application of formal elements.
- 10. Characteristics of the Expressionism Anti- Realism Individuality Utopia Exaggeration and distortion
- 11. Symbolism in the play Death Characters Mask- technique House-Tomb
- 12. References: ● Chirico, Miriam M. “Moving Fate into the Family: Tragedy Redefined in O'Neill's ‘Mourning Becomes Electra.’” The Eugene O'Neill Review, vol. 24, no. 1/2, 2000, pp. 81–100. JSTOR, www.jstor.org/stable/29784685. Accessed 1 Dec. 2020. ● Jeevan, Kumar Talanki, Expressionism in O’Neill’s Mourning Becomes Electra (March 7, 2012). The IUP Journal of American Literature, Vol. IV, No. 2, pp. 63-73, May 2011, Available at SSRN: https://ssrn.com/abstract=2017458 ● O’Neill. Morning Becomes Electra, The Plays of Eugene O’Neill, New Delhi: East West Press. 1974; 1. ● Osborne-Bartucca, Kristen. Suduiko, Aaron ed. "Mourning Becomes Electra Study Guide". GradeSaver, 27 March 2018 Web. 2 December 2020.