Tom Stoppard (1937- )

Travesties (1974)
Born Tomáš Straüssler in 1937.

Left Czechoslovakia in 1939 as refugee from Nazi occupation of the
‘Sudetenland.’

Involved in Charter 77 in 1977.
Rosencrantz and Guildenstern are Dead (1966)

The Real Inspector Hound (1968)

Jumpers (1972)

Travesties (1974)

The Real Thing (1982)

Arcadia (1993)

The Invention of Love (1997)
Postmodernism is ‘historiographic metafiction’ – Linda Hutcheon




  Linda Hutcheon , A Poetics of Postmodernism
Linda Hutcheon , A Poetics of Postmodernism
Art/politics, Tzara/Carr – pp.19-23, 28-29

Wilde, The Importance of Being Earnest – p.24, 37, 47, 69-70

Shakespeare, Sonnet 18/dada – pp.35-6

Hamlet, Act I
As You Like It, Act III
Hamlet, Act IV
Much Ado About Nothing, Act V
Henry IV, Part I, Act III
Othello, Act II
Hamlet, Act V
Twelfth Night, Act II

Ulysses, ch.14 Oxen of the Sun – p.2 + ch.17, Ithaca - pp.38-41

Dada principles, pp.40-1

Function of art? Pp.49-51

Revolution and Art, p.57

The Importance of Being Earnest/Mr Gallagher and Mr Sheen, pp.62-5

Missing chapter of Ulysses, deceptions of memory, pp.69-71
Katherine E. Kelly (ed.), The Cambridge Companion to Tom Stoppard (CUP, 2001)
Katherine E. Kelly (ed.), The Cambridge Companion to Tom Stoppard (CUP, 2001)
Katherine E. Kelly (ed.), The Cambridge Companion to Tom Stoppard (CUP, 2001)
Katherine E. Kelly (ed.), The Cambridge Companion to Tom Stoppard (CUP, 2001)

Tom Stoppard - Travesties

  • 1.
    Tom Stoppard (1937-) Travesties (1974)
  • 2.
    Born Tomáš Straüsslerin 1937. Left Czechoslovakia in 1939 as refugee from Nazi occupation of the ‘Sudetenland.’ Involved in Charter 77 in 1977.
  • 3.
    Rosencrantz and Guildensternare Dead (1966) The Real Inspector Hound (1968) Jumpers (1972) Travesties (1974) The Real Thing (1982) Arcadia (1993) The Invention of Love (1997)
  • 4.
    Postmodernism is ‘historiographicmetafiction’ – Linda Hutcheon Linda Hutcheon , A Poetics of Postmodernism
  • 5.
    Linda Hutcheon ,A Poetics of Postmodernism
  • 6.
    Art/politics, Tzara/Carr –pp.19-23, 28-29 Wilde, The Importance of Being Earnest – p.24, 37, 47, 69-70 Shakespeare, Sonnet 18/dada – pp.35-6 Hamlet, Act I As You Like It, Act III Hamlet, Act IV Much Ado About Nothing, Act V Henry IV, Part I, Act III Othello, Act II Hamlet, Act V Twelfth Night, Act II Ulysses, ch.14 Oxen of the Sun – p.2 + ch.17, Ithaca - pp.38-41 Dada principles, pp.40-1 Function of art? Pp.49-51 Revolution and Art, p.57 The Importance of Being Earnest/Mr Gallagher and Mr Sheen, pp.62-5 Missing chapter of Ulysses, deceptions of memory, pp.69-71
  • 7.
    Katherine E. Kelly(ed.), The Cambridge Companion to Tom Stoppard (CUP, 2001)
  • 8.
    Katherine E. Kelly(ed.), The Cambridge Companion to Tom Stoppard (CUP, 2001)
  • 9.
    Katherine E. Kelly(ed.), The Cambridge Companion to Tom Stoppard (CUP, 2001)
  • 10.
    Katherine E. Kelly(ed.), The Cambridge Companion to Tom Stoppard (CUP, 2001)