Thriller genre
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Film trailer presentation - Louis Flanagan
The document outlines Louis Flanagan's plan for a horror/mystery film trailer. The trailer will focus on a series of murders in a small town, centering on the 13th victim, Daniel Clarke, who is found dead in the woods. Daniel's friends and sister receive mysterious letters telling them to meet at an abandoned school if they want to see Daniel again. Though hesitant, they go to investigate. At the school, the killer hunts the group one by one in a terrifying montage. Louis aims to craft an engaging trailer for ages 15 and over that builds mystery and fear without graphic violence or gore.
Codes and Conventions of Horror genre
The document discusses various codes and conventions of the horror genre. It outlines that horror films aim to unsettle audiences and cause fear through darkness, discomforting situations, and disturbing themes. It also describes common horror subgenres like psychological, supernatural, and zombie horror. Additionally, it notes stereotypes frequently seen in horror films, like deaths in the past affecting the present, females or children as victims, and males rescuing them. Locations are often isolated houses or woods to make characters feel vulnerable. Typical camera shots and music are also discussed, as well as common character archetypes like villains and victims. Finally, it examines common props and how theories like Todorov's equilibrium and Propp's narrative roles apply to horror
Narrative
This document discusses several narrative theories and how they apply to teen slasher films. It analyzes Todorov's narrative structure of equilibrium, disruption, recognition, and new equilibrium. While most films follow this structure, teen slashers are more irregular in their ordering. It also examines Propp's character types and narrative functions, noting teen slashers don't always have clear heroes and have multiple "princess" characters. Finally, it applies Levi-Strauss' concept of binary oppositions and Barthes' "enigma code" to teen slasher conventions like revealing the killer's identity.
Media evaluation
1) The document analyzes the opening scene of a horror film. It establishes equilibrium with two teens relaxing by a campfire at an isolated beach.
2) This equilibrium is disrupted when bubbles appear in the water and a killer emerges holding a weapon. Unlike typical horror structures, the opening does not reestablish equilibrium.
3) The opening follows horror conventions through its isolated setting, use of low lighting, and portrayal of friends encountering an incomprehensible killer and fleeing in fear. It represents rebellious teenagers seeking fun without authority.
Question 5
The document discusses how the filmmaker attracted their target audience of females ages 15-25 who enjoy psychological thriller films. They focused on portraying a strong, independent female protagonist who experiences losing control of her body and identity. Scenes taking place in woods and of the protagonist being bullied also aimed to relate to the target audience. Fonts, music, and references to popular psychological thrillers like Black Swan were used to capture the feel of those films and attract the target demographic.
Halloween
The document provides a summary of the 1978 horror film Halloween. It discusses how the film established conventions for the slasher film genre. Specifically, it opened with a flashback to explain the killer's motives. It also featured innocent characters like a bullied young boy and a virgin teenager named Laurie. By setting the story in a suburban town, it made the threat of danger feel close to home. Halloween was hugely influential, launching the slasher film craze of the late 1970s/1980s. It established the four key plot rules for slasher films involving a killer targeting teens.
First Pitch Presentation
This document outlines a plot for a horror film involving two main characters: Madeline, a young orphan girl who is introverted and doesn't fit in, and a supernatural demon. The film would open with Madeline in her room holding a doll that plays a creepy lullaby. The main conflict is Madeline's fight between her good and evil sides, as she was sacrificed to the demon as a child. Flashbacks would reveal Madeline's disturbing backstory and drive the horror of the story. The climax occurs when Madeline becomes fully possessed by the demon. The film ends with Madeline succumbing to her evil side, illustrated by her holding a knife with a murderous look as she throws it at a family
Narrative
Todorov's narrative theory states that stories follow a pattern of equilibrium, disruption, then restoration of order. This structure fits the thriller genre, where normal life is disrupted by an event like a killing. The film then shows the protagonist working to resolve the problem until social norms are restored. The document discusses applying this theory to structure a film trailer about a girl who goes from normal to killer. It also references Propp's and Levi-Strauss' theories about character functions and binary opposites to further inform the trailer's development.
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Film trailer presentation - Louis Flanagan
The document outlines Louis Flanagan's plan for a horror/mystery film trailer. The trailer will focus on a series of murders in a small town, centering on the 13th victim, Daniel Clarke, who is found dead in the woods. Daniel's friends and sister receive mysterious letters telling them to meet at an abandoned school if they want to see Daniel again. Though hesitant, they go to investigate. At the school, the killer hunts the group one by one in a terrifying montage. Louis aims to craft an engaging trailer for ages 15 and over that builds mystery and fear without graphic violence or gore.
Codes and Conventions of Horror genre
The document discusses various codes and conventions of the horror genre. It outlines that horror films aim to unsettle audiences and cause fear through darkness, discomforting situations, and disturbing themes. It also describes common horror subgenres like psychological, supernatural, and zombie horror. Additionally, it notes stereotypes frequently seen in horror films, like deaths in the past affecting the present, females or children as victims, and males rescuing them. Locations are often isolated houses or woods to make characters feel vulnerable. Typical camera shots and music are also discussed, as well as common character archetypes like villains and victims. Finally, it examines common props and how theories like Todorov's equilibrium and Propp's narrative roles apply to horror
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This document discusses several narrative theories and how they apply to teen slasher films. It analyzes Todorov's narrative structure of equilibrium, disruption, recognition, and new equilibrium. While most films follow this structure, teen slashers are more irregular in their ordering. It also examines Propp's character types and narrative functions, noting teen slashers don't always have clear heroes and have multiple "princess" characters. Finally, it applies Levi-Strauss' concept of binary oppositions and Barthes' "enigma code" to teen slasher conventions like revealing the killer's identity.
Media evaluation
1) The document analyzes the opening scene of a horror film. It establishes equilibrium with two teens relaxing by a campfire at an isolated beach.
2) This equilibrium is disrupted when bubbles appear in the water and a killer emerges holding a weapon. Unlike typical horror structures, the opening does not reestablish equilibrium.
3) The opening follows horror conventions through its isolated setting, use of low lighting, and portrayal of friends encountering an incomprehensible killer and fleeing in fear. It represents rebellious teenagers seeking fun without authority.
Question 5
The document discusses how the filmmaker attracted their target audience of females ages 15-25 who enjoy psychological thriller films. They focused on portraying a strong, independent female protagonist who experiences losing control of her body and identity. Scenes taking place in woods and of the protagonist being bullied also aimed to relate to the target audience. Fonts, music, and references to popular psychological thrillers like Black Swan were used to capture the feel of those films and attract the target demographic.
Halloween
The document provides a summary of the 1978 horror film Halloween. It discusses how the film established conventions for the slasher film genre. Specifically, it opened with a flashback to explain the killer's motives. It also featured innocent characters like a bullied young boy and a virgin teenager named Laurie. By setting the story in a suburban town, it made the threat of danger feel close to home. Halloween was hugely influential, launching the slasher film craze of the late 1970s/1980s. It established the four key plot rules for slasher films involving a killer targeting teens.
First Pitch Presentation
This document outlines a plot for a horror film involving two main characters: Madeline, a young orphan girl who is introverted and doesn't fit in, and a supernatural demon. The film would open with Madeline in her room holding a doll that plays a creepy lullaby. The main conflict is Madeline's fight between her good and evil sides, as she was sacrificed to the demon as a child. Flashbacks would reveal Madeline's disturbing backstory and drive the horror of the story. The climax occurs when Madeline becomes fully possessed by the demon. The film ends with Madeline succumbing to her evil side, illustrated by her holding a knife with a murderous look as she throws it at a family
Narrative
Todorov's narrative theory states that stories follow a pattern of equilibrium, disruption, then restoration of order. This structure fits the thriller genre, where normal life is disrupted by an event like a killing. The film then shows the protagonist working to resolve the problem until social norms are restored. The document discusses applying this theory to structure a film trailer about a girl who goes from normal to killer. It also references Propp's and Levi-Strauss' theories about character functions and binary opposites to further inform the trailer's development.
Thriller!
This document outlines different types of thriller genres including action, captivity, crime, political, psycho, revenge, sci-fi, and supernatural thrillers. It provides examples for each genre, with action thrillers focusing on protagonists facing problems or missions using weapons. Captivity thrillers involve hostages being held. Crime thrillers follow either criminals or police investigating crimes. Political thrillers center around government corruption and terrorism. Psycho thrillers emphasize abnormal psychology of characters. Revenge thrillers are based on characters seeking retaliation. Sci-fi thrillers include heroes, villains, and science elements. Supernatural thrillers feature unexplained psychic abilities and spirits.
Improved Powerpoint
A young girl is walking home alone at night while listening to music. She finds that her house has been broken into, but nothing is stolen. The intruder is revealed to be her father's DEA agent friend, who is kidnapping the girl because she knows about his affair with an underage girl. The rest of the film follows the girl's father as he searches for his missing daughter over the next two months, unaware that his friend was the kidnapper and is intentionally misleading the search.
Q4 evaluation
The document discusses the intended audience for a media product described as a thriller film called "PREY". It states that the audience would be around 50% men and 50% women due to elements like a female lead, action scenes, and a tense ending. It would likely attract teenagers and adults rather than children due to violent content suggested by the title and clues in the opening. The film aims to include people of all races and social classes by featuring actors of different races and portraying characters from both upper and lower classes.
Our Pitch
This document discusses plans for a low-budget horror film targeting 15-25 year olds. It will feature typical horror characters like the victim, villain, and hysterical character. The villain's identity will be unknown to build suspense. Scenes will take place in ominous locations like a dark alleyway and graveyard that conjure horror connotations. Market research found unpredictability and the unknown are scariest aspects of horror for the target audience.
Improved pitch pp
A young girl is walking home listening to music when she discovers her home has been broken into. Nothing was stolen, but it seems someone was looking for something specific. It is revealed that the intruder was the girl's father's DEA agent friend, who plans to kidnap the girl because she knows about his affair with an underage girl. The girl hides in a cupboard but her father accidentally reveals her location over the phone. The document then provides an overview of the rest of the film, which involves the father searching for his missing daughter while being misled by his friend, who was actually the kidnapper seeking to cover up his illegal relationship.
Powerpoint 2.0
A young girl is walking home listening to music when she discovers her home has been broken into. Nothing was stolen, but it seems someone was looking for something specific. It is revealed that the intruder was the girl's father's DEA agent friend, who plans to kidnap the girl because she knows about his affair with an underage girl. The girl hides in a cupboard but her father accidentally reveals her location over the phone. The film will follow the father's attempts to find his missing daughter, unaware that his friend was the kidnapper aiming to prevent the revelation of his illegal relationship.
G321 Evaluation Questions 1
The student's media product challenges conventions of 1950s thrillers in its portrayal of the female character Eve. Eve defies expectations by attempting to educate herself with a book and wearing a shorter, tighter skirt. Her movements show she is cautious but seeks to escape the dominance of the male character Frank. Frank represents power through his suit and aggressive movements. Props like Eve's pearls and Frank's lighter and gun conform to thriller conventions but their meanings are made ambiguous. The lighting and inclusion of diegetic sound make the setting feel relatable rather than dark like typical thrillers. Camera angles initially show Frank's power but later suggest Eve may challenge it, representing her deviation from familiar female archetypes.
How Research has Impacted our Ideas
Through research on genre conventions, the document found that most horror films use similar settings, technical techniques, and iconography to create fear in audiences. These include dark, confined settings and the use of close-ups during jump scares. Narrative theories, such as those from Propp and Levi-Strauss, were also examined to determine which could best fit different horror genres. Representation of gender in horror was discussed, noting common tropes like the "final girl" and victims. Finally, the document analyzed how marketing, like posters and interviews, contributed to the success of films like The Woman in Black in attracting audiences.
Evaluation forms and conventions of media texts
1) The document discusses how camera shots, sound, mise-en-scene, and narrative are used in thriller movies to create suspense. It provides examples of each element from the student's own thriller film.
2) Key camera shots used in thrillers and the student's film include POV shots, close-ups, and low/high angle shots. Sound, both non-diegetic and diegetic, is employed to heighten suspense.
3) Mise-en-scene elements like lighting, costumes, props, and space/settings are manipulated to set a thrilling tone, with examples from the student's film.
Evaluation question 5
The film addresses its audience through a third person perspective without using point-of-view shots, which creates distance and makes the film less scary. A blackout during a murder scene leaves the action to the imagination of the audience. The film may scare female audiences more as the victim is a normal teenage girl. Most thrillers involve protagonists in their mid-20s to appeal to cinema-going audiences in that age group who can relate to the characters. The film draws similarities to other psychological thrillers involving troubled children through its costumes, backstory, and forest setting.
Q1 pp
The document discusses conventions in thrillers and how the described media product utilizes and manipulates conventions. It indicates that the product includes elements commonly found in thrillers like guns, shooting, and blood to create thrills for viewers. However, it subverts expectations by revealing these intense elements were only part of a dream, not actually happening. The document also compares the product's opening to "The Usual Suspects" and analyzes how it develops conventions through its storytelling approach while also challenging conventions by deceiving audiences.
The Gathering Individual Narrative
The short film idea is called "The Gathering" and is a disaster thriller genre. It follows a group of girls attending a house party where one girl decides to drive the others home after drinking alcohol, insisting she is fine. Another girl at the party has taken drugs and has a hallucination of the car crashing over a cliff. Despite warning the others, they do not believe her and get in the car. The car crashes and kills everyone as the drugged girl had foreseen. The narrative ends on a cliffhanger as the drugged girl has another vision of her own death while boarding a plane, suggesting her premonitions may come true. The narrative theory is Todorov's, following five stages of
Irony
This document discusses three types of irony: verbal, dramatic, and situational. Verbal irony involves saying something that means the opposite. Dramatic irony occurs when the audience knows something a character does not. Situational irony involves an unexpected situation that contradicts what was expected. Examples of each type are provided.
Presentation1
The document summarizes key elements of a student film project. It explains that they used a female hero/victim to follow thriller genre conventions. They cast a male as the villain, also following conventions. The sequence ends with the hero screaming after leaving a house, leaving the audience unsure if she lives or dies. The document compares their victim character "Jayne" to the victim in "Taken," as normal girls who have done nothing wrong. They chose Jayne for the main role as her age will attract teenage viewers who may see themselves vulnerable in a similar situation.
Question 1
The document discusses how the media product uses several conventions of thriller films in its opening sequence. It employs voyeurism by showing a girl being followed by her ex-boyfriend without her knowledge. It also uses the convention of extraordinary events occurring in ordinary situations by showing the girl attempting suicide at school. The core narrative involves crime, with the antagonist exploiting the protagonist's flaw by making her attempt suicide after finding out she cheated on him. Throughout, it uses camera shots and techniques like flashbacks to effectively convey emotion and draw the audience in.
Background on thriller
Thrillers use techniques like suspense, plot twists, and mystery to stimulate viewers' emotions. Key characteristics include an unpredictable plot that builds to a climax, as well as elements like red herrings, cliffhangers, themes of kidnapping or revenge, and characters like protagonists, antagonists, and victims. Cinematography in thrillers employs techniques such as low lighting, shadows, and close-ups to create tension. Editing uses techniques like jump cuts and match cuts between action scenes to further mystery and suspense. Sound design with diegetic and non-diegetic elements also stimulates emotion. Popular thriller characters include heroes, villains, helpers, and victims.
IRONY
A Surprise! It is the difference between what we expect to happen, and what actually does happen. It is often used to add suspense and interest. It is also used to keep the reader thinking about the moral of the story.
Theory
The document explores four media theorists - Tzvetan Todorov, Vladimir Propp, Claude Levi-Strauss, and Roland Barthes - and their theories on narrative structures. It discusses Tzvetan Todorov's view that narratives follow a structure of equilibrium, disequilibrium, and new equilibrium. It then examines Vladimir Propp's theory that stories contain up to eight character archetypes. Next, it covers Claude Levi-Strauss' idea that narratives revolve around binary opposites. The document analyzes how the theories relate to the films Gangster Squad, Cinderella, Pulp Fiction, and Lock, Stock and Two Smoking Barrels.
Sub genres of horror
The document discusses several sub-genres of horror films including:
- Slasher films which involve a masked killer murdering teenagers with weapons. Examples given are Halloween and Scream.
- Supernatural films about spirits haunting and antagonizing victims, often in their home. Common conventions described.
- Gothic horror films set in the past featuring monsters in gloomy settings like castles. Examples are Dracula and Sleepy Hollow.
- Psychological horror focuses on the characters' disturbed minds to scare viewers rather than gore. Examples given are Silence of the Lambs and Psycho.
The concluding paragraphs discuss why the group chose psychological horror for their promotional package - it allows more creative
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Thriller!
This document outlines different types of thriller genres including action, captivity, crime, political, psycho, revenge, sci-fi, and supernatural thrillers. It provides examples for each genre, with action thrillers focusing on protagonists facing problems or missions using weapons. Captivity thrillers involve hostages being held. Crime thrillers follow either criminals or police investigating crimes. Political thrillers center around government corruption and terrorism. Psycho thrillers emphasize abnormal psychology of characters. Revenge thrillers are based on characters seeking retaliation. Sci-fi thrillers include heroes, villains, and science elements. Supernatural thrillers feature unexplained psychic abilities and spirits.
Improved Powerpoint
A young girl is walking home alone at night while listening to music. She finds that her house has been broken into, but nothing is stolen. The intruder is revealed to be her father's DEA agent friend, who is kidnapping the girl because she knows about his affair with an underage girl. The rest of the film follows the girl's father as he searches for his missing daughter over the next two months, unaware that his friend was the kidnapper and is intentionally misleading the search.
Q4 evaluation
The document discusses the intended audience for a media product described as a thriller film called "PREY". It states that the audience would be around 50% men and 50% women due to elements like a female lead, action scenes, and a tense ending. It would likely attract teenagers and adults rather than children due to violent content suggested by the title and clues in the opening. The film aims to include people of all races and social classes by featuring actors of different races and portraying characters from both upper and lower classes.
Our Pitch
This document discusses plans for a low-budget horror film targeting 15-25 year olds. It will feature typical horror characters like the victim, villain, and hysterical character. The villain's identity will be unknown to build suspense. Scenes will take place in ominous locations like a dark alleyway and graveyard that conjure horror connotations. Market research found unpredictability and the unknown are scariest aspects of horror for the target audience.
Improved pitch pp
A young girl is walking home listening to music when she discovers her home has been broken into. Nothing was stolen, but it seems someone was looking for something specific. It is revealed that the intruder was the girl's father's DEA agent friend, who plans to kidnap the girl because she knows about his affair with an underage girl. The girl hides in a cupboard but her father accidentally reveals her location over the phone. The document then provides an overview of the rest of the film, which involves the father searching for his missing daughter while being misled by his friend, who was actually the kidnapper seeking to cover up his illegal relationship.
Powerpoint 2.0
A young girl is walking home listening to music when she discovers her home has been broken into. Nothing was stolen, but it seems someone was looking for something specific. It is revealed that the intruder was the girl's father's DEA agent friend, who plans to kidnap the girl because she knows about his affair with an underage girl. The girl hides in a cupboard but her father accidentally reveals her location over the phone. The film will follow the father's attempts to find his missing daughter, unaware that his friend was the kidnapper aiming to prevent the revelation of his illegal relationship.
G321 Evaluation Questions 1
The student's media product challenges conventions of 1950s thrillers in its portrayal of the female character Eve. Eve defies expectations by attempting to educate herself with a book and wearing a shorter, tighter skirt. Her movements show she is cautious but seeks to escape the dominance of the male character Frank. Frank represents power through his suit and aggressive movements. Props like Eve's pearls and Frank's lighter and gun conform to thriller conventions but their meanings are made ambiguous. The lighting and inclusion of diegetic sound make the setting feel relatable rather than dark like typical thrillers. Camera angles initially show Frank's power but later suggest Eve may challenge it, representing her deviation from familiar female archetypes.
How Research has Impacted our Ideas
Through research on genre conventions, the document found that most horror films use similar settings, technical techniques, and iconography to create fear in audiences. These include dark, confined settings and the use of close-ups during jump scares. Narrative theories, such as those from Propp and Levi-Strauss, were also examined to determine which could best fit different horror genres. Representation of gender in horror was discussed, noting common tropes like the "final girl" and victims. Finally, the document analyzed how marketing, like posters and interviews, contributed to the success of films like The Woman in Black in attracting audiences.
Evaluation forms and conventions of media texts
1) The document discusses how camera shots, sound, mise-en-scene, and narrative are used in thriller movies to create suspense. It provides examples of each element from the student's own thriller film.
2) Key camera shots used in thrillers and the student's film include POV shots, close-ups, and low/high angle shots. Sound, both non-diegetic and diegetic, is employed to heighten suspense.
3) Mise-en-scene elements like lighting, costumes, props, and space/settings are manipulated to set a thrilling tone, with examples from the student's film.
Evaluation question 5
The film addresses its audience through a third person perspective without using point-of-view shots, which creates distance and makes the film less scary. A blackout during a murder scene leaves the action to the imagination of the audience. The film may scare female audiences more as the victim is a normal teenage girl. Most thrillers involve protagonists in their mid-20s to appeal to cinema-going audiences in that age group who can relate to the characters. The film draws similarities to other psychological thrillers involving troubled children through its costumes, backstory, and forest setting.
Q1 pp
The document discusses conventions in thrillers and how the described media product utilizes and manipulates conventions. It indicates that the product includes elements commonly found in thrillers like guns, shooting, and blood to create thrills for viewers. However, it subverts expectations by revealing these intense elements were only part of a dream, not actually happening. The document also compares the product's opening to "The Usual Suspects" and analyzes how it develops conventions through its storytelling approach while also challenging conventions by deceiving audiences.
The Gathering Individual Narrative
The short film idea is called "The Gathering" and is a disaster thriller genre. It follows a group of girls attending a house party where one girl decides to drive the others home after drinking alcohol, insisting she is fine. Another girl at the party has taken drugs and has a hallucination of the car crashing over a cliff. Despite warning the others, they do not believe her and get in the car. The car crashes and kills everyone as the drugged girl had foreseen. The narrative ends on a cliffhanger as the drugged girl has another vision of her own death while boarding a plane, suggesting her premonitions may come true. The narrative theory is Todorov's, following five stages of
Irony
This document discusses three types of irony: verbal, dramatic, and situational. Verbal irony involves saying something that means the opposite. Dramatic irony occurs when the audience knows something a character does not. Situational irony involves an unexpected situation that contradicts what was expected. Examples of each type are provided.
Presentation1
The document summarizes key elements of a student film project. It explains that they used a female hero/victim to follow thriller genre conventions. They cast a male as the villain, also following conventions. The sequence ends with the hero screaming after leaving a house, leaving the audience unsure if she lives or dies. The document compares their victim character "Jayne" to the victim in "Taken," as normal girls who have done nothing wrong. They chose Jayne for the main role as her age will attract teenage viewers who may see themselves vulnerable in a similar situation.
Question 1
The document discusses how the media product uses several conventions of thriller films in its opening sequence. It employs voyeurism by showing a girl being followed by her ex-boyfriend without her knowledge. It also uses the convention of extraordinary events occurring in ordinary situations by showing the girl attempting suicide at school. The core narrative involves crime, with the antagonist exploiting the protagonist's flaw by making her attempt suicide after finding out she cheated on him. Throughout, it uses camera shots and techniques like flashbacks to effectively convey emotion and draw the audience in.
Background on thriller
Thrillers use techniques like suspense, plot twists, and mystery to stimulate viewers' emotions. Key characteristics include an unpredictable plot that builds to a climax, as well as elements like red herrings, cliffhangers, themes of kidnapping or revenge, and characters like protagonists, antagonists, and victims. Cinematography in thrillers employs techniques such as low lighting, shadows, and close-ups to create tension. Editing uses techniques like jump cuts and match cuts between action scenes to further mystery and suspense. Sound design with diegetic and non-diegetic elements also stimulates emotion. Popular thriller characters include heroes, villains, helpers, and victims.
IRONY
A Surprise! It is the difference between what we expect to happen, and what actually does happen. It is often used to add suspense and interest. It is also used to keep the reader thinking about the moral of the story.
Theory
The document explores four media theorists - Tzvetan Todorov, Vladimir Propp, Claude Levi-Strauss, and Roland Barthes - and their theories on narrative structures. It discusses Tzvetan Todorov's view that narratives follow a structure of equilibrium, disequilibrium, and new equilibrium. It then examines Vladimir Propp's theory that stories contain up to eight character archetypes. Next, it covers Claude Levi-Strauss' idea that narratives revolve around binary opposites. The document analyzes how the theories relate to the films Gangster Squad, Cinderella, Pulp Fiction, and Lock, Stock and Two Smoking Barrels.
Sub genres of horror
The document discusses several sub-genres of horror films including:
- Slasher films which involve a masked killer murdering teenagers with weapons. Examples given are Halloween and Scream.
- Supernatural films about spirits haunting and antagonizing victims, often in their home. Common conventions described.
- Gothic horror films set in the past featuring monsters in gloomy settings like castles. Examples are Dracula and Sleepy Hollow.
- Psychological horror focuses on the characters' disturbed minds to scare viewers rather than gore. Examples given are Silence of the Lambs and Psycho.
The concluding paragraphs discuss why the group chose psychological horror for their promotional package - it allows more creative
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Thriller film pitch
1) A group of girls at school seem paranoid and are whispering about a body. One receives cryptic threatening texts from an anonymous person claiming to know their secret.
2) The girl has flashbacks and the person warns her not to tell the others, saying they can see her. She looks out the window and sees a black figure watching her.
3) The document proposes a thriller film pitch set in a school, focusing on the mystery/thriller genre for a target audience of 15-24 year olds. It suggests the school setting would allow flexibility in locations and be relatable to the target demographic.
Question 4
1) The target audience for thrillers is ages 15+ according to research, as thrillers appeal to both males and females through relatable characters and themes that interest different audiences.
2) A key appeal is the use of suspense and tension through constant plot twists that keep audiences on the edge of their seats, especially in psychological thrillers.
3) The document discusses how thrillers can relate to a wide range of audiences and considers 15-30 years old as the target demographic, encompassing crime, mystery, and psychological thriller elements.
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Michael and 4 friends decide to contact the supernatural using a Ouija board out of curiosity to liven up their normal lives. They make contact with Elizabeth, a child poltergeist who knows their inner fears and proceeds to make their lives a living hell. Paranoia and death befall the group as Elizabeth makes their worst nightmares a reality. The film draws inspiration from Poltergeist and Carrie in its use of a haunting entity that feeds on fear and its teenage protagonists. Scenes in the trailer show the friends discussing contacting the supernatural, their attempt using the Ouija board, and things starting to go wrong for each character as they become haunted.
Genre research
Horror films seek to elicit negative emotional reactions from viewers by playing on primal fears. They often feature startling scenes involving the macabre, supernatural, or unknown. Common horror movie themes include things trying to kill people in or around haunted houses. Most have a killer/evil entity pursuing a single victim or group. Thriller films stimulate moods like anticipation, tension, and anxiety through suspense, uncertainty, and fast-paced action scenes usually involving a troublemaking main character.
Notes on thriller films
Thrillers are characterized by eliciting feelings of suspense, excitement, anticipation and anxiety in viewers. They revolve around keeping the audience on the edge of their seats as the protagonist faces danger or solves a mystery. Alfred Hitchcock was an early pioneer of the thriller genre in the 1920s-1930s. Thrillers have become more sophisticated over time with advances in film editing and technology. Common thriller subgenres include crime thrillers focusing on criminals and heists, and horror thrillers that blend thrills and scares. Key differences between thrillers and horror are that horror focuses more on gore and death while thrillers emphasize suspense. Example thriller films include Paranormal Activity, Saw, Jaws,
Evaluation media
My film is a thriller defined by its dark poster and magazine cover featuring mysterious imagery. The trailer establishes the thriller genre through fast pacing, tension-building music and camerawork. It follows the protagonist Nina versus pursuing government forces. Nina disrupts the story's equilibrium and must establish a new one. Key themes include loss of childhood and portrayals of females. The target audience is young females who may connect with the young female protagonist, with young males also a potential audience.
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The document discusses genres and identifies the author's preferred genre as supernatural thriller. It then outlines a narrative for a supernatural thriller film opening, which involves three friends witnessing one friend's possession and death by a demon in the woods. The narrative is divided into two parts, with the first part describing the initial incident and the second part covering the girls' investigation two months later to find evidence and avenge their friend's death. Key details are provided on the inspiration for the opening scene from other films. The target audience is also identified as males and females aged 15-25 of various social classes, made broader by the inclusion of supernatural and action sub-genres.
Genre
This document discusses the key elements that define the teenage drama genre in film, including setting, themes, iconography, narrative, audience, characters, and style. It analyzes examples of typical teenage drama films and notes that the chosen genre is teenage drama. It outlines the specific elements that will be incorporated into a teenage drama film, such as a narrative about an online deception and mental health themes.
AS MEDIA GENRE RESEARCH
The document discusses the thriller genre and the conventions of action thriller films. It provides examples of popular thriller films and their plots. It notes that thrillers are meant to keep audiences guessing and on edge through tension, plot twists and a climax where the protagonist succeeds. It discusses the importance of dark, mysterious music in soundtracks to build suspense. Finally, it outlines some common characteristics of action thrillers like Taken, including stereotypical characters like a male protagonist on a mission and antagonists, as well as props like weapons and destroyed vehicles.
Social Group Commonly Featured
Teenagers are commonly featured characters in horror films. They are typically portrayed as naive and lacking common sense, ignoring warnings which leads to their demise. Female teen characters are often sexualized through their clothing and attitudes. Most horror films involve some romantic relationship that ends in death and gore. The document discusses following these stereotypes in a planned horror film or movie in order to conform with genre conventions and allow audiences to easily predict what each character is like based on familiar stereotypes. This focuses their attention on the storyline.
Sub genre
The document discusses various horror subgenres and their conventions. It analyzes the conventions of supernatural, psychological, slasher, possession and gothic subgenres. Key conventions discussed include common settings like homes and isolated locations, characters like the final girl in slashers and themes involving curses or haunted places. The author and their group chose the possession subgenre for their film due to its interesting narrative possibilities and relevance to modern audiences. They believe it will allow them to creatively challenge conventions and engage a sophisticated audience.
Sub genre2
The document discusses various horror film subgenres and their common conventions. It analyzes supernatural, psychological, slasher, possession and gothic subgenres. For each, it identifies common narrative structures, character tropes, locations, and visual/audio techniques. For example, it notes possession films typically feature religious imagery and are set in isolated places with dark histories. The author's group chose the possession subgenre for their film due to its complexity, relevance and opportunities for creative expression.
No connection film pitch
The document is a pitch for a horror film titled "No Connection". It begins by defining common film genres and subgenres. The pitch then discusses why the author chose to focus on the horror genre. conventions of horror films are explored, with examples given of how to effectively use conventions like lighting, music, and gore. Inspiration is drawn from psychological horror and paranormal subgenres. A narrative overview is provided, focusing on a teenage girl who gets lost in a quarry while walking her dog. Character analyses describe the main character and her mother, with the dog also playing a key role in the story.
Genre research
The document summarizes key elements of the teen thriller genre for a film project. It discusses that the film will have teen main characters and blend thriller and teen genres. It explores common settings of schools and parties and how thrillers feature tension-filled locations. It then outlines typical character archetypes and narratives focused on mysteries. Iconic visuals and sounds of the genre are shadows and gunshots. Cinematography often uses high angles and over shoulder shots, while lighting and music aim to build tension.
Introduction To Horror Sub-Genres
This document discusses various sub-genres of horror films. It outlines the key conventions and examples of supernatural, slasher, and psychological horror sub-genres. In supernatural films, evil spirits and possessions are common threats. Slasher films feature psychopathic killers targeting teenagers. Psychological horrors aim to undermine the audience's trust through twisted characters and plot twists. Key conventions include isolated settings, signature weapons, final girls, and graphic depictions of violence.
introduction to sub genres of horror
This document discusses various horror subgenres and their common conventions. It notes that slasher films typically involve a masked killer murdering a group of teenage transgressors. Supernatural films focus on an evil spirit that cannot be easily controlled or defeated. Possession movies are similar but feature religious symbols and efforts to exorcise the possessing entity. Monster movies are usually set in the past and feature mythical creatures as antagonists that can be defeated. The document also discusses various horror film theories relating to character archetypes and narrative structures.
Genre and sub genre
Psychological films focus on the mind and emotional or mental issues that affect behavior. Characters may experience depression or other psychological conditions that could lead to violence or death. An example is The Orphanage, where a boy is psychologically affected and starts acting strangely.
Thrillers use suspense, tension, and excitement to stimulate audiences and provide an adrenaline rush. Plots include sudden excitement, twists and red herrings to keep viewers on the edge of their seats until the climax. Subgenres include psychological thrillers, crime thrillers, and mystery thrillers. Black Swan is an example of a psychological thriller that creates suspense through imagined mental illnesses and jealousy.
Slasher films typically involve a
THRILLER GENRE CONVENTIONS
This document discusses genre conventions for psychological thriller films. It outlines key elements like settings that isolate characters, themes of death and fear, and character archetypes such as serial killers and victims. Iconography in thrillers often involves weapons and blood. Cinematography like close-ups, silhouettes, and low-key lighting build tension. Narratives commonly involve characters being stalked or trapped by the antagonist. Famous examples that employ these conventions help capture audiences interested in solving mysteries.
Presentation1
The document discusses representations of children in horror films. It notes that children are commonly portrayed as either the victim or a ghost. The most popular portrayal is as a "creepy little kid" who is clearly evil from the start, as seen in films about possessed orphans. These creepy children are more often girls portrayed as innocent to make their evil acts more shocking. The document also discusses the stereotypical portrayal of women in horror films, noting they are sometimes heroes who survive to the end or defeat the monster. However, males are usually the initial protagonists who are defeated, with the female then taking over.
Thriller opening pitch
The document outlines a psychological thriller film pitch that focuses on building suspense and tension. It will target a young audience aged 16-24 who frequently watch thrillers. The opening scene takes place outside a restaurant at night, where four girls finish dinner. As three of the girls leave one way, the fourth goes alone in the streets and hears footsteps following her. She is later killed by a shadowed figure. Her three friends then receive a text threatening them, while the news reports the girl's death as a suicide. The pitch aims to start with a normal scene and build suspense that something bad will happen.
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- 1. CONNOTATIONS OF THE THRILLER GENRE BY OLIVIA GRACEY
- 2. WHAT IS THE THRILLER GENRE? The Thriller genre is mainly based around the idea of suspense, wonder and anticipation. As I am a huge Thriller fan, I have always been lead to believe a theory of the individual who has maybe committed a crime or blamed for a disappearance is never the person who it truly is. The element of surprise is a huge aspect of the Thriller genre as it keeps the audience guessing and on the edge of their seat to find out the truth of the film. The connotations of a Thriller genre are usually a protagonist of whom is trying to solve a crime or try and restore the equilibrium an example of this usually a family member is abducted or they have to go against all odds to overcome the disruption of the equilibrium. The climax is hugely stressed and the protagonist almost fails until they realize along with the audience how to succeed.
- 3. EXAMPLES OF THRILLER TAKEN/TAKEN 2: Daughter is abducted and her father tries to find her Dream House: The main character is blamed for killing his family and suffers with Schizophrenia. Prisoners: A fathers daughter is abducted with her friend and the father stops at nothing to bring his young daughter home. Silence of the Lambs: A police officer develops a relationship with a serial killer to access information which will help her solve another crime.
- 4. Stereotypical Characters/Props I have researched this particular genre and have found that the plots of Thriller films are to keep the audience on the edge of their seats so the use of weapons would be highly used to create suspense I hope that the protagonist will succeed in restoring the equilibrium. Thrillers usually contain areas of action to rescue or restore their name. stereotypical characters include children or young people who have families who will stop at nothing to have them home safe, by using children it makes the audience route for them to be safe as well as the Antagonists be taken down and punished for their crime. There is usually a main character who is the protagonist who the audience follow on their quest, an example of this is ‘Taken’ where the father who is a trained special agent stops at nothing to find his daughter and kill the men who sold her into prostitution. By using ideology like prostitution or child molesters being suspects in films such as ‘Prisoners’, the audience route for them to be found.
- 5. WHY HAVE I CHOSEN THE ACTION THRILLER GENRE? I have chosen the Action Thriller genre based upon the fact that I am a huge fan of this type on genre so therefore I can influence my passion for the genre as well as the various examples of this genre I have personally viewed. I believe this genre will allow me to present my skill in camera work as well as costuming and character development as I can show stereotypes of this genre and present to the best of my ability with as much originality as possible. I believe as I have viewed so many Thriller films, it will give me an advantage to create a good opening sequence.