Killer Instinct
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John is a serial killer who has evaded the police for years. Detective Smith has been obsessed with catching John and believes he has a lead on his latest victim. Smith tracks John to an abandoned warehouse, where a climactic confrontation ensues between the two. After a brutal fight, Smith is able to subdue and arrest John, finally bringing the killer to justice.
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Killer Instinct 3
John is a serial killer who has evaded the police for years. A new detective, Sarah, is determined to catch John and profiles his past victims to predict where he will strike next. After a tense showdown, Sarah is able to capture and arrest John, bringing his reign of terror to an end.
last lecture in infinite series
(i) The infinite series ∑(2x)n/n from n=1 to infinity is convergent for -1/2 ≤ x ≤ 1/2 and has an infinite sum of 2x.
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The document summarizes how the media product uses and develops conventions of psychological thriller films. It introduces two characters in the opening, which follows conventions. While it breaks convention by introducing a problem in the first two minutes, similar to "The Ring." It uses a female victim character, as most psychological thrillers do. Symbols of the eye and window are used to get inside the character's thoughts and signify the genre, as seen in films like "Vertigo" and "The Ring" by focusing on these elements. Looking down on the victim character conveys vulnerability, relating to the conventions seen in "Misery" but in a more subtle way.
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This document discusses the target audience for a psychological thriller film. It analyzes similar films in the genre like Memento and The Sixth Sense that target older working class audiences between ages 24-45. As the filmmakers want their movie to be a "pure" psychological thriller, their target audience is suggested to be men and women in the working class age range of 25-45, who enjoy movies that keep them on the edge with an exciting thickening plot.
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Killer Instinct 3
John is a serial killer who has evaded the police for years. A new detective, Sarah, is determined to catch John and profiles his past victims to predict where he will strike next. After a tense showdown, Sarah is able to capture and arrest John, bringing his reign of terror to an end.
last lecture in infinite series
(i) The infinite series ∑(2x)n/n from n=1 to infinity is convergent for -1/2 ≤ x ≤ 1/2 and has an infinite sum of 2x.
(ii) The infinite series ∑((x-1)n)/2n from n=1 to infinity is convergent for -1 < x < 3 and has an infinite sum of x-1.
(iii) The infinite series ∑(n!xn-1) from n=1 to infinity has an interval of convergence of the entire real number line R.
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Adele Chasing Pavements
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Who is the target audience?
This document discusses the target audience for a psychological thriller film. It analyzes similar films in the genre like Memento and The Sixth Sense that target older working class audiences between ages 24-45. As the filmmakers want their movie to be a "pure" psychological thriller, their target audience is suggested to be men and women in the working class age range of 25-45, who enjoy movies that keep them on the edge with an exciting thickening plot.
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This document provides a list of props and actors needed to stage a psychologist's office scene, including a casually dressed female victim, a smartly dressed male psychologist with glasses and clipboard, certificates and pictures on the wall to indicate it is a psychologist's office, and video and still cameras on tripods to film the scene.
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This document provides a list of props and actors needed to portray a psychologist's office, including a casually dressed female victim and a smartly dressed male psychologist holding a clipboard and glasses. The office set up would include a couch, certificates and framed pictures on the wall, and video and still cameras on tripods to film the scene.
Coursework Timetable
This document contains a schedule for six periods across five days of the week. It assigns different students and activities to each time period. Media and certain students' names like Sanam and Tahir are recurring activities and names throughout the weeks' periods.
Killer Instinct
1) Sarah, an 18-year-old woman, begins having vivid visions of the future that come true and terrify her, including seeing herself murder a man.
2) She seeks help from psychiatrist Dr. Sanam Ahmad, who uses hypnotherapy and other techniques to help Sarah confront her lonely childhood and neglectful father.
3) However, when Sarah's final vision comes to pass, the psychiatrist's methods fail and Sarah ends up killing the man she sees, who is revealed to be her own father from her past.
Killer Instinct 4
1) Sarah, an 18-year-old woman, begins having vivid visions of the future that come true and terrify her, including seeing herself murder a man.
2) She seeks help from psychiatrist Dr. Sanam Ahmad, who uses hypnotherapy and other techniques to help Sarah confront her lonely childhood and neglectful father.
3) However, when Sarah's final vision comes to pass, the psychiatrist's methods fail and Sarah ends up killing the man, who is revealed to be her own father from her childhood memories.
Killer Instinct 4
1) Sarah, an 18-year-old woman, begins having vivid visions of the future that come true and terrify her, including seeing herself murder a man.
2) She seeks help from psychiatrist Dr. Sanam Ahmad, who uses hypnotherapy and other techniques to help Sarah confront her lonely childhood and neglectful father.
3) However, when Sarah's final vision comes to pass, the psychiatrist's methods fail and Sarah ends up killing the man, who is revealed to be her own father from her childhood memories.
Killer Instinct
1) Sarah, an 18-year-old woman, begins having vivid visions of the future that come true and terrify her, including seeing herself murder a man.
2) She seeks help from psychiatrist Dr. Sanam Ahmad, who uses hypnotherapy and other techniques to help Sarah confront her lonely childhood and neglectful father.
3) However, when Sarah's final vision comes to pass, the psychiatrist's methods fail and Sarah ends up killing the man she sees, who is revealed to be her own father from her past.
Film Ratings
Our film received a 15 rating from the BBFC due to some graphic scenes, such as a character murdering her father, and strong language. The rating guidelines were considered relevant as the film includes violent imagery and profanity. The decision was made because these elements in the movie place it within the 15 age rating category set by the British Board of Film Classification.
Film Ratings
Our film received a 15 rating from the BBFC due to some graphic scenes, such as a character murdering her father, and strong language. The rating guidelines were considered relevant as the film includes violent imagery and profanity. The decision was made to give the film a 15 rating based on these factors being present in several scenes.
Target Audience
The target audience for psychological thriller films like The Sixth Sense, The Shining, Vertigo, Misery, and Memento is people in their late 20s to early 40s. These films deal with themes of death and danger in a subtle rather than graphic way. They also feature lead actors in a similar age range to the intended viewers. According to uses and gratifications theory, audiences seek reinforcement of their personal values and insights into themselves from media featuring protagonists of similar age.
Order of Titling
The document discusses three orders of titling films based on the status of those involved. Order 1 lists the director first if they have the highest status, followed by main actor and film title. Order 2 lists the main actor first if they have the highest status, then director and film title. Order 3 lists the film title first for films with lesser known stars and directors, followed by actor/director. The conclusion recommends orders 1 and 2 for films with big name stars and directors to highlight them, and order 3 for independent films with lesser known people involved.
The Sixth Sense
The title sequence of The Sixth Sense is unusual in that it begins with the titles before any footage. The black and white color scheme uses black to represent danger and death, and white possibly hints at the supernatural. If white represents innocence, the increasing presence of black suggests innocence giving way. The sequence follows a typical hierarchy, listing the main star first. Non-diegetic music builds tension and signals the thriller/horror genre. The instrumental climaxes on the title, scaring viewers and highlighting the film's importance. Footage appears three minutes in, starting with a long shot of a woman emerging from darkness.
Dawn Of The Dead
The opening title sequence of "Dawn of the Dead" effectively sets an atmosphere of confusion and tension through its fast pacing and graphic visuals. It blurs the lines between horror and psychological thriller genres. While the graphic content is shocking, it establishes the film's genre. The sequence also introduces themes of the living versus the dead and uses stylistic techniques like color, camera angles, and music to further immerse the viewer in the story and build mystery around the events unfolding.
The Sixth Sense
The title sequence of The Sixth Sense is unusual in that it begins with the titles before any footage. Black and white is used, with black representing danger and death, and white possibly hinting at the supernatural. The ratio of black to white increases the sense of unease. It follows the standard format of listing the main star first then the title. Non-diegetic music builds tension and signals the thriller/horror genre. The music climaxes when the title appears, scaring the audience. Footage begins three minutes in, with a long shot of a woman emerging from darkness, unseen by the camera in a medium shot. Candles and children's cards hint that childhood innocence will intersect with the spirit world.
Vertigo
The opening sequence of the film Vertigo uses visual and audio techniques to set the tone and suggest the psychological thriller genre. It begins with a pale face against a black background, hinting at themes of death. Quick cuts between shots transition the viewer into the film's world. Extreme close-ups on eyes, changing colors, and unsettling non-diegetic music build an atmosphere of mystery and rising tension. The title sequences are designed and timed to immerse the viewer in the main character's perspective.
The Shining
The title sequence in The Shining uses extreme long shots that pan across remote locations to establish a sense of isolation and helplessness typical of psychological thrillers. Non-diegetic eerie music further builds an unsettling atmosphere. Titles appear on screen for only a few seconds each, starting with the director and main stars before revealing the film title. The slow cutting rhythm and lack of context for the green car driving through the shots creates mystery and leaves the audience with questions as it starts the story in a state of equilibrium.
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Leant about technology
The document discusses several technologies the author learned about while constructing a media project, including Blogger for publishing work online, Slideshare for uploading PowerPoint and Word files, and iMovie for editing videos and adding sound/footage. The author found Blogger and Slideshare easy to use but encountered difficulties with sound synchronization in iMovie, learning about the challenges of video editing.
Leant about technology
The document discusses several technologies the author learned about while constructing a media project, including Blogger for publishing work online, Slideshare for uploading PowerPoint and Word files, and iMovie for editing videos and adding sound/footage. The author found Blogger and Slideshare easy to use but encountered difficulties with sound editing in iMovie, learning about its challenges and YouTube's popularity for hosting videos.
Dawn Of The Dead
The title sequence of the film uses shocking close-up shots and mysterious long shots to imply the horror/thriller genre. Non-diegetic country music plays over fast-cut real news-style footage to build tension and convey a national crisis. Low-angle shots of soldiers suggest they will be important and shots of blood/DNA hint at an epidemic threatening humanity. The sequence blurs genre boundaries and uses techniques like an unknown hero and international threats to create mystery.
List Of Organization
This document provides a list of props and actors needed to stage a psychologist's office scene, including a casually dressed female victim, a smartly dressed male psychologist with glasses and clipboard, certificates and pictures on the wall to indicate it is a psychologist's office, and video and still cameras on tripods to film the scene.
List Of Organization
This document provides a list of props and actors needed to portray a psychologist's office, including a casually dressed female victim and a smartly dressed male psychologist holding a clipboard and glasses. The office set up would include a couch, certificates and framed pictures on the wall, and video and still cameras on tripods to film the scene.
Coursework Timetable
This document contains a schedule for six periods across five days of the week. It assigns different students and activities to each time period. Media and certain students' names like Sanam and Tahir are recurring activities and names throughout the weeks' periods.
Killer Instinct
1) Sarah, an 18-year-old woman, begins having vivid visions of the future that come true and terrify her, including seeing herself murder a man.
2) She seeks help from psychiatrist Dr. Sanam Ahmad, who uses hypnotherapy and other techniques to help Sarah confront her lonely childhood and neglectful father.
3) However, when Sarah's final vision comes to pass, the psychiatrist's methods fail and Sarah ends up killing the man she sees, who is revealed to be her own father from her past.
Killer Instinct 4
1) Sarah, an 18-year-old woman, begins having vivid visions of the future that come true and terrify her, including seeing herself murder a man.
2) She seeks help from psychiatrist Dr. Sanam Ahmad, who uses hypnotherapy and other techniques to help Sarah confront her lonely childhood and neglectful father.
3) However, when Sarah's final vision comes to pass, the psychiatrist's methods fail and Sarah ends up killing the man, who is revealed to be her own father from her childhood memories.
Killer Instinct 4
1) Sarah, an 18-year-old woman, begins having vivid visions of the future that come true and terrify her, including seeing herself murder a man.
2) She seeks help from psychiatrist Dr. Sanam Ahmad, who uses hypnotherapy and other techniques to help Sarah confront her lonely childhood and neglectful father.
3) However, when Sarah's final vision comes to pass, the psychiatrist's methods fail and Sarah ends up killing the man, who is revealed to be her own father from her childhood memories.
Killer Instinct
1) Sarah, an 18-year-old woman, begins having vivid visions of the future that come true and terrify her, including seeing herself murder a man.
2) She seeks help from psychiatrist Dr. Sanam Ahmad, who uses hypnotherapy and other techniques to help Sarah confront her lonely childhood and neglectful father.
3) However, when Sarah's final vision comes to pass, the psychiatrist's methods fail and Sarah ends up killing the man she sees, who is revealed to be her own father from her past.
Film Ratings
Our film received a 15 rating from the BBFC due to some graphic scenes, such as a character murdering her father, and strong language. The rating guidelines were considered relevant as the film includes violent imagery and profanity. The decision was made because these elements in the movie place it within the 15 age rating category set by the British Board of Film Classification.
Film Ratings
Our film received a 15 rating from the BBFC due to some graphic scenes, such as a character murdering her father, and strong language. The rating guidelines were considered relevant as the film includes violent imagery and profanity. The decision was made to give the film a 15 rating based on these factors being present in several scenes.
Target Audience
The target audience for psychological thriller films like The Sixth Sense, The Shining, Vertigo, Misery, and Memento is people in their late 20s to early 40s. These films deal with themes of death and danger in a subtle rather than graphic way. They also feature lead actors in a similar age range to the intended viewers. According to uses and gratifications theory, audiences seek reinforcement of their personal values and insights into themselves from media featuring protagonists of similar age.
Order of Titling
The document discusses three orders of titling films based on the status of those involved. Order 1 lists the director first if they have the highest status, followed by main actor and film title. Order 2 lists the main actor first if they have the highest status, then director and film title. Order 3 lists the film title first for films with lesser known stars and directors, followed by actor/director. The conclusion recommends orders 1 and 2 for films with big name stars and directors to highlight them, and order 3 for independent films with lesser known people involved.
The Sixth Sense
The title sequence of The Sixth Sense is unusual in that it begins with the titles before any footage. The black and white color scheme uses black to represent danger and death, and white possibly hints at the supernatural. If white represents innocence, the increasing presence of black suggests innocence giving way. The sequence follows a typical hierarchy, listing the main star first. Non-diegetic music builds tension and signals the thriller/horror genre. The instrumental climaxes on the title, scaring viewers and highlighting the film's importance. Footage appears three minutes in, starting with a long shot of a woman emerging from darkness.
Dawn Of The Dead
The opening title sequence of "Dawn of the Dead" effectively sets an atmosphere of confusion and tension through its fast pacing and graphic visuals. It blurs the lines between horror and psychological thriller genres. While the graphic content is shocking, it establishes the film's genre. The sequence also introduces themes of the living versus the dead and uses stylistic techniques like color, camera angles, and music to further immerse the viewer in the story and build mystery around the events unfolding.
The Sixth Sense
The title sequence of The Sixth Sense is unusual in that it begins with the titles before any footage. Black and white is used, with black representing danger and death, and white possibly hinting at the supernatural. The ratio of black to white increases the sense of unease. It follows the standard format of listing the main star first then the title. Non-diegetic music builds tension and signals the thriller/horror genre. The music climaxes when the title appears, scaring the audience. Footage begins three minutes in, with a long shot of a woman emerging from darkness, unseen by the camera in a medium shot. Candles and children's cards hint that childhood innocence will intersect with the spirit world.
Vertigo
The opening sequence of the film Vertigo uses visual and audio techniques to set the tone and suggest the psychological thriller genre. It begins with a pale face against a black background, hinting at themes of death. Quick cuts between shots transition the viewer into the film's world. Extreme close-ups on eyes, changing colors, and unsettling non-diegetic music build an atmosphere of mystery and rising tension. The title sequences are designed and timed to immerse the viewer in the main character's perspective.
The Shining
The title sequence in The Shining uses extreme long shots that pan across remote locations to establish a sense of isolation and helplessness typical of psychological thrillers. Non-diegetic eerie music further builds an unsettling atmosphere. Titles appear on screen for only a few seconds each, starting with the director and main stars before revealing the film title. The slow cutting rhythm and lack of context for the green car driving through the shots creates mystery and leaves the audience with questions as it starts the story in a state of equilibrium.
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Killer Instinct
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