The romanticism
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The document discusses the characteristics and key figures of Romanticism in British literature. Some of the main traits of Romanticism mentioned include a focus on individualism, subjectivity, and the expression of emotions over reason. The document also lists several major British Romantic writers such as William Blake, William Wordsworth, Lord Byron, Percy Bysshe Shelley, and John Keats.
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This document provides an overview of the formalistic approach to literary criticism. It discusses key concepts of formalism including an analysis of form over external contexts, the use of symbols and structures within a text, and New Criticism. It provides examples of how formalism can be applied to analyze elements like irony in The Adventures of Huckleberry Finn and symbolism in "Young Goodman Brown." Specifically, it examines Huck's narrative voice, the Mississippi River as a symbol, and the repetitive journey structure. For "Young Goodman Brown," it analyzes symbols like Faith's pink ribbons and the characters themselves as representing good and evil. The document aims to define formalism and demonstrate how it can be used to closely read and interpret literature.
An essay on “recommending someone from the department of Bangla to take the c...
This is an essay on “recommending someone from the Department of Bangla to take the course titled British romantic poetry"
Henry James Study
This document discusses Henry James' short stories about artists and their exploration of romanticism. It begins by providing context on James' later revisions and prefaces where he discussed romanticism versus reality. The research aims to examine if James expressed romantic ideas more in artist stories, if artists think uniquely, and if there is a connection between romanticism and art. It notes James was inspired by anecdotes from friends and defines romanticism as a small, condensed world within art contrasted with the vast reality outside. The document analyzes several James stories in depth to support the theory about romanticism and art.
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Anatomy Of Criticism
Northrop Frye's theory proposes four types of literary criticism: rhetorical, archetypal, ethical, and historical. Historical criticism examines literature through three lenses: the elevation of characters, historical period, and narrative content (comedy/tragedy). Each combination of these lenses forms a literary mode, such as ironic or high mimetic. The modes are then mapped onto historical periods from ancient to contemporary. Archetypal criticism examines recurring myths and symbols. Ethical criticism analyzes increasing complexity in symbols from literal to anagogic. Rhetorical criticism defines genres based on the relationship between author and audience.
British Literature
1. Realism in novels aims to create an "illusion of life" by blending public and private experiences within a realistic social, economic, and historical context. Authors use techniques like consistency with history, fidelity to social norms, and causal plot development.
2. Victorian literature is divided into three periods - early novels focused on social problems, mid-Victorian novels embraced domestic realism, and late Victorian novels turned more psychological and pessimistic.
3. Thomas Hardy's novels were often initially rejected or censored due to scenes involving sex and marriage, but he later restored cut episodes when publishing in book form. Hardy faced increasing problems getting his realistic novels accepted due to Victorian sensibilities.
Romanticism
The Romantic Period in British literature was characterized by:
1) Nature-inspired poetry that portrayed nature as capable of altering human perception. Settings were often picturesque and exotic.
2) Literature that questioned authority and valued individualism and emotion over rationalism. Iconoclastic figures like Lord Byron's "Byronic Heroes" were popularized.
3) The ability to find extraordinary meaning in ordinary events and experiences through heightened emotion. Simple and direct language was often used to achieve this.
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The romanticism
- 1. The Romanticism in GB (Novel and Poetry Marina Rocha
- 3. I would know more about this movement and its protagonists, the writers.
- 5. Change is considered as a positive value
- 6. There are no fixed patterns, seek diversity in building
- 7. The truth is subjective
- 8. Emphasis on the subjective and the ideal
- 9. The individual is conceived as a source of truth, based on intuition and imagination
- 10. We estimated the unconscious and dreams
- 11. We define the natural goodness of man against the corrupting of society.
- 13. Preference for the poetic genre
- 15. Predominance of sentiment over reason
- 17. Break with the classical mold
- 18. Using contrasts (beautiful-ugly, tragic-comic, etc.).
- 19. Back to the Middle Ages, idealization of the past
- 20. Biblical inspiration, oriental and Christian
- 21. The landscape reflects the state of mind of the writer
- 22. Revaluation of the Baroque
- 23. Popular Topics
- 24. Death cult
- 26. The lake poets: William Wordsworth, Samuel Taylor Coleridge and Robert Southey.
- 27. The English canonical lyrics: Lord Byron, Percy Bysshe Shelley and John Keats.
- 28. In narrative stands Walter Scott, creator of the modern historical romance genre with his novels about medieval England, or Gothic novels of Matthew Lewis.