The recce
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The document discusses the plans and considerations for a photo shoot to take place in an urban setting. Potential hazards like traffic will be avoided by shooting in backstreets or public areas like train stations. Natural lighting will be used along with a flash. Permission is not needed since photos will be taken in public areas. Crowds may be an issue but efforts will be made to avoid them interfering. Models and equipment needs have been planned for, with alternatives in case of issues. All possible scenarios have been considered to ensure high quality photos for a magazine.
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The document discusses potential hazards and risks associated with a planned photoshoot in a public park at night. To minimize risks, the photographer will conduct the shoot when the park is empty, ensure safe transportation with an accompanying adult, and prohibit climbing on structures. Privacy and safety are the primary concerns addressed in preparations for the photoshoot.
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This document contains information about street photography including its history and techniques. It discusses famous street photographers like Henri Cartier-Bresson and their use of the "decisive moment." Ethical considerations for street photography are outlined such as prioritizing helping injured people over taking photos. Guidelines are provided for appropriate subjects to photograph versus things to avoid like injured people or violence. Information is also given about photographer Robert Frank and examples of edited versus original photos from a London trip are shown.
Street photograhy presentation
This document discusses street photography. It defines street photography as spontaneous images that capture everyday life in an urban setting. The "decisive moment" refers to capturing an image at the precise time that tells a story. Ethical considerations include respecting subjects and asking permission when photographing children. The document also profiles street photographer Eric Kim, praising his quirky style. It then showcases and evaluates the student's own street photography work from locations like Trafalgar Square and Carnaby Street, discussing editing techniques and compositions.
The recce magazine
The photographer will be taking photos in their room, so there are no potential hazards. They chose a plain colored wall as their background so it can easily be removed in post-processing. No studio booking was needed since the room wall will serve as the background. Other people and crowds will not interfere since the photos are being taken in their room. The photographer is relying on their camera and younger sister model, and has planned accordingly to ensure they are available at the appointed time.
initial plans(2)
The document outlines the student's initial plans for their final major project (FMP) in video production. They are considering doing a music video, film trailer, or promotional video. They note that a documentary or educational video may not interest them as much. They want to create a series of hyperlapse videos promoting the city of York, focusing on historic landmarks, food, and shopping. The videos will be 20-30 seconds and shared on social media. They provide mood boards and initial storyboards to inspire the project and acknowledge the need to do more location research. Key influences are photographers and videographers Tommy Lundberg, Casey Neistat, and Peter McKinnon and their styles of hyperlapse, quick cuts, and visual
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The document provides photos and descriptions of potential filming locations for a movie, including run-down stairs and alleys to portray a poor urban area, a subway that could work with many shots despite foot traffic, a grand building for scenes after "escaping the urban location", and views from a location to film scenes of the couple together, working best at night or sunset.
L3 cmpt y2 evaluation template
This document summarizes a student's year two media production project on power stations in the UK landscape. The student was attracted to the project topic because of their personal interest in photographing power stations. Through research, the student was inspired by other photographers' styles and developed plans for shots depicting power stations in the landscape. The student conducted interviews with family members to get differing opinions on power stations. While the project achieved the intended style, the student feels the first half could have been stronger and encountered challenges with weather, finding diverse interview subjects, and background noise.
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The document discusses potential hazards and risks associated with a planned photoshoot in a public park at night. To minimize risks, the photographer will conduct the shoot when the park is empty, ensure safe transportation with an accompanying adult, and prohibit climbing on structures. Privacy and safety are the primary concerns addressed in preparations for the photoshoot.
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Planning and preparation for my photoshoot. Looking at possible problems and coming up with solutions.
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This document contains information about street photography including its history and techniques. It discusses famous street photographers like Henri Cartier-Bresson and their use of the "decisive moment." Ethical considerations for street photography are outlined such as prioritizing helping injured people over taking photos. Guidelines are provided for appropriate subjects to photograph versus things to avoid like injured people or violence. Information is also given about photographer Robert Frank and examples of edited versus original photos from a London trip are shown.
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This document discusses street photography. It defines street photography as spontaneous images that capture everyday life in an urban setting. The "decisive moment" refers to capturing an image at the precise time that tells a story. Ethical considerations include respecting subjects and asking permission when photographing children. The document also profiles street photographer Eric Kim, praising his quirky style. It then showcases and evaluates the student's own street photography work from locations like Trafalgar Square and Carnaby Street, discussing editing techniques and compositions.
The recce magazine
The photographer will be taking photos in their room, so there are no potential hazards. They chose a plain colored wall as their background so it can easily be removed in post-processing. No studio booking was needed since the room wall will serve as the background. Other people and crowds will not interfere since the photos are being taken in their room. The photographer is relying on their camera and younger sister model, and has planned accordingly to ensure they are available at the appointed time.
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The document outlines the student's initial plans for their final major project (FMP) in video production. They are considering doing a music video, film trailer, or promotional video. They note that a documentary or educational video may not interest them as much. They want to create a series of hyperlapse videos promoting the city of York, focusing on historic landmarks, food, and shopping. The videos will be 20-30 seconds and shared on social media. They provide mood boards and initial storyboards to inspire the project and acknowledge the need to do more location research. Key influences are photographers and videographers Tommy Lundberg, Casey Neistat, and Peter McKinnon and their styles of hyperlapse, quick cuts, and visual
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The document provides photos and descriptions of potential filming locations for a movie, including run-down stairs and alleys to portray a poor urban area, a subway that could work with many shots despite foot traffic, a grand building for scenes after "escaping the urban location", and views from a location to film scenes of the couple together, working best at night or sunset.
L3 cmpt y2 evaluation template
This document summarizes a student's year two media production project on power stations in the UK landscape. The student was attracted to the project topic because of their personal interest in photographing power stations. Through research, the student was inspired by other photographers' styles and developed plans for shots depicting power stations in the landscape. The student conducted interviews with family members to get differing opinions on power stations. While the project achieved the intended style, the student feels the first half could have been stronger and encountered challenges with weather, finding diverse interview subjects, and background noise.
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The document provides a final evaluation of the author's photography project focused on capturing youth stereotypes. The author found their most successful shoots used a documentary style rather than staged images. Their favorite shoots were taken at a skate park and graffiti tunnel due to capturing moments spontaneously without posing subjects. While the author experimented with different techniques across shoots, they determined the documentary style with added noise and grain best conveyed the youth stereotype. The author believes their skills improved from initially just taking photos to creating images with contextual intentions that strongly symbolize youth subculture.
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The document outlines plans for a documentary project about power stations. It includes:
- A mood board and analysis of initial ideas.
- Equipment and locations to be used, including interviews in the creator's garden.
- A four-part structure and storyboard, as well as interview questions.
- Plans for lighting setups and dealing with potential issues like noise.
- A ten-hour production schedule and list of crew members.
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Nigel Tomm is a professional experimental photographer known for creating distorted images by crumpling photographs. His style uses modern editing techniques and non-traditional methods like crumpling paper. Ronny Engelmann creates surreal images through heavy editing, such as depicting people with body parts in unusual places. His work uses modern equipment and editing programs. Duane Michals' older photographs from the 1960s subtly depict experimental concepts like distorted self-perception through mirrors, without heavy usage of modern techniques like editing.
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This document outlines a student's ideas pitch for a short film and music video project. The student has chosen the song "Nantes" by Beirut for the project. They believe this song will challenge them as they have not done a film project like this before. They plan to use their digital technology and camera skills to film the project and edit it. The genre of the video will be narrative to tell a story that fits with the 3.5 minute song. The student discusses poster ideas to promote the video online by breaking conventions of traditional music video posters.
5. pre production
The document outlines a pre-production plan for a photography project. It will include 3 different locations - a road, river path, and town center. Dim lighting and editing in Photoshop will be used to highlight lights in trees. Three photos will be presented with descriptions of each photo and inspiration. Contingency plans are included for potential issues like equipment failure or weather. A one-week schedule is outlined for shooting and editing the 3 photos.
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The document discusses research for a documentary project focused on power stations from an artistic point of view. The intended audience is those ages 12 and up who appreciate power stations for their visual artistic qualities through photography, film, and art. Interviews will be conducted with people who have different opinions on living near power stations, including those who love and hate them, to showcase varying perspectives. Experiments will be done to test out a lens adapter allowing vintage film lenses to be used, as well as testing different video styles, color grading, and text/font designs to develop the documentary's overall look and feel.
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The document is a production log for a student's final major project creating an animated cartoon. It details the student's research into classic and modern cartoons, development of a sci-fi sitcom story involving time travel, creation of black and white backgrounds and flash animations of character scenes, and completion of the animation project along with an evaluation.
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The document summarizes a student's process for completing a photographic techniques assignment. The student created a plan to first complete the task that required learning 15 techniques and taking demonstration photos. They learned and photographed each technique, such as light graffiti and studio lighting. For their final images, the student focused on Westminster architecture and tourist attractions. They researched similar photographers and aimed to show unique angles. The student received positive feedback on some of their final photos and overall felt they performed well and their skills improved, though they would research techniques more in-depth for future assignments.
Short film initial plans
Kieran Beal presents initial plans for a 90 second film revolving around a clock or watch. While freedom was given in concept creation, using time travel may be too complex and confusing. Mysteries are better suited to Kieran's skills but tying it to time poses difficulties. Repetition occurs in the mood board images around technology, time, and certain colors that could induce confusion but represent time travel. The mood board may influence any digital effects or how the story progresses chronologically, such as a character traveling to different time periods.
Recce for Filming
Due to filming outdoors, the filmmaker must consider potential hazards from traffic. They plan to have actors walk and be affectionate near the riverside in Durham to get scenic shots, so the filmmaker must be careful of the water. Winter filming may be affected by earlier sunset, so the filmmaker will give actors advance notice and can film indoor backup shots if weather affects outdoor filming. Permission is not needed as planned filming locations are a public walkway and an actress's home, where she consented. The filmmaker relies on transportation from their mother and coordinating actors' schedules, so planning is needed to ensure lifts and actors are available as intended or alternative dates can be arranged. Potential crowds are deemed an acceptable natural element
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Adam Christie-Mileham proposes a documentary about power stations in Britain. The documentary will argue that power stations can be appreciated as artistic additions to the landscape, while also interviewing those with opposing views. The target audience is 16-24 year olds who can relate to the subject from growing up. Evaluation will consider how well the documentary resonates with viewers and challenges perspectives on power stations. Research sources include videos, books, and websites discussing the history and design of power stations. Production will take place over 4 weeks, with tasks scheduled based on college attendance.
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The document discusses potential risks involved in photographing or interviewing others and how to minimize those risks. It identifies four situations where taking photographs could pose safety risks: 1) without permission, 2) on stairs, 3) in front of exits, and 4) in a car park. The risks include people responding badly and possible injuries from falling, doors, or cars. The document recommends getting permission, choosing less busy areas and times, having people monitor exits and warn others, and avoiding risky areas like car parks. It also notes interviews should be arranged somewhere safe.
Evaluation 6
The student's final project closely matched their initial idea of creating a film about a talented young soccer player named Darren Brown who gets released from his team and struggles socially. While the student initially planned for a happier ending, they chose to end on a cliffhanger instead. The design and sequencing of the film was successful, though some shots were out of focus due to time constraints during filming. Audience feedback has been positive, with over 600 views and requests for a sequel, showing the student is proud of their work.
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Final evaluation…
The document provides a final evaluation of the author's photography project focused on capturing youth stereotypes. The author found their most successful shoots used a documentary style rather than staged images. Their favorite shoots were taken at a skate park and graffiti tunnel due to capturing moments spontaneously without posing subjects. While the author experimented with different techniques across shoots, they determined the documentary style with added noise and grain best conveyed the youth stereotype. The author believes their skills improved from initially just taking photos to creating images with contextual intentions that strongly symbolize youth subculture.
Planning the illusion of cinema
The film will explore the illusion of cinema through following a soul wandering the streets of York. It will examine how editing, sound, and camerawork can make the impossible seem possible on screen. The loose script and mood board provide inspiration to shoot experimental footage in York mixing surrealism with Soviet montage techniques. Equipment, costumes, potential issues, and a shot list are planned to structure the one-day shoot while allowing for spontaneity.
Factual development and planning pro forma
The document outlines plans for a documentary project about power stations. It includes:
- A mood board and analysis of initial ideas.
- Equipment and locations to be used, including interviews in the creator's garden.
- A four-part structure and storyboard, as well as interview questions.
- Plans for lighting setups and dealing with potential issues like noise.
- A ten-hour production schedule and list of crew members.
Untitled presentation
Nigel Tomm is a professional experimental photographer known for creating distorted images by crumpling photographs. His style uses modern editing techniques and non-traditional methods like crumpling paper. Ronny Engelmann creates surreal images through heavy editing, such as depicting people with body parts in unusual places. His work uses modern equipment and editing programs. Duane Michals' older photographs from the 1960s subtly depict experimental concepts like distorted self-perception through mirrors, without heavy usage of modern techniques like editing.
Fmp proposal (3)
Max Jones proposes a short film project set in a post-apocalyptic world. The film will follow a wastelander scavenging who encounters another person through improvised binoculars, leading to a fight. Max will draw inspiration from films like Mad Max Fury Road and The Road to depict a deserted farming complex overgrown after an unknown catastrophe. He will storyboard, secure locations, and develop pre-production materials over four weeks before filming and editing over the next three weeks. Max will evaluate his work by analyzing creative decisions, what succeeded, and whether this project influences his career goals.
My final ideas pitch
This document outlines a student's ideas pitch for a short film and music video project. The student has chosen the song "Nantes" by Beirut for the project. They believe this song will challenge them as they have not done a film project like this before. They plan to use their digital technology and camera skills to film the project and edit it. The genre of the video will be narrative to tell a story that fits with the 3.5 minute song. The student discusses poster ideas to promote the video online by breaking conventions of traditional music video posters.
5. pre production
The document outlines a pre-production plan for a photography project. It will include 3 different locations - a road, river path, and town center. Dim lighting and editing in Photoshop will be used to highlight lights in trees. Three photos will be presented with descriptions of each photo and inspiration. Contingency plans are included for potential issues like equipment failure or weather. A one-week schedule is outlined for shooting and editing the 3 photos.
Fmp production log_8th_may_2013
The document is a production log for a student's final major project creating an animated cartoon. It details the student's research into classic and modern cartoons to develop a sci-fi sitcom involving time travel. Over several weeks, the student designed black and white backgrounds, additional Flash backgrounds, storyboarded scenes, began animating futuristic scenes with the main character traveling to the future, and continued animating additional scenes before finishing with a title scene and teaser for a sequel. The production log required schedule adjustments as the student kept on track to complete the animated project.
Research doc
The document discusses research for a documentary project focused on power stations from an artistic point of view. The intended audience is those ages 12 and up who appreciate power stations for their visual artistic qualities through photography, film, and art. Interviews will be conducted with people who have different opinions on living near power stations, including those who love and hate them, to showcase varying perspectives. Experiments will be done to test out a lens adapter allowing vintage film lenses to be used, as well as testing different video styles, color grading, and text/font designs to develop the documentary's overall look and feel.
Short film initial plans
Kieran Beal outlines initial plans for a 90-second film project with guidelines that it must revolve around a clock or watch. While freedom is given to create the concept, Kieran struggles with how to develop a time travel concept within the constraints. Kieran's first idea involved time travel but it would require extensive effects and could get confusing quickly. Kieran prefers creating films with mystery and has some ideas tied to time, but is uncertain they can work without dialogue in 90 seconds.
Fmp production log_22nd_may_2013
The document is a production log for a student's final major project creating an animated cartoon. It details the student's research into classic and modern cartoons, development of a sci-fi sitcom story involving time travel, creation of black and white backgrounds and flash animations of character scenes, and completion of the animation project along with an evaluation.
Fmp proposal y2 f.v
Lucas Higham proposes to make a short surrealist thriller film called "Insomniacs That Go Bang In The Night". He will draw on influences like Fellini, Lynch, and Hitchcock to craft a dream-like quality with noir and gritty elements. The story involves a man with insomnia trying to leave a bad business, complicated by working with his ex-girlfriend. Lucas will conduct research through audience surveys, insomnia interviews, and studying relevant films. He will evaluate the project through weekly transcripts, a behind-the-scenes documentary, and a final commentary to improve for future projects.
Unit 57 – Task 4 – Evaluation
The document summarizes a student's process for completing a photographic techniques assignment. The student created a plan to first complete the task that required learning 15 techniques and taking demonstration photos. They learned and photographed each technique, such as light graffiti and studio lighting. For their final images, the student focused on Westminster architecture and tourist attractions. They researched similar photographers and aimed to show unique angles. The student received positive feedback on some of their final photos and overall felt they performed well and their skills improved, though they would research techniques more in-depth for future assignments.
Short film initial plans
Kieran Beal presents initial plans for a 90 second film revolving around a clock or watch. While freedom was given in concept creation, using time travel may be too complex and confusing. Mysteries are better suited to Kieran's skills but tying it to time poses difficulties. Repetition occurs in the mood board images around technology, time, and certain colors that could induce confusion but represent time travel. The mood board may influence any digital effects or how the story progresses chronologically, such as a character traveling to different time periods.
Recce for Filming
Due to filming outdoors, the filmmaker must consider potential hazards from traffic. They plan to have actors walk and be affectionate near the riverside in Durham to get scenic shots, so the filmmaker must be careful of the water. Winter filming may be affected by earlier sunset, so the filmmaker will give actors advance notice and can film indoor backup shots if weather affects outdoor filming. Permission is not needed as planned filming locations are a public walkway and an actress's home, where she consented. The filmmaker relies on transportation from their mother and coordinating actors' schedules, so planning is needed to ensure lifts and actors are available as intended or alternative dates can be arranged. Potential crowds are deemed an acceptable natural element
Factual proposal
Adam Christie-Mileham proposes a documentary about power stations in Britain. The documentary will argue that power stations can be appreciated as artistic additions to the landscape, while also interviewing those with opposing views. The target audience is 16-24 year olds who can relate to the subject from growing up. Evaluation will consider how well the documentary resonates with viewers and challenges perspectives on power stations. Research sources include videos, books, and websites discussing the history and design of power stations. Production will take place over 4 weeks, with tasks scheduled based on college attendance.
Risk assessment
The document discusses potential risks involved in photographing or interviewing others and how to minimize those risks. It identifies four situations where taking photographs could pose safety risks: 1) without permission, 2) on stairs, 3) in front of exits, and 4) in a car park. The risks include people responding badly and possible injuries from falling, doors, or cars. The document recommends getting permission, choosing less busy areas and times, having people monitor exits and warn others, and avoiding risky areas like car parks. It also notes interviews should be arranged somewhere safe.
Evaluation 6
The student's final project closely matched their initial idea of creating a film about a talented young soccer player named Darren Brown who gets released from his team and struggles socially. While the student initially planned for a happier ending, they chose to end on a cliffhanger instead. The design and sequencing of the film was successful, though some shots were out of focus due to time constraints during filming. Audience feedback has been positive, with over 600 views and requests for a sequel, showing the student is proud of their work.
Content pitch
This document outlines a student's personal audience project to create an exhibition of historic and current photos of York and surrounding areas. The student intends to experiment with photo-based work and provide context on how the area has changed over time. Research will involve locating historic photos from newspaper archives and visiting locations to take new photos. The project will allow the student to explore photo presentation and determine if they want to use photos for their final major project. Twelve potential photo locations are identified in York. Minimum equipment of a camera and editing software will be used, requiring only the student themselves. Initial photo attempts are shown based on the student's own ideas.
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The document discusses how the creator of a rap music magazine, called Outro, attracted their target audience. They researched magazines like Vibe and used a similar style with red and white colors. They featured popular rap artists like Kanye West, Drake, and Kendrick Lamar to appeal to readers aged 14-20 who listen to that genre of music. The layout and double page spreads were modeled after Vibe magazine but kept the creator's color scheme. The magazine was intended to attract fans of rap music by providing interviews and articles about popular artists.
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The document provides details about the planning and production aspects of a fashion magazine portfolio project. It discusses color schemes, locations, facilities, layout, camera techniques, personnel, and finances. The color schemes will use dark tones to match the classified theme. Locations being considered are the college studio, York Museum Gardens, and gritty urban areas. Software like Photoshop and InDesign will be used. Personnel will include 7 models to showcase different styles. Transportation and printing costs are the main financial considerations.
Recce
The photographer plans to take photos indoors against a blank background to minimize risks. Natural lighting and weather will not affect the shoot since artificial lighting will be used. The photographer has considered backgrounds and will ensure the chosen location provides the desired blank background. Reflective surfaces will be avoided and a flash will be used to control lighting. Permission is not needed as photos can be taken against a white wall and edited later. The photographer will try to book a studio room but has alternate plans to rearrange if needed and does not expect issues with crowds or other people interfering with the planned blank background. No special equipment, props, or models are needed beyond accessing a camera from college.
Planning and production
The document provides details on the planning and production aspects of a photography project. It discusses color schemes, locations, timelines, personnel, facilities, camera techniques, finances, and pagination. The project involves photographing models in different styles and editing the photos with effects to create a magazine-style portfolio. Studio and on-location shoots are planned, and editing will be done in Photoshop and layout in InDesign. A 7-week timeline is outlined, and costs for transportation, printing, and materials are considered. A 16-page pagination structure is proposed, with each page featuring a single model.
Problem solving 2
The document discusses potential problems the author may face during their photography project and proposes solutions. It addresses issues such as equipment malfunctions, storage and organization of photos, incorporating illustrations, a lack of photography experience, using models, dangerous shooting locations, weather, transportation costs, and health and safety concerns while filming BMX riders. The author proposes solutions such as extensive planning, testing equipment beforehand, bringing backup equipment and storage, practicing techniques in advance, having others aware of their surroundings while shooting, and carrying first aid supplies.
Planning and production
The document discusses the planning and production aspects of a photography project, including details on color schemes, locations, timelines, equipment, personnel, finances, and pagination. The project involves taking portraits of models in studio and on-location to create a magazine-style portfolio, with considerations for editing, layout, and printing. Precise planning is outlined for the 7-week duration of the project.
Planning and production copy
The document discusses planning and production details for a photography project. It covers color schemes, locations, timelines, facilities, camera angles, personnel, finances, and pagination. Dark color schemes are chosen to match the classified theme. Locations being considered are the college studio, York Museum Gardens, and gritty urban areas. Shooting is planned for 7 weeks, with 5 weeks for computer work. Photoshop and InDesign will be used. Personnel will include 7 models, with some concern about one model's availability. Transportation costs and printing will require financing. The project is planned as a 16-page magazine-style layout.
Task 2 powerpoint
The document summarizes the student's reflections on an experimental photography assignment. It discusses several types of photographs the student took, including reflections, movement, out of focus shots, and Hockney-style photomontages. For the reflections, the student felt one candid shot through glass came out best. For movement photos, they liked two blurry shots with lights and of a person walking. The out of focus photos were a challenge to make look professional. For the photomontages, the student felt the one combining gallery photos looked most like David Hockney's work and was most successful. Overall, the student felt they could improve by planning shots better and taking more photos for each technique.
Task 2 powerpoint
The document summarizes the student's reflections on an experimental photography assignment. It discusses several types of photographs the student took, including reflections, movement, out of focus shots, and Hockney-style photomontages. For the reflections, the student felt one candid shot through glass came out best. For movement photos, they liked two blurry shots with lights and of a person walking. The out of focus images could have been improved with more interesting subjects beyond cars. The student felt the photomontage in the art gallery came out looking most like Hockney's work, with layered photographs.
Recce
Penny Wilkinson has considered various health and safety risks for her upcoming photo shoot. If shooting indoors, she will clear any loose cables or inform models to be careful. When shooting outdoors, she will be careful crossing roads and not holding up traffic. For outdoor shoots on grass, she will look for flat surfaces to minimize risks of tripping. She will also check for hazards in photography studios before shoots. Penny has planned shoots for certain times of day and weather conditions to achieve the desired lighting and atmosphere for her different projects. She will book time in photography rooms as needed and has backup plans in case of issues with models or equipment.
Recce
Penny Wilkinson is planning a photoshoot that will take place both indoors and outdoors. For the indoor shoot in a studio, she will check for any loose cables or lights that could pose a tripping hazard and inform models to be careful. For outdoor shoots, she will scout locations to find flat, even surfaces to minimize risks of falling. She has considered timing shoots around midday for best natural lighting and allowing for different weather conditions depending on the desired mood or tone of the photos. Penny will also make sure to control the background environment and use techniques like selective focus if needed. Flash may be required if the sun reflects poorly off glasses. Permission is not needed for outdoor public areas but booking time is required for
Problem solving
The document discusses potential problems the author may face during their photography project and proposes solutions. It addresses issues such as equipment malfunctions, storage and organization of photos, incorporating illustrations, working with models, weather disruptions, safety concerns when filming BMX, and facing unexpected challenges during scheduled photography sessions. The author plans to be prepared by bringing backup equipment, storing photos regularly, practicing techniques in advance, having backup models and locations, and taking alternative photos when needed to overcome issues and keep the project progressing.
Recce
The document discusses potential hazards and risks that could occur during a planned outdoor photo shoot for a fashion magazine. It identifies risks such as poor weather, tripping over objects indoors, plants that could scratch or sting outdoors. The response outlines steps to minimize risks such as ensuring appropriate clothing is worn, clearing hazards from the indoor shooting area, and selecting a safe outdoor location. Permission needs to be obtained if shooting on private property, and backup plans are in place if models cannot attend.
Unit 21 proposal document
This document provides details about a student's plans for their Unit 21 personal media project. The student will create black and white photos with added color. They propose three photo ideas: 1) a red-lipped portrait representing love, 2) colorful shoes against a natural backdrop representing individual style, and 3) an abstract forest scene exploring conformity. The student will take photos outside their house combining elements from each idea. They create a proposal, production schedule, and discuss location, budget, and health and safety considerations for their photo shoot. Sample photos are edited in black and white with selective color to practice the planned technique.
Contact sheet2
The photos selected will be used in the magazine. They are clearer than previous photos due to better lighting and poses that reflect street culture. Darker backgrounds make the models stand out more. Photos were taken outside at dusk using flash so models stand out against backgrounds. Poses are serious and reflective of street style associated with rap music. Tracksuits worn also reflect this style. Photos will be used on the cover, contents page, and double page spread based on poses, sizes, and variety. Additional photos may be taken if needed.
Idea development pro forma-2.5
The document provides a mind map and brainstorming for photography work for a client. It discusses potential photo subjects including the outside of the building and surrounding land, architecture photos of the building, and interior photos capturing details. It also discusses plans to experiment with post-production editing, different photo sizes for various uses, and improving lighting and composition from previous photos taken at the location. References are made to researching the client's Instagram and Facebook pages to inform the new photography work.
Evaluation
This document summarizes the student's evaluation of their fashion media production project. For their research, the student looked at different photographers to find a style, and found it helpful to see different styles even if they didn't end up using them. Their planning section outlined locations, camera settings, and color schemes they considered. While they didn't end up using the planned locations, their problem solving addressed potential equipment and transport issues. Overall, the research exposed them to different styles and the planning helped them learn new skills, but they would improve their research by focusing on more relevant photographers for their theme.
Problem solving bakup
The document discusses the equipment, locations, models, transportation, and techniques the author will use for their problem solving project involving photography. The key equipment includes a Canon 600D camera, tripod, and reflectors. Potential photography locations in York are near the river and at the race track. Models will be classmates and friends who are reliable and comfortable in front of the camera. Transportation to locations may involve buses, trains, or getting rides. Techniques like depth of field, rule of thirds, and software like Photoshop and Lightroom will be learned and applied.
Experiments evidence template
The document discusses the photographer's experiments with different photography styles including out of focus images, images showing movement, photo merging, and reflection photography. For the out of focus style, the photographer used manual focus to blur everyday objects like lights. They found this style gave interesting interpretations of ordinary things. They also discuss experiments with longer shutter speeds to capture movement, and merging multiple photos into panoramic or portrait images using Photoshop. Their favorite technique was reflection photography using shiny surfaces like trash cans to create multiple reflections.
Contact Sheets.pptx
This document contains a contact sheet and photo log from a photoshoot for theatrical and quad posters. It evaluates several photos and explains why some were selected and others rejected. Safety practices during the shoot are also described, noting precautions taken with lighting, wires, and other equipment. After reviewing the photos, the document organizes them into folders for the theatrical and quad posters, with subfolders for selected and rejected photos.
CANON - Pre Production.pptx
The document discusses a photographer's pre-production process for creating images to use in a poster. The photographer took several photos around streets and gardens near their home using their phone camera. They discuss the lighting, composition, and editing considerations for each photo, and decide that most are not suitable for the poster due to issues like visible back gardens or too many cars. They note elements they like, such as lens flares and sky details, but feel edits would compromise the images.
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The recce
- 1. THE RECCE PROVIDE ANSWERS IN A PARAGRAPH FORM TO THE QUESTIONS BELOW THAT ARE RELEVANT TO YOUR PRODUCTION.
- 2. ARE THERE ANY POTENTIAL HAZARDS THAT COULD POSE A HEALTH AND SAFETY RISK WHERE YOUR PHOTO SHOOT WILL TAKE PLACE? There could be potential hazards where I want to take my photo shoot at as I want to take it in the city so there would be traffic around but that is all that could be a potential hazard as there would be no other objects around that could be dangerous to me and my model. Yes, definitely, I will try to make sure I take the images where there are no traffic at all and they are kind of in a public place like a train station or like a back street to kind of get that urban look. WHAT WILL YOU DO TO ENSURE THESE RISKS ARE MINIMISED?
- 3. WILL THE TIME OF DAY/WEATHER AFFECT THE OUTCOME OF THE PHOTOS? HAVE YOU ALLOWED FOR THIS? I’ve thought of taking my images during the day and also I feel like I want to take them with the sun setting because the background to that will be very nice and I want to get my images the best possible that I can get. Yes, I have thought about this. I want to be able to take my photographs in a public place like a train station or an underground place where it has that kind of urban look. I also feel like I want to take the photographs in a backstreet and have my model sitting on the stairs, I just feel like with me doing that my photographs will look really good high definition. HAVE YOU CONSIDERED THE BACKGROUND TO YOUR PHOTOS, PARTICULARLY IF TAKEN OUTSIDE? HOW WILL YOU ENSURE YOU WILL GET THE BACKGROUND YOU WANT?
- 4. HAVE YOU CONSIDERED LIGHTING? WHAT ABOUT THE ‘PROBLEMS’ OF NATURAL LIGHTING, EITHER OUTSIDE, OR STREAMING THROUGH A WINDOW? WILL YOU NEED TO USE A FLASH? HAVE YOU CONSIDERED REFLECTIVE OBJECTS THAT MIGHT SPOIL THE EFFECT. I have thought of doing both high key and low key lighting just because I want to get a range of images to be able to have on my magazine so they aren’t just the same images throughout the magazine. I will be using natural light and also be using a flash because with them I can decide which images I like the best by having different effects from the images. No, I don’t think I will have to ask about taking the images where I want them taking because I want my images in a public place so I will not be braking the law by taking images in the backstreet. DO YOU NEED PERMISSION TO TAKE PHOTOS IN THE PLACE/VENUE YOU HAVE IN MIND?
- 5. DO YOU NEED TO BOOK TIME IN A ROOM? No I do not, I have thought about this and I don’t want my images in a studio. I do not want crowds in my magazine that is why I will be going into a backstreet and when I am in the train station I will be trying my best to not be able to get a crowd in my photograph. However if I do, its not the biggest problem when it comes to taking my images. ARE OTHER PEOPLE/CROWDS LIKELY TO BE AN ISSUE FOR YOU? WHAT HAVE YOU DONE TO ENSURE THAT IT WILL NOT SPOIL THE EFFECT?
- 6. ARE YOU RELIANT ON LIFTS/PROPS/FRIENDS EQUIPMENT/MODELS? HOW HAVE YOU PLANNED THAT THESE THINGS WILL COME TOGETHER AT THE APPOINTED TIME? PLAN B? I have thought all about this. With my model it will be my friends so I can just be able to get the metro through to the city where I want to take my images. If this does not work I will be able to drive to somewhere closer, so it is no problem if something does not work out for me. I have thought of everything that I could do to get the images that I want to be able to get. I want them as high definition as possible so I can get a lot for them. With a magazine I feel like the photograph means the most because it brings in the audience to want to read it. FINALLY, HAVE YOU THOUGHT OF EVERY EVENTUALITY?