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The Politics Of Licensing
THE STORY SO FAR
CMU INSIGHTS @ MUSIC 4.5
CMUinsights.com/cmu453
RECORDED MUSIC SINCE 2000: THE SHIFT TO STREAMS
STREAMS
(subscription
& ad-funded)
CD DOWNLOAD
(a la carte)
CMUinsights.com/cmu453
RECORDED MUSIC SINCE 2000: WE ARE ACTUALLY STILL IN FLUX
STREAMS
(subscription
& ad-funded)
CD DOWNLOAD
(a la carte)
DOWNLOAD STREAMCD
GLOBAL RECORDED MUSIC REVENUES IN 2015 - IFPI
CMUinsights.com/cmu453
RECORDED MUSIC SINCE 2000: BUT CURRENT TREND IS CLEAR
STREAMS
(subscription
& ad-funded)
CD DOWNLOAD
(a la carte)
CMUinsights.com/cmu453
THE SHIFT TO STREAMS
What does all this
mean from a licensing
perspective?
CMUinsights.com/cmu453
THE SHIFT TO STREAMS
One: Record labels became
licensing companies, and the
retailers became licensees
CMUinsights.com/cmu453
RECORD LABEL
controls the sound
recording right
RECORD SHOP
RECORDING RIGHTS PUBLISHING RIGHTS
CD LICENSING
PUBLISHER
controls the mechanical
rights in the song
LABEL PRESSES CD
Exploits own sound recording copyright
Licenses use of song copyright
PROVIDED TO RETAILER ‘RIGHTS READY’
LICENCE
CMUinsights.com/cmu453
RECORD LABEL
controls the sound
recording right
DOWNLOAD STORE
RECORDING RIGHTS PUBLISHING RIGHTS
DOWNLOAD LICENSING
PUBLISHER
controls the mechanical
rights in the song
LICENCELICENCE
CMUinsights.com/cmu453
THE SHIFT TO STREAMS
Two: Publishers license
the retailer rather than label
CMUinsights.com/cmu453
THE SHIFT TO STREAMS
Three: Digital services
were deemed to exploit
both mechanical and
performing rights
CMUinsights.com/cmu453
REPRODUCTION
RENTAL
PERFORMANCE
DISTRIBUTION
ADAPTATION
COMMUNICATION
REPRODUCTION OR MECHANICAL RIGHTS
PERFORMING OR NEIGHBOURING RIGHTS
COPYRIGHT CONTROLS
CMUinsights.com/cmu453
REPRODUCTION DISTRIBUTION
REPRODUCTION OR MECHANICAL RIGHTS
CDs exploit just the reproduction rights
LICENSING CDs
CMUinsights.com/cmu453
PERFORMANCE COMMUNICATION
PERFORMING OR NEIGHBOURING RIGHTS
Radio exploits just the performing rights
LICENSING RADIO
CMUinsights.com/cmu453
REPRODUCTION
PERFORMANCE
DISTRIBUTION
COMMUNICATION
REPRODUCTION OR MECHANICAL RIGHTS
PERFORMING OR NEIGHBOURING RIGHTS
Digital services exploit both…
LICENSING DIGITAL
CMUinsights.com/cmu453
THE SHIFT TO STREAMS
Four: Digital platforms
wanted multi-territory licences
CMUinsights.com/cmu453
THE SHIFT TO STREAMS
Five: With streaming, a complex
licensing model emerged, with
key elements shrouded in secrecy
CMUinsights.com/cmu453
RECORD LABEL
Wholesale Price
DISTRIBUTOR
MECHANICAL RIGHTS CMO
Industry Standard or Statutory Rate
MUSIC PUBLISHER
One or the
other depending
on country
RETAILER
RECORDING RIGHTS PUBLISHING RIGHTS
ARTIST
CD LICENSING
CMUinsights.com/cmu453
STREAMING SERVICE
ARTIST
RECORD LABEL
Revenue
Share
Advance
Equity
RECORDING RIGHTS PUBLISHING RIGHTS
PERFORMING
RIGHTS CMO
MECHANICAL
RIGHTS CMO
License most services direct
SPVs
May license Anglo-American
repertoire of top five
CMOs
License rest - usually though not
always joint licences
Mechanical
rights money
MAY pass
through
Publisher
Rev Share
Minima
Advance
?
Rev Share
Minima
Advance
?
Performing
rights money
passes
through CMO
??
LABELS’CMO
Whichservices?
Mechanical
rights money
passes
through
Publisher
MUSIC
PUBLISHER
PERFORMERER
Whichservices?
Fees
Minima
Guarantee
LICENSING OF STREAMING SERVICES
CMUinsights.com/cmu453
THE SHIFT TO STREAMS
Six: With streaming we
had a shift to revenue share
on a core income stream
CMUinsights.com/cmu453
RIGHTS OWNER
Revenue
Share
Advance
Equity ???
Fees ???
Minima
Guarantee
THE STREAMING DEAL
CMUinsights.com/cmu453
THE SHIFT TO STREAMS
Seven: Labels, publishers and
CMOs had to start processing
unprecedented amounts of data
CMUinsights.com/cmu453
THE DATA CHALLENGE
“A good independent label will process something between
30-50 million lines of data a month, a large distributor will process
around 300-500 million lines, a major can process a billion lines a day.
It could take you two to four hours to process the data. A large YouTube
or Spotify file can’t open in Excel, as it doesn’t support a file bigger
than 1GB, and a Spotify file can easily be 4.5GB, YouTube could have
4 million lines in a file, but you can’t even open it!”
Bruno Guez of music data firm Revelator to CMU
CMUinsights.com/cmu453
THE SHIFT TO STREAMS
Eight: A compulsory licence
greatly influenced the
American streaming market
CMUinsights.com/cmu453
SOUNDEXCHANGE LICENCE IMPACTED US STREAMING MARKET
CMUinsights.com/cmu453
THE SHIFT TO STREAMS
Nine: Safe harbour allowed
opt-out streaming services
arguably distorting the market
CMUinsights.com/cmu453
SAFE HARBOURS ENABLE OPT-OUT STREAMING SERVICES
CMUinsights.com/cmu453
THE SHIFT TO STREAMS
Ten: The music rights industry
became a micro-payments business –
where every micro-payment
counts and efficient
processing is paramount
CMUinsights.com/cmu453
LICENSING CHALLENGES
 The continued impact of safe harbours.
 The continued impact of compulsory licences.
 The continued shift to a revenue share model.
 Understanding the core model and transparency issues.
 Making sure every (fraction of a) penny is collecting.
 Getting better at processing data and royalties.
 Are we even offering the right licences yet?
 The convergence of services licensed in different ways...
CMUinsights.com/cmu453
CONVERGENCE OF SERVICES
Who is aiming to become the “netflix of music radio”?
Radio 1, according to Guardian interview with its controller.
CMUinsights.com/cmu453 CMU
DISSECTING THE
DIGITAL DOLLAR
cmuinsights.com/digitaldollar
CMUinsights.com/cmu453
CMU
NEWS &
INFORMATION
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EDUCATION
PROGRAMMES
cmudiy.com
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TRAINING &
CONSULTANCY
cmuinsights.com
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I N S I G H T S

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