The Story So Far…
Setting the scene with the backdrop for the latest copyright legislative developments.
Chris Cooke, Co-founder, Managing Director and Business Editor, CMU
Linear and non-linear licensing - the convergence of media and music
There are an increasing number of questions around licensing as the scene is getting more complex, mainly due to the loss of mechanicals and a growing focus on online exploitation. What is the impact of licensing for non-linear on linear content? How is the convergence of audio-visual media and music re-shaping the licensing landscape?
Paul Kempton, International Music Rights Expert, Footprint Music
14 April 2016
The Story So Far…
Providing the scene-setting backdrop of the latest developments within linear radio broadcast and streaming services.
Chris Cooke, Managing Director & Business Editor, CMU
Music 4.5 Opening remarks - The Story So Far...
Introduction by the chair of the day
Chris Cooke, Managing Director & Business Editor, CMU
Chris Cooke, Managing Director & Business Editor, CMU
CMU:DIY x Urban Development 7: Getting On Stage3CM UnLimited
The slides from the CMU:DIY x UD Industry Takeover Seminar called 'Getting On Stage' looking at how new artists can get gigging, and the challenges and opportunities of playing live.
Linear and non-linear licensing - the convergence of media and music
There are an increasing number of questions around licensing as the scene is getting more complex, mainly due to the loss of mechanicals and a growing focus on online exploitation. What is the impact of licensing for non-linear on linear content? How is the convergence of audio-visual media and music re-shaping the licensing landscape?
Paul Kempton, International Music Rights Expert, Footprint Music
14 April 2016
The Story So Far…
Providing the scene-setting backdrop of the latest developments within linear radio broadcast and streaming services.
Chris Cooke, Managing Director & Business Editor, CMU
Music 4.5 Opening remarks - The Story So Far...
Introduction by the chair of the day
Chris Cooke, Managing Director & Business Editor, CMU
Chris Cooke, Managing Director & Business Editor, CMU
CMU:DIY x Urban Development 7: Getting On Stage3CM UnLimited
The slides from the CMU:DIY x UD Industry Takeover Seminar called 'Getting On Stage' looking at how new artists can get gigging, and the challenges and opportunities of playing live.
In 2019, subscription video services, on a global scale are predicted to overtake theaters for the first time in terms of revenue. This is based on the latest report from Ampere Analysis which looked to compare the changes in subscription-based revenue over the last few years in comparison to revenue associated with cinema attendance. Ampere Analysis notes that although cinema revenue has remained consistent over the last few years (with the data actually showing an increase compared to a decade ago), revenues from subscriptions has increased massively and at a rate where 2019 will see the figure surpass cinema for the first time.
Source - https://www.ampereanalysis.com/blog/aaee9a6c-e7eb-496c-bedc-e9e36f78ce1f or https://www.androidheadlines.com/2018/12/subscription-video-vs-cinema-revenue-2019.html
Feed your inspiration session of 25092014 dedicated to sound & music: discove...Maxus Belgium
Discover some very interesting topics like the last CIM wave results, music: a new business model, the measure beyond the CIM results and the future of measurement, the great work of Digizik for STIB/MIVB and the great case of Mobistar and Mika the pop star
CMU:DIY x Urban Development 8: Getting Noticed3CM UnLimited
The slides from the CMU:DIY x UD Industry Takeover Seminar called 'Getting Noticed' looking at how blogs, websites, magazines, radio and streaming service playlists can help in building a fanbase.
Spotify Technology S.A. is a Swedish media-services provider founded in 2006. The company's primary business is its audio streaming platform that provides DRM-protected music and podcasts from record labels and media companies
In 2019, subscription video services, on a global scale are predicted to overtake theaters for the first time in terms of revenue. This is based on the latest report from Ampere Analysis which looked to compare the changes in subscription-based revenue over the last few years in comparison to revenue associated with cinema attendance. Ampere Analysis notes that although cinema revenue has remained consistent over the last few years (with the data actually showing an increase compared to a decade ago), revenues from subscriptions has increased massively and at a rate where 2019 will see the figure surpass cinema for the first time.
Source - https://www.ampereanalysis.com/blog/aaee9a6c-e7eb-496c-bedc-e9e36f78ce1f or https://www.androidheadlines.com/2018/12/subscription-video-vs-cinema-revenue-2019.html
Feed your inspiration session of 25092014 dedicated to sound & music: discove...Maxus Belgium
Discover some very interesting topics like the last CIM wave results, music: a new business model, the measure beyond the CIM results and the future of measurement, the great work of Digizik for STIB/MIVB and the great case of Mobistar and Mika the pop star
CMU:DIY x Urban Development 8: Getting Noticed3CM UnLimited
The slides from the CMU:DIY x UD Industry Takeover Seminar called 'Getting Noticed' looking at how blogs, websites, magazines, radio and streaming service playlists can help in building a fanbase.
Spotify Technology S.A. is a Swedish media-services provider founded in 2006. The company's primary business is its audio streaming platform that provides DRM-protected music and podcasts from record labels and media companies
Music entertainment re-imagined
How is entertainment content evolving, underpinned by new technology developments? How are traditional content businesses adapting to the innovations and cost-effectively leveraging, tracking and exploiting the new opportunities? Contextualising content and music tech and future-gazing…
Speaker: Paul Jessop – Chief Technology Advisor to RIAA
Short attention spans versus super engagement?
Talking about millennials and their short attention spans, totally ignores that this is at the top of the funnel. Further down and millennials are incredibly engaged and spend much time consuming the minutiae of what they are into. So how to determine what type of content to produce for each stage of the audience or customer relationship and for conversion?
Speaker: Matthew Tulett – entrepreneur, CTO, online presence strategist, Angel investor
Attention split: working the second screen
The second screen is nowadays a fact of life: few activities exist where no additional device is used simultaneously. Rather than a threat to traditional entertainment, how is it being incorporated and leveraged in the overall entertainment experience?
Social messaging, a place for expressing feelings, and advertising – what are the opportunities to work with and around micro-attention by engaging audiences through participation?
Speaker: Dagmar Mae – Founder, Votemo
Reaching audiences - what do the kids want?
How are the kids seeking their entertainment? On what devices, when and why?
What kind of content? What is driving the changing behaviour?
Speaker: Carl Hibbert - Head of Consumer Media & Technology, FutureSource
Global or local segmentation and reach by…
…specialised content type, audience, platforms, influencers, and monetisation mechanisms. What are the different components to navigate across an ever-increasing plethora of channels and platforms? What are relevant geographical and cultural considerations? Niche or global market?
Jamie Searle, Director of Distribution and Content Partnerships, Brave Bison
Influencer aggregating platforms
Platforms aggregate topical content for easy access to audiences, and offer easy-to-use distribution tools for influencers. What is the role of aggregating platforms: are they a facilitating business tool and audience channel, or a middleman business taking a share of the revenue?
Lucas Poelman, Co-founder & Business Development, Styliff
Shaping culture - the trust and fraud issue
Artists, musicians, writers, comedians or activists are the ones who shape our culture. Collaborating with creatives is a shortcut to reaching the thinkers setting the pace of trends. Trust and engagement are the currencies of influencer marketing, yet while industry-specific data and metrics are being developed, so are manipulation techniques. How to avoid untrustworthy data and metrics and outsmart fraudulent tactics?
Jemima Garthwaite, Founder & Director, This Here
Monetising the influencer brand
Content, advertising, fans, engagement and likes – but there is also an entire influencer brand business model to be pursued. What are the influencer brand exploitation opportunities? What is the life-cycle of influencer brands?
Ian Shepherd, Chairman, The Business of Influencers
Artists, influencers, platforms and brands…the context and numbers
The latest insights into the breadth and depth of the influencer marketing industry…
Georgia Meyer, Analyst – Marketing & Media Brands, MIDiA Research
Influencer and content life-cycles – how to evolve?
How does one grow an audience and how are the growth strategies changing as the content market is evolving? What length of time can an audience be engaged? What is required to keep growing and/or retaining an audience?
What are the new challenges for influencers?
Robyn Bevan, FYI Robyn, Influencer with 26.5K followers
Artist, influencer, creator and/or business?
Are influencers content creators and artists or are artists and content creators influencers – what comes first? Does it matter? Are artists and influencers creating content or solving commercial problems and agents of change? What difference does it make?
The competition for attention – always on…
In the digital-enabled era we are exposed to more and more attention-seeking content, devices and platforms. Meanwhile the human time awake remains the same.
The competition for attention keeps increasing.
Georgia Meyer, Analyst – Marketing & Media Brands, MIDiA Research
Top 5 findings in the world of attention across sports & media
What are the common denominators and key industry insights when engaging fans/users in sports and media?
Dipesh Morjaria, CEO, DMob Media – sports & media expert, previously Business Director Multimedia, Guardian News & Media
OTT services, original content, and exclusive rights
The premium video streaming subscription sector is becoming increasingly dynamic, with exclusive and original content defining the overall space. But is the plethora of content increasing competition, or merely promoting a complementary environment where consumers take multiple services?
David Sidebottom, Principal Analyst: Entertainment, FutureSource Consulting
Instagram has become one of the most popular social media platforms, allowing people to share photos, videos, and stories with their followers. Sometimes, though, you might want to view someone's story without them knowing.
Italy Agriculture Equipment Market Outlook to 2027harveenkaur52
Agriculture and Animal Care
Ken Research has an expertise in Agriculture and Animal Care sector and offer vast collection of information related to all major aspects such as Agriculture equipment, Crop Protection, Seed, Agriculture Chemical, Fertilizers, Protected Cultivators, Palm Oil, Hybrid Seed, Animal Feed additives and many more.
Our continuous study and findings in agriculture sector provide better insights to companies dealing with related product and services, government and agriculture associations, researchers and students to well understand the present and expected scenario.
Our Animal care category provides solutions on Animal Healthcare and related products and services, including, animal feed additives, vaccination
Understanding User Behavior with Google Analytics.pdfSEO Article Boost
Unlocking the full potential of Google Analytics is crucial for understanding and optimizing your website’s performance. This guide dives deep into the essential aspects of Google Analytics, from analyzing traffic sources to understanding user demographics and tracking user engagement.
Traffic Sources Analysis:
Discover where your website traffic originates. By examining the Acquisition section, you can identify whether visitors come from organic search, paid campaigns, direct visits, social media, or referral links. This knowledge helps in refining marketing strategies and optimizing resource allocation.
User Demographics Insights:
Gain a comprehensive view of your audience by exploring demographic data in the Audience section. Understand age, gender, and interests to tailor your marketing strategies effectively. Leverage this information to create personalized content and improve user engagement and conversion rates.
Tracking User Engagement:
Learn how to measure user interaction with your site through key metrics like bounce rate, average session duration, and pages per session. Enhance user experience by analyzing engagement metrics and implementing strategies to keep visitors engaged.
Conversion Rate Optimization:
Understand the importance of conversion rates and how to track them using Google Analytics. Set up Goals, analyze conversion funnels, segment your audience, and employ A/B testing to optimize your website for higher conversions. Utilize ecommerce tracking and multi-channel funnels for a detailed view of your sales performance and marketing channel contributions.
Custom Reports and Dashboards:
Create custom reports and dashboards to visualize and interpret data relevant to your business goals. Use advanced filters, segments, and visualization options to gain deeper insights. Incorporate custom dimensions and metrics for tailored data analysis. Integrate external data sources to enrich your analytics and make well-informed decisions.
This guide is designed to help you harness the power of Google Analytics for making data-driven decisions that enhance website performance and achieve your digital marketing objectives. Whether you are looking to improve SEO, refine your social media strategy, or boost conversion rates, understanding and utilizing Google Analytics is essential for your success.
Gen Z and the marketplaces - let's translate their needsLaura Szabó
The product workshop focused on exploring the requirements of Generation Z in relation to marketplace dynamics. We delved into their specific needs, examined the specifics in their shopping preferences, and analyzed their preferred methods for accessing information and making purchases within a marketplace. Through the study of real-life cases , we tried to gain valuable insights into enhancing the marketplace experience for Generation Z.
The workshop was held on the DMA Conference in Vienna June 2024.
APNIC Foundation, presented by Ellisha Heppner at the PNG DNS Forum 2024APNIC
Ellisha Heppner, Grant Management Lead, presented an update on APNIC Foundation to the PNG DNS Forum held from 6 to 10 May, 2024 in Port Moresby, Papua New Guinea.
7. CMUinsights.com/cmu453
RECORDED MUSIC SINCE 2000: WE ARE ACTUALLY STILL IN FLUX
STREAMS
(subscription
& ad-funded)
CD DOWNLOAD
(a la carte)
DOWNLOAD STREAMCD
GLOBAL RECORDED MUSIC REVENUES IN 2015 - IFPI
11. CMUinsights.com/cmu453
RECORD LABEL
controls the sound
recording right
RECORD SHOP
RECORDING RIGHTS PUBLISHING RIGHTS
CD LICENSING
PUBLISHER
controls the mechanical
rights in the song
LABEL PRESSES CD
Exploits own sound recording copyright
Licenses use of song copyright
PROVIDED TO RETAILER ‘RIGHTS READY’
LICENCE
12. CMUinsights.com/cmu453
RECORD LABEL
controls the sound
recording right
DOWNLOAD STORE
RECORDING RIGHTS PUBLISHING RIGHTS
DOWNLOAD LICENSING
PUBLISHER
controls the mechanical
rights in the song
LICENCELICENCE
22. CMUinsights.com/cmu453
STREAMING SERVICE
ARTIST
RECORD LABEL
Revenue
Share
Advance
Equity
RECORDING RIGHTS PUBLISHING RIGHTS
PERFORMING
RIGHTS CMO
MECHANICAL
RIGHTS CMO
License most services direct
SPVs
May license Anglo-American
repertoire of top five
CMOs
License rest - usually though not
always joint licences
Mechanical
rights money
MAY pass
through
Publisher
Rev Share
Minima
Advance
?
Rev Share
Minima
Advance
?
Performing
rights money
passes
through CMO
??
LABELS’CMO
Whichservices?
Mechanical
rights money
passes
through
Publisher
MUSIC
PUBLISHER
PERFORMERER
Whichservices?
Fees
Minima
Guarantee
LICENSING OF STREAMING SERVICES
26. CMUinsights.com/cmu453
THE DATA CHALLENGE
“A good independent label will process something between
30-50 million lines of data a month, a large distributor will process
around 300-500 million lines, a major can process a billion lines a day.
It could take you two to four hours to process the data. A large YouTube
or Spotify file can’t open in Excel, as it doesn’t support a file bigger
than 1GB, and a Spotify file can easily be 4.5GB, YouTube could have
4 million lines in a file, but you can’t even open it!”
Bruno Guez of music data firm Revelator to CMU
31. CMUinsights.com/cmu453
THE SHIFT TO STREAMS
Ten: The music rights industry
became a micro-payments business –
where every micro-payment
counts and efficient
processing is paramount
32. CMUinsights.com/cmu453
LICENSING CHALLENGES
The continued impact of safe harbours.
The continued impact of compulsory licences.
The continued shift to a revenue share model.
Understanding the core model and transparency issues.
Making sure every (fraction of a) penny is collecting.
Getting better at processing data and royalties.
Are we even offering the right licences yet?
The convergence of services licensed in different ways...