Music entertainment re-imagined
How is entertainment content evolving, underpinned by new technology developments? How are traditional content businesses adapting to the innovations and cost-effectively leveraging, tracking and exploiting the new opportunities? Contextualising content and music tech and future-gazing…
Speaker: Paul Jessop – Chief Technology Advisor to RIAA
Short attention spans versus super engagement?
Talking about millennials and their short attention spans, totally ignores that this is at the top of the funnel. Further down and millennials are incredibly engaged and spend much time consuming the minutiae of what they are into. So how to determine what type of content to produce for each stage of the audience or customer relationship and for conversion?
Speaker: Matthew Tulett – entrepreneur, CTO, online presence strategist, Angel investor
Attention split: working the second screen
The second screen is nowadays a fact of life: few activities exist where no additional device is used simultaneously. Rather than a threat to traditional entertainment, how is it being incorporated and leveraged in the overall entertainment experience?
Social messaging, a place for expressing feelings, and advertising – what are the opportunities to work with and around micro-attention by engaging audiences through participation?
Speaker: Dagmar Mae – Founder, Votemo
Reaching audiences - what do the kids want?
How are the kids seeking their entertainment? On what devices, when and why?
What kind of content? What is driving the changing behaviour?
Speaker: Carl Hibbert - Head of Consumer Media & Technology, FutureSource
Music entertainment re-imagined
How is entertainment content evolving, underpinned by new technology developments? How are traditional content businesses adapting to the innovations and cost-effectively leveraging, tracking and exploiting the new opportunities? Contextualising content and music tech and future-gazing…
Speaker: Paul Jessop – Chief Technology Advisor to RIAA
Short attention spans versus super engagement?
Talking about millennials and their short attention spans, totally ignores that this is at the top of the funnel. Further down and millennials are incredibly engaged and spend much time consuming the minutiae of what they are into. So how to determine what type of content to produce for each stage of the audience or customer relationship and for conversion?
Speaker: Matthew Tulett – entrepreneur, CTO, online presence strategist, Angel investor
Attention split: working the second screen
The second screen is nowadays a fact of life: few activities exist where no additional device is used simultaneously. Rather than a threat to traditional entertainment, how is it being incorporated and leveraged in the overall entertainment experience?
Social messaging, a place for expressing feelings, and advertising – what are the opportunities to work with and around micro-attention by engaging audiences through participation?
Speaker: Dagmar Mae – Founder, Votemo
Reaching audiences - what do the kids want?
How are the kids seeking their entertainment? On what devices, when and why?
What kind of content? What is driving the changing behaviour?
Speaker: Carl Hibbert - Head of Consumer Media & Technology, FutureSource
Global or local segmentation and reach by…
…specialised content type, audience, platforms, influencers, and monetisation mechanisms. What are the different components to navigate across an ever-increasing plethora of channels and platforms? What are relevant geographical and cultural considerations? Niche or global market?
Jamie Searle, Director of Distribution and Content Partnerships, Brave Bison
Influencer aggregating platforms
Platforms aggregate topical content for easy access to audiences, and offer easy-to-use distribution tools for influencers. What is the role of aggregating platforms: are they a facilitating business tool and audience channel, or a middleman business taking a share of the revenue?
Lucas Poelman, Co-founder & Business Development, Styliff
Shaping culture - the trust and fraud issue
Artists, musicians, writers, comedians or activists are the ones who shape our culture. Collaborating with creatives is a shortcut to reaching the thinkers setting the pace of trends. Trust and engagement are the currencies of influencer marketing, yet while industry-specific data and metrics are being developed, so are manipulation techniques. How to avoid untrustworthy data and metrics and outsmart fraudulent tactics?
Jemima Garthwaite, Founder & Director, This Here
Monetising the influencer brand
Content, advertising, fans, engagement and likes – but there is also an entire influencer brand business model to be pursued. What are the influencer brand exploitation opportunities? What is the life-cycle of influencer brands?
Ian Shepherd, Chairman, The Business of Influencers
Artists, influencers, platforms and brands…the context and numbers
The latest insights into the breadth and depth of the influencer marketing industry…
Georgia Meyer, Analyst – Marketing & Media Brands, MIDiA Research
Influencer and content life-cycles – how to evolve?
How does one grow an audience and how are the growth strategies changing as the content market is evolving? What length of time can an audience be engaged? What is required to keep growing and/or retaining an audience?
What are the new challenges for influencers?
Robyn Bevan, FYI Robyn, Influencer with 26.5K followers
Artist, influencer, creator and/or business?
Are influencers content creators and artists or are artists and content creators influencers – what comes first? Does it matter? Are artists and influencers creating content or solving commercial problems and agents of change? What difference does it make?
The competition for attention – always on…
In the digital-enabled era we are exposed to more and more attention-seeking content, devices and platforms. Meanwhile the human time awake remains the same.
The competition for attention keeps increasing.
Georgia Meyer, Analyst – Marketing & Media Brands, MIDiA Research
Top 5 findings in the world of attention across sports & media
What are the common denominators and key industry insights when engaging fans/users in sports and media?
Dipesh Morjaria, CEO, DMob Media – sports & media expert, previously Business Director Multimedia, Guardian News & Media
OTT services, original content, and exclusive rights
The premium video streaming subscription sector is becoming increasingly dynamic, with exclusive and original content defining the overall space. But is the plethora of content increasing competition, or merely promoting a complementary environment where consumers take multiple services?
David Sidebottom, Principal Analyst: Entertainment, FutureSource Consulting
Specialist survival – how to survive as a niche service
How do the niche services survive when they have the likes of Netflix, Spotify and Amazon breathing down their necks? Is it just a question of time before acquisition happens?
Daniel Berg, Co-founder, NextUpComedy
Engagement and scale - content to reach, engage and retain fans
The right sports content format for the right audience are key to successful delivery of engagement of scale. How are the content marketing strategies and tactics changing in order to achieve cut-through and reach? What is required today when launching new content or a new campaign?
Christian Hurley, Head of Strategy, Ball Street Network
Shifting ad-funded models
10 second ads are now inceasingly prevalent, adapted to audiences shorter attention spans, and to different advertising budgets. Is there enough advertising money to go around? What are the alternatives?
Una Carney, Marketing, Media & Digital Strategy Expert
Adapting relevance – the data capture game
The advertising dollars are brought in based on audience data, but what data sets are the really relevant ones? What will deliver relevance, (paid) listeners and advertisers? Do streaming platforms have more valuable data for advertisers with the ability to target audiences better?
Hessel van Oorshoot, Founder and CEO, New Media Squad
Collectivisation or fragmentation and fair negotiations?
While music publishing rights licensing remains fractured, a few key services are growing increasingly important, raising the issue of fairness and transparency in negotiations between rightsholders and services. Is there a risk of rightsholders being played off against each other and might additional safeguards be needed to ensure fair negotiations? How do we ensure fair treatment of writers and other rightsholders and avoid an inequality of available information and bargaining power in licensing negotiations
Peter Mason, Solicitor, Russells, previously with PPL
Content – niche, curated, personalised
For KCRW, radio leads, and streaming follows…Does niche provide better curation and content serving than the big mainstream services? Will the big mainstream services improve their niche services with the increasing sophistication of personalisation and algorithmic recommendations supported by specialist human curators?
Matt Deegan, Creative Director, Folder Media
Access-based business models versus ad-funded and subsidised radio
The tech majors are splashing out cash for spoken word content, not just music, using content as a tool to drive their core strategy, controlling distribution channels and platforms and thereby the access to consumers. What are the tectonic changes in audio consumption, distribution and business models facing the radio industry? Which business models stack up?
Mark Mulligan, Managing Director and Analyst, MIDia Research
Music 4.5 - Jamie Ross, Associate Counsel, Head of Music Partnerships (North America), 7digital
Copyright Royalty Board rate setting and the streaming economics
The Music Modernization Act not only seeks to set up a mechanical rights collecting society but also seeks to change the way the US CRB and rate courts set what royalties should be paid whenever compulsory or collecting society licences apply. How does this affect the streaming market economics and platforms?
Music 4.5 - Hanna Grzeszczyk, Founder & CEO, Media IP Rights
The Neighbouring Rights dichotomy
Neighbouring rights in the USA are still far from reaching the European level of protection for artists, meanwhile in terms of actual money collected, the USA still holds the 1st position for global collection. What might change for Neighbouring Rights?
This 7-second Brain Wave Ritual Attracts Money To You.!nirahealhty
Discover the power of a simple 7-second brain wave ritual that can attract wealth and abundance into your life. By tapping into specific brain frequencies, this technique helps you manifest financial success effortlessly. Ready to transform your financial future? Try this powerful ritual and start attracting money today!
Bridging the Digital Gap Brad Spiegel Macon, GA Initiative.pptxBrad Spiegel Macon GA
Brad Spiegel Macon GA’s journey exemplifies the profound impact that one individual can have on their community. Through his unwavering dedication to digital inclusion, he’s not only bridging the gap in Macon but also setting an example for others to follow.
Global or local segmentation and reach by…
…specialised content type, audience, platforms, influencers, and monetisation mechanisms. What are the different components to navigate across an ever-increasing plethora of channels and platforms? What are relevant geographical and cultural considerations? Niche or global market?
Jamie Searle, Director of Distribution and Content Partnerships, Brave Bison
Influencer aggregating platforms
Platforms aggregate topical content for easy access to audiences, and offer easy-to-use distribution tools for influencers. What is the role of aggregating platforms: are they a facilitating business tool and audience channel, or a middleman business taking a share of the revenue?
Lucas Poelman, Co-founder & Business Development, Styliff
Shaping culture - the trust and fraud issue
Artists, musicians, writers, comedians or activists are the ones who shape our culture. Collaborating with creatives is a shortcut to reaching the thinkers setting the pace of trends. Trust and engagement are the currencies of influencer marketing, yet while industry-specific data and metrics are being developed, so are manipulation techniques. How to avoid untrustworthy data and metrics and outsmart fraudulent tactics?
Jemima Garthwaite, Founder & Director, This Here
Monetising the influencer brand
Content, advertising, fans, engagement and likes – but there is also an entire influencer brand business model to be pursued. What are the influencer brand exploitation opportunities? What is the life-cycle of influencer brands?
Ian Shepherd, Chairman, The Business of Influencers
Artists, influencers, platforms and brands…the context and numbers
The latest insights into the breadth and depth of the influencer marketing industry…
Georgia Meyer, Analyst – Marketing & Media Brands, MIDiA Research
Influencer and content life-cycles – how to evolve?
How does one grow an audience and how are the growth strategies changing as the content market is evolving? What length of time can an audience be engaged? What is required to keep growing and/or retaining an audience?
What are the new challenges for influencers?
Robyn Bevan, FYI Robyn, Influencer with 26.5K followers
Artist, influencer, creator and/or business?
Are influencers content creators and artists or are artists and content creators influencers – what comes first? Does it matter? Are artists and influencers creating content or solving commercial problems and agents of change? What difference does it make?
The competition for attention – always on…
In the digital-enabled era we are exposed to more and more attention-seeking content, devices and platforms. Meanwhile the human time awake remains the same.
The competition for attention keeps increasing.
Georgia Meyer, Analyst – Marketing & Media Brands, MIDiA Research
Top 5 findings in the world of attention across sports & media
What are the common denominators and key industry insights when engaging fans/users in sports and media?
Dipesh Morjaria, CEO, DMob Media – sports & media expert, previously Business Director Multimedia, Guardian News & Media
OTT services, original content, and exclusive rights
The premium video streaming subscription sector is becoming increasingly dynamic, with exclusive and original content defining the overall space. But is the plethora of content increasing competition, or merely promoting a complementary environment where consumers take multiple services?
David Sidebottom, Principal Analyst: Entertainment, FutureSource Consulting
Specialist survival – how to survive as a niche service
How do the niche services survive when they have the likes of Netflix, Spotify and Amazon breathing down their necks? Is it just a question of time before acquisition happens?
Daniel Berg, Co-founder, NextUpComedy
Engagement and scale - content to reach, engage and retain fans
The right sports content format for the right audience are key to successful delivery of engagement of scale. How are the content marketing strategies and tactics changing in order to achieve cut-through and reach? What is required today when launching new content or a new campaign?
Christian Hurley, Head of Strategy, Ball Street Network
Shifting ad-funded models
10 second ads are now inceasingly prevalent, adapted to audiences shorter attention spans, and to different advertising budgets. Is there enough advertising money to go around? What are the alternatives?
Una Carney, Marketing, Media & Digital Strategy Expert
Adapting relevance – the data capture game
The advertising dollars are brought in based on audience data, but what data sets are the really relevant ones? What will deliver relevance, (paid) listeners and advertisers? Do streaming platforms have more valuable data for advertisers with the ability to target audiences better?
Hessel van Oorshoot, Founder and CEO, New Media Squad
Collectivisation or fragmentation and fair negotiations?
While music publishing rights licensing remains fractured, a few key services are growing increasingly important, raising the issue of fairness and transparency in negotiations between rightsholders and services. Is there a risk of rightsholders being played off against each other and might additional safeguards be needed to ensure fair negotiations? How do we ensure fair treatment of writers and other rightsholders and avoid an inequality of available information and bargaining power in licensing negotiations
Peter Mason, Solicitor, Russells, previously with PPL
Content – niche, curated, personalised
For KCRW, radio leads, and streaming follows…Does niche provide better curation and content serving than the big mainstream services? Will the big mainstream services improve their niche services with the increasing sophistication of personalisation and algorithmic recommendations supported by specialist human curators?
Matt Deegan, Creative Director, Folder Media
Access-based business models versus ad-funded and subsidised radio
The tech majors are splashing out cash for spoken word content, not just music, using content as a tool to drive their core strategy, controlling distribution channels and platforms and thereby the access to consumers. What are the tectonic changes in audio consumption, distribution and business models facing the radio industry? Which business models stack up?
Mark Mulligan, Managing Director and Analyst, MIDia Research
Music 4.5 - Jamie Ross, Associate Counsel, Head of Music Partnerships (North America), 7digital
Copyright Royalty Board rate setting and the streaming economics
The Music Modernization Act not only seeks to set up a mechanical rights collecting society but also seeks to change the way the US CRB and rate courts set what royalties should be paid whenever compulsory or collecting society licences apply. How does this affect the streaming market economics and platforms?
Music 4.5 - Hanna Grzeszczyk, Founder & CEO, Media IP Rights
The Neighbouring Rights dichotomy
Neighbouring rights in the USA are still far from reaching the European level of protection for artists, meanwhile in terms of actual money collected, the USA still holds the 1st position for global collection. What might change for Neighbouring Rights?
This 7-second Brain Wave Ritual Attracts Money To You.!nirahealhty
Discover the power of a simple 7-second brain wave ritual that can attract wealth and abundance into your life. By tapping into specific brain frequencies, this technique helps you manifest financial success effortlessly. Ready to transform your financial future? Try this powerful ritual and start attracting money today!
Bridging the Digital Gap Brad Spiegel Macon, GA Initiative.pptxBrad Spiegel Macon GA
Brad Spiegel Macon GA’s journey exemplifies the profound impact that one individual can have on their community. Through his unwavering dedication to digital inclusion, he’s not only bridging the gap in Macon but also setting an example for others to follow.
1.Wireless Communication System_Wireless communication is a broad term that i...JeyaPerumal1
Wireless communication involves the transmission of information over a distance without the help of wires, cables or any other forms of electrical conductors.
Wireless communication is a broad term that incorporates all procedures and forms of connecting and communicating between two or more devices using a wireless signal through wireless communication technologies and devices.
Features of Wireless Communication
The evolution of wireless technology has brought many advancements with its effective features.
The transmitted distance can be anywhere between a few meters (for example, a television's remote control) and thousands of kilometers (for example, radio communication).
Wireless communication can be used for cellular telephony, wireless access to the internet, wireless home networking, and so on.
Multi-cluster Kubernetes Networking- Patterns, Projects and GuidelinesSanjeev Rampal
Talk presented at Kubernetes Community Day, New York, May 2024.
Technical summary of Multi-Cluster Kubernetes Networking architectures with focus on 4 key topics.
1) Key patterns for Multi-cluster architectures
2) Architectural comparison of several OSS/ CNCF projects to address these patterns
3) Evolution trends for the APIs of these projects
4) Some design recommendations & guidelines for adopting/ deploying these solutions.
# Internet Security: Safeguarding Your Digital World
In the contemporary digital age, the internet is a cornerstone of our daily lives. It connects us to vast amounts of information, provides platforms for communication, enables commerce, and offers endless entertainment. However, with these conveniences come significant security challenges. Internet security is essential to protect our digital identities, sensitive data, and overall online experience. This comprehensive guide explores the multifaceted world of internet security, providing insights into its importance, common threats, and effective strategies to safeguard your digital world.
## Understanding Internet Security
Internet security encompasses the measures and protocols used to protect information, devices, and networks from unauthorized access, attacks, and damage. It involves a wide range of practices designed to safeguard data confidentiality, integrity, and availability. Effective internet security is crucial for individuals, businesses, and governments alike, as cyber threats continue to evolve in complexity and scale.
### Key Components of Internet Security
1. **Confidentiality**: Ensuring that information is accessible only to those authorized to access it.
2. **Integrity**: Protecting information from being altered or tampered with by unauthorized parties.
3. **Availability**: Ensuring that authorized users have reliable access to information and resources when needed.
## Common Internet Security Threats
Cyber threats are numerous and constantly evolving. Understanding these threats is the first step in protecting against them. Some of the most common internet security threats include:
### Malware
Malware, or malicious software, is designed to harm, exploit, or otherwise compromise a device, network, or service. Common types of malware include:
- **Viruses**: Programs that attach themselves to legitimate software and replicate, spreading to other programs and files.
- **Worms**: Standalone malware that replicates itself to spread to other computers.
- **Trojan Horses**: Malicious software disguised as legitimate software.
- **Ransomware**: Malware that encrypts a user's files and demands a ransom for the decryption key.
- **Spyware**: Software that secretly monitors and collects user information.
### Phishing
Phishing is a social engineering attack that aims to steal sensitive information such as usernames, passwords, and credit card details. Attackers often masquerade as trusted entities in email or other communication channels, tricking victims into providing their information.
### Man-in-the-Middle (MitM) Attacks
MitM attacks occur when an attacker intercepts and potentially alters communication between two parties without their knowledge. This can lead to the unauthorized acquisition of sensitive information.
### Denial-of-Service (DoS) and Distributed Denial-of-Service (DDoS) Attacks
APNIC Foundation, presented by Ellisha Heppner at the PNG DNS Forum 2024APNIC
Ellisha Heppner, Grant Management Lead, presented an update on APNIC Foundation to the PNG DNS Forum held from 6 to 10 May, 2024 in Port Moresby, Papua New Guinea.
8. Social video is
eating the world
JOIN US: SOCIAL:
Mark Mulligan
https://musicindustryblog.wordpress.com/2019/11/12/the-attention-economy-has-peaked-now-what/
9. The part on which we can work together is the
how: how do we hold people’s attention? How
do we connect them to what they care about?
How do we generate revenue around that?
JOIN US: SOCIAL:
Bas Grasmayer
http://www.musicxtechxfuture.com/2019/11/11/the-listening-time-trap/