Music 4.5 Opening remarks - The Story So Far...
Introduction by the chair of the day
Chris Cooke, Managing Director & Business Editor, CMU
Chris Cooke, Managing Director & Business Editor, CMU
9. CMUinsights.com
THE YOUTUBE PARADOX: the music industry + YouTube
The music industry saw a flood of its songs and recordings being
uploaded to YouTube, both in the form of music videos that had
been ripped off TV and as soundtracks to other content.
Though at the same time, labels recognised YouTube was a user-
friendly browser-based fully-embeddable video platform via which
they could distribute their own promotional videos at no cost.
10. CMUinsights.com
But nevertheless – it was clear YouTube was building a mass
audience and a massive business in no small part with unlicensed
content, claiming safe harbour protection to its critics in the
music rights sector.
THE YOUTUBE PARADOX: the music industry + YouTube
11. CMUinsights.com
What do do? Ignore, license or sue…
Most music rights owners ultimately licensed YouTube,
the majors taking equity pre the Google acquisition.
THE YOUTUBE PARADOX: the music industry + YouTube
12. CMUinsights.com
YouTube began to hone its rights management system Content-ID,
allowing rights owners to monitor and monetise their songs and
recordings on the YouTube platform.
Meanwhile YouTube allowed certain rights owners to control
some of the ad collateral around their videos –
eg Vevo and Warner Music controlled channels
THE YOUTUBE PARADOX: the music industry + YouTube
13. CMUinsights.com
YouTube started to generate ad revenues for rights owners.
At the same time, YouTube became both a significant music
marketing and a significant music consumption channel.
THE YOUTUBE PARADOX: the music industry + YouTube
14. CMUinsights.com
So, music was increasingly being both marketed and consumed in
the same place – even more so as the digital music market began
to shift from downloads to streams.
THE YOUTUBE PARADOX: the music industry + YouTube
15. CMUinsights.com
This might make sense. Except compared to paid-for streaming
services, the ad revenues from YouTube are modest.
And if the marketing channel is competing with more lucrative
consumption channels, that’s a problem.
THE YOUTUBE PARADOX: the music industry + YouTube
16. CMUinsights.com
So the music industry started to fall out with YouTube.
Which has fueled the safe harbours debate – because the music
industry feels its negotiating hand is weakened by copyright law.
THE YOUTUBE PARADOX: the music industry + YouTube
17. CMUinsights.com
Meanwhile YouTube has tried to placate rights owners by moving
into paid-for content itself – “we can now upsell to our own
premium service that will generate you more money”.
This was originally going to be a standalone music service,
but morphed into the platform-wide YouTube Red.
THE YOUTUBE PARADOX: the music industry + YouTube
18. CMUinsights.com
THE YOUTUBE PARADOX: what is YouTube?
a streaming
service
a promotional
platform
a publishing
platform
a media
platform
a non-
commercial
licensing
platform
19. CMUinsights.com
THE YOUTUBE PARADOX: meanwhile…
Meanwhile, back on YouTube…
some people are creators!
So it is all about…
user-generated content
22. CMUinsights.com
THE YOUTUBE PARADOX: the YouTube Industry
YOUTUBER
FAN
OTHER
PRODUCTS
MANAGER/AGENT
EVENTS
PUBLISHER/PRODUCER ETC
MULTI-CHANNEL
NETWORK
OTHER
PLATFORMS
BRANDS
23. CMUinsights.com
THE YOUTUBE PARADOX: YouTubers and the music industry
CUSTOMERS OF OUR MUSIC?
CHAMPIONS OF OUR MUSIC?
FUTURE BUSINESS MODEL?
???