The pitch[1]
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The document outlines a pitch for an action thriller film about soldiers on a guerrilla mission. It discusses choosing an action/thriller genre to appeal to a 13-28 age audience. The narrative involves half the soldier characters dying in the opening scene in a flashback, while the other half are killed later. The budget aims to be low through an independent producer. Scenes would be filmed in fields and cities to set up deception and a climactic ending revealing the "dead" soldiers actually killed the others.
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The pitch
The document outlines a proposed action/thriller genre film by Daniel Cronje and Nico Del Pellegrino. It will tell the story of soldiers on a guerrilla mission in 3 acts. In the first act, half of the characters will be killed, ending with a character's lifeless hand shown on the floor. The surviving half will continue through flashbacks until the end, when it's revealed they actually killed the other half. Filming and sound techniques will be used to deceive the audience until this climactic ending. Early scenes will be filmed in fields, middle scenes in cities/towns, and it will end back in the fields to shock viewers.
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The pitch
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Generic conventions of horror
Mise-en-scene in horror films establishes isolation and ominous settings through techniques like pathetic fallacy, sinister props, and dark colors like red and black. Lighting is used to create mood, cast shadows, and suggest split personalities. Costumes distinguish stereotypical character types like the "blonde" and "athlete". Sound design with exaggerated diegetic sound and loud non-diegetic music builds tension and makes audiences feel scared. Common props symbolizing religion or the devil include bibles, crucifixes, and candles. Horror films typically feature stock character archetypes like "the blonde [who] usually dies first".
common conventions of sci fi
Sci-fi films often share common codes and conventions to set the appropriate mood for audiences. Many involve storylines about exploring the unknown universe and galaxies to create a sense of mystery. They frequently feature skilled humans combating unusual creatures or aliens, as seen in films like Interstellar, E.T., and Star Wars: The Phantom Menace. These films also commonly include extraordinary human characters and abnormal looking creatures that don't exist in reality. Additionally, sci-fi films typically use the same settings of outer space and Earth to establish their genre and feel more realistic.
Horror presentation
Horror films typically use certain visual conventions like dark colors, low lighting to emphasize shadows, and props like knives and chainsaws associated with killers. Common monsters seen are vampires, werewolves, and mummies. Characters usually include monsters, killers, victims, and someone who figures things out. Settings are often dark, abandoned places at night to build suspense. Horror narratives focus on the conflicts and dilemmas faced by main characters dealing with evil forces or characters. Common themes include good vs. evil, religion, the supernatural, and issues beyond life and death.
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The document discusses the horror genre and its purpose of eliciting negative emotions in viewers through primal fears. It describes several common subgenres of horror including slasher, body horror, psychological horror, science fiction horror, and comedy horror. Each subgenre is defined and an example film is provided. The document also analyzes why the science fiction horror film Alien is effective at scaring audiences through its isolated setting, use of suspense, and threatening antagonist.
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A parody is a work that imitates another work in an absurd or ridiculous way to poke fun at it or derive comic effect. Parodies are common in movies, known as spoof movies, which mimic popular films in a genre like crime, horror, fantasy, or action in an exaggerated and humorous way. Spoof movies build expectations from the original genre and then mock its conventions and tropes.
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Horror films use various codes and conventions to frighten audiences, including narrative structures involving disruption and attempts to repair equilibrium, stereotypical characters like protagonists and antagonists, and mise-en-scene elements like isolated settings, dark lighting, costumes signifying hope or evil, and props representing violence. Additionally, the document discusses how colors like red, black, and white are used to convey danger and mystery, and how non-diegetic and synchronous sounds create suspense, scare audiences, and change the mood.
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Horror films use certain themes, props, settings, and character archetypes to invoke fear and thrill audiences. Common themes include hauntings, religion, good vs. evil, and monsters. Props like knives and masks are often used to denote the genre. Settings tend to be graveyards, abandoned buildings, cabins, and haunted houses at night to create tension. Character archetypes include the final girl protagonist, the unlikely hero, the antagonist villain, and the sex appeal character who is often the first to die.
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The document provides a detailed overview of the history and evolution of the horror genre in film. It discusses some key points:
- The first horror film dates back to 1896 and was only 2 minutes long. Gothic literature in the late 1700s helped develop the genre.
- Important early directors like Hitchcock and Romero influenced the genre with films like Psycho and Night of the Living Dead.
- Technology has helped advance the visuals and special effects over time to depict monsters and creatures more realistically.
- There are many sub-genres of horror that blend with other genres like comedy, action, science fiction and more. Iconography, settings, characters and narratives structures are described.
Codes and conventions of horror movies
The document discusses several common codes and conventions of horror movies. It notes that codes and conventions help audiences recognize a film as belonging to the horror genre. Some key conventions mentioned include isolated locations like old houses; dark, gloomy weather; camerawork like point-of-view shots that build tension; and sound effects like screaming and ominous music. The document also suggests ways these conventions could be manipulated or challenged in a new horror film to surprise audiences while still engaging them.
The codes and conventions of horror films
The document discusses the common codes and conventions of horror films. It outlines character types like the hero, villain, and victim that are often present. It also describes common iconography such as dark lighting, Gothic settings, and symbols of evil. Themes typically portrayed include the supernatural, insanity, and the battle between good and evil. Settings tend to be isolated, dark places like woods, houses, and basements. Narratives usually follow a pattern of equilibrium being disrupted by a threat that is eventually defeated or contained.
Codes and conventions of horror thriller
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AS Media Studies Product Evaluation for a chosen genre opening sequence, with a maximum runtime of 2mins.
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The document provides research and planning information for producing the opening two minutes of a thriller film. It discusses thriller conventions, target audiences, analysis of similar films, narrative and character theories, camera shots, sound, actors, and other production elements. It proposes a title and synopsis for the short film called "Number Five" about a teenager seeking revenge after his parents are killed. Finally, it analyzes conventions commonly used in thriller films like tension, lighting, shots, and Propp's character archetypes.
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This document discusses the codes and conventions of action movies. It begins by outlining typical character archetypes like muscular heroes, damsels in distress, and menacing villains. It then covers common elements of mise-en-scene for each character type, including costumes, lighting, makeup, and props. Action movie conventions usually involve the hero battling threats through challenges like fights and chases. Settings may include cities, boats, or country roads. The narrative typically has the villain making the hero's life difficult by threatening or kidnapping others. Sounds commonly feature gunshots, explosions, and vehicles to create a sense of danger and violence.
Genre conventions film
The document analyzes the genre conventions used in film trailers for action/mystery thrillers. It discusses three film trailers - Inception, Phone Booth, and Law Abiding Citizen - and how they effectively employ techniques like establishing shots, symbolic coding, soundtrack buildup and climaxes to attract audiences. Key conventions highlighted include the use of ominous music, shots of danger/violence, dark clothing, and an omniscient narrator to generate suspense and intrigue. The document inspires ideas for the narrator's trailer, such as using the villain's perspective in voiceovers and focusing on symbolic phone imagery to set up the main character's peril.
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This slideshow is being used by Film Studies 3030 at the University of Lethbridge, Calgary campus. The slide information is largely derived as commentary for the Giannetti and Leach textbook, Understanding Movies, and Richard Barsam's Looking at Movies.
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This document discusses genre theory and its application to film analysis. It provides examples of different film genres like action, horror, musical, and science fiction. It explains that genres have common visual imagery, technical styles, character tropes, settings, and narrative structures that audience expect. The document analyzes several films like Leon, Mean Girls, and Independence Day: Resurgence using genre theory concepts. It also discusses the auteur theory and provides examples of auteur directors like Tarantino, Burton, Cameron, and Besson who have distinctive styles and themes.
Analysis of 3 Similar Texts
The document analyzes three soap opera trailers from different channels - Eastenders, Emmerdale, and Hollyoaks. For each trailer, the document examines the channel it airs on, its target audience in terms of age, gender, socioeconomic status and psychographic groups. It also analyzes the storylines, technical codes like camerawork, editing, lighting and sound, and how each trailer persuades its audience. The document concludes by reflecting on similarities across the trailers that could inspire the creation of a new soap opera trailer.
Opening sequences prep
The opening sequence of Avatar effectively sets up the plot and introduces the main character. Through narration, it establishes that the protagonist, Sully, is a paralyzed ex-marine who is recruited to replace his deceased twin brother on a mission to the planet Pandora. Visuals of a futuristic cryo chamber and spaceship confirm the sci-fi genre. The sequence provides backstory on Sully through flashbacks while focusing attention on developing his character. It also hints at potential themes of exploitation and conflict between humanity and the native inhabitants of Pandora.
Evaluation Presentation
The document provides an evaluation of the film "Witness" produced by Oliver Clubb for ManFlick Productions. It discusses how the film uses conventions of the thriller genre, including character construction, narrative structure, settings, iconography, and sound. It describes how the characters of the Photographer and Murderer were developed to fit thriller stereotypes. It also discusses how techniques like parallel action, camera angles, music, and a chase scene helped develop tension and adhere to thriller conventions. Overall, the evaluation examines how the film drew from typical forms and tropes of real thriller films and media products.
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The document discusses the 1960 Alfred Hitchcock film "Psycho" and analyzes various elements of its plot, characters, and famous shower scene. It examines how the film subverts audience expectations through shocking plot twists, uses suspense and music to build tension, and features an unexpected villain in Norman Bates. The shower scene is discussed as one of the most iconic and influential scenes in film history due to Hitchcock's use of editing and suggestion over explicit violence.
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The document discusses the 1960 Alfred Hitchcock film "Psycho" in several sections. It provides background on the film's director, writers, and stars. It also examines how Hitchcock used techniques like suspense, shocks, and unexpected twists to keep audiences engaged. Specifically, it analyzes the famous shower scene murder and how Hitchcock left parts to the imagination through editing.
Structure types
Feature films are full-length movies that audiences pay to see in cinemas. They typically run over 40 minutes, with most being between 75-210 minutes. Feature films follow a three-act structure of introduction, rising action, and resolution to tell a story. Short films have a similar structure but must establish characters and settings immediately without long title sequences due to their shorter time frame. Both feature and short films use techniques like camera work, lighting, music, and character development to effectively communicate their narrative and engage audiences.
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The document provides a detailed analysis of four short films:
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2) "The Ellington Kid" - A thriller/dark comedy told in flashbacks about a violent encounter involving the title character.
3) "The Arrival" - A drama/slice of life film following a woman's thoughts as she waits in a cafe to tell a potential father about her pregnancy.
4) An unnamed film - A seemingly single take film focusing on a character engrossed in their thoughts as they wait in a cafe.
Analysis of 2 similar texts
The document analyzes two soap opera trailers - one for EastEnders about the death of Lucy Beale, and one for Emmerdale about a storyline called "Judgement Day". It examines aspects like the channel, target audience, storyline/themes, and technical codes like camerawork, editing, lighting, and sound used in each trailer. The document finds that both soaps target a wide audience, use dramatic storylines and nighttime lighting to create suspense. Technical elements like close-ups, soundtrack, and voiceover help persuade viewers to watch.
Evaluation Question One
The document analyzes the similarities between the student's thriller opening sequence and the 2006 spy film "Stormbreaker" in three key areas:
1) Plot, characters, and target audience are similar, featuring a teenage boy as the protagonist going on a secret mission.
2) Genre conventions like character stereotypes, technology props, and secretive plots are reflected.
3) Camera techniques such as match on action shots, eyeline matches, and editing pace create suspense like other thriller and action films.
Stryker presentation
The document discusses a film called "Stryker", describing it as an action-packed cop thriller that would likely receive a 15 rating. It summarizes the filmmakers' research of similar genres and conventions used in the trailer, such as fast cuts and voiceover. Feedback from test audiences found the action and music fitting but thought the voiceover unnecessary.
Evaluation question 1
The document discusses the opening sequence of a student film project titled "Dementia's Gates". It summarizes the key creative decisions made regarding the title, setting, costumes/props, camerawork/editing, title font/style, story, genre, character introductions, and use of low-level lighting. The opening sequence aims to immediately engage the audience with mystery and confusion typical of the psychological thriller genre through an armed criminal on the run and an ambiguous character encounter in a dark tunnel. Both conventional and unconventional thriller elements are employed to generate intrigue and questions about what will unfold in the film.
Genre
This document discusses different genres and provides details about the thriller genre. It begins by listing several fiction genres. It then focuses on defining characteristics of thrillers, including suspense, anticipation, and fear. The history of thrillers is explored from ancient epics to modern novels and films. Codes and conventions of thrillers are examined, such as characters, themes, lighting, editing techniques, camera angles, and sound. Specific techniques like low key lighting, montage editing, and non-diegetic sound are used to build tension and suspense.
Media questions 1,2 and 3 powerpoint
The document discusses the inspiration and techniques used in creating a short film titled "Conservatorium." It was inspired by films like Napoleon Dynamite, Hannibal, and Friday the 13th. Techniques included fast cutting, point-of-view shots, close-ups and ambiguous characters. While unconventional in parts, it conforms to horror conventions by the end through the use of typical horror props and lighting. Distribution through an independent UK company like Vertigo Films is considered most suitable due to the low budget. Film festivals could help attract distribution deals.
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Evaluation 2
The document discusses print marketing materials created to promote a documentary television show about traveling down a river. It includes a newspaper advertisement, magazine double page spread, and how the materials were designed to look cohesive. The print materials effectively convey the genre and narrative through images from the show, but the newspaper ad could be improved with more details and an image of the presenter. While the magazine spread was not created as a marketing tool, it informs viewers and thus serves as effective advertising for the documentary series.
Answer to question 3 of A2 evaluation
The document discusses feedback received on a documentary. The most unexpected feedback was about noisy cars in an interview that could have been reduced. This feedback and examining other shots made the filmmaker realize some themes were represented too strongly. Additional feedback was that the documentary conveyed that youth today are changing their views on faith and religion, and the church could have a place among youth if balanced correctly. Feedback on lighting and lens flares in some shots was not surprising. Overall the feedback provided valuable lessons about obtaining audience perspectives early in the filmmaking process.
Chertseyâs history
Chertsey has a long history dating back to pre-historic times when there was an important water spring located in the center of the village. The Romans later had a ford and ferry crossing the river near the current Chertsey bridge. In 1110, a large Norman abbey was built which was as large as some cathedrals. Edward "Lumpy" Stevens, who played for Chertsey Cricket Club in the 1700s, is credited with inventing the third stump in cricket. Chertsey Cricket Club was founded in 1737 and has included influential players who helped develop the game. Modern landmarks include Thorpe Park, built on gravel pits in the 1970s, and the Black Cherry Fair,
Skateboarders
The document outlines a proposed documentary focusing on skateboarding culture. It will feature interviews with amateur skaters in London who participate out of passion rather than profit. The documentary aims to discredit stereotypes about skateboarding through a reflexive style, exploring the social and emotional aspects of the sport.
The pitch
The documentary will focus on graffiti art culture, interviewing both graffiti artists and police officers. It will include footage of graffiti being created and shots of walls with spray cans. The documentary will aim to explore whether graffiti is art or vandalism by presenting both perspectives in an unbiased manner. It will be targeted towards males aged 16-34 but also attract female audiences interested in art. The documentary will air on Channel 4 to reach its target demographic.
Final powerpoint
The students are pitching a documentary on the causes and effects of knife crime in England to BBC3, which targets 16-34 year olds. The documentary will use a narrative structure including perspectives from police, parents, teenagers, and government on the issue. It will have an observational style with a narrator and interviews to convey the message about knife crime to its target teenage and young adult audience.
Final powerpoint
1) The documentary will explore the causes and effects of knife crime in England through interviews with police, parents, teenagers, and government officials.
2) The target audience is teenagers and young adults aged 16-30 to raise awareness of the consequences of knife crime.
3) The documentary will use a hybrid observational/expository style with a fly-on-the-wall narrator and handheld camera to interview various people affected by knife crime.
Luke and rebecca pitch
The document discusses plans for a documentary series that follows a crew traveling up the River Thames from Staines to Oxford. It will focus on the history and facts of places along the river not widely known. The target audience is those over 35 with an interest in documentaries and geography. The first episode will focus on Runnymede, the Magna Carta, and the history of Staines. Relevant historical societies and museums will serve as contacts.
Luke and rebecca pitch
The document discusses plans for a documentary series that follows a crew traveling up the River Thames from Staines to Oxford. It will focus on the history and facts of places along the river not widely known. The target audience is those over 35 with an interest in documentaries and geography. The first episode will film in Runnymede and Staines, discussing the Magna Carta and history of Staines, including its role in producing linoleum.
Dead in 60 seconds
This documentary pitch proposes exploring the causes and effects of knife crime in England through interviews with those affected. The target 16-34 year old audience watches BBC3, known for tackling tough issues. The narrative structure includes perspectives from police, parents, teenagers, and government on the dangers of knives and hope to reduce crime. Interviews will be conducted in an observational style using handheld cameras to get a candid perspective on this relevant social issue impacting youth.
equipment used
The document discusses the production of a student film. It describes using a Zoom audio recorder to get clear voiceovers and emphasize sound effects. It discusses using different cameras - a Panasonic and JVC - and learning that they capture footage differently. It also covers editing the footage in Premiere Elements, including adding effects like speed ramps, and adjusting lighting with a fill light and reflector.
Microphone
The document discusses the production of a student film. It summarizes that no microphones were used for filming since most sound was added in later as voiceovers, and an audio recorder was used to capture voiceovers and emphasize a fall. It also notes that two different cameras were used for filming, with differing quality, and that Premiere Elements was used for editing but initially caused issues. Lighting techniques like fill lights and reflectors were employed to improve image quality.
Coursework evaluation q 4
The target audience for this media product would be 15-30 year olds, with a focus on appealing to both male and female demographics. It aims to attract males through the casting of Megan Fox in a thriller genre, and females through the casting of Jensen Ackles, while the story of a teenage girl appeals directly to teenage girls. The original plans and ideas remain suitable according to the document.
Media movie1
The document proposes a thriller film about a hitman named Jason Solonik who is retiring and seeking revenge on his past employers who betrayed him. Solonik is inspired by a real-life Russian assassin from the Cold War known for his skill and involvement in high-profile killings. The film would be produced on a low budget of $1.35 million by Mr. Whale Productions, known for darker action/thriller films, and distributed by Lions Gate through their British division Momentum Pictures.
Neek To Chic
The document provides a synopsis and analysis of a teenage drama/comedy film. It introduces the main character Connor, who moves from Britain to America to study and attempts to hide his nerdy identity to fit in. He lies to make friends and joins a fraternity, but his true self is revealed. In the climax, he saves his ex-girlfriend from a fire and is welcomed back into his social circles. The genre focuses on the character's troubles fitting in and falling in love within the setting of an American university campus and Greek life system.
Living with regret
The genre is a coming-of-age drama set in a school and luxury apartment in London. The plot follows the main character Jennifer Taylor from her teenage years as an outsider in school through to her blossoming as an adult. Flashbacks show her experiences in school where she had a crush on her love interest Aaron Jones but wasn't good enough for him until she grew into herself. The film has a low budget and is aimed at women aged 16-50 who enjoy romance and comedy genres with happy endings.
Media Pitch
1) A hit man hits a woman over the head with a baseball bat in a foggy graveyard, only to discover that the victim is his wife.
2) The document outlines ideas for a thriller genre film including stock characters, settings, narrative structure, and potential actors like Danny Dyer, Jessica Alba, and Jason Statham.
3) The proposed budget for the film is ÂŖ100 million, with ÂŖ10 million each for Jessica Alba and Danny Dyer, and ÂŖ20 million for Jason Statham.
The pitch
The film pitch is for a teen drama called "Control" about 5 friends and the struggles they face in their teenage lives. Act 1 shows a couple where the girl tells the boy she is pregnant. Act 2 depicts how the characters deal with the challenges. Act 3 involves a disaster where one of the friends dies. The film will be in black and white to give it an edgy feel and appeal to teenage audiences around issues they can relate to in a realistic way. The budget will be low as an independent film aimed at a 15 certificate audience.
Anthony,Reece,Josh pitch
Our initial idea was to film our extract in black and white, we were rather sceptical of this before our presentation as we weren't sure how our audience would recieve a film in black and white as there aren't many films in the modern age made in black and white but the feedback that we got from our teachers was very positive for our black and white idea and we have now decided to develope this idea and film it in black and white.
In our extract the majority of it is two characters sitting on a bench having a conversation when we presented this idea Mr. Alison pointed out that we have to be very careful on how we filmed it and we have to make sure that it is pleasing to the eye and that it looks like a real film and not just two people talking on a bench.
We were also advised that the extract would have to be written well in order for the story to make sense and for it to be interesting and last for two minutes.
Media movie
The document proposes a thriller film about a hitman, Alexander Solonik, who wants to take down the four employers who betrayed him. Solonik is a retired 37-year-old assassin who is composed and professional, having killed over 300 people during his career. The film would be produced by Mr. Whale Productions with a $1.35 million budget and distributed by Lions Gate subsidiary Momentum Pictures to support the British film industry. The opening scene would show one of Solonik's targets running from their pursuer to establish Solonik as a tactical hitman.
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