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Reason for the “H”
Certificate
The film “The Bride of
Frankenstein” featured a scene
of a child being killed. As a
result the British Censors
established the “H”Certificate
as explained the previous slide
by Sir Christopher Lee.
 Horror film is a
motion picture calculated to cause intense
repugnance, fear, or dread. Horror films ma
y incoporate
incidents of physical violence and psycholo
gical terror.
 Traditional horror- Use
of primal fears. Horror films
often deal with the concept of
the audience
nightmares,hidden fears,terror
of the unknown.
 Plot point frequently themes
like
supernatural,monsters,aliens,
witches.
 Gore/splattler film- Focuses
on graphic portrayals of gore
and graphic violence.
 Use of special effects to
exploit the vulnerability of the
human body and the
theatricality of its mutilation.
 Psychological horror- relies heavily on the characters'
fears and emotional instability to build tension.
 The aims are to create discomfort by exposing common
or universal psychological and emotional vulnerabilities
and fears, such as the shadowy parts of the human
psyche that most people repress or deny referred to
in the archetypal shadow characteristics:
suspicion,distrust,self-self doubt and paranoia of others
or the world.
Case Study: Invasion
of the Bodysnatchers
Invasion of the Body
Snatchers is a 1956 American
black and white science fiction
filmdirected by Don Siegel
starring Kevin
McCarthy and DanaWynter,
that was released
throughAllied Artists Picture
Corporation. Daniel
Mainwaringadapted
the screenplay from Jack
Finney's 1954 novel The Body
Snatchers.[2]
The story depicts an
extraterrestrial invasion of a
small California town.The
invaders replace human beings
with duplicates that appear
identical on the surface but are
devoid of emotion or
individuality.A local doctor
uncovers what is happening
and tries to stop them.
 The film portrays a different take on emotions. The two definitions
of “universalist” vs “socail constructivism” are turned on it’s head.
 Universalist theory: The alien pod people are born without emotions
when they awaken. No emotions is biologically part of their DNA.
 Social Constructivist theory: When Doctor Miles Bennet questions the
difference of the pod people ,locals have their own percieved ideas of how
their loved ones should act emotionally.
 The film has been criticized for having an anti-communist message. The
film released in 1956,during the heart of the Cold War. The United States
feared of bombs dropped by the Soviet Union. The sci-fi twsit the film
displayed is more freightening.
 Instead of bombs they are pods, that sneak in through the farm and replace
after you sleep.
 Notice in the clip at how everyone will be the same, at that it is a much
more simpler way of life.
 Arguably Hollywood was playing on the emotion of fear on the public and
portrayed the concept of communist being emotionless.
Representation of 1950’s
America through Becky
and Miles relationship
Miles and Becky’s relationship
displayed can be seen as the
heart of the film. Despite them
not being married
They represent the traditional
American values of the 1950’s
Examples being : Date
nights,the breakfast scene
where displays these very
traditional values.
These values are threatened by
the pod people as their love is
what they fight to hold on to no
matter what.They are
affectionate and playful
together
It can be argued of their
American values being socially
constructed though.
Traditional Horror:
Classic Monsters
and their portrayal of
emotions
Dracula: Portrayed as
having emotions. He
uses this as an
advantage on his victims.
However he does not
experience all types of
emotions eg love.
Frankestein’s Monster:
Learns emotions and
craves to be more human
but is rejected. His
society
The Wolfman- Loses his
humanity through his
transformation. Emotions
are reduced
Zombie
A drone,
protrayed as
experiencing no
emotions. The
question of
emotions
determining
what it means to
be human
 “In my practice, I've seen how people
have allowed their humanity to drain
away. Only it happened slowly
instead of all at once. They didn't
seem to mind... All of us - a little bit -
we harden our hearts, grow callous.
Only when we have to fight to stay
human do we realize how precious it
is to us,” – Dr Miles Bennell
 The film “Warm Bodies”(2013) gives the
audience a new concept of zombies regaining
emotions with the influence of love. In the film
it restarts their hearts and turns their
animated corpses into full functioning human
bodies again
 This again an example in film of emotions
defining our humanity and what it means to
be alive.
Gore/Splatter
film
Examples:
Halloween,Tex
as Chainsaw
Massacre,
Jason
 In direct contrast, the “monsters” of gore films are usually
completely insane. That they do not experience emotions like
empathy,sympathy or fear. They are merely men hidden
behind masks committing murder, and are usually silent.
 This arguably desensitised the shock value to the viewer. An
example of this is in “Halloween”(1978) where the camera
shot is seen through his mask while Michael Myers kills.
 This has been critically accessed by Horror film directors to
create a type of emotionless experience. As victims becomes
a novelty and audience are merely watching people be killed
brutally and not care.
 One type of Horror film that branches all genres is when they
give the tag line “based on a true story”.
 Example notice the tag line of “Texas Chainsaw
Massacre”(1974) “What happened is true. Now the motion
picture thats just as real”
 The True story element immediately plays on the mind, that
this could have happened. This justifies it can happen to the
given viewer and so before even beginning the film they start
off a perception of fear. This perception of fear was socially
constructed.
The Blairwitch
Project(1994)
The film “The Blairwitch
Project” is an interesting
example of this socially
constructed fear.
While it is not based on a true
story.The marketing campagin
made you believe it was.
Examine at the text on the
cover it appears as what could
be seen in a news paper.
The filming style also
influences this as while
watching the film you feel as if
it is a real life documentary
that only adds to the audience
idea of fear and paranoia.
The
Exorcist(197
3)
The Exorcist is a 1973
American supernatural
horror film directed
by William Friedkin,
adapted by William Peter
Blattyfrom his 1971 novel
of the same name. The
book, inspired by the
1949 exorcism case
of Roland Doe,[3][4] deals
with thedemonic
possession of a 12-year-
old girl and her mother's
desperate attempts to
win back her child
through an exorcism
conducted by two priests.
Scared the public of America back
to church:
 Audience fainting,passing out
during screenings
 Complimentary “barf bags” given
with each ticket
 Demonized Ouija boards
 The Exorcist played lightly on the “true story” element as it was loosely
based on a book. The American public had never seen such a vulgar and
grosteque evil on screen before.
 Before the film there was a trend for Ouija boards that was completely
demonized after.
 The film had to be re-released with a proper age rating.
 It is still to this day the highest grossing R rating film of all time and
recieved oscar praise.
 The Exorcist can indeed be seen as an example of a film influencing the
emotions of society dramatically.
 Psyscho is another film that had an impact on the public in
1960.
 It follows the genre of psycological horror. We follow a main
character that is already quite paranoid only to be
shockening murdered in the shower.
 This drastically changes the plot.
 The rest of the film viewers may be on edge as we follow
characters closely and emotionally. This makes murder
scenes more influential to our emotions as we have been
following other characters emotions.
 Example: REC.(2007) (MAJOR
SPOILERS) Spanish horror that combines
all three of the given horror film genres.
 The film Rec. Plays on traditonal horror with the element of
proposed zombies and monsters. Playing on our traditonal
fears with locations like dark hall ways throughout the
film. As well as the plot twist of not being zombies but a
santanic cult of demon possessed people.
 It has the feel of true story with the documentary touch of
the shaky camera. This twist also acts on the pyscological
aspect as we follow the main characters through the
 It displays gore in the extreme violence demonstrated by
“monsters”
 Fear is primal and biological
within all of us as an emotion
 However our fears can be
influenced by horror and how
they are influenced is socially
constructed by film makers.

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The Influence of Emotions on Horror/Thriller Films by Jonah Worcester

  • 1.
  • 2.
  • 3.
  • 4.
  • 5.
  • 6. Reason for the “H” Certificate The film “The Bride of Frankenstein” featured a scene of a child being killed. As a result the British Censors established the “H”Certificate as explained the previous slide by Sir Christopher Lee.
  • 7.  Horror film is a motion picture calculated to cause intense repugnance, fear, or dread. Horror films ma y incoporate incidents of physical violence and psycholo gical terror.
  • 8.  Traditional horror- Use of primal fears. Horror films often deal with the concept of the audience nightmares,hidden fears,terror of the unknown.  Plot point frequently themes like supernatural,monsters,aliens, witches.  Gore/splattler film- Focuses on graphic portrayals of gore and graphic violence.  Use of special effects to exploit the vulnerability of the human body and the theatricality of its mutilation.
  • 9.  Psychological horror- relies heavily on the characters' fears and emotional instability to build tension.  The aims are to create discomfort by exposing common or universal psychological and emotional vulnerabilities and fears, such as the shadowy parts of the human psyche that most people repress or deny referred to in the archetypal shadow characteristics: suspicion,distrust,self-self doubt and paranoia of others or the world.
  • 10. Case Study: Invasion of the Bodysnatchers Invasion of the Body Snatchers is a 1956 American black and white science fiction filmdirected by Don Siegel starring Kevin McCarthy and DanaWynter, that was released throughAllied Artists Picture Corporation. Daniel Mainwaringadapted the screenplay from Jack Finney's 1954 novel The Body Snatchers.[2] The story depicts an extraterrestrial invasion of a small California town.The invaders replace human beings with duplicates that appear identical on the surface but are devoid of emotion or individuality.A local doctor uncovers what is happening and tries to stop them.
  • 11.  The film portrays a different take on emotions. The two definitions of “universalist” vs “socail constructivism” are turned on it’s head.  Universalist theory: The alien pod people are born without emotions when they awaken. No emotions is biologically part of their DNA.  Social Constructivist theory: When Doctor Miles Bennet questions the difference of the pod people ,locals have their own percieved ideas of how their loved ones should act emotionally.
  • 12.
  • 13.  The film has been criticized for having an anti-communist message. The film released in 1956,during the heart of the Cold War. The United States feared of bombs dropped by the Soviet Union. The sci-fi twsit the film displayed is more freightening.  Instead of bombs they are pods, that sneak in through the farm and replace after you sleep.  Notice in the clip at how everyone will be the same, at that it is a much more simpler way of life.  Arguably Hollywood was playing on the emotion of fear on the public and portrayed the concept of communist being emotionless.
  • 14.
  • 15. Representation of 1950’s America through Becky and Miles relationship Miles and Becky’s relationship displayed can be seen as the heart of the film. Despite them not being married They represent the traditional American values of the 1950’s Examples being : Date nights,the breakfast scene where displays these very traditional values. These values are threatened by the pod people as their love is what they fight to hold on to no matter what.They are affectionate and playful together It can be argued of their American values being socially constructed though.
  • 16. Traditional Horror: Classic Monsters and their portrayal of emotions Dracula: Portrayed as having emotions. He uses this as an advantage on his victims. However he does not experience all types of emotions eg love. Frankestein’s Monster: Learns emotions and craves to be more human but is rejected. His society The Wolfman- Loses his humanity through his transformation. Emotions are reduced
  • 17. Zombie A drone, protrayed as experiencing no emotions. The question of emotions determining what it means to be human
  • 18.  “In my practice, I've seen how people have allowed their humanity to drain away. Only it happened slowly instead of all at once. They didn't seem to mind... All of us - a little bit - we harden our hearts, grow callous. Only when we have to fight to stay human do we realize how precious it is to us,” – Dr Miles Bennell
  • 19.
  • 20.  The film “Warm Bodies”(2013) gives the audience a new concept of zombies regaining emotions with the influence of love. In the film it restarts their hearts and turns their animated corpses into full functioning human bodies again  This again an example in film of emotions defining our humanity and what it means to be alive.
  • 22.  In direct contrast, the “monsters” of gore films are usually completely insane. That they do not experience emotions like empathy,sympathy or fear. They are merely men hidden behind masks committing murder, and are usually silent.  This arguably desensitised the shock value to the viewer. An example of this is in “Halloween”(1978) where the camera shot is seen through his mask while Michael Myers kills.  This has been critically accessed by Horror film directors to create a type of emotionless experience. As victims becomes a novelty and audience are merely watching people be killed brutally and not care.
  • 23.
  • 24.
  • 25.  One type of Horror film that branches all genres is when they give the tag line “based on a true story”.  Example notice the tag line of “Texas Chainsaw Massacre”(1974) “What happened is true. Now the motion picture thats just as real”  The True story element immediately plays on the mind, that this could have happened. This justifies it can happen to the given viewer and so before even beginning the film they start off a perception of fear. This perception of fear was socially constructed.
  • 26. The Blairwitch Project(1994) The film “The Blairwitch Project” is an interesting example of this socially constructed fear. While it is not based on a true story.The marketing campagin made you believe it was. Examine at the text on the cover it appears as what could be seen in a news paper. The filming style also influences this as while watching the film you feel as if it is a real life documentary that only adds to the audience idea of fear and paranoia.
  • 27. The Exorcist(197 3) The Exorcist is a 1973 American supernatural horror film directed by William Friedkin, adapted by William Peter Blattyfrom his 1971 novel of the same name. The book, inspired by the 1949 exorcism case of Roland Doe,[3][4] deals with thedemonic possession of a 12-year- old girl and her mother's desperate attempts to win back her child through an exorcism conducted by two priests.
  • 28. Scared the public of America back to church:  Audience fainting,passing out during screenings  Complimentary “barf bags” given with each ticket  Demonized Ouija boards
  • 29.
  • 30.  The Exorcist played lightly on the “true story” element as it was loosely based on a book. The American public had never seen such a vulgar and grosteque evil on screen before.  Before the film there was a trend for Ouija boards that was completely demonized after.  The film had to be re-released with a proper age rating.  It is still to this day the highest grossing R rating film of all time and recieved oscar praise.  The Exorcist can indeed be seen as an example of a film influencing the emotions of society dramatically.
  • 31.
  • 32.
  • 33.  Psyscho is another film that had an impact on the public in 1960.  It follows the genre of psycological horror. We follow a main character that is already quite paranoid only to be shockening murdered in the shower.  This drastically changes the plot.  The rest of the film viewers may be on edge as we follow characters closely and emotionally. This makes murder scenes more influential to our emotions as we have been following other characters emotions.
  • 34.
  • 35.
  • 36.  Example: REC.(2007) (MAJOR SPOILERS) Spanish horror that combines all three of the given horror film genres.
  • 37.  The film Rec. Plays on traditonal horror with the element of proposed zombies and monsters. Playing on our traditonal fears with locations like dark hall ways throughout the film. As well as the plot twist of not being zombies but a santanic cult of demon possessed people.  It has the feel of true story with the documentary touch of the shaky camera. This twist also acts on the pyscological aspect as we follow the main characters through the  It displays gore in the extreme violence demonstrated by “monsters”
  • 38.  Fear is primal and biological within all of us as an emotion  However our fears can be influenced by horror and how they are influenced is socially constructed by film makers.