A psychological thriller is a thriller genre that emphasizes abnormal psychology and explores how it distorts characters' sense of reality. Key elements include mystery, drama, action, the supernatural, suspense, and gore. Famous directors in the genre like David Fincher, Alfred Hitchcock, and David Lynch create surreal worlds that blur fantasy and reality. Audiences are often shocked by the unexpected twists in psychological thrillers, like the reveal at the end of The Sixth Sense that the main character was dead the whole time. The document discusses two writers' favorite psychological thrillers: Rear Window by Alfred Hitchcock and The Sixth Sense.
The Horror Genre An Overview - visit my site www.subversive-horror-films.comjontowlson
A brief history of the horror film by Jon Towlson, the author of Subversive Horror Cinema: Countercultural Messages of Films from Frankenstein to the Present (McFarland & Co, 2014)
The Horror Genre An Overview - visit my site www.subversive-horror-films.comjontowlson
A brief history of the horror film by Jon Towlson, the author of Subversive Horror Cinema: Countercultural Messages of Films from Frankenstein to the Present (McFarland & Co, 2014)
Media course work on Rear Window by Alfred Hitchcock .
Alfred Hitchcock's rear window is a film full of symbolism, narratives, voyeurism and characterisation. The film focuses around the Main protagonist Jefferies, who is a photographer who recently broke his leg and is restricted to a wheelchair. The main character Jeff spends his days and nights watching the neighbours through a pair of binoculars. The audience are shown life through Jefferies eyes within the six weeks of his recovery.
Rear Window (1954) made viewers voyeurs, then had them pay for their pleasure. In its story of a photographer who happens to witness a murder, Hitchcock provocatively probed the relationship between the watcher and the watched, involving, by extension, the viewer of the film.
Hitchcock uses the point of view shot in order to show what Jeffery was seeing , using this shot doe not only allow the audience to see what he is seeing but it allows There are two main purposes for his use of optical point-of view shots in Rear Window.
One has to do with the story itself. The point-of-view shots help to pull the audience into the film and to identify more with the characters, most notably the main character Jeff. The second reason is much more universal, having to do with the nature of film itself, and the essence of cinema.
In Rear Window, female exhibitionism and objectification occurs. This is evident with the character Lisa. Lisa’s moves and poses suggest not only that she is confident and comfortable being looked at but also that she invites being looked at.
Lisa becomes a partner in Jeff’s gazing/voyeurism and an active investigator – maybe because this might be a stratagem for marriage, like her failed seduction attempt with the dinner from 21 and the sexy negligee.
Lisa’s wardrobe is expensive, high fashion (couture), and different in every visit. She is portrayed as only caring about her looks and the latest fashion which is a way of sexual objectification of women.
The gaze exercises power but also carries risks; it exposes Jeff to being seen by the other. Watching others without being seen gives Jeff a sense and a position of power, but then it is threatened and lost when Thorwald sees him from his apartment.
stereotypes are being used as the gaze is a male activity and the female the object of gaze, however Hitchcock undermines these stereotypes throughout the plot.
Jeff becomes powerless and passive when Thorwald breaks inside his apartment.
When Thorwald enters Jeff’s apartment, his eyes are lighted but his face and body are dark.
The gaze is an important element in this movie and there’s significance to Jeff using flash bulbs to try to blind and incapacitate Thorwald as to make an equal sense of powerless, however he fails.
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http://sandymillin.wordpress.com/iateflwebinar2024
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The people of Punjab felt alienated from main stream due to denial of their just demands during a long democratic struggle since independence. As it happen all over the word, it led to militant struggle with great loss of lives of military, police and civilian personnel. Killing of Indira Gandhi and massacre of innocent Sikhs in Delhi and other India cities was also associated with this movement.
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Read| The latest issue of The Challenger is here! We are thrilled to announce that our school paper has qualified for the NATIONAL SCHOOLS PRESS CONFERENCE (NSPC) 2024. Thank you for your unwavering support and trust. Dive into the stories that made us stand out!
2. WHAT IS IT?
A psychological thriller is a thriller sub-genre
which emphasizes the abnormal psychological
states of its characters. The psychological part
of these movies create the suspense, as it twists
the reality.
3. ELEMENTS
• Mystery
• Drama
• Action
• Supernatural
• Suspense
• Gory
• Developed from books
• “Dissolving sense of reality”
• Moral ambiguity
• Gothic
4.
5. KEY DIRECTORS
David Fincher – Dark and ominous thrillers that focus on the psychology of
men, as in Se7en, The Game, Fight Club, Gone Girl and Zodiac.
Alfred Hitchcock – Hitchcock often applied Freudian concepts to his thrillers,
as in Rebecca, Spellbound, Vertigo, Psycho, Marnie and Rear Window.
David Lynch – His surreal films have inspired the descriptor "Lynchian", which
Jeff Jensen of Entertainment Weekly defines as "bizarrely banal, or just plain
trippy”
Christopher Nolan – British-American director whose films deal with the mind,
memory, and the line between fantasy and reality.
6. REACTION FROM AUDIENCE
The audience react with shock because often Psychological Thrillers have
very unexpected twists, for example, in the move The Sixth Sense, we
only find out at the end that the guy was actually dead throughout the
whole movie.
“I look in the mirror and I think, Why Am I Here?” – Bella Hoy. This
shows how it really affects the audience after they watch it, which is why
the audience really enjoy watching as it gave them a new perspective on
life.
7. MIMI’S FAVOURITE THRILLER
REAR WINDOW. In this Alfred Hitchcock film, Jeff is driving
himself crazy with boredom, laid up in his apartment with a broken
leg, and only a pair of binoculars to keep him occupied. Jeff becomes
obsessed with spying on his neighbours. He’s soon convinced that
something is amiss at a nearby apartment which brings Rear Window
to its nail-biting conclusion.
8. STEF’S FAVOURITE THRILLER
THE SIXTH SENSE. This is a really interest psychological thriller
with Little Cole may be the one with emotional problems, but
something’s not quite right with his doctor, Malcolm, either. . The
Sixth Sense has become infamous for its very shocking twist ending.
