SlideShare a Scribd company logo
1 of 6
In what ways does your media product use, develop or
challenge forms and conventions of real media
products?
Ant is shown here in his costume
chosen for our production. The
vest he is wearing helps show
him as modest and working. He is
dressed down as he is just
gardening. His gloves and wellies,
that we can't see in this shot are
typical gardening clothes and
help contribute to his normal
person persona, until we realise
there is something suspicious
happening when he suspends
noose. They also show him as
more masculine.
We used certain props to help create
different effects throughout our
production. At the beginning we used a
mug and a phone to show him as a
normal person. The noose is a
menacing and a widely used
conventional horror prop, as it is a
barbaric method of killing somebody,
this created visceral pleasure. The axe
is similar to the noose in this regards,
and is a bloody tool. The way he sets it
out before we know he has captors
shows him to pre plan murders like a
sadistic , well organised killer, this is a
convention of a psychological horror,
much like Christian Bale in American
Psycho.
We used an external location for our production. This is
the shed used to hold the antagonists captor. This is a
slightly rundown shed, much as you'd expect to see in a
suburban environment, helping to make the nature of
the film as normal as possible to reflect the main
character as un-normal as possible.
One example of prosthetics we used
was fake blood, simply bought from a
joke shop. This is a usual convention
of a slasher horror. We do not see the
body, but we assume he has killed
someone from the axe and blood. We
have seen the character go from
organising the murder well, digging
the grave for example to doing the
messy work of killing him and getting
blood on himself, showing the
murderer to be sadistic and brutal,
however the small amount of blood
lets us see that he can kill cleanly,
considering has just butchered a man,
allowing us to think he's an expert
Overall the mise en scene we
used utilises the conventions
of a slasher and
psychological horror. This
helps contribute the fear
factor of our film and
actually makes it a
recognisable horror.
Conventions such as
prophetic blood and brutal
weaponry are widely used in
horror films of all genres,
however they are widely
associated with slasher
horrors. The psychological
side of the main character
was created by portraying a
false herring at the beginning
in terms of mise en scene, as
he is drinking his tea he
could be either the
antagonist or protagonist,
however as the plot
develops and we see him
digging a grave and tying a
noose we can see that he is
up to mischief and this helps
build his an antagonist and
shows him to be organised
and a methodical killer. As
we can infer he killed his
captor in the shed, questions
arise as to what the noose is
for.
One of the key editing techniques used in our production is intercutting. This builds tensions by showing Ant on the move and the shed which we have been led to believe there is
something cynical happening in there, the time each scene is on screen for getting shorter every time. This is regularly used convention of horror, to build tension usually between the
antagonist and protagonist, often when you have more knowledge than the protagonist to get the ‘Don’t go in there’ reaction from the audience. This was one our most effective
techniques we used in our production and helped make it more recognisably from the horror genre.
Ant is given clear
prevalence through
the opening of the
film. This shows
that he is clearly the
most important
character because
we cant see any
others. It is not a
mainstream horror
convention to give
the antagonist
prevalence,
however it does
happen in certain
horrors an d
thrillers such as
American Psycho .
Ant is shown here in the final shot of the film,
which much like prevalence shows him as
that character that the audience are most
likely to form a connection with. What
characters to show and in which scenes was
very important for our production to achieve
the style that we wanted. Another editing
technique that is very effective in our
production is choosing not the show the
person in the shed, allowing us to arise
suspicion about it and let the audience infer
what is going on. The piece follows the
continuity editing style, meaning it flows
from one scene to the other, rather than a
montage. this is the case with most horrors
as it allows the story to flow from one scene
to the next, so the plot can develop.
Free sound was hugely helpful in creating our sound mix, we used another example of non-diagetic
soundtrack within our production to help build fear. This particular bit of soundtrack is used on the first
track shot towards the shed. This differs greatly from the Johnny Cash track as firstly it is not a published
song, and is just an instrumental, and it builds into a crescendo. This was used in combination with the
Johnny cash song to create a sound bridge to help link the scenes in the intercutting, however we had
to turn Johnny Cash down sufficiently so that the Crescendo is as effective as possible and helps to
contribute fear and tension into the piece as best as possible. The Crescendo lets us know that
something is going to happen in the shed shortly and brings it to our attention, this is a very effective
technique used in horrors throughout pretty much the whole history of the Genre. The Crescendo is
definitely a convention for horrors, especially slashers and Psychological, they can be used for false
herrings or for actual action scenes.
The most obvious piece of sound in our
sound mix is the non-diegetic song by
Johnny Cash, Gods gonna cut you down.
This is a very famous country song about
how God will take revenge on those who
conduct mis deeds. This soundtrack has a
very obvious biblical context, this may
infer that Ant believes he is a godly figure
and what he is doing is for the good, so
contributing questions to be answered
within the first two minutes of the film.
The song has a very strong baseline and
instruments to it, making it seem
menacing and troubling, allowing us to see
that Ants character is up to no good. I
believe that this matches the footage in
our production and can be seen as a
horror convention, as its seen in some
very popular movies such as the use of
‘Tiny Tim's tip toe through the tulips’ in
insidious. As the song is biblical and
sounds old, it makes Ant seem more
ritualistic and old and dated is often a
convention in horrors, for example an old
haunted house. This also creates a sound
bridge which connects the different
scenes.
Free sound was also used to add
extra diagetic sound to our
production, two such examples
are the birds chirping at the
beginning, which help create the
suburban peaceful environment,
which contradicts the true plot.
And more importantly the
muffled screams of the person
being held in the shed. This shows
them to be panicking and trying
to get free, and as we can not
physically see him this is
important for letting us know
there is someone there. Captors
are a well used convention of
horror movies, for example the
Texas Chainsaw massacre, as it
allows us to know that they are in
trouble and it makes us feel
uncomfortable as we know no
matter how much they try, they
cant get free.
We did record some of the sound our self, such as the
banging on the shed, which shows the struggle in the shed
and Ant finishing off his victim, allowing our minds to
wonder about what is going on behind them closed doors,
this again is a convention of a psychological movie as cliff
hangers and letting the audience think about what is
happening is a key part of good horror movies. Another key
feature of sound recorded by ourselves is dialogue, which
there is notably none of in our film, this allows us to see as
well as being a normal person, Ant is also sort of inhumane,
this again is often used in horror movies for the antagonist
to vary them from innocent characters and to build tension
This is an example of a high angle shot, it isolates the
antagonist, showing him to be on his own, showing
him to be lonely, helping him seem as disturbed
character, this is a convention of a horror movie, as he
does have some underlying mental health problems,
which might drive him into recluse.
This is a mid close up of the Wellington boot ant
wears throughout the sequence. It shows us in detail
some of the costume he wears which helps to build
his character. This particular close up also shows the
wet conditions, helping to create pathetic fallacy for
the film. This type of shot is a convention as it shows
the vital scenery.
Framing is very important in horror movies, this is an
example of rule of thirds and a mid shot. This shows
the character and some of the background and set.
These are widely used in all movie genres, but in
horror movies they are good as they help the
audience see the relationship between the character
and the set.
We used many pans in our production, in fact there
are very few shots with no camera movement. This is
an example of a tilt, as it goes from the pile of dirt,
with the last few shovels full, up too Ant. This is quite
a popular shot with horrors as it shows something,
then it pans up to show what caused it.
This is a Dutch tilt. This particular angle gives
disorientated feel and adds suspicion to what is going
on in the shed by making it look menacing. The Dutch
tilt is also at a low angle, making it seem big and
important. Both these techniques are conventions of
horror movies, and help create fear around certain
centralised elements
The track and dolly shots were used on multiple
occasions in our film, we start and finish on one.
These look very professional and help us to focus of
an element, in ours it was either Ant or the shed, and
makes us feel as if we are going towards or away from
them, overall tracking their movement.
The font used for our title is called .........,
it has a distorted feel to it, which is widely
used in horror films. It has a unregulated
feel to it due to the parts missing and the
flicks of white around certain letters such
as the c, however the letters have a
formal feel due to the Romany style base
to certain letters such as the F. The title is
conventional of a horror as the distorted
feel previously mentioned makes the
audience feel uneasy, and this is a key
technique is slasher and psychological
horrors
We chose to use the title on a fully black
screen with no images on screen at the same
time. This brings the attention solely to the
title, and stops it being drowned out by the
imagery on the screen. Other horrors we
looked at used this technique, such as
Resident Evil, in which I believed worked well.
We started the text further back, and brought
it to the front of the screen, again bringing
the focus to the text, and it needed some
animation otherwise it would be to plain and
boring
We decided to integrate the typography containing the names of our group
within the images as opposed to a black screen like the title. We decided to
do this as the constant black screens only broke up the continuity of our
piece, we placed it in the bottom corner so it did not take too much
attention away from the action on the screen, we kept it all in the same
position on the screen. We used a plain text, times new roman, for this as
it is plain and easy to read, and the text used for the title did not show up
clear enough.

More Related Content

What's hot

Foundation portfolio evaluation
Foundation portfolio evaluationFoundation portfolio evaluation
Foundation portfolio evaluationlucywarriner
 
Foundation portfolio evaluation
Foundation portfolio evaluationFoundation portfolio evaluation
Foundation portfolio evaluationlucywarrinersmedia
 
Techniques I like
Techniques I likeTechniques I like
Techniques I likeDanielle
 
Jv evaluation presentation final old version
Jv evaluation presentation final old versionJv evaluation presentation final old version
Jv evaluation presentation final old versionnmbec
 
Media Studies Horror Evaluation.
Media Studies Horror Evaluation.Media Studies Horror Evaluation.
Media Studies Horror Evaluation.Nahed1992
 
In what ways does your media product use, develop or challenge forms and conv...
In what ways does your media product use, develop or challenge forms and conv...In what ways does your media product use, develop or challenge forms and conv...
In what ways does your media product use, develop or challenge forms and conv...Alicepalace11
 
GCSE Film Studies: Evaluation examples
GCSE Film Studies: Evaluation examplesGCSE Film Studies: Evaluation examples
GCSE Film Studies: Evaluation examplesBelinda Raji
 
Evaluation Question 1
Evaluation Question 1 Evaluation Question 1
Evaluation Question 1 omarelhazek
 
The Hostage Evaluation
The Hostage EvaluationThe Hostage Evaluation
The Hostage Evaluationstephgray
 
Film trailer analysis
Film trailer analysis Film trailer analysis
Film trailer analysis Olga Shurakova
 
My media evaluation pp
My media evaluation ppMy media evaluation pp
My media evaluation ppJordyn Parsley
 
My media evaluation pp
My media evaluation ppMy media evaluation pp
My media evaluation ppjparsley1
 
Evaluation of thriller opening
Evaluation of thriller openingEvaluation of thriller opening
Evaluation of thriller openingsrs056
 
Anna Wylde Evaluation
Anna Wylde EvaluationAnna Wylde Evaluation
Anna Wylde Evaluationannawylde1234
 
21.Poster Analysis 2
21.Poster Analysis 221.Poster Analysis 2
21.Poster Analysis 2Bradley22
 

What's hot (20)

Foundation portfolio evaluation
Foundation portfolio evaluationFoundation portfolio evaluation
Foundation portfolio evaluation
 
Foundation portfolio evaluation
Foundation portfolio evaluationFoundation portfolio evaluation
Foundation portfolio evaluation
 
Techniques I like
Techniques I likeTechniques I like
Techniques I like
 
Jv evaluation presentation final old version
Jv evaluation presentation final old versionJv evaluation presentation final old version
Jv evaluation presentation final old version
 
Treatment
TreatmentTreatment
Treatment
 
Hush Hush Evaluation.
Hush Hush Evaluation.Hush Hush Evaluation.
Hush Hush Evaluation.
 
Evaluation 1
Evaluation 1Evaluation 1
Evaluation 1
 
Media Studies Horror Evaluation.
Media Studies Horror Evaluation.Media Studies Horror Evaluation.
Media Studies Horror Evaluation.
 
In what ways does your media product use, develop or challenge forms and conv...
In what ways does your media product use, develop or challenge forms and conv...In what ways does your media product use, develop or challenge forms and conv...
In what ways does your media product use, develop or challenge forms and conv...
 
GCSE Film Studies: Evaluation examples
GCSE Film Studies: Evaluation examplesGCSE Film Studies: Evaluation examples
GCSE Film Studies: Evaluation examples
 
Evaluation Question 1
Evaluation Question 1 Evaluation Question 1
Evaluation Question 1
 
The Hostage Evaluation
The Hostage EvaluationThe Hostage Evaluation
The Hostage Evaluation
 
Film trailer analysis
Film trailer analysis Film trailer analysis
Film trailer analysis
 
My media evaluation pp
My media evaluation ppMy media evaluation pp
My media evaluation pp
 
My media evaluation pp
My media evaluation ppMy media evaluation pp
My media evaluation pp
 
Evaluation of thriller opening
Evaluation of thriller openingEvaluation of thriller opening
Evaluation of thriller opening
 
Anna Wylde Evaluation
Anna Wylde EvaluationAnna Wylde Evaluation
Anna Wylde Evaluation
 
Presentation 2
Presentation 2Presentation 2
Presentation 2
 
21.Poster Analysis 2
21.Poster Analysis 221.Poster Analysis 2
21.Poster Analysis 2
 
Saw II Analysis
Saw II AnalysisSaw II Analysis
Saw II Analysis
 

Viewers also liked (15)

Evaluation Questions 4 and 5
Evaluation Questions 4 and 5Evaluation Questions 4 and 5
Evaluation Questions 4 and 5
 
Question 4
Question 4Question 4
Question 4
 
Question 2
Question 2Question 2
Question 2
 
Coursework evaluation CK
Coursework evaluation CKCoursework evaluation CK
Coursework evaluation CK
 
Evaluation 6
Evaluation 6Evaluation 6
Evaluation 6
 
Evaluation 6
Evaluation 6Evaluation 6
Evaluation 6
 
Coursework eval
Coursework evalCoursework eval
Coursework eval
 
Evaluation questions 1 and 2 - AS Media Studies
Evaluation questions 1 and 2 - AS Media StudiesEvaluation questions 1 and 2 - AS Media Studies
Evaluation questions 1 and 2 - AS Media Studies
 
Coursework eval2
Coursework eval2Coursework eval2
Coursework eval2
 
Evaluation 3
Evaluation 3Evaluation 3
Evaluation 3
 
Question 3
Question 3Question 3
Question 3
 
Question 1
Question 1Question 1
Question 1
 
Question 6
Question 6Question 6
Question 6
 
Q6 (1)
Q6 (1)Q6 (1)
Q6 (1)
 
Q2 (1)
Q2 (1)Q2 (1)
Q2 (1)
 

Similar to Conventions of horrors

C:\Users\Kerfi\Documents\Media Question 1
C:\Users\Kerfi\Documents\Media Question 1C:\Users\Kerfi\Documents\Media Question 1
C:\Users\Kerfi\Documents\Media Question 1kerfi
 
Question 1. In what ways does your media product use, develop or challenge fo...
Question 1. In what ways does your media product use, develop or challenge fo...Question 1. In what ways does your media product use, develop or challenge fo...
Question 1. In what ways does your media product use, develop or challenge fo...Reece966
 
Questions 1,2,6 complete
Questions 1,2,6 completeQuestions 1,2,6 complete
Questions 1,2,6 completeAlexMcDowell
 
Evaluation: Questions 1, 2, 3 and 6.
Evaluation: Questions 1, 2, 3 and 6.Evaluation: Questions 1, 2, 3 and 6.
Evaluation: Questions 1, 2, 3 and 6.Freddie Carus
 
'Incognito' Evaluation
'Incognito' Evaluation'Incognito' Evaluation
'Incognito' EvaluationJoe Candlin
 
Finished article m8 (1)
Finished article m8 (1)Finished article m8 (1)
Finished article m8 (1)BenJacquin
 
Evaluation before ancillary tasks
Evaluation before ancillary tasksEvaluation before ancillary tasks
Evaluation before ancillary tasksmrcaptainpanda
 
Evaluation before ancillary tasks
Evaluation before ancillary tasksEvaluation before ancillary tasks
Evaluation before ancillary tasksmrcaptainpanda
 
Mala Part 4
Mala Part 4Mala Part 4
Mala Part 4Malaaa
 
Unit 10 film production
Unit 10 film production Unit 10 film production
Unit 10 film production holliejoice
 
Evaluation Question Three
Evaluation Question ThreeEvaluation Question Three
Evaluation Question Threeemmairwinmedia
 
Pre-Production- questions 4,5 & 6
Pre-Production- questions 4,5 & 6 Pre-Production- questions 4,5 & 6
Pre-Production- questions 4,5 & 6 ellaash
 
Evaluation Question Three
Evaluation Question ThreeEvaluation Question Three
Evaluation Question Threeemmairwinmedia
 
Evaluation Question Three
Evaluation Question ThreeEvaluation Question Three
Evaluation Question Threeemmairwinmedia
 
Incognito evaluation
Incognito evaluationIncognito evaluation
Incognito evaluationJoe Candlin
 
Evaluation question 3: How does your media product represent particular socia...
Evaluation question 3: How does your media product represent particular socia...Evaluation question 3: How does your media product represent particular socia...
Evaluation question 3: How does your media product represent particular socia...charlottefensomchenderit
 

Similar to Conventions of horrors (20)

C:\Users\Kerfi\Documents\Media Question 1
C:\Users\Kerfi\Documents\Media Question 1C:\Users\Kerfi\Documents\Media Question 1
C:\Users\Kerfi\Documents\Media Question 1
 
Question 1. In what ways does your media product use, develop or challenge fo...
Question 1. In what ways does your media product use, develop or challenge fo...Question 1. In what ways does your media product use, develop or challenge fo...
Question 1. In what ways does your media product use, develop or challenge fo...
 
Questions 1,2,6 complete
Questions 1,2,6 completeQuestions 1,2,6 complete
Questions 1,2,6 complete
 
Evaluation: Questions 1, 2, 3 and 6.
Evaluation: Questions 1, 2, 3 and 6.Evaluation: Questions 1, 2, 3 and 6.
Evaluation: Questions 1, 2, 3 and 6.
 
'Incognito' Evaluation
'Incognito' Evaluation'Incognito' Evaluation
'Incognito' Evaluation
 
Finished article m8 (1)
Finished article m8 (1)Finished article m8 (1)
Finished article m8 (1)
 
Evaluation before ancillary tasks
Evaluation before ancillary tasksEvaluation before ancillary tasks
Evaluation before ancillary tasks
 
Evaluation before ancillary tasks
Evaluation before ancillary tasksEvaluation before ancillary tasks
Evaluation before ancillary tasks
 
my thing
my thingmy thing
my thing
 
Questions 1,2,6
Questions 1,2,6 Questions 1,2,6
Questions 1,2,6
 
Mala Part 4
Mala Part 4Mala Part 4
Mala Part 4
 
Unit 10 film production
Unit 10 film production Unit 10 film production
Unit 10 film production
 
Evaluation
EvaluationEvaluation
Evaluation
 
Evaluation Question Three
Evaluation Question ThreeEvaluation Question Three
Evaluation Question Three
 
Pre-Production- questions 4,5 & 6
Pre-Production- questions 4,5 & 6 Pre-Production- questions 4,5 & 6
Pre-Production- questions 4,5 & 6
 
Evaluation Question Three
Evaluation Question ThreeEvaluation Question Three
Evaluation Question Three
 
Evaluation Question Three
Evaluation Question ThreeEvaluation Question Three
Evaluation Question Three
 
Evaluation
EvaluationEvaluation
Evaluation
 
Incognito evaluation
Incognito evaluationIncognito evaluation
Incognito evaluation
 
Evaluation question 3: How does your media product represent particular socia...
Evaluation question 3: How does your media product represent particular socia...Evaluation question 3: How does your media product represent particular socia...
Evaluation question 3: How does your media product represent particular socia...
 

Recently uploaded

GV'S 24 CLUB & BAR CONTACT 09602870969 CALL GIRLS IN UDAIPUR ESCORT SERVICE
GV'S 24 CLUB & BAR CONTACT 09602870969 CALL GIRLS IN UDAIPUR ESCORT SERVICEGV'S 24 CLUB & BAR CONTACT 09602870969 CALL GIRLS IN UDAIPUR ESCORT SERVICE
GV'S 24 CLUB & BAR CONTACT 09602870969 CALL GIRLS IN UDAIPUR ESCORT SERVICEApsara Of India
 
Udaipur Call Girls 9602870969 Call Girl in Udaipur Rajasthan
Udaipur Call Girls 9602870969 Call Girl in Udaipur RajasthanUdaipur Call Girls 9602870969 Call Girl in Udaipur Rajasthan
Udaipur Call Girls 9602870969 Call Girl in Udaipur RajasthanApsara Of India
 
Private Call Girls Bally - 8250192130 | 24x7 Service Available Near Me
Private Call Girls Bally - 8250192130 | 24x7 Service Available Near MePrivate Call Girls Bally - 8250192130 | 24x7 Service Available Near Me
Private Call Girls Bally - 8250192130 | 24x7 Service Available Near MeRiya Pathan
 
Book Call Girls in Panchpota - 8250192130 | 24x7 Service Available Near Me
Book Call Girls in Panchpota - 8250192130 | 24x7 Service Available Near MeBook Call Girls in Panchpota - 8250192130 | 24x7 Service Available Near Me
Book Call Girls in Panchpota - 8250192130 | 24x7 Service Available Near Meanamikaraghav4
 
Russian Call Girl South End Park - Call 8250192130 Rs-3500 with A/C Room Cash...
Russian Call Girl South End Park - Call 8250192130 Rs-3500 with A/C Room Cash...Russian Call Girl South End Park - Call 8250192130 Rs-3500 with A/C Room Cash...
Russian Call Girl South End Park - Call 8250192130 Rs-3500 with A/C Room Cash...anamikaraghav4
 
Call Girls In Karnal O8860008073 Sector 6 7 8 9 Karnal Escorts
Call Girls In Karnal O8860008073 Sector 6 7 8 9 Karnal EscortsCall Girls In Karnal O8860008073 Sector 6 7 8 9 Karnal Escorts
Call Girls In Karnal O8860008073 Sector 6 7 8 9 Karnal EscortsApsara Of India
 
Call Girls Nikol 7397865700 Ridhima Hire Me Full Night
Call Girls Nikol 7397865700 Ridhima Hire Me Full NightCall Girls Nikol 7397865700 Ridhima Hire Me Full Night
Call Girls Nikol 7397865700 Ridhima Hire Me Full Nightssuser7cb4ff
 
FULL ENJOY Call Girls In Mahipalpur Delhi Contact Us 8377087607
FULL ENJOY Call Girls In Mahipalpur Delhi Contact Us 8377087607FULL ENJOY Call Girls In Mahipalpur Delhi Contact Us 8377087607
FULL ENJOY Call Girls In Mahipalpur Delhi Contact Us 8377087607dollysharma2066
 
VIP Call Girls In Goa 7028418221 Call Girls In Baga Beach Escorts Service
VIP Call Girls In Goa 7028418221 Call Girls In Baga Beach Escorts ServiceVIP Call Girls In Goa 7028418221 Call Girls In Baga Beach Escorts Service
VIP Call Girls In Goa 7028418221 Call Girls In Baga Beach Escorts ServiceApsara Of India
 
Hi Class Call Girls In Goa 7028418221 Call Girls In Anjuna Beach Escort Services
Hi Class Call Girls In Goa 7028418221 Call Girls In Anjuna Beach Escort ServicesHi Class Call Girls In Goa 7028418221 Call Girls In Anjuna Beach Escort Services
Hi Class Call Girls In Goa 7028418221 Call Girls In Anjuna Beach Escort ServicesApsara Of India
 
Air-Hostess Call Girls Shobhabazar | 8250192130 At Low Cost Cash Payment Booking
Air-Hostess Call Girls Shobhabazar | 8250192130 At Low Cost Cash Payment BookingAir-Hostess Call Girls Shobhabazar | 8250192130 At Low Cost Cash Payment Booking
Air-Hostess Call Girls Shobhabazar | 8250192130 At Low Cost Cash Payment BookingRiya Pathan
 
Hot Call Girls In Goa 7028418221 Call Girls In Vagator Beach EsCoRtS
Hot Call Girls In Goa 7028418221 Call Girls In Vagator Beach EsCoRtSHot Call Girls In Goa 7028418221 Call Girls In Vagator Beach EsCoRtS
Hot Call Girls In Goa 7028418221 Call Girls In Vagator Beach EsCoRtSApsara Of India
 
Verified Call Girls Esplanade - [ Cash on Delivery ] Contact 8250192130 Escor...
Verified Call Girls Esplanade - [ Cash on Delivery ] Contact 8250192130 Escor...Verified Call Girls Esplanade - [ Cash on Delivery ] Contact 8250192130 Escor...
Verified Call Girls Esplanade - [ Cash on Delivery ] Contact 8250192130 Escor...anamikaraghav4
 
Kolkata Call Girl Howrah 👉 8250192130 ❣️💯 Available With Room 24×7
Kolkata Call Girl Howrah 👉 8250192130 ❣️💯 Available With Room 24×7Kolkata Call Girl Howrah 👉 8250192130 ❣️💯 Available With Room 24×7
Kolkata Call Girl Howrah 👉 8250192130 ❣️💯 Available With Room 24×7Riya Pathan
 
VIP Call Girls in Gulbarga Aarohi 8250192130 Independent Escort Service Gulbarga
VIP Call Girls in Gulbarga Aarohi 8250192130 Independent Escort Service GulbargaVIP Call Girls in Gulbarga Aarohi 8250192130 Independent Escort Service Gulbarga
VIP Call Girls in Gulbarga Aarohi 8250192130 Independent Escort Service GulbargaRiya Pathan
 
Pallawi ❣ 💓 Pallawi 09167673311 💓Call Girl in Thane Near Hiranandani Estate ...
Pallawi ❣ 💓 Pallawi  09167673311 💓Call Girl in Thane Near Hiranandani Estate ...Pallawi ❣ 💓 Pallawi  09167673311 💓Call Girl in Thane Near Hiranandani Estate ...
Pallawi ❣ 💓 Pallawi 09167673311 💓Call Girl in Thane Near Hiranandani Estate ...Pooja Nehwal
 
Kolkata Call Girl Bara Bazar 👉 8250192130 ❣️💯 Available With Room 24×7
Kolkata Call Girl Bara Bazar 👉 8250192130 ❣️💯 Available With Room 24×7Kolkata Call Girl Bara Bazar 👉 8250192130 ❣️💯 Available With Room 24×7
Kolkata Call Girl Bara Bazar 👉 8250192130 ❣️💯 Available With Room 24×7Riya Pathan
 
Call Girls in Najafgarh Delhi 💯Call Us 🔝8264348440🔝
Call Girls in Najafgarh Delhi 💯Call Us 🔝8264348440🔝Call Girls in Najafgarh Delhi 💯Call Us 🔝8264348440🔝
Call Girls in Najafgarh Delhi 💯Call Us 🔝8264348440🔝soniya singh
 
5* Hotel Call Girls In Goa 7028418221 Call Girls In North Goa Escort Services
5* Hotel Call Girls In Goa 7028418221 Call Girls In North Goa Escort Services5* Hotel Call Girls In Goa 7028418221 Call Girls In North Goa Escort Services
5* Hotel Call Girls In Goa 7028418221 Call Girls In North Goa Escort ServicesApsara Of India
 
Housewife Call Girls Sonagachi - 8250192130 Booking and charges genuine rate ...
Housewife Call Girls Sonagachi - 8250192130 Booking and charges genuine rate ...Housewife Call Girls Sonagachi - 8250192130 Booking and charges genuine rate ...
Housewife Call Girls Sonagachi - 8250192130 Booking and charges genuine rate ...Riya Pathan
 

Recently uploaded (20)

GV'S 24 CLUB & BAR CONTACT 09602870969 CALL GIRLS IN UDAIPUR ESCORT SERVICE
GV'S 24 CLUB & BAR CONTACT 09602870969 CALL GIRLS IN UDAIPUR ESCORT SERVICEGV'S 24 CLUB & BAR CONTACT 09602870969 CALL GIRLS IN UDAIPUR ESCORT SERVICE
GV'S 24 CLUB & BAR CONTACT 09602870969 CALL GIRLS IN UDAIPUR ESCORT SERVICE
 
Udaipur Call Girls 9602870969 Call Girl in Udaipur Rajasthan
Udaipur Call Girls 9602870969 Call Girl in Udaipur RajasthanUdaipur Call Girls 9602870969 Call Girl in Udaipur Rajasthan
Udaipur Call Girls 9602870969 Call Girl in Udaipur Rajasthan
 
Private Call Girls Bally - 8250192130 | 24x7 Service Available Near Me
Private Call Girls Bally - 8250192130 | 24x7 Service Available Near MePrivate Call Girls Bally - 8250192130 | 24x7 Service Available Near Me
Private Call Girls Bally - 8250192130 | 24x7 Service Available Near Me
 
Book Call Girls in Panchpota - 8250192130 | 24x7 Service Available Near Me
Book Call Girls in Panchpota - 8250192130 | 24x7 Service Available Near MeBook Call Girls in Panchpota - 8250192130 | 24x7 Service Available Near Me
Book Call Girls in Panchpota - 8250192130 | 24x7 Service Available Near Me
 
Russian Call Girl South End Park - Call 8250192130 Rs-3500 with A/C Room Cash...
Russian Call Girl South End Park - Call 8250192130 Rs-3500 with A/C Room Cash...Russian Call Girl South End Park - Call 8250192130 Rs-3500 with A/C Room Cash...
Russian Call Girl South End Park - Call 8250192130 Rs-3500 with A/C Room Cash...
 
Call Girls In Karnal O8860008073 Sector 6 7 8 9 Karnal Escorts
Call Girls In Karnal O8860008073 Sector 6 7 8 9 Karnal EscortsCall Girls In Karnal O8860008073 Sector 6 7 8 9 Karnal Escorts
Call Girls In Karnal O8860008073 Sector 6 7 8 9 Karnal Escorts
 
Call Girls Nikol 7397865700 Ridhima Hire Me Full Night
Call Girls Nikol 7397865700 Ridhima Hire Me Full NightCall Girls Nikol 7397865700 Ridhima Hire Me Full Night
Call Girls Nikol 7397865700 Ridhima Hire Me Full Night
 
FULL ENJOY Call Girls In Mahipalpur Delhi Contact Us 8377087607
FULL ENJOY Call Girls In Mahipalpur Delhi Contact Us 8377087607FULL ENJOY Call Girls In Mahipalpur Delhi Contact Us 8377087607
FULL ENJOY Call Girls In Mahipalpur Delhi Contact Us 8377087607
 
VIP Call Girls In Goa 7028418221 Call Girls In Baga Beach Escorts Service
VIP Call Girls In Goa 7028418221 Call Girls In Baga Beach Escorts ServiceVIP Call Girls In Goa 7028418221 Call Girls In Baga Beach Escorts Service
VIP Call Girls In Goa 7028418221 Call Girls In Baga Beach Escorts Service
 
Hi Class Call Girls In Goa 7028418221 Call Girls In Anjuna Beach Escort Services
Hi Class Call Girls In Goa 7028418221 Call Girls In Anjuna Beach Escort ServicesHi Class Call Girls In Goa 7028418221 Call Girls In Anjuna Beach Escort Services
Hi Class Call Girls In Goa 7028418221 Call Girls In Anjuna Beach Escort Services
 
Air-Hostess Call Girls Shobhabazar | 8250192130 At Low Cost Cash Payment Booking
Air-Hostess Call Girls Shobhabazar | 8250192130 At Low Cost Cash Payment BookingAir-Hostess Call Girls Shobhabazar | 8250192130 At Low Cost Cash Payment Booking
Air-Hostess Call Girls Shobhabazar | 8250192130 At Low Cost Cash Payment Booking
 
Hot Call Girls In Goa 7028418221 Call Girls In Vagator Beach EsCoRtS
Hot Call Girls In Goa 7028418221 Call Girls In Vagator Beach EsCoRtSHot Call Girls In Goa 7028418221 Call Girls In Vagator Beach EsCoRtS
Hot Call Girls In Goa 7028418221 Call Girls In Vagator Beach EsCoRtS
 
Verified Call Girls Esplanade - [ Cash on Delivery ] Contact 8250192130 Escor...
Verified Call Girls Esplanade - [ Cash on Delivery ] Contact 8250192130 Escor...Verified Call Girls Esplanade - [ Cash on Delivery ] Contact 8250192130 Escor...
Verified Call Girls Esplanade - [ Cash on Delivery ] Contact 8250192130 Escor...
 
Kolkata Call Girl Howrah 👉 8250192130 ❣️💯 Available With Room 24×7
Kolkata Call Girl Howrah 👉 8250192130 ❣️💯 Available With Room 24×7Kolkata Call Girl Howrah 👉 8250192130 ❣️💯 Available With Room 24×7
Kolkata Call Girl Howrah 👉 8250192130 ❣️💯 Available With Room 24×7
 
VIP Call Girls in Gulbarga Aarohi 8250192130 Independent Escort Service Gulbarga
VIP Call Girls in Gulbarga Aarohi 8250192130 Independent Escort Service GulbargaVIP Call Girls in Gulbarga Aarohi 8250192130 Independent Escort Service Gulbarga
VIP Call Girls in Gulbarga Aarohi 8250192130 Independent Escort Service Gulbarga
 
Pallawi ❣ 💓 Pallawi 09167673311 💓Call Girl in Thane Near Hiranandani Estate ...
Pallawi ❣ 💓 Pallawi  09167673311 💓Call Girl in Thane Near Hiranandani Estate ...Pallawi ❣ 💓 Pallawi  09167673311 💓Call Girl in Thane Near Hiranandani Estate ...
Pallawi ❣ 💓 Pallawi 09167673311 💓Call Girl in Thane Near Hiranandani Estate ...
 
Kolkata Call Girl Bara Bazar 👉 8250192130 ❣️💯 Available With Room 24×7
Kolkata Call Girl Bara Bazar 👉 8250192130 ❣️💯 Available With Room 24×7Kolkata Call Girl Bara Bazar 👉 8250192130 ❣️💯 Available With Room 24×7
Kolkata Call Girl Bara Bazar 👉 8250192130 ❣️💯 Available With Room 24×7
 
Call Girls in Najafgarh Delhi 💯Call Us 🔝8264348440🔝
Call Girls in Najafgarh Delhi 💯Call Us 🔝8264348440🔝Call Girls in Najafgarh Delhi 💯Call Us 🔝8264348440🔝
Call Girls in Najafgarh Delhi 💯Call Us 🔝8264348440🔝
 
5* Hotel Call Girls In Goa 7028418221 Call Girls In North Goa Escort Services
5* Hotel Call Girls In Goa 7028418221 Call Girls In North Goa Escort Services5* Hotel Call Girls In Goa 7028418221 Call Girls In North Goa Escort Services
5* Hotel Call Girls In Goa 7028418221 Call Girls In North Goa Escort Services
 
Housewife Call Girls Sonagachi - 8250192130 Booking and charges genuine rate ...
Housewife Call Girls Sonagachi - 8250192130 Booking and charges genuine rate ...Housewife Call Girls Sonagachi - 8250192130 Booking and charges genuine rate ...
Housewife Call Girls Sonagachi - 8250192130 Booking and charges genuine rate ...
 

Conventions of horrors

  • 1. In what ways does your media product use, develop or challenge forms and conventions of real media products?
  • 2. Ant is shown here in his costume chosen for our production. The vest he is wearing helps show him as modest and working. He is dressed down as he is just gardening. His gloves and wellies, that we can't see in this shot are typical gardening clothes and help contribute to his normal person persona, until we realise there is something suspicious happening when he suspends noose. They also show him as more masculine. We used certain props to help create different effects throughout our production. At the beginning we used a mug and a phone to show him as a normal person. The noose is a menacing and a widely used conventional horror prop, as it is a barbaric method of killing somebody, this created visceral pleasure. The axe is similar to the noose in this regards, and is a bloody tool. The way he sets it out before we know he has captors shows him to pre plan murders like a sadistic , well organised killer, this is a convention of a psychological horror, much like Christian Bale in American Psycho. We used an external location for our production. This is the shed used to hold the antagonists captor. This is a slightly rundown shed, much as you'd expect to see in a suburban environment, helping to make the nature of the film as normal as possible to reflect the main character as un-normal as possible. One example of prosthetics we used was fake blood, simply bought from a joke shop. This is a usual convention of a slasher horror. We do not see the body, but we assume he has killed someone from the axe and blood. We have seen the character go from organising the murder well, digging the grave for example to doing the messy work of killing him and getting blood on himself, showing the murderer to be sadistic and brutal, however the small amount of blood lets us see that he can kill cleanly, considering has just butchered a man, allowing us to think he's an expert Overall the mise en scene we used utilises the conventions of a slasher and psychological horror. This helps contribute the fear factor of our film and actually makes it a recognisable horror. Conventions such as prophetic blood and brutal weaponry are widely used in horror films of all genres, however they are widely associated with slasher horrors. The psychological side of the main character was created by portraying a false herring at the beginning in terms of mise en scene, as he is drinking his tea he could be either the antagonist or protagonist, however as the plot develops and we see him digging a grave and tying a noose we can see that he is up to mischief and this helps build his an antagonist and shows him to be organised and a methodical killer. As we can infer he killed his captor in the shed, questions arise as to what the noose is for.
  • 3. One of the key editing techniques used in our production is intercutting. This builds tensions by showing Ant on the move and the shed which we have been led to believe there is something cynical happening in there, the time each scene is on screen for getting shorter every time. This is regularly used convention of horror, to build tension usually between the antagonist and protagonist, often when you have more knowledge than the protagonist to get the ‘Don’t go in there’ reaction from the audience. This was one our most effective techniques we used in our production and helped make it more recognisably from the horror genre. Ant is given clear prevalence through the opening of the film. This shows that he is clearly the most important character because we cant see any others. It is not a mainstream horror convention to give the antagonist prevalence, however it does happen in certain horrors an d thrillers such as American Psycho . Ant is shown here in the final shot of the film, which much like prevalence shows him as that character that the audience are most likely to form a connection with. What characters to show and in which scenes was very important for our production to achieve the style that we wanted. Another editing technique that is very effective in our production is choosing not the show the person in the shed, allowing us to arise suspicion about it and let the audience infer what is going on. The piece follows the continuity editing style, meaning it flows from one scene to the other, rather than a montage. this is the case with most horrors as it allows the story to flow from one scene to the next, so the plot can develop.
  • 4. Free sound was hugely helpful in creating our sound mix, we used another example of non-diagetic soundtrack within our production to help build fear. This particular bit of soundtrack is used on the first track shot towards the shed. This differs greatly from the Johnny Cash track as firstly it is not a published song, and is just an instrumental, and it builds into a crescendo. This was used in combination with the Johnny cash song to create a sound bridge to help link the scenes in the intercutting, however we had to turn Johnny Cash down sufficiently so that the Crescendo is as effective as possible and helps to contribute fear and tension into the piece as best as possible. The Crescendo lets us know that something is going to happen in the shed shortly and brings it to our attention, this is a very effective technique used in horrors throughout pretty much the whole history of the Genre. The Crescendo is definitely a convention for horrors, especially slashers and Psychological, they can be used for false herrings or for actual action scenes. The most obvious piece of sound in our sound mix is the non-diegetic song by Johnny Cash, Gods gonna cut you down. This is a very famous country song about how God will take revenge on those who conduct mis deeds. This soundtrack has a very obvious biblical context, this may infer that Ant believes he is a godly figure and what he is doing is for the good, so contributing questions to be answered within the first two minutes of the film. The song has a very strong baseline and instruments to it, making it seem menacing and troubling, allowing us to see that Ants character is up to no good. I believe that this matches the footage in our production and can be seen as a horror convention, as its seen in some very popular movies such as the use of ‘Tiny Tim's tip toe through the tulips’ in insidious. As the song is biblical and sounds old, it makes Ant seem more ritualistic and old and dated is often a convention in horrors, for example an old haunted house. This also creates a sound bridge which connects the different scenes. Free sound was also used to add extra diagetic sound to our production, two such examples are the birds chirping at the beginning, which help create the suburban peaceful environment, which contradicts the true plot. And more importantly the muffled screams of the person being held in the shed. This shows them to be panicking and trying to get free, and as we can not physically see him this is important for letting us know there is someone there. Captors are a well used convention of horror movies, for example the Texas Chainsaw massacre, as it allows us to know that they are in trouble and it makes us feel uncomfortable as we know no matter how much they try, they cant get free. We did record some of the sound our self, such as the banging on the shed, which shows the struggle in the shed and Ant finishing off his victim, allowing our minds to wonder about what is going on behind them closed doors, this again is a convention of a psychological movie as cliff hangers and letting the audience think about what is happening is a key part of good horror movies. Another key feature of sound recorded by ourselves is dialogue, which there is notably none of in our film, this allows us to see as well as being a normal person, Ant is also sort of inhumane, this again is often used in horror movies for the antagonist to vary them from innocent characters and to build tension
  • 5. This is an example of a high angle shot, it isolates the antagonist, showing him to be on his own, showing him to be lonely, helping him seem as disturbed character, this is a convention of a horror movie, as he does have some underlying mental health problems, which might drive him into recluse. This is a mid close up of the Wellington boot ant wears throughout the sequence. It shows us in detail some of the costume he wears which helps to build his character. This particular close up also shows the wet conditions, helping to create pathetic fallacy for the film. This type of shot is a convention as it shows the vital scenery. Framing is very important in horror movies, this is an example of rule of thirds and a mid shot. This shows the character and some of the background and set. These are widely used in all movie genres, but in horror movies they are good as they help the audience see the relationship between the character and the set. We used many pans in our production, in fact there are very few shots with no camera movement. This is an example of a tilt, as it goes from the pile of dirt, with the last few shovels full, up too Ant. This is quite a popular shot with horrors as it shows something, then it pans up to show what caused it. This is a Dutch tilt. This particular angle gives disorientated feel and adds suspicion to what is going on in the shed by making it look menacing. The Dutch tilt is also at a low angle, making it seem big and important. Both these techniques are conventions of horror movies, and help create fear around certain centralised elements The track and dolly shots were used on multiple occasions in our film, we start and finish on one. These look very professional and help us to focus of an element, in ours it was either Ant or the shed, and makes us feel as if we are going towards or away from them, overall tracking their movement.
  • 6. The font used for our title is called ........., it has a distorted feel to it, which is widely used in horror films. It has a unregulated feel to it due to the parts missing and the flicks of white around certain letters such as the c, however the letters have a formal feel due to the Romany style base to certain letters such as the F. The title is conventional of a horror as the distorted feel previously mentioned makes the audience feel uneasy, and this is a key technique is slasher and psychological horrors We chose to use the title on a fully black screen with no images on screen at the same time. This brings the attention solely to the title, and stops it being drowned out by the imagery on the screen. Other horrors we looked at used this technique, such as Resident Evil, in which I believed worked well. We started the text further back, and brought it to the front of the screen, again bringing the focus to the text, and it needed some animation otherwise it would be to plain and boring We decided to integrate the typography containing the names of our group within the images as opposed to a black screen like the title. We decided to do this as the constant black screens only broke up the continuity of our piece, we placed it in the bottom corner so it did not take too much attention away from the action on the screen, we kept it all in the same position on the screen. We used a plain text, times new roman, for this as it is plain and easy to read, and the text used for the title did not show up clear enough.