This document describes a "Grammar Bee" game that a legal writing professor created to help address students' basic writing deficiencies in a fun and engaging way. The Grammar Bee is played in class for a few minutes and involves randomly selecting students as contestants to answer multiple choice grammar and writing questions. Students who answer correctly advance, while those who are incorrect are eliminated, but have chances to challenge back in. The lighthearted, game-show style competition motivates students to learn writing mechanics outside of class in order to compete. It helps the professor address foundational writing issues without losing class time or their students' interest.
The document provides an overview of the Speaking section of the TOEFL exam. It discusses the different types of questions: Independent tasks which require personal responses, and Integrated tasks which require listening to or reading a passage first. Responses are scored holistically based on delivery, language use, and topic development. Sample questions are provided to illustrate the different task types.
This document provides the syllabus for a Communication Studies 5 course. It outlines the course objectives, which include identifying communication models, understanding the symbolic nature of communication, and improving public speaking skills. The syllabus details required readings, contact information for the instructor, policies on attendance and late work, assignments including speeches and papers, and the grading breakdown. The course aims to provide students with fundamental communication concepts and practical experience through group activities and presentations.
Edward Anderson - syllabus - Film & LiteratureEdward Anderson
This syllabus outlines the requirements for a film and literature course to be taught in the fall 2009 semester. The course will examine adaptations from text to film and consider both mediums as products of various influences, including each other, rather than judging a film based on its fidelity to the original text. Students will complete two essays and presentations, lead one class discussion, submit discussion questions for each class, and participate regularly. Assignments will be graded based on multiple domains including organization, content, and style. Students are expected to attend every class, submit all work on time in the proper format, and avoid plagiarism. Late or missed work will not be accepted without a documented emergency.
This document provides an overview of the ENGL 102 College Writing and Rhetoric course for Spring 2017. Key details include:
- The course will focus on improving persuasive and expository writing skills.
- It will be taught by Lauren Yarnall on Mondays, Wednesdays, and Fridays from 12:30-1:20 PM in Brink 107.
- Students will complete 5 major writing assignments of different types along with daily homework assignments to practice key skills and prepare for the major assignments. This will include keeping a dedicated journal for invention exercises.
- Students are expected to attend class regularly, participate actively, and follow technology and email etiquette policies to create a respectful learning environment
This document is the syllabus for an English 101 course taught by Jamie Flathers at Washington State University in Spring 2020. The syllabus provides Flathers' contact information and office hours. It describes the course as introducing students to writing as both a skill and academic subject through sustained writing practice and revision. Students will complete assignments such as a literature review, literacy narrative, discourse community analysis, and rhetorical reading. The syllabus outlines policies on attendance, late work, communication, academic integrity, and reasonable accommodations.
This document provides an agenda and overview for the first class of a hybrid literature and composition course. It discusses what a hybrid class is, how to add the class, and reviews the syllabus, required readings, assignments, policies, and online components including establishing accounts and submitting work. It also gives an introduction to what will be covered in the class, including defining literature, literary theory, and an overview of New Criticism. The homework assigned is to create a username, explore the class website, obtain books, read introductory sections on critical theory and New Criticism, and post a QHQ response.
This document outlines the syllabus for an English 102 college writing course focusing on place and identity. The course will explore how environment shapes lives and events through diverse perspectives in assigned writing. Major assignments include blog posts, a personal narrative essay, an annotated bibliography, exploratory research essay, and op-ed essay. Students will develop skills like research, revision, and synthesizing sources. The syllabus details course goals, assignments, policies, grading scale and deadlines. Successful students will gain skills in areas like audience analysis, research, and incorporating feedback to improve writing.
This document provides an overview of the syllabus for an introductory fiction writing course. It outlines course goals and learning outcomes which include improving writing skills, understanding fictional narratives, and critically analyzing texts. It describes assignments like a reading response journal where students summarize short stories, and a 3-minute student-led introduction. Guidelines are provided for attendance, participation, deadlines, textbooks, and the course website. Students are expected to spend 6-8 hours per week on reading, writing, and classwork. The course aims to help students become stronger writers and more articulate individuals.
The document provides an overview of the Speaking section of the TOEFL exam. It discusses the different types of questions: Independent tasks which require personal responses, and Integrated tasks which require listening to or reading a passage first. Responses are scored holistically based on delivery, language use, and topic development. Sample questions are provided to illustrate the different task types.
This document provides the syllabus for a Communication Studies 5 course. It outlines the course objectives, which include identifying communication models, understanding the symbolic nature of communication, and improving public speaking skills. The syllabus details required readings, contact information for the instructor, policies on attendance and late work, assignments including speeches and papers, and the grading breakdown. The course aims to provide students with fundamental communication concepts and practical experience through group activities and presentations.
Edward Anderson - syllabus - Film & LiteratureEdward Anderson
This syllabus outlines the requirements for a film and literature course to be taught in the fall 2009 semester. The course will examine adaptations from text to film and consider both mediums as products of various influences, including each other, rather than judging a film based on its fidelity to the original text. Students will complete two essays and presentations, lead one class discussion, submit discussion questions for each class, and participate regularly. Assignments will be graded based on multiple domains including organization, content, and style. Students are expected to attend every class, submit all work on time in the proper format, and avoid plagiarism. Late or missed work will not be accepted without a documented emergency.
This document provides an overview of the ENGL 102 College Writing and Rhetoric course for Spring 2017. Key details include:
- The course will focus on improving persuasive and expository writing skills.
- It will be taught by Lauren Yarnall on Mondays, Wednesdays, and Fridays from 12:30-1:20 PM in Brink 107.
- Students will complete 5 major writing assignments of different types along with daily homework assignments to practice key skills and prepare for the major assignments. This will include keeping a dedicated journal for invention exercises.
- Students are expected to attend class regularly, participate actively, and follow technology and email etiquette policies to create a respectful learning environment
This document is the syllabus for an English 101 course taught by Jamie Flathers at Washington State University in Spring 2020. The syllabus provides Flathers' contact information and office hours. It describes the course as introducing students to writing as both a skill and academic subject through sustained writing practice and revision. Students will complete assignments such as a literature review, literacy narrative, discourse community analysis, and rhetorical reading. The syllabus outlines policies on attendance, late work, communication, academic integrity, and reasonable accommodations.
This document provides an agenda and overview for the first class of a hybrid literature and composition course. It discusses what a hybrid class is, how to add the class, and reviews the syllabus, required readings, assignments, policies, and online components including establishing accounts and submitting work. It also gives an introduction to what will be covered in the class, including defining literature, literary theory, and an overview of New Criticism. The homework assigned is to create a username, explore the class website, obtain books, read introductory sections on critical theory and New Criticism, and post a QHQ response.
This document outlines the syllabus for an English 102 college writing course focusing on place and identity. The course will explore how environment shapes lives and events through diverse perspectives in assigned writing. Major assignments include blog posts, a personal narrative essay, an annotated bibliography, exploratory research essay, and op-ed essay. Students will develop skills like research, revision, and synthesizing sources. The syllabus details course goals, assignments, policies, grading scale and deadlines. Successful students will gain skills in areas like audience analysis, research, and incorporating feedback to improve writing.
This document provides an overview of the syllabus for an introductory fiction writing course. It outlines course goals and learning outcomes which include improving writing skills, understanding fictional narratives, and critically analyzing texts. It describes assignments like a reading response journal where students summarize short stories, and a 3-minute student-led introduction. Guidelines are provided for attendance, participation, deadlines, textbooks, and the course website. Students are expected to spend 6-8 hours per week on reading, writing, and classwork. The course aims to help students become stronger writers and more articulate individuals.
This document contains instructions and content for a portfolio midterm assignment with three sections. The first section asks students to write an intention statement committing to succeed in their education. The second section includes three learning style inventories - VARK, Myers-Briggs, and True Colors - for students to complete. The third and final section includes an emotional intelligence activity where students reflect on typical college situations and the lessons learned.
This document provides information about an English 201 course, including the instructor's contact information, course description, learning objectives, required texts, assignments, grading criteria, and course schedule. The main assignments include five papers of 4-7 pages and a final research paper of 8-12 pages. Students will receive grades based on engagement, major assignments, homework, and a final portfolio. The course aims to improve students' critical thinking, writing, and research skills.
This document provides the syllabus for an English 101 writing course. It outlines the course requirements, assignments, grading policies, and schedule. The major assignments include essays in various modes of writing such as process, illustration, cause and effect, classification and division, comparison and contrast, and argument. Students will write a total of 9 essays and compile a final portfolio at the end of the semester. Class participation, homework assignments, and multiple drafts are required. The course aims to help students improve their writing skills through practice, feedback, and revision over the course of the semester.
This document provides an overview of an EWRT 1A hybrid class. It outlines the course description, syllabus, assignments, and policies. The class meets weekly in-person and requires additional online work to be completed independently. Students must establish WordPress and Gmail accounts to participate. The first assignment is to write an outline and thesis for an argumentative essay about essential survival supplies and post it online. Students will take an in-class essay exam on this topic during the next live meeting.
This document outlines the syllabus for an upper level 20th Century Fiction course. It provides details on the course description, required readings, assignments and grading breakdown. Key elements include studying novels from the 20th century in relation to historical contexts and examining narrative techniques. Assignments include class participation, online forum postings, group presentations, essays and exams. Attendance is mandatory, as is completing all assigned readings on time and coming prepared to discuss them in class. Academic integrity and proper citation of sources are also emphasized.
This document provides an agenda and guidance for students working on Essay #4. It discusses revising descriptions of problems and proposed solutions. It covers developing thesis statements, outlining plans, and addressing counterarguments and alternative solutions. The document also offers tips for introductions, conclusions, and self-assessments. Students are instructed to finish drafts of their essays by adding introductions and conclusions developed in class, and to submit a self-assessment through Canvas.
This document is a guide to parts of speech that introduces concepts of grammar, techniques for sentence diagramming, and instruction for common grammar problems. It discusses the importance of learning grammar, such as through diagramming sentences, to improve writing skills. The document emphasizes focusing attention to understand grammar rather than quickly finishing assignments. Studying grammar is likened to learning a second language. Diagramming sentences is presented as an elegant tool to understand a sentence's architecture and how ideas relate.
The document provides information for a class on EWRT 2, including that the professor will only accept 30 students but will add more from the waitlist, students should access course materials and assignments through Canvas, and the first contest to determine character selection order in A Game of Thrones will involve quizzes on content and vocabulary from the novel.
This document provides an overview of the EWRT 30 creative writing course. It introduces the instructor, Kim Palmore, and outlines the course objectives, requirements, student learning outcomes, grading policy, and class policies. The main goals of the course are for students to explore and refine their creative writing techniques through analyzing published works and receiving feedback on their own writing in multiple genres, including poetry, fiction, and drama. Students will complete writing assignments and projects, participate in class discussions, and compile a final portfolio of their best work to demonstrate their understanding of creative writing elements and skills.
This document provides information about an American literature course titled ELIT 48C including the instructor's contact information, course objectives, requirements, grading policies, and textbook information. The key points are:
1. The course will focus on American prose and poetry from 1914 to the late 20th century, exploring perspectives on the American Dream from diverse writers.
2. Requirements include regular attendance, keeping up with readings and assignments, two papers, exams, posts to the class website, and other assessments.
3. The grading scale is based on 1000 points from essays, exams, website posts, and other activities. Policies address plagiarism, attendance, conduct, late work, and adding/dropping the
Elit 17 class 1 intro and comedy of errorsjordanlachance
This document provides an overview of the syllabus and schedule for an ELIT 17 class on Shakespeare. It includes an agenda for the first class which covers introducing the class website, green sheet, syllabus, and lectures on Shakespeare's works and an introduction to comedy and The Comedy of Errors. Requirements include attendance, participation, essays, exams, and posting homework to the class website. The document outlines policies on plagiarism, late work, and attendance. It lists the required texts and materials and concludes with an overview of traits of Shakespearean comedy.
This document provides the syllabus for an English 102 college writing course titled "Writing About Place & Identity" taught in the spring 2019 semester. The course focuses on applying principles of expository and argumentative writing through exploring how one's environment shapes their life and identity. Major assignments include blog posts, a personal narrative essay, an annotated bibliography, exploratory research essay, and op-ed essay. The syllabus outlines course goals, policies, requirements, grading, and expectations for student conduct.
This document provides an overview of an EWRT 2 class. It discusses adding students to the class and managing the waitlist. It outlines the class agenda, including reviewing the green sheet, syllabus, websites, and assignments. It describes the class policies on attendance, late work, conduct, plagiarism and grading. It also details the first contest for the students to determine character selection from Game of Thrones and provides the vocabulary terms for the first exam.
I will take you through my journey of applying to graduate schools, what all areas to focus on while applying, what steps to take and how to categorize them.
This document provides an overview of an EWRT 2 class. It discusses adding students to the class and managing the waitlist. It outlines the class agenda, including reviewing the green sheet, syllabus, websites, and assignments. It describes the class policies on attendance, late work, academic dishonesty, and conduct. It also details the grading system and homework expectations. Contest 1 is introduced as the first challenge for students to select characters from Game of Thrones.
This document provides an agenda and guidance for students working on Essay #4. It reviews describing the problem, developing the thesis, outlining the solution plan, and addressing counterarguments and alternative solutions. It then covers writing introductions and conclusions. Students are instructed to develop their description of the problem, thesis statement announcing their solution, and plan for implementing the solution. The document provides guidance on addressing counterarguments and discussing alternative solutions. It also covers developing an outline and considering different strategies for writing introductions and conclusions, such as using scenarios, statistics, or summaries. Students are assigned to finish writing their introductions and conclusions and add them to their drafts.
This document provides an overview of the in-class and homework activities and assignments for a writing course over 9 weeks. It includes details of readings, lectures, discussions and in-class writing exercises for each week, as well as homework assignments such as outlining, drafting essays, revising, and conducting research. The course covers four essay assignments: The Argument, The Narrative, The Concept Essay, and The Problem Solution Essay. Homework includes drafting outlines, essays, and revisions. In-class work includes activities, discussions and workshops to develop skills for each essay type.
This document provides information about an English literature course taught by Dr. Kim Palmore. It outlines the course requirements, policies, assignments and schedule. Students are expected to complete reading assignments, post responses online, and participate in class discussions. They will write two essays and take a midterm and final exam. The course will examine LGBTQ literature and themes through works like Giovanni's Room and Beebo Brinker. Literary theory, particularly queer theory, will be used to analyze the texts.
The document provides information for a college English class, including that the professor will only take 32 students but will add more from the waitlist, students should consider if they want to stay in the class after reviewing the syllabus, and the class will use Canvas for communication, grades, course documents, and assignments. The document also outlines the class agenda, including an introduction to using Canvas and reviewing the syllabus, which details course requirements, materials, policies, and the grading scale.
This document provides information about an English literature course focusing on LGBTQQIA2 literature. It includes the syllabus, assignments, policies, and reading materials. Students are expected to complete weekly reading assignments, post response writings called QHQs (Question-Hypothesis-Question) online, and participate in class discussions. They will analyze assigned texts using frameworks from Lois Tyson's chapter on queer literary theory. The course aims to examine the development of LGBTQQIA2 literature and cultural contexts over the 20th century.
This document announces the schedule for MacAttack Week, which includes sessions on using a webcam, creating photobooths and blogs, publishing with Pages and templates, motion with iMovie, and wrapping up with a session on the inspector in Mac and dabbling in GarageBand, microphones, and webcams. The week will also feature interspersed sessions on designing Christmas cards, learning sports skills, and more.
El documento describe la vivienda del autor y sus vecinos inmediatos. Brevemente menciona a su vecino izquierdo y derecho sin dar más detalles sobre ellos o su casa.
This document contains instructions and content for a portfolio midterm assignment with three sections. The first section asks students to write an intention statement committing to succeed in their education. The second section includes three learning style inventories - VARK, Myers-Briggs, and True Colors - for students to complete. The third and final section includes an emotional intelligence activity where students reflect on typical college situations and the lessons learned.
This document provides information about an English 201 course, including the instructor's contact information, course description, learning objectives, required texts, assignments, grading criteria, and course schedule. The main assignments include five papers of 4-7 pages and a final research paper of 8-12 pages. Students will receive grades based on engagement, major assignments, homework, and a final portfolio. The course aims to improve students' critical thinking, writing, and research skills.
This document provides the syllabus for an English 101 writing course. It outlines the course requirements, assignments, grading policies, and schedule. The major assignments include essays in various modes of writing such as process, illustration, cause and effect, classification and division, comparison and contrast, and argument. Students will write a total of 9 essays and compile a final portfolio at the end of the semester. Class participation, homework assignments, and multiple drafts are required. The course aims to help students improve their writing skills through practice, feedback, and revision over the course of the semester.
This document provides an overview of an EWRT 1A hybrid class. It outlines the course description, syllabus, assignments, and policies. The class meets weekly in-person and requires additional online work to be completed independently. Students must establish WordPress and Gmail accounts to participate. The first assignment is to write an outline and thesis for an argumentative essay about essential survival supplies and post it online. Students will take an in-class essay exam on this topic during the next live meeting.
This document outlines the syllabus for an upper level 20th Century Fiction course. It provides details on the course description, required readings, assignments and grading breakdown. Key elements include studying novels from the 20th century in relation to historical contexts and examining narrative techniques. Assignments include class participation, online forum postings, group presentations, essays and exams. Attendance is mandatory, as is completing all assigned readings on time and coming prepared to discuss them in class. Academic integrity and proper citation of sources are also emphasized.
This document provides an agenda and guidance for students working on Essay #4. It discusses revising descriptions of problems and proposed solutions. It covers developing thesis statements, outlining plans, and addressing counterarguments and alternative solutions. The document also offers tips for introductions, conclusions, and self-assessments. Students are instructed to finish drafts of their essays by adding introductions and conclusions developed in class, and to submit a self-assessment through Canvas.
This document is a guide to parts of speech that introduces concepts of grammar, techniques for sentence diagramming, and instruction for common grammar problems. It discusses the importance of learning grammar, such as through diagramming sentences, to improve writing skills. The document emphasizes focusing attention to understand grammar rather than quickly finishing assignments. Studying grammar is likened to learning a second language. Diagramming sentences is presented as an elegant tool to understand a sentence's architecture and how ideas relate.
The document provides information for a class on EWRT 2, including that the professor will only accept 30 students but will add more from the waitlist, students should access course materials and assignments through Canvas, and the first contest to determine character selection order in A Game of Thrones will involve quizzes on content and vocabulary from the novel.
This document provides an overview of the EWRT 30 creative writing course. It introduces the instructor, Kim Palmore, and outlines the course objectives, requirements, student learning outcomes, grading policy, and class policies. The main goals of the course are for students to explore and refine their creative writing techniques through analyzing published works and receiving feedback on their own writing in multiple genres, including poetry, fiction, and drama. Students will complete writing assignments and projects, participate in class discussions, and compile a final portfolio of their best work to demonstrate their understanding of creative writing elements and skills.
This document provides information about an American literature course titled ELIT 48C including the instructor's contact information, course objectives, requirements, grading policies, and textbook information. The key points are:
1. The course will focus on American prose and poetry from 1914 to the late 20th century, exploring perspectives on the American Dream from diverse writers.
2. Requirements include regular attendance, keeping up with readings and assignments, two papers, exams, posts to the class website, and other assessments.
3. The grading scale is based on 1000 points from essays, exams, website posts, and other activities. Policies address plagiarism, attendance, conduct, late work, and adding/dropping the
Elit 17 class 1 intro and comedy of errorsjordanlachance
This document provides an overview of the syllabus and schedule for an ELIT 17 class on Shakespeare. It includes an agenda for the first class which covers introducing the class website, green sheet, syllabus, and lectures on Shakespeare's works and an introduction to comedy and The Comedy of Errors. Requirements include attendance, participation, essays, exams, and posting homework to the class website. The document outlines policies on plagiarism, late work, and attendance. It lists the required texts and materials and concludes with an overview of traits of Shakespearean comedy.
This document provides the syllabus for an English 102 college writing course titled "Writing About Place & Identity" taught in the spring 2019 semester. The course focuses on applying principles of expository and argumentative writing through exploring how one's environment shapes their life and identity. Major assignments include blog posts, a personal narrative essay, an annotated bibliography, exploratory research essay, and op-ed essay. The syllabus outlines course goals, policies, requirements, grading, and expectations for student conduct.
This document provides an overview of an EWRT 2 class. It discusses adding students to the class and managing the waitlist. It outlines the class agenda, including reviewing the green sheet, syllabus, websites, and assignments. It describes the class policies on attendance, late work, conduct, plagiarism and grading. It also details the first contest for the students to determine character selection from Game of Thrones and provides the vocabulary terms for the first exam.
I will take you through my journey of applying to graduate schools, what all areas to focus on while applying, what steps to take and how to categorize them.
This document provides an overview of an EWRT 2 class. It discusses adding students to the class and managing the waitlist. It outlines the class agenda, including reviewing the green sheet, syllabus, websites, and assignments. It describes the class policies on attendance, late work, academic dishonesty, and conduct. It also details the grading system and homework expectations. Contest 1 is introduced as the first challenge for students to select characters from Game of Thrones.
This document provides an agenda and guidance for students working on Essay #4. It reviews describing the problem, developing the thesis, outlining the solution plan, and addressing counterarguments and alternative solutions. It then covers writing introductions and conclusions. Students are instructed to develop their description of the problem, thesis statement announcing their solution, and plan for implementing the solution. The document provides guidance on addressing counterarguments and discussing alternative solutions. It also covers developing an outline and considering different strategies for writing introductions and conclusions, such as using scenarios, statistics, or summaries. Students are assigned to finish writing their introductions and conclusions and add them to their drafts.
This document provides an overview of the in-class and homework activities and assignments for a writing course over 9 weeks. It includes details of readings, lectures, discussions and in-class writing exercises for each week, as well as homework assignments such as outlining, drafting essays, revising, and conducting research. The course covers four essay assignments: The Argument, The Narrative, The Concept Essay, and The Problem Solution Essay. Homework includes drafting outlines, essays, and revisions. In-class work includes activities, discussions and workshops to develop skills for each essay type.
This document provides information about an English literature course taught by Dr. Kim Palmore. It outlines the course requirements, policies, assignments and schedule. Students are expected to complete reading assignments, post responses online, and participate in class discussions. They will write two essays and take a midterm and final exam. The course will examine LGBTQ literature and themes through works like Giovanni's Room and Beebo Brinker. Literary theory, particularly queer theory, will be used to analyze the texts.
The document provides information for a college English class, including that the professor will only take 32 students but will add more from the waitlist, students should consider if they want to stay in the class after reviewing the syllabus, and the class will use Canvas for communication, grades, course documents, and assignments. The document also outlines the class agenda, including an introduction to using Canvas and reviewing the syllabus, which details course requirements, materials, policies, and the grading scale.
This document provides information about an English literature course focusing on LGBTQQIA2 literature. It includes the syllabus, assignments, policies, and reading materials. Students are expected to complete weekly reading assignments, post response writings called QHQs (Question-Hypothesis-Question) online, and participate in class discussions. They will analyze assigned texts using frameworks from Lois Tyson's chapter on queer literary theory. The course aims to examine the development of LGBTQQIA2 literature and cultural contexts over the 20th century.
This document announces the schedule for MacAttack Week, which includes sessions on using a webcam, creating photobooths and blogs, publishing with Pages and templates, motion with iMovie, and wrapping up with a session on the inspector in Mac and dabbling in GarageBand, microphones, and webcams. The week will also feature interspersed sessions on designing Christmas cards, learning sports skills, and more.
El documento describe la vivienda del autor y sus vecinos inmediatos. Brevemente menciona a su vecino izquierdo y derecho sin dar más detalles sobre ellos o su casa.
Este documento contiene el código C para implementar el algoritmo de Kruskal para encontrar el árbol de expansión mínimo de un grafo no dirigido. Inicializa una matriz de adyacencia y asigna pesos aleatorios a los enlaces. Luego, Kruskal itera sobre los enlaces ordenados por peso creciente y agrega cada enlace al árbol si no crea un ciclo. Finalmente, imprime el árbol de expansión mínimo y su costo total.
The document discusses using social media to integrate into a real estate agent's business plan. It defines social media as tools for sharing information online and via mobile. It recommends agents use social media to enhance but not replace their offline presence, and establish an online hub across multiple platforms like Twitter, LinkedIn, Facebook, and YouTube to demonstrate expertise and build community. The document provides examples of how to create an action plan for social media use, including setting up profiles, connecting with contacts, and posting recommendations and reviews.
This document summarizes an aircraft design framework called HIRF SE that aims to minimize electromagnetic interference risks through computational simulation. The framework was developed by a large European consortium over 4.5 years with a budget of 26.5 million euros. It allows designers to predict how aircraft will perform electromagnetically during design to reduce rework costs. It can also support certification by simulating how robust aircraft will be to external electromagnetic disturbances. The framework was extensively validated against 70 test cases and on 9 real aircraft, showing good agreement with measurements.
The document discusses using a "white-glove inspection" approach to proofreading and editing legal documents. It outlines a 10-step process for conducting a thorough review from logical flow to grammar and citations. The goal is to eliminate all errors that could disrupt the reader's understanding, so the document passes the "white-glove test" of being flawless. Following this process and maintaining a "clean as you go" approach will result in a polished final product and improve students' legal writing skills.
In this session, author Angela Peery shares writing strategies that can be used across the curriculum in order to heighten engagement, increase critical thinking, and refine craft.
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The author discusses how she teaches composition. Their
success may stem, in part, from a mantra that she taken to
heart: If students consistently fail at something in the
classroom, it's not their fault. It's her fault.
0:00 /0:00
Most faculty members are teaching writing exactly as we
should.
M y students can't write a clear sentence to save their lives.
It's my job to help them change that.
I have taught writing for 10 years. Much like Joseph R. Teller,
whose October essay criticizing how we teach composition
riled many a writing instructor, I have "experimented with
different assignments, activities, readings, [and] approaches
to commenting on student work." But my results have been
very different from his. Rather than seeing my students fail
repeatedly, I'm seeing more and more of them succeed.
Their success may stem, in part, from a mantra I've taken to
heart: If students consistently fail at something in my
classroom, it's not their fault. It's mine.
I teach at a community college in Texas, in a city where
almost 20 percent of the citizens live below the poverty line.
More than 30 percent of children in the city live in poverty.
About 70 percent of my college's students take classes only
part-time, and 73 percent entered this year taking at least
one developmental course. Most of them have lived and
been educated in a system that has overwhelmingly failed
them due to a focus on testing rather than learning. Most
have taken time away from education to work, so what
writing skills they did possess have probably atrophied.
Teller argued that the three pillars of composition pedagogy -
- that courses should "focus on process, not product," that
students should write on "complex issues rather than imitate
rhetorical modes," and that reading and writing should be
combined in the same course -- don't actually work. But I find
they do, and I'm not alone in thinking so.
First, here's a simple truth about the writing process:
Contrary to Teller's claim that "students do not revise," I have
found that students will revise their drafts, given the tools
and time to do so. As we all well know, revision is time-
intensive, and time is the most precious commodity most of
my students have. It's not enough just to teach revision. It
has to be consistently and constantly modeled, which, again,
takes time. And students need time to work on their
revisions in class -- uninterrupted and with my help and
supervision. That approach, in my experience, results in
revisions that are not only substantial but effective.
Teller also criticized peer workshops, a mainstay of
composition instructio.
This document discusses some key differences between writing in high school versus college. In college, students are often asked to do different types of writing, such as analyzing texts and making original arguments supported by evidence. An argument is presented as a set of coherent statements that put forth an interesting claim, provide evidence to support the claim, and address objections to the claim. The document advises students to carefully interpret assignment prompts to understand what is expected, as expectations can vary between instructors. It provides guidance on starting the writing process, including developing a thesis beyond simply agreeing or disagreeing with a statement.
The Writing Process Essay
Free Writing Process
My Thesis Statement
Listening Process Essay
The research Process Essay
Synthesis Thesis
Decision Making Thesis
Thesis Statement
Process Essay
This document discusses strategies for effective brain-based learning and assessment. It explains that the brain has three main parts - the neocortex, limbic system, and reptilian complex - and learning is most effective when it engages both the logical neocortex and emotional limbic system. The teacher's role is to create learning experiences that elicit an emotional response. Some suggested activities include questioning techniques, competitions, debates, and self-assessments to engage students and provide feedback. The goal is frequent, formative assessment to identify gaps and misconceptions.
The document provides information about different reading strategies:
- Skimming involves ignoring details and focusing on main ideas found in first sentences of paragraphs and in first/last paragraphs to get an overall impression of a text.
- Scanning involves quickly searching a text for specific words or ideas, such as when looking up a word in a dictionary.
- Predicting engages readers by having them anticipate what may occur in a text based on titles, pictures and their own experiences before reading. Readers can then refine their predictions while reading.
Adapted from the University of Chicago Writing Program2 Pr.docxgalerussel59292
Adapted from: the University of Chicago Writing Program
2: Preparing to write and drafting the paper
Preparing to prove your point: the process of gathering evidence
Once you understand the assignment, your next task is to find data relevant to meeting it. The word "data" makes some humanists flinch a bit, but we need a word that distinguishes all the facts, quotations, references, numbers, events that might be relevant to your assignment from those fact, quotations, references, etc. that might support your specific claim or point. All the information related to your assignment is data; data becomes evidence when you use it to convince readers to agree with your point.
There isn’t space here to discuss the process of reading critically and selecting data,
thinking about what you have gathered, analyzing it, and discovering the point or claim that you want to make and support. Every assignment will ask you to look at your readings in a different way, and every text you read will raise its own problems of interpretation and analysis. In fact, that is what most of your classes are about: selecting and analyzing data, and arriving at a plausible conclusion about them.
The best generic advice we can give is this:
· Go through your readings once and mark with a highlighter everything you think plausibly relevant to answering the assignment.
· So that you can get a sense of it all, go through a second time, skimming what you have highlighted.
· Go through a third time, marking passages that seem most central to your assignment. Try to assign to each passage a key word that will help you sort them later.
· Now try to categorize those passages according to how they might support different points. Which ones support one point, which ones support another point. (Spend the time it takes to find data that might support different, even opposing, points. You need such data so that you can critically balance one point against another.)
· On a piece of paper, jot down what you think are the central concepts that emerge from this analysis.
· To these central concepts attach subsidiary concepts. Use some sort of symbol to represent the kinds of relationships that the subsidiary concepts have to the central concepts and to one another: cause and effect, similarity, contrast, more important-less important, earlier-later in time, and so on. Spend time playing with these relationships. Make lists of the central concepts, order and re-order them, find categories and subcategories.
· Then create a working outline around topics suggested by your categories of evidence.
At this point, you may have a fairly clear idea about the point you want to make; more often, you won't. Either way, if you have even a dim idea about the shape of your general point, prepare to start your first draft.
Planning your first draft: styles of outlining
You may have been told in high school that you needed a detailed outline before you began to draft a paper. For some writers, .
Adapted from the University of Chicago Writing Program2 Pr.docxbobbywlane695641
Adapted from: the University of Chicago Writing Program
2: Preparing to write and drafting the paper
Preparing to prove your point: the process of gathering evidence
Once you understand the assignment, your next task is to find data relevant to meeting it. The word "data" makes some humanists flinch a bit, but we need a word that distinguishes all the facts, quotations, references, numbers, events that might be relevant to your assignment from those fact, quotations, references, etc. that might support your specific claim or point. All the information related to your assignment is data; data becomes evidence when you use it to convince readers to agree with your point.
There isn’t space here to discuss the process of reading critically and selecting data,
thinking about what you have gathered, analyzing it, and discovering the point or claim that you want to make and support. Every assignment will ask you to look at your readings in a different way, and every text you read will raise its own problems of interpretation and analysis. In fact, that is what most of your classes are about: selecting and analyzing data, and arriving at a plausible conclusion about them.
The best generic advice we can give is this:
· Go through your readings once and mark with a highlighter everything you think plausibly relevant to answering the assignment.
· So that you can get a sense of it all, go through a second time, skimming what you have highlighted.
· Go through a third time, marking passages that seem most central to your assignment. Try to assign to each passage a key word that will help you sort them later.
· Now try to categorize those passages according to how they might support different points. Which ones support one point, which ones support another point. (Spend the time it takes to find data that might support different, even opposing, points. You need such data so that you can critically balance one point against another.)
· On a piece of paper, jot down what you think are the central concepts that emerge from this analysis.
· To these central concepts attach subsidiary concepts. Use some sort of symbol to represent the kinds of relationships that the subsidiary concepts have to the central concepts and to one another: cause and effect, similarity, contrast, more important-less important, earlier-later in time, and so on. Spend time playing with these relationships. Make lists of the central concepts, order and re-order them, find categories and subcategories.
· Then create a working outline around topics suggested by your categories of evidence.
At this point, you may have a fairly clear idea about the point you want to make; more often, you won't. Either way, if you have even a dim idea about the shape of your general point, prepare to start your first draft.
Planning your first draft: styles of outlining
You may have been told in high school that you needed a detailed outline before you began to draft a paper. For some writers, .
The document provides an overview and sample classes for a course titled "Making a Difference: Strategies for Solving Social Problems". The first class focuses on shifting the discussion from solely focusing on problems to also highlighting solutions. It includes introductions, activities examining what students view as problems in the world and identifying corresponding solutions, and a demonstration of the Solutions Journalism Story Tracker database. The class aims to help students recognize the importance of solutions-focused reporting and identify evidence-based responses to social issues. The overview suggests future classes will focus on measuring impact and developing expertise in solutions for particular issue areas.
Strategies for Effective Upskilling is a presentation by Chinwendu Peace in a Your Skill Boost Masterclass organisation by the Excellence Foundation for South Sudan on 08th and 09th June 2024 from 1 PM to 3 PM on each day.
বাংলাদেশের অর্থনৈতিক সমীক্ষা ২০২৪ [Bangladesh Economic Review 2024 Bangla.pdf] কম্পিউটার , ট্যাব ও স্মার্ট ফোন ভার্সন সহ সম্পূর্ণ বাংলা ই-বুক বা pdf বই " সুচিপত্র ...বুকমার্ক মেনু 🔖 ও হাইপার লিংক মেনু 📝👆 যুক্ত ..
আমাদের সবার জন্য খুব খুব গুরুত্বপূর্ণ একটি বই ..বিসিএস, ব্যাংক, ইউনিভার্সিটি ভর্তি ও যে কোন প্রতিযোগিতা মূলক পরীক্ষার জন্য এর খুব ইম্পরট্যান্ট একটি বিষয় ...তাছাড়া বাংলাদেশের সাম্প্রতিক যে কোন ডাটা বা তথ্য এই বইতে পাবেন ...
তাই একজন নাগরিক হিসাবে এই তথ্য গুলো আপনার জানা প্রয়োজন ...।
বিসিএস ও ব্যাংক এর লিখিত পরীক্ষা ...+এছাড়া মাধ্যমিক ও উচ্চমাধ্যমিকের স্টুডেন্টদের জন্য অনেক কাজে আসবে ...
it describes the bony anatomy including the femoral head , acetabulum, labrum . also discusses the capsule , ligaments . muscle that act on the hip joint and the range of motion are outlined. factors affecting hip joint stability and weight transmission through the joint are summarized.
A Strategic Approach: GenAI in EducationPeter Windle
Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
How to Build a Module in Odoo 17 Using the Scaffold MethodCeline George
Odoo provides an option for creating a module by using a single line command. By using this command the user can make a whole structure of a module. It is very easy for a beginner to make a module. There is no need to make each file manually. This slide will show how to create a module using the scaffold method.
How to Fix the Import Error in the Odoo 17Celine George
An import error occurs when a program fails to import a module or library, disrupting its execution. In languages like Python, this issue arises when the specified module cannot be found or accessed, hindering the program's functionality. Resolving import errors is crucial for maintaining smooth software operation and uninterrupted development processes.
Macroeconomics- Movie Location
This will be used as part of your Personal Professional Portfolio once graded.
Objective:
Prepare a presentation or a paper using research, basic comparative analysis, data organization and application of economic information. You will make an informed assessment of an economic climate outside of the United States to accomplish an entertainment industry objective.
Thinking of getting a dog? Be aware that breeds like Pit Bulls, Rottweilers, and German Shepherds can be loyal and dangerous. Proper training and socialization are crucial to preventing aggressive behaviors. Ensure safety by understanding their needs and always supervising interactions. Stay safe, and enjoy your furry friends!
Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...Dr. Vinod Kumar Kanvaria
Exploiting Artificial Intelligence for Empowering Researchers and Faculty,
International FDP on Fundamentals of Research in Social Sciences
at Integral University, Lucknow, 06.06.2024
By Dr. Vinod Kumar Kanvaria
This presentation includes basic of PCOS their pathology and treatment and also Ayurveda correlation of PCOS and Ayurvedic line of treatment mentioned in classics.
This presentation was provided by Steph Pollock of The American Psychological Association’s Journals Program, and Damita Snow, of The American Society of Civil Engineers (ASCE), for the initial session of NISO's 2024 Training Series "DEIA in the Scholarly Landscape." Session One: 'Setting Expectations: a DEIA Primer,' was held June 6, 2024.
Introduction to AI for Nonprofits with Tapp NetworkTechSoup
Dive into the world of AI! Experts Jon Hill and Tareq Monaur will guide you through AI's role in enhancing nonprofit websites and basic marketing strategies, making it easy to understand and apply.
1. 1The “Grammar Bee” –
One Way to Take the Pain Out of Teaching the Mechanics of Writing
by Edward H. Telfeyan*
*Professor of Global Lawyering Skills, McGeorge School of Law, University of the Pacific
Consider the following:
You are a newly-hired legal writing instructor at Podunk Law School. You withstood a
rigorous application process for the position during which you learned that you would be
responsible for instructing new law students in legal writing and research. Over the summer,
before the start of the fall semester, you prepared for the job by brushing up on your research
skills and by reading a few texts on legal writing and analysis.
You envisioned your job to include intensive instruction in the “legal paradigm” of
analytical reasoning and expected the biggest hurdle for your students would be understanding
the significance of “rule explanation,” “rule application” and “rule synthesis.”
The semester begins and you receive the first writing assignment from your students. It’s
a simple two-paragraph draft that required the use of analogical reasoning. You fully expected
the students to have some trouble in drawing the factual comparisons necessary to establish the
analogy, and, sure enough, they did.
But, much to your surprise, the deficiencies in understanding what constitutes an
effective analogy were dwarfed by the glaring and horrendous number of basic writing errors
that appeared in all too many of the papers. These students, you suddenly realize, don’t know
how to write!
Now consider your reaction to this realization. You go through various stages of the
following emotions: anger (“I wasn’t hired to teach them how to compose complete sentences”);
panic (“I can’t possibly teach them how to write like lawyers if they can’t even write like college
graduates”); frustration (“how am I going to succeed at the job I was hired to do if they don’t
have a base level of competence in the fundamentals of writing?”); confusion (“how am I going
to deal with this problem, assuming I’m even supposed to?”); and maybe several others that, if
left unchecked, can produce dire (or at least adverse) consequences for you and your students.
I had just such an experience, and many of the same emotional responses, nine years ago,
when I left the crazy world of the private practice of law for the presumed sanguinity of a full-
time position as a legal writing instructor.
Here’s a real example of the kind of “writing” I’m talking about (from a student memo):
“It is commonly known that if an area is located in a public place and considered
dangerous or allows only certain people to enter; that there should be apparent signs posted
1
2. which notifying the public that they are not permitted and are sufficient efforts made to enclose
such areas to keep others out.”
Huh? What do you do with a student who honestly believes that “sentence” is well-
written? How do you address the problem if you have a sizeable segment of your class that
agrees (or even composes more horrific “sentences”)?
If you’re like me, you first consider ignoring the problem. After all, teaching basic
grammar isn’t what you signed on for, it isn’t what you were told you’d be responsible for, and it
might not even be something the “powers that be” at Podunk realize is a problem at all.
So, the first solution I considered was to do the job I was hired to do and leave it to
someone else (having no idea who that someone might be) to deal with the gross writing
deficiencies I now realized many of my students had.
Moreover, even if I wanted to address the problem, I had no idea how to do so. And even
if I did, how could I justify taking valuable class time to do it? After all, my syllabus was
already crammed to the max with all the required components of the course I was responsible
for.
So, absent a plan that would make effective and efficient use of precious class time, and
not at all sure that I should take any time away from the core components of my course, I
effectively punted.
The type of punt used can vary from instructor to instructor, largely depending, in part,
on the instructor’s personality. Here are a few that I tried, along with the reasons they failed to
solve the problem:
Assign outside reading – Outside reading for One-Ls? You have to be kidding. They can
hardly keep up with the reading they are assigned, especially considering the endless flow of
cases they have to brief, the mountain of substantive law they have to learn, the intimidating
outlines they have to prepare, and the time-consuming legal memos they have to write. Outside
reading, to most One-Ls, means reading that isn’t required and therefore isn’t done.
Browbeat the entire class – You don’t want to get personal with any individual, so you
just rant and rave to the whole bunch of them. “If you people don’t learn how to write a
complete sentence, you’re never going to pass this course.” “You are expected to know basic
grammar; if you don’t, you’d better find a way to learn it.” “I’m not here to teach you basic
grammar; you’re supposed to know it, and I expect to see it on your memos.” Any and all of
those rants, even if offered more tactfully, are guaranteed to lose you an entire class.
Write nasty comments on the memos – This one is the best way to lose your students.
Remember, these are Gen Xers and Millennials we’re dealing with. They aren’t used to even the
most constructive of criticism, let alone downright obnoxious slams. Furthermore, they think
2
3. they write beautifully. They have been told nothing less throughout college, where most of them
were only graded on the “quality of their thinking.” So now you’re going to come across like a
first-class jerk and expect them to respond positively?
Send them to a tutor – Right. Pass the buck. It’s an easy solution for you, but not likely
to be one the students are going to use. Tutors, if they can be found, will charge for the service
and the time spent with them will be time lost to the more pressing tasks of briefing cases,
preparing outlines, drafting memos and completing research assignments. One-Ls who are told
to go to a tutor will ignore that advice as soon as you recommend it to them.
None of those “punts” worked in my first year, and the cumulative effect of them was
that I lost my students and almost lost my job. The following summer was a tough one for me,
as I rediscovered the trial lawyer’s collateral disease: insomnia.
But, as many trial lawyers have learned, some of the best solutions are delivered in the
dead of night. And so it was with me, sleepless in Sacramento as I was. At 4:30 one night, I
came upon a possible solution, and that solution, over the next few months, became the
“Grammar Bee.”
The Bee, as I’ll refer to it from here on, turns the negative command – “You must learn
your grammar” – into a positive experience – “Learning grammar will be fun.”
The critical elements for the Bee are a lightened classroom atmosphere, a no-risk
competition, numerous opportunities to win and learning as the end-result.
The Bee works because it’s easy to conduct and administer, it doesn’t take much class
time (never more than five minutes), the students immediately embrace it, and it provides them
with a natural motivation to learn what they otherwise consider unnecessary and/or irrelevant
and/or unduly burdensome and/or trivial and/or irritating.
The hook for our Gen-X and Millennial students is that it combines the basic aspects of
the traditional game show (e.g. Jeopardy) and the now ubiquitous reality/survivor shows. And
the title – The Grammar Bee – recalls, for most of them, the elementary school equivalent, the
spelling bee, thereby allowing them to consider the experience a throw-back to a more innocent
and less stressful time in their lives. (I’m no psychologist, but doesn’t everyone seek solace in
the innocence of childhood in times of stress? And isn’t the first year of law school a maximum
time of stress for almost all law students?)
Here’s how the Bee works:
First of all, understand that the title – “Grammar Bee” – should be interpreted in the
broadest possible sense. In other words, it should cover the “mechanics” of good writing,
generally, and good legal writing, specifically. Thus, everything from the most basic common
errors (e.g. the difference between “it’s” and “its” – a surprisingly misunderstood/never
3
4. understood “rule”) to the more stylistic aspects of good legal writing (e.g. brevity over length,
simplicity over complexity).
At the start of the fall semester, the game is introduced to the entire class. (Our Legal
Process sections at McGeorge average 20-22 students, but the Bee can work in sections of as
many as 40 students.) At the beginning of each class session, three (or four if class size is larger)
students are randomly chosen as contestants for that day. They are then given answer cards
(with A, B or C on them) that they will be required to show when they are asked to give their
answer to the question that is shown to the entire class (via Power Point or equivalent). Those
that choose the correct answer advance to the next round; those that choose an incorrect answer
are eliminated (as in the old spelling bees). But, as I’ll explain in a moment, eliminated
contestants should be given several opportunities to “challenge back” into the competition.
The questions are the multiple choice type (save for the semi-final and final rounds, about
which more later) with one correct and two incorrect choices. Hence the lettered answer cards.
Here’s a typical question that might be given in an early round –
Which of the following formulations constitutes a complete sentence?
A) He argued.
B) Being the lead attorney and yet still feeling somewhat of a novice in his first jury trial.
C) James, even without his three-piece suit, in the center of the courtroom.
After the contestants have indicated their answers, the correct answer should be shown to
everyone, along with the reason it is correct and the others are not. Thus, for the above example,
the class would be shown these explanations –
Only “A” is a complete sentence, containing both a subject (he) and a verb (argued).
“B” appears to be an introductory clause that, standing alone, lacks either a subject or a verb (or
both), the two requisites of a complete sentence.
“C” may have a subject (James), but it lacks a verb (an action word that describes/explains what
James is doing).
As the semester progresses, the questions should become more difficult. Here are two
examples, together with the explanations provided for the correct and incorrect answers –
Which alternative is the preferred form of a question?
A) Why did you take such an action?
B) What, in your opinion, led to the creation of the problem?
C) How do you know she complained about it?
4
5. “C” states the point directly, using the verb “to complain” rather than a nominalization of it (e.g.
“had registered a complaint”).
“A” and “B” are both examples of nominalizations of verbs (“action” instead of “act,” “creation”
instead of “create”). Nominalizations (nouns that derive from verbs) create longer sentences,
stating points less directly.
Choose the sentence with the correct punctuation -
A) The doctrine of res judicata includes: merger, bar, and collateral estoppel.
B) The doctrine of res judicata includes: merger; bar; and collateral estoppel.
C) The doctrine of res judicata includes merger, bar, and collateral estoppel.
“C” correctly omits any punctuation after the word “includes.”
“A” and “B” both improperly place a colon after “includes,” and B also improperly separates the
three concepts in the series with semi-colons. (Colons are used to introduce a series only when
the phrase that precedes it can stand alone as an independent clause, and semi-colons are used to
separate items in a series only if the series is complicated or contains internal commas).
These and the other examples included at the end of this article can be used or modified
to suit the needs of individual classes and instructors. I modify my questions every year based in
part on what I saw on the memos my students submitted the previous year.
The key is to be flexible and to be creative. Part of the fun of teaching is in developing
our skills even as we are trying to do the same for our students. The Bee works best when the
instructor prepares it as carefully as he or she prepares any other part of the course. Use the
examples provided with this article as starting points for your own Bee. Develop your own
questions, consistent with your assessment of your students’ needs.
A few procedural tips that I have adopted over the years keep the competition challenging
(and fun). First, always allow verbal appeals to incorrect answers, and be liberal in sustaining
them. Occasionally students will misinterpret a question that is less artfully worded than you
may have intended. And, sometimes, students will apply a rule to another part of the sentence or
question to come up with a different answer that, by applying that rule, would make their answer
correct.
The key is to avoid the appearance of arbitrariness and to encourage students to develop
grammar/writing expertise. It is more important to encourage that kind of result than to be
“right” as the professor/administrator of the competition.
Second, spice up later rounds of the competition. (A round consists of a complete run
through your roll sheet, which, if you have 20 students, may take six or seven classes. Over the
5
6. course of the semester, I usually get through about four rounds before getting to the semi-finals
and finals on the last few classes of the semester.) For example, in later rounds, I require the
contestants who choose the correct answer to explain why it is correct (or why the others are
incorrect) before I show the explanations to the entire class.
Third, in the semi-final and final rounds, require the surviving contestants to re-write a
poorly written sentence (or paragraph). In this way, you will be relatively sure that your winners
are students who really have mastered the requisites of good writing.
Here’s an example of a question for students who get to the semi-finals in my
competition –
Rewrite and correct the following “sentence” so that it is grammatically correct and
clearly states the writer’s intended thought (time limit - ten minutes) -
Historically, attorneys from large firms, having served the public through selfless efforts and
often never receiving compensation therefrom, but never complaining or ask for recognition.
This question would be posed to the semi-finalists before or after class, so as not to take
class time. (The semi-final round will usually have no more than four or five students, as the
others will have bowed out somewhere along the way. The students with the top two answers for
that question then become the finalists.)
During class, show everyone the question the contestants were given and provide a
“model” answer, such as this one –
Historically, attorneys from large firms have served the public selflessly, never complaining or
asking for recognition, even though they often have received no compensation for their efforts.
Finally, as I mentioned earlier, the Bee works best when most students remain in the
game for as long as possible. Therefore, I provide students who have been eliminated with
several opportunities over the course of the semester to “challenge back” into the competition.
At various points, I will announce a “challenge-back” round, which consists of a single question
given to all students who have previously been eliminated. All who get that question correct are
re-admitted into the competition.
By the end of the semester, the Bee will have helped every student in the class,
irrespective of his or her initial level of competence. It will help students who, for whatever
reason, never grasped the basic rules of competent writing. It will help students who know their
grammar but come to law school with a “humanities-oriented” approach to writing (i.e. long-
winded, impenetrable, rambling discourses). And it will help students who have all the basics
down but haven’t figured out how to “sound like a lawyer.”
I recommend use of the Bee throughout the first semester. I start every class session with
6
7. a single question posed to three (sometimes four) contestants. The competition is best used in
the first semester for several obvious reasons. First of all, you want to get the students on track
with respect to the basics of good writing as soon as possible. Secondly, during the first
semester, they are most open to this kind of “different” classroom activity. And finally, by the
second semester, most students have developed their writing skills beyond the level addressed by
the Bee, and those that haven’t probably need more help than the Bee can provide.
But the Bee can also be used during the second semester (or even in advanced writing
classes – I make it a one-day contest in my Advanced Legal Writing course) as a means of
addressing specific problems that are appearing too often on the students’ memos.
And, finally, be sure to provide rewards for the winners (and runners-up) of your Bee. I
give my winners a “bump” of one percentage point on their final grades in my course. (We don’t
have grade inflation at McGeorge.) I also conduct a little ceremony at the end of the semester,
and the school provides some PR with photos in the law school’s magazine. At the ceremony I
present the winners a tee-shirt that memorializes their accomplishment. (On the front it says
“Winner – Telfeyan’s Grammar Bee”; and on the back it says – “Hooray for me – I do’d it.”)
In addition, I encourage my winners to include their accomplishment on their first-year
resumes, and I have noted the accomplishment on letters of recommendation I have written for
them.
When properly constructed and administered, the Bee is fun for students, promotes
creativity for the teacher, and results in real learning, so that that “sentence” I got from one of my
students, can be (and was) re-written by that same student at the end of the first semester. (See
the before and after below.)
Before – It is commonly known that if an area is located in a public place and considered
dangerous or allows only certain people to enter; that there should be apparent signs posted
which notifying the public that they are not permitted and are sufficient efforts made to enclose
such areas to keep others out.
After – If access to a public place is limited to certain individuals or if the area in
question is considered dangerous, appropriate signs should be clearly posted and sufficient
efforts should be made to enclose the area.
*****
Additional examples of questions for a successful Grammar Bee –
Select the sentence that best expresses the thought the writer intended to convey.
A) Among legal scholars, disagreements are common regarding almost every issue in the law.
B) The lack of uniformity of perceptibility is apparent to anyone who reads any number of
7
8. treatises.
C) Legal scholars are almost never in complete unification on any issue in the law.
“A” uses appropriate words to express the thought the writer intended to convey.
“B” uses the wrong forms (“uniformity” and “perceptibility”) of what are probably the wrong
words for the sentence. (“Consensus” or perhaps “unity” and “opinion” is probably what the
writer means.)
“C” uses the wrong form (“unification”) of what may be the wrong word for the sentence.
(“Accord” or “agreement” is probably closer to what the writer means.)
Select the sentence that is the most “reader-friendly” -
A) The fact that she died created a widespread feeling of grief.
B) Her death caused widespread grief.
C) Grief was felt by many when her death was reported.
“B” conveys the necessary information in a minimum number of words.
“A” contains surplus wording (“The fact that she died” instead of “her death” and “created a ...
feeling” instead of “caused”). (See Wydick, p.15.)
“C” states the point in the less desirable passive voice (“Grief was felt by many”) instead of the
preferable active voice (“Many felt grief”).
Which sentence is punctuated correctly?
A) Judges must make numerous decisions in every trial, including whether they should exclude
testimony and permit expanded cross-examination.
B) Judges must decide whether to exclude testimony, and whether to permit expanded cross-
examination.
C) Judges must decide whether to exclude testimony and they must also rule on objections to
expanded cross-examination.
“A” correctly places a comma before the subordinate clause in this complex sentence.
“B” incorrectly places a comma in the middle of this simple declaratory sentence. The sentence
does not consist of two separate clauses; it has one subject (judges) and one verb (must decide)
8
9. followed by two alternatives, neither of which can stand alone as a separate clause.
“C” improperly omits a comma (before “and”) in this compound sentence. The sentence consists
of two separate clauses (each of which can stand alone) joined by a conjunction.
Choose the grammatically correct sentence and indicate specifically what is wrong with
the other two -
A) The issue regarding the defendants’ contradictory statements are whether either of them can
be believed.
B) When the defendant contradicted himself, especially after his attorney gave him an
opportunity to correct his testimony, his credibility became an issue.
C) Contradictory statements, such as the one uttered by the defendant, makes credibility an issue.
“B” contains no grammatical errors.
“A” fails to conform subject to verb. (If the subject is “issue” the verb should be “is;” if the verb
is “are” the subject should be “issues.”)
“C” contains the same defect. (If the subject is “statements” the verb should be “make;” if the
verb is “makes” the subject should be “statement.”)
Select the correctly written question:
A. Where is the men’s room?
B. Where is the mens room?
C. Where is the mens’ room?
“A” correctly places an apostrophe before the “s” in “men’s.”
“B” incorrectly omits an apostrophe in “mens.”
“C” incorrectly places the apostrophe after the “s” in “mens.”
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