This document provides the syllabus for an English 101 writing course. It outlines the course requirements, assignments, grading policies, and schedule. The major assignments include essays in various modes of writing such as process, illustration, cause and effect, classification and division, comparison and contrast, and argument. Students will write a total of 9 essays and compile a final portfolio at the end of the semester. Class participation, homework assignments, and multiple drafts are required. The course aims to help students improve their writing skills through practice, feedback, and revision over the course of the semester.
This document provides information about an English 201 course, including the instructor's contact information, course description, learning objectives, required texts, assignments, grading criteria, and course schedule. The main assignments include five papers of 4-7 pages and a final research paper of 8-12 pages. Students will receive grades based on engagement, major assignments, homework, and a final portfolio. The course aims to improve students' critical thinking, writing, and research skills.
This document provides an overview of the in-class and homework activities and assignments for a writing course over 9 weeks. It includes details of readings, lectures, discussions and in-class writing exercises for each week, as well as homework assignments such as outlining, drafting essays, revising, and conducting research. The course covers four essay assignments: The Argument, The Narrative, The Concept Essay, and The Problem Solution Essay. Homework includes drafting outlines, essays, and revisions. In-class work includes activities, discussions and workshops to develop skills for each essay type.
This document outlines the syllabus for an English course on conformity and rebellion taught by Matthew Nelson. The course will use texts like novels, comics, and films to explore these concepts. Students will complete informal reading responses, five essays including analyses and a research paper, and workshops providing feedback on peers' writing. Class discussions aim to improve academic writing skills. Participation, attendance, and submitting drafts are required. Respect, thoughtful feedback, and revision are emphasized.
This document provides an overview of the goals, requirements, policies, and grading for an English 1A course. The main goals of the course are to develop skills in reading analysis, essay writing, and developing a personal writing style. Students will complete four formal papers, online posts, and workshops. The class meets twice a week in person and requires additional online work. Grades are based on essays, online posts, participation, and workshops. The document outlines policies on attendance, late work, and academic integrity.
This document provides an overview of the goals, requirements, policies, and grading for an English 1A course. The main goals of the course are to develop skills in reading analysis, essay writing, and online discussion. Students will write 4 formal papers and complete online posts and discussions. The class meets weekly for 2 hours and 15 minutes, with additional online work. Students will be assessed on writing skills, text analysis, argumentation, and citation format. Grades are based on essays, online posts, workshops, and participation. The policies outline expectations for attendance, conduct, late work, and more.
This document provides a week-by-week schedule for an online writing course. It lists the weekly topics, assigned readings from The Hunger Games and The Saint Martin's Guide to Writing, in-class and online activities, and homework assignments. Some of the major assignments include four essays: The Argument, The Narrative, The Concept Essay, and The Problem/Solution Essay. Students are expected to post discussion responses online, participate in writing workshops, and submit drafts of their essays for peer review. The schedule culminates in a final library research project to identify topics for the last essay.
Elit 17 class 1 intro and comedy of errorsjordanlachance
This document provides an overview of the syllabus and schedule for an ELIT 17 class on Shakespeare. It includes an agenda for the first class which covers introducing the class website, green sheet, syllabus, and lectures on Shakespeare's works and an introduction to comedy and The Comedy of Errors. Requirements include attendance, participation, essays, exams, and posting homework to the class website. The document outlines policies on plagiarism, late work, and attendance. It lists the required texts and materials and concludes with an overview of traits of Shakespearean comedy.
This document outlines the assignment requirements for an English writing course. It includes 4 essays of increasing length on various topics that must be completed over the course of the term. Essay 1 is an in-class argument essay. Essay 2 is a narrative essay using The Hunger Games as a starting point. Essay 3 explores a concept from The Hunger Games in more depth. Essay 4 proposes a solution to a real-world problem. Students also complete regular writing homework posts and quizzes/activities for a participation grade.
This document provides information about an English 201 course, including the instructor's contact information, course description, learning objectives, required texts, assignments, grading criteria, and course schedule. The main assignments include five papers of 4-7 pages and a final research paper of 8-12 pages. Students will receive grades based on engagement, major assignments, homework, and a final portfolio. The course aims to improve students' critical thinking, writing, and research skills.
This document provides an overview of the in-class and homework activities and assignments for a writing course over 9 weeks. It includes details of readings, lectures, discussions and in-class writing exercises for each week, as well as homework assignments such as outlining, drafting essays, revising, and conducting research. The course covers four essay assignments: The Argument, The Narrative, The Concept Essay, and The Problem Solution Essay. Homework includes drafting outlines, essays, and revisions. In-class work includes activities, discussions and workshops to develop skills for each essay type.
This document outlines the syllabus for an English course on conformity and rebellion taught by Matthew Nelson. The course will use texts like novels, comics, and films to explore these concepts. Students will complete informal reading responses, five essays including analyses and a research paper, and workshops providing feedback on peers' writing. Class discussions aim to improve academic writing skills. Participation, attendance, and submitting drafts are required. Respect, thoughtful feedback, and revision are emphasized.
This document provides an overview of the goals, requirements, policies, and grading for an English 1A course. The main goals of the course are to develop skills in reading analysis, essay writing, and developing a personal writing style. Students will complete four formal papers, online posts, and workshops. The class meets twice a week in person and requires additional online work. Grades are based on essays, online posts, participation, and workshops. The document outlines policies on attendance, late work, and academic integrity.
This document provides an overview of the goals, requirements, policies, and grading for an English 1A course. The main goals of the course are to develop skills in reading analysis, essay writing, and online discussion. Students will write 4 formal papers and complete online posts and discussions. The class meets weekly for 2 hours and 15 minutes, with additional online work. Students will be assessed on writing skills, text analysis, argumentation, and citation format. Grades are based on essays, online posts, workshops, and participation. The policies outline expectations for attendance, conduct, late work, and more.
This document provides a week-by-week schedule for an online writing course. It lists the weekly topics, assigned readings from The Hunger Games and The Saint Martin's Guide to Writing, in-class and online activities, and homework assignments. Some of the major assignments include four essays: The Argument, The Narrative, The Concept Essay, and The Problem/Solution Essay. Students are expected to post discussion responses online, participate in writing workshops, and submit drafts of their essays for peer review. The schedule culminates in a final library research project to identify topics for the last essay.
Elit 17 class 1 intro and comedy of errorsjordanlachance
This document provides an overview of the syllabus and schedule for an ELIT 17 class on Shakespeare. It includes an agenda for the first class which covers introducing the class website, green sheet, syllabus, and lectures on Shakespeare's works and an introduction to comedy and The Comedy of Errors. Requirements include attendance, participation, essays, exams, and posting homework to the class website. The document outlines policies on plagiarism, late work, and attendance. It lists the required texts and materials and concludes with an overview of traits of Shakespearean comedy.
This document outlines the assignment requirements for an English writing course. It includes 4 essays of increasing length on various topics that must be completed over the course of the term. Essay 1 is an in-class argument essay. Essay 2 is a narrative essay using The Hunger Games as a starting point. Essay 3 explores a concept from The Hunger Games in more depth. Essay 4 proposes a solution to a real-world problem. Students also complete regular writing homework posts and quizzes/activities for a participation grade.
This document provides information about an English 1A course, including the course goals, requirements, texts, grading structure, and policies. The main goals of the course are to develop skills in reading analysis, essay writing, thesis development, organization of ideas, and developing a personal writing style. Students will complete four formal papers, online posts, and be assessed on writing as a process, analyzing diverse texts, developing arguments with evidence, and documenting sources. The class meets twice a week in person and requires additional online work. Grades are based on essays, posts, activities, and participation. Various policies outline expectations for submissions, attendance, conduct, workshops, quizzes, and late work.
This document contains a weekly schedule for an English composition class that includes four essay assignments over six weeks. It lists the in-class and homework activities for each week, including readings, writing assignments, discussions, and presentations related to the essays. The essays include The Argument, The Narrative, The Concept Essay, and The Problem/Solution Essay. Homework includes response posts, drafts of essay sections, and research tasks to support the essays. In-class work involves writing exercises, peer reviews, and workshops to provide feedback on drafts.
This document provides an overview of an EWRT 1A hybrid class. It discusses the course description, syllabus, required materials, class policies, and assignments. The class meets in-person once a week and has online components that must be completed before the next class. Students are expected to participate regularly both in class and online. Assignments include essays, reading quizzes, and daily homework posts to the class website. Plagiarism is strictly prohibited. The document reviews how to sign up for and use the class website and online submission platform Kaizena.
This document outlines the assignment requirements for an EWRT 1A college course. It includes 4 essays of increasing length on various topics that must be completed over the course of the semester for a total of 500 points. Essay 1 is an in-class argument essay. Essay 2 is a narrative essay using The Hunger Games as inspiration. Essay 3 explores a concept from The Hunger Games in more depth. Essay 4 proposes a solution to a real-world problem. Students also must complete regular discussion posts online and participate in class for additional points.
This document is the syllabus for an English 102 college writing course taught in the spring of 2017. The instructor is Jacob D. Wilson and the course will meet on Tuesdays and Thursdays at two different times. The goals of the course are to improve students' skills in persuasive and expository writing. By the end of the course, students should be able to analyze texts, present and support their own ideas, conduct research, give and receive feedback, and use proper formatting and citation. There are four major writing assignments, reflective journal entries, and requirements to pass including regular attendance, participation, submitting drafts on time, revising work based on feedback, and avoiding plagiarism. Meeting all the requirements listed in
This 3-sentence summary provides an overview of the English 101 course syllabus:
The syllabus outlines the goals, assignments, policies, and schedule for an introductory college writing course, which will explore identity, writing as technology, and include weekly writing assignments, larger projects, and using student blogs to share work with classmates. Students will develop their writing skills through reflections, essays, and revising work based on peer and instructor feedback to earn a final grade determined by assignments, responses, and participation.
This document provides an overview of an EWRT 1A hybrid class. It outlines the course description, syllabus, assignments, and policies. The class meets weekly in-person and requires additional online work to be completed independently. Students must establish WordPress and Gmail accounts to participate. The first assignment is to write an outline and thesis for an argumentative essay about essential survival supplies and post it online. Students will take an in-class essay exam on this topic during the next live meeting.
This document provides information about an EWRT 1B course taught by Kim Palmore in winter 2014, including class times, goals, requirements, policies, and textbook information. The class aims to develop students' ability to understand and discuss complex texts and convey that understanding in essays. Students must write five formal papers, participate in class, complete homework and tests. The grading scale and point values for assignments are outlined. Academic honesty, attendance, and conduct policies are also summarized.
This document outlines the syllabus for an English 102 college writing course focusing on place and identity. The course will explore how environment shapes lives and events through diverse perspectives in assigned writing. Major assignments include blog posts, a personal narrative essay, an annotated bibliography, exploratory research essay, and op-ed essay. Students will develop skills like research, revision, and synthesizing sources. The syllabus details course goals, assignments, policies, grading scale and deadlines. Successful students will gain skills in areas like audience analysis, research, and incorporating feedback to improve writing.
This document provides information about an EWRT 1B course including the instructor's contact information, class times and office hours, course goals and requirements, grading scale, required texts, class policies on topics like attendance, late work, and academic honesty. The course will include five formal essays, website posts, exams, and participation. Grades are based on a 1000 point scale and are determined by scores on essays, exams, website posts and participation. Various policies are outlined regarding attendance, late work, academic honesty, and use of electronic devices in class.
This document provides an overview of the EWRT 30 creative writing course. It introduces the instructor, Kim Palmore, and outlines the course objectives, requirements, student learning outcomes, grading policy, and class policies. The main goals of the course are for students to explore and refine their creative writing techniques through analyzing published works and receiving feedback on their own writing in multiple genres, including poetry, fiction, and drama. Students will complete writing assignments and projects, participate in class discussions, and compile a final portfolio of their best work to demonstrate their understanding of creative writing elements and skills.
This document provides information about an English 1A course, including the instructor's contact details, course goals and requirements, assignments, grading scale, and policies. The main goals of the course are to prepare students to analyze college texts and write college papers by developing skills such as reading analysis, essay writing, thesis development, and personal writing style. Students will complete four formal papers, online posts and discussions, and be assessed on their writing process, analysis of diverse texts, argument writing with evidence, and documenting sources. The hybrid course involves both in-class and online work. Students must establish accounts to engage with online course materials and assignments.
Ewrt 1 a online class 1 introduction hybridkimpalmore
This document provides an overview of the key information for the EWRT 1A class. It introduces the instructor, Dr. Kim Palmore, and covers the course description, syllabus, and expectations. The class is a hybrid model that meets weekly in-person and requires additional online work. Key course tools like Canvas and Kaizena for submitting assignments are explained. Academic honesty, attendance policies, and grading are outlined. The tentative course calendar is presented, including assignments, readings, quizzes, and due dates for the quarter. Students are directed to review the syllabus and policies, explore the course website, create accounts, take the first quiz, and begin the first reading.
This document outlines the goals, requirements, policies, and grading for an English 1A course. The main goals of the course are to prepare students to analyze college texts and write college papers by developing skills such as reading analysis, essay writing, thesis development, and personal writing style. Requirements include active participation, four formal papers, and online posts. The class will use both in-person and online learning, meeting weekly for discussions while completing additional work online. Grades are based on essays, posts, workshops, and quizzes. Policies address attendance, conduct, late work, and dropping/adding the course.
This document provides information about an introductory creative writing course titled EWRT 30. The course will explore various genres of creative writing including fiction, poetry, drama, and creative non-fiction. Students will read published works, discuss elements of creative writing, and workshop their own writing. Requirements include regular attendance, online posts of assignments, quizzes, and a portfolio of the student's best writing. The course aims to help students understand and employ elements of creative writing to create their own works.
This document provides the syllabus for an English 1500 course titled "Experiences in Literature" with a theme of "Dysfunctional Families". The course will be taught in spring 2016 by Professor Levine and will meet on Tuesdays and Thursdays from 9:30-10:45 am. It will introduce students to critical reading, literary analysis, and academic writing through exploring a range of literature from different time periods, genres, and cultural contexts focused on the theme of dysfunctional families. Students will complete reading responses, two 4-6 page essays, a documented research essay, a presentation, and a final portfolio. Grading will be based on essays, class participation, assignments, a midterm, and the final portfolio
This document provides an agenda and information for the first class of a creative writing course. It includes:
- An overview of the syllabus/green sheet which outlines course requirements, policies, and materials.
- Details on setting up a WordPress account to submit homework and access course resources online.
- An explanation of the first homework assignment - to post 2-3 original haiku poems to the class website.
- Additional details on haiku as a poetic form, examples of haiku poems, and guidance for writing haiku in terms of form, structure, and language.
- A reading assignment on blank verse and a reminder to study the first 5 terms introduced in class.
This document outlines the assignment requirements for an English composition course. It includes details on 4 essays of varying lengths and topics that students will write over the course of the term. It also provides information on website posts, participation, quizzes, and workshops that will be part of the course grading. Students will write argumentative, narrative, and solution-proposing essays. Additional assignments include regular online posts in response to course readings, in-class participation, quizzes on reading material, and workshops on research and writing skills.
This document provides information about an introductory creative writing course titled EWRT 30. The course will explore various genres of creative writing including fiction, poetry, drama, and creative non-fiction. Students will read published works, discuss elements of creative writing, and workshop their original writing. Requirements include regular attendance, online submissions, quizzes, four writing projects of different genres, and a final portfolio. The course aims to help students understand and employ elements of creative writing.
From Group 1 I would choose the sleeping bag and hiking boots. The sleeping bag is essential for keeping warm at night in the wilderness. A down sleeping bag is lightweight and compressible, making it ideal to pack. The hiking boots are important for traversing rough terrain and providing foot protection, especially if encountering wildlife or poisonous plants. Waterproof boots would help keep feet dry in wet conditions.
From Group 2 I would select the tarp. The tarp could be used for shelter from rain or sun, and could also serve as a signaling device if needed for rescue.
From Group 3 the small knife would be most practical. A knife has many survival uses like preparing kindling, cutting rope or fishing line, or basic food
The biggest mistake we see every day with clients struggling with attracting attention to their content is the fact they focus too much on selling or pitching their company. Your content shouldn't be about you whether it's professional or personal - if you really want to engage your target audience, focus on these the 6 guiding principles for content in this deck.
About HANALI
HANALI is a sales enablement agency. We focus on helping companies grow their revenue. HANALI (www.hanali.co) is part of the Now Creative Group. This slide deck was created by Ali Hanif, CEO of HANALI and Roxanna Munoz, Designer at HANALI.
If you have any questions, comments or feedback, please send us an email at Team@Hanali.co
This document provides information about an English 1A course, including the course goals, requirements, texts, grading structure, and policies. The main goals of the course are to develop skills in reading analysis, essay writing, thesis development, organization of ideas, and developing a personal writing style. Students will complete four formal papers, online posts, and be assessed on writing as a process, analyzing diverse texts, developing arguments with evidence, and documenting sources. The class meets twice a week in person and requires additional online work. Grades are based on essays, posts, activities, and participation. Various policies outline expectations for submissions, attendance, conduct, workshops, quizzes, and late work.
This document contains a weekly schedule for an English composition class that includes four essay assignments over six weeks. It lists the in-class and homework activities for each week, including readings, writing assignments, discussions, and presentations related to the essays. The essays include The Argument, The Narrative, The Concept Essay, and The Problem/Solution Essay. Homework includes response posts, drafts of essay sections, and research tasks to support the essays. In-class work involves writing exercises, peer reviews, and workshops to provide feedback on drafts.
This document provides an overview of an EWRT 1A hybrid class. It discusses the course description, syllabus, required materials, class policies, and assignments. The class meets in-person once a week and has online components that must be completed before the next class. Students are expected to participate regularly both in class and online. Assignments include essays, reading quizzes, and daily homework posts to the class website. Plagiarism is strictly prohibited. The document reviews how to sign up for and use the class website and online submission platform Kaizena.
This document outlines the assignment requirements for an EWRT 1A college course. It includes 4 essays of increasing length on various topics that must be completed over the course of the semester for a total of 500 points. Essay 1 is an in-class argument essay. Essay 2 is a narrative essay using The Hunger Games as inspiration. Essay 3 explores a concept from The Hunger Games in more depth. Essay 4 proposes a solution to a real-world problem. Students also must complete regular discussion posts online and participate in class for additional points.
This document is the syllabus for an English 102 college writing course taught in the spring of 2017. The instructor is Jacob D. Wilson and the course will meet on Tuesdays and Thursdays at two different times. The goals of the course are to improve students' skills in persuasive and expository writing. By the end of the course, students should be able to analyze texts, present and support their own ideas, conduct research, give and receive feedback, and use proper formatting and citation. There are four major writing assignments, reflective journal entries, and requirements to pass including regular attendance, participation, submitting drafts on time, revising work based on feedback, and avoiding plagiarism. Meeting all the requirements listed in
This 3-sentence summary provides an overview of the English 101 course syllabus:
The syllabus outlines the goals, assignments, policies, and schedule for an introductory college writing course, which will explore identity, writing as technology, and include weekly writing assignments, larger projects, and using student blogs to share work with classmates. Students will develop their writing skills through reflections, essays, and revising work based on peer and instructor feedback to earn a final grade determined by assignments, responses, and participation.
This document provides an overview of an EWRT 1A hybrid class. It outlines the course description, syllabus, assignments, and policies. The class meets weekly in-person and requires additional online work to be completed independently. Students must establish WordPress and Gmail accounts to participate. The first assignment is to write an outline and thesis for an argumentative essay about essential survival supplies and post it online. Students will take an in-class essay exam on this topic during the next live meeting.
This document provides information about an EWRT 1B course taught by Kim Palmore in winter 2014, including class times, goals, requirements, policies, and textbook information. The class aims to develop students' ability to understand and discuss complex texts and convey that understanding in essays. Students must write five formal papers, participate in class, complete homework and tests. The grading scale and point values for assignments are outlined. Academic honesty, attendance, and conduct policies are also summarized.
This document outlines the syllabus for an English 102 college writing course focusing on place and identity. The course will explore how environment shapes lives and events through diverse perspectives in assigned writing. Major assignments include blog posts, a personal narrative essay, an annotated bibliography, exploratory research essay, and op-ed essay. Students will develop skills like research, revision, and synthesizing sources. The syllabus details course goals, assignments, policies, grading scale and deadlines. Successful students will gain skills in areas like audience analysis, research, and incorporating feedback to improve writing.
This document provides information about an EWRT 1B course including the instructor's contact information, class times and office hours, course goals and requirements, grading scale, required texts, class policies on topics like attendance, late work, and academic honesty. The course will include five formal essays, website posts, exams, and participation. Grades are based on a 1000 point scale and are determined by scores on essays, exams, website posts and participation. Various policies are outlined regarding attendance, late work, academic honesty, and use of electronic devices in class.
This document provides an overview of the EWRT 30 creative writing course. It introduces the instructor, Kim Palmore, and outlines the course objectives, requirements, student learning outcomes, grading policy, and class policies. The main goals of the course are for students to explore and refine their creative writing techniques through analyzing published works and receiving feedback on their own writing in multiple genres, including poetry, fiction, and drama. Students will complete writing assignments and projects, participate in class discussions, and compile a final portfolio of their best work to demonstrate their understanding of creative writing elements and skills.
This document provides information about an English 1A course, including the instructor's contact details, course goals and requirements, assignments, grading scale, and policies. The main goals of the course are to prepare students to analyze college texts and write college papers by developing skills such as reading analysis, essay writing, thesis development, and personal writing style. Students will complete four formal papers, online posts and discussions, and be assessed on their writing process, analysis of diverse texts, argument writing with evidence, and documenting sources. The hybrid course involves both in-class and online work. Students must establish accounts to engage with online course materials and assignments.
Ewrt 1 a online class 1 introduction hybridkimpalmore
This document provides an overview of the key information for the EWRT 1A class. It introduces the instructor, Dr. Kim Palmore, and covers the course description, syllabus, and expectations. The class is a hybrid model that meets weekly in-person and requires additional online work. Key course tools like Canvas and Kaizena for submitting assignments are explained. Academic honesty, attendance policies, and grading are outlined. The tentative course calendar is presented, including assignments, readings, quizzes, and due dates for the quarter. Students are directed to review the syllabus and policies, explore the course website, create accounts, take the first quiz, and begin the first reading.
This document outlines the goals, requirements, policies, and grading for an English 1A course. The main goals of the course are to prepare students to analyze college texts and write college papers by developing skills such as reading analysis, essay writing, thesis development, and personal writing style. Requirements include active participation, four formal papers, and online posts. The class will use both in-person and online learning, meeting weekly for discussions while completing additional work online. Grades are based on essays, posts, workshops, and quizzes. Policies address attendance, conduct, late work, and dropping/adding the course.
This document provides information about an introductory creative writing course titled EWRT 30. The course will explore various genres of creative writing including fiction, poetry, drama, and creative non-fiction. Students will read published works, discuss elements of creative writing, and workshop their own writing. Requirements include regular attendance, online posts of assignments, quizzes, and a portfolio of the student's best writing. The course aims to help students understand and employ elements of creative writing to create their own works.
This document provides the syllabus for an English 1500 course titled "Experiences in Literature" with a theme of "Dysfunctional Families". The course will be taught in spring 2016 by Professor Levine and will meet on Tuesdays and Thursdays from 9:30-10:45 am. It will introduce students to critical reading, literary analysis, and academic writing through exploring a range of literature from different time periods, genres, and cultural contexts focused on the theme of dysfunctional families. Students will complete reading responses, two 4-6 page essays, a documented research essay, a presentation, and a final portfolio. Grading will be based on essays, class participation, assignments, a midterm, and the final portfolio
This document provides an agenda and information for the first class of a creative writing course. It includes:
- An overview of the syllabus/green sheet which outlines course requirements, policies, and materials.
- Details on setting up a WordPress account to submit homework and access course resources online.
- An explanation of the first homework assignment - to post 2-3 original haiku poems to the class website.
- Additional details on haiku as a poetic form, examples of haiku poems, and guidance for writing haiku in terms of form, structure, and language.
- A reading assignment on blank verse and a reminder to study the first 5 terms introduced in class.
This document outlines the assignment requirements for an English composition course. It includes details on 4 essays of varying lengths and topics that students will write over the course of the term. It also provides information on website posts, participation, quizzes, and workshops that will be part of the course grading. Students will write argumentative, narrative, and solution-proposing essays. Additional assignments include regular online posts in response to course readings, in-class participation, quizzes on reading material, and workshops on research and writing skills.
This document provides information about an introductory creative writing course titled EWRT 30. The course will explore various genres of creative writing including fiction, poetry, drama, and creative non-fiction. Students will read published works, discuss elements of creative writing, and workshop their original writing. Requirements include regular attendance, online submissions, quizzes, four writing projects of different genres, and a final portfolio. The course aims to help students understand and employ elements of creative writing.
From Group 1 I would choose the sleeping bag and hiking boots. The sleeping bag is essential for keeping warm at night in the wilderness. A down sleeping bag is lightweight and compressible, making it ideal to pack. The hiking boots are important for traversing rough terrain and providing foot protection, especially if encountering wildlife or poisonous plants. Waterproof boots would help keep feet dry in wet conditions.
From Group 2 I would select the tarp. The tarp could be used for shelter from rain or sun, and could also serve as a signaling device if needed for rescue.
From Group 3 the small knife would be most practical. A knife has many survival uses like preparing kindling, cutting rope or fishing line, or basic food
The biggest mistake we see every day with clients struggling with attracting attention to their content is the fact they focus too much on selling or pitching their company. Your content shouldn't be about you whether it's professional or personal - if you really want to engage your target audience, focus on these the 6 guiding principles for content in this deck.
About HANALI
HANALI is a sales enablement agency. We focus on helping companies grow their revenue. HANALI (www.hanali.co) is part of the Now Creative Group. This slide deck was created by Ali Hanif, CEO of HANALI and Roxanna Munoz, Designer at HANALI.
If you have any questions, comments or feedback, please send us an email at Team@Hanali.co
This document summarizes student surveys for ENG 201 courses and instructor Matthew Zebehazy from Spring 2005 at the University at Buffalo. For ENG 201 sections 6 and 4, students generally agreed that the syllabus and course elements helped them learn. They also felt the courses improved their skills and would recommend the courses to others. For instructor Zebehazy, students strongly agreed that he provided constructive feedback, enjoyed teaching, organized class time well, and taught at an appropriate level. They also highly recommended Zebehazy to other students. Some students commented that Zebehazy was an effective instructor who made the class interesting while ensuring they learned.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive function. Exercise causes chemical changes in the brain that may help protect against mental illness and improve symptoms.
This document provides grading standards and rubrics for an English 101 course. It defines the characteristics of papers that would receive grades from A to F. An A paper has an imaginative thesis, logical organization, original development with evidence, varied and fluent style, and is free of errors. A B paper meets most of these standards with some minor flaws. A C paper fulfills assignments adequately but may lack full development or have patterns of errors. A D paper has significant flaws in thesis, organization, support, style, and mechanics. An F paper demonstrates minimal effort. The document aims to clearly explain the criteria used to evaluate student work.
Wiley Spectra Lab is a powerful all-in-one analytical application for identifying unknown compounds using GC-MS, NMR, IR, Raman, and UV spectral data. It contains the world's largest spectral reference database with over 2.2 million spectra. Users can measure a sample's spectrum and query the database to identify matches. The software is available in Desktop, Web, and Server editions and provides fast, accurate searches to identify more compounds than other methods.
A hybrid cascaded multilevel converter for battery 2Ki Tu
This document describes a hybrid cascaded multilevel converter proposed for use in electric vehicle battery energy management systems. The converter consists of half-bridge converters connected to each individual battery cell that can control whether the cell is connected to or bypassed from the circuit. All the half-bridges are cascaded to output a multi-level staircase voltage. An H-bridge converter then changes the direction of the DC bus voltages to generate AC voltages for driving the motor. The converter allows for independent control and balancing of each battery cell's state of charge while generating cleaner multilevel output voltages suitable for motor drives.
This document discusses some key concepts of Marxism, including that economic systems structure societies, that theoretical ideas can only be judged based on their applications, and that ideology is used by ruling classes to confuse and control alienated groups. It then outlines Marxism's view of class systems and the role of ideology in perpetuating the status quo and false consciousness. The document argues that literature can either reinforce or critique prevailing ideologies and that realism is the best form for Marxist literary analysis since it accurately represents the real world.
The document discusses structuralism as a method used across various fields like linguistics, anthropology, and literary studies to systematically analyze the underlying structures that govern human experience and behavior. It provides an overview of structuralist thinkers like Saussure, Lévi-Strauss, and Barthes and how they applied structuralist principles to language, myth, and signs. The document also examines how structuralism influenced areas like narratology, genres, and literary interpretation through analyzing fundamental narrative units and rules of reading texts.
Synergy Consulting Group is an HR consulting firm in Indonesia that provides talent solutions and recruitment services. Their services include executive search, recruitment, HR consulting, training, and outsourcing. They specialize in placing Japanese and Mandarin speaking professionals in multi-national companies in industries like FMCG, retail, technology, and manufacturing. Their mission is to match high caliber talent to companies that fits their culture and strategies.
This document provides information about an English 2 transfer-level course, including the course description, goals, requirements, policies, grading, and textbooks. The main goals of the course are to develop critical thinking skills through analyzing texts and arguments. Students will write five formal papers of varying lengths, complete homework posts online, and take tests and quizzes. Grades are calculated on a 1000-point scale based on essays, homework, tests, and participation. Course policies address academic integrity, attendance, conduct, late work, and use of student papers.
This document provides information about an English 2 transfer-level course. The course applies critical thinking skills to reading and writing, with a focus on argument and issues. Key goals include analyzing values and assumptions, gaining competence as a critical thinker, and evaluating alternative perspectives. Students will summarize, analyze, and interpret ideas from texts. Requirements include class participation, assignments, five formal papers including one written in class, website posts, and tests. The grading system and policies on academic dishonesty, attendance, conduct, homework, quizzes, exams, late work, and use of student papers are also outlined.
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Tr syllabus -p3--fall2004
1. ENGLISH 101 P3: WRITING I
TUESDAY/THURSDAY 11:00 – 12:20 AM
BALDY 107
Instructor: Matthew A. Zebehazy, Adjunct Instructor
Office: Clemens 305
E-Mail: zebehazy@buffalo.edu
Office Hours: Thursday, 1:30 – 3:30 PM; ABA
Mailbox: Located outside the English Graduate Office, Clemens 302
Res quanto est maior tanto est insidiosior. (The bigger the undertaking, the trickier it is.)
-- Syrus, Maxims
Parturiunt montes, nascetur ridiculus mus. (The mountain groaned loudly in great labour, then bore a tiny mouse.)
-- Horace, Ars Poetica, 9
Mandare quemqueam litteris cogitations suas, qui eas nec disponere nec illustrare possit nec delectatione aliqua
adlicere lectorem, hominis est intemperanter abutentis et otio et litteris. (To write without clarity and charm is a
miserable waste of time and ink.)
-- Cicero, Tusculanae Disputationes, I, 2, 4
[All Latin quotes from Latin Quips at Your Fingertips: Witty Latin Sayings by Wise Romans by Rose Williams,
Barnes & Noble Books, New York, 2001, pages XXVI, LXVIII, LXXXIII.]
From small things, mamma, big things one day come.
-- Bruce Springsteen, From Small Things (Big Things One Day Come), The Essential Bruce Springsteen, Disc 3
This is a workshop course in writing in which class activities are essential to your development as a writer. In class
activities will include discussion, debate, written and oral responses, freewriting, and peer review. The success of the
course, and your successful performance in it, depends upon your participation and contributions, both spoken and
written. Therefore, you will write a lot and be given numerous opportunities to make writing a passion. Someday
you will be better writers than you are now. However, even the most accomplished writers are never truly finished
with their works; their writing is constantly changing and being tinkered with. That is what your job will be for this
course – to be able to start tinkering with your writing, using the tools that you will discover with guidance from me.
This will be a labor intensive undertaking, which will start out small and get bigger (and better) as we progress
through the semester. This is a tricky undertaking which will leave you dissatisfied and frustrated. However, from
that initial feeling of angst will come a feeling of accomplishment and success as you improve your skills
throughout the semester.
Texts: In the bookstore
Handbook: Muriel Harris’ fifth edition of Prentice Hall Reference Guide to Grammar and Usage (with
required dictionary and thesaurus)
Readings: David Madden’s A Pocketful of Essays, volume II: Thematically Arranged
Supplies:
A good dictionary, which I have included with the handbook. These are available in the bookstore.
A full-sized notebook for writing assignments in class, OR a 3 ring binder with looseleaf paper.
A sturdy folder in which you keep all your work for the class AND a disk on which you save all your writing
(including multiple drafts).
A pocket folder in which you put the cover letter, drafts and final version of each assignment when you hand it
in.
Note: Save all the writing you do during the semester. You can clear your files in December. Until then, you
never know what may prove to be useful during a revision. If you compose and revise on a computer, periodically
print out (or save on disk) versions of your draft so that you have a record of its process. Keep a copy for yourself
(either on disk or a hard copy) of all major assignments handed in to me. In addition, keep all drafts on which you
have received comments from me or your classmates. I will want all of these reviewed drafts at the end of the
semester when I am evaluating your portfolios.
1
2. Course Requirements and Grading Policy
This is a workshop course in writing in which class activities are essential to your development as a writer; in class
activities will include discussion, debate, written and oral responses, freewriting, peer review, and paper workshops
(critiquing and editing of your papers). The success of the course, and your successful performance in it, depends
upon your participation and contributions, both spoken and written.
UB uses a lettered grading policy, A - F, including + and - grades. Your final grade will be calculated according to
the following breakdown: Please refer to the handouts on grading for specifics.
An incomplete grade may only be given to students who have (1) fulfilled the attendance requirement for the
course and (2) completed all but one of the written assignments.
Engagement: 10%
Participation begins with attendance. Both absences and tardiness will affect this portion of your grade. You are
allowed two absences without penalty. A third absence will result in the reduction of this portion (Engagement) of
your grade by a full letter grade. [An A will become a B.] A fourth absence will result in the reduction of your final
grade by a full letter grade. [A B will become a C.] A fifth absence can result in a failing grade for the course.
Although the advice "Better late than never" should be heeded (you will learn by being present), arrival in class
more than 10 minutes after it begins will be considered an absence, and these will count against the total number of
absences you are allowed for this class.
*You are responsible for contacting me or a fellow class member if you miss a class, and you are expected to be
fully prepared for the next class session. This should not be a problem since everything covered in class is posted to
Blackboard on a daily basis. Further, I check my e-mail once per day, at a minimum. I know that sickness happens,
accidents happen, bad weather happens, computer problems happen, over-sleeping happens, family crises happen,
the bus never comes ... that's what the two excused absences are for. Save them for these kinds of emergencies.
Your engagement grade will also reflect the quality and thoughtfulness of your contributions in class, respect shown
to class members, your attitude and role in small group exercises, and evidence given of completion of reading
assignments. Preparation for, attitude toward, and involvement in our individual conferences count here, too.
Please note that many in-class writing exercises assume (and depend upon) your having read the assigned material.
Review your syllabus frequently, and plan your workload accordingly.
Major Assignments: 70%
Cover Letters, Letters of Response, and Homework: 10%
Essays are due at the beginning of class on the date due. Late essays are subject to having their final grade reduced
1/3 grade for each day late. [An A becomes an A- and an A- becomes a B+ on the second day late.] Don't test me on
this. And don't make it a habit. Absence from class on the date due does not excuse the lateness of your assignment.
Allow plenty of time for printing your essay in the computer lab, and/or keep an extra printer ribbon/ink cartridge
handy at home. If you are absent on a day when a paper is due, please submit it either through a friend in the class or
the Electronic Dropbox on Blackboard. These are the only methods that will prevent the paper from being
considered late and accruing late penalties.
All essays handed in to me are to be typed/word-processed. Use a reasonable font (usually 12 point Times New
Roman), double-spaced, with 1 inch margins. Be sure that you print on only one side of the page. Each essay to be
graded will be accompanied by a cover letter, minimum one page, detailing your writing process for that particular
piece and the essay's evolution, along with your assessment of the successful and less successful aspects of the
essay. Please be sure that these do not become formulaic. Consider each paper independently of the others. I will
not grade essays that are hand-written or lack a cover letter, and the assignment will accrue late penalties until it
satisfies this requirement.
Essays will be evaluated for: quality (including technical and mechanical elements); command of voice, tone, and a
sense of audience; the degree to which they satisfy the given assignment; and the development they demonstrate
from earlier efforts or original drafts. Please refer to the handouts on grading for more information.
2
3. Assignments submitted more than one week late will receive an F. However, you must complete all nine major
essay assignments and submit a complete final portfolio in order to earn a passing grade for the course.
Major assignments will be graded using the A - F scale. At times, I may assign you a grade of R, requesting a
revision of the piece before I formally grade it. You always have the right to revise your assignment for a higher
grade, and you may revise it as many times as you like, but I strongly encourage you to meet with me to discuss the
nature of the revisions you will make. All revisions of essays for a higher grade (accompanied by the original graded
essay) are due to me no later than Monday, November 18. We will use the last two weeks of class to workshop
essays and to develop writing portfolios. The writing portfolio will include three final revisions of earlier essays.
Plagiarism: Plagiarism is using another person's words and ideas as though they were your own. It is easy to avoid
plagiarism: simply put the material you have taken from someone else's writing in quotation marks and cite the
person's name and publication in your paper. Plagiarism is a serious offense which can result in expulsion from the
University. A paper which contains any plagiarized material at all will receive an F; two such plagiarized papers will
result in the student receiving an F for the course. (Note: plagiarism is not restricted to the use of published work;
the passing of another student's work as your own is also a case of plagiarism.) Further, according to Student
Conduct Rules, University Standards and Administrative Regulations (August, 2003) plagiarism is defined as
“copying or receiving material from a source or sources and submitting this material as one’s own without
acknowledging the particular debts to the source (quotations, paraphrases, basic ideas), or otherwise representing the
work of another as one’s own” (p. 2).
End of Term Portfolio: 10%
Your portfolio consists of all writing submitted in this course: rough drafts, graded drafts, and writing especially
revised for the portfolio reviews (see the schedule). The end-of-semester portfolio will include a midterm and final
autobiography of yourself as a writer and final revisions of three of the major assignments. The nature of these
revisions will be discussed in class.
WARNING
Please do not stop coming to class without contacting me as soon as possible. The more you miss, the less likely it is
that you will do well in this class. Please remember that a third absence negatively impacts your Engagement grade
and any absences after that negatively impact your final grade. Also, do not, under any circumstances, decide not to
turn in any assignments until the middle of the semester. I will not tolerate this and will be forced to take
disciplinary action.
3
4. TR Schedule
DATE ACTIVITIES/ASSIGNMENTS
T Aug 31 Syllabus overview. Brief review of eight parts of speech plus run-ons and fragments. In-class
writing: The title of my autobiography would be … because … Essay #1: Process intro. Topic:
How to X. Explain a unique or weird talent you have OR Describe a skill you learned from
someone whom you admire. Assigned readings: “Those Crazy Ideas” (p. 132) and “My Daily
Dives in the Dumpster” (p. 88).
R Sep 2 Readings discussed. Lesson on paragraphs and thesis statements. Essay #1 workshop.
T Sep 5 Process due. Lesson on critical reading. Essay #2: Illustration and Example intro. Topic: My first
experience of race/class/gender discrimination OR Times when I hate my country/disagree with
the government. Assigned readings: “On Holidays and How to Make Them Work” (p. 159) and
“University Days” (p. 40).
R Sep 9 Readings discussed. Lesson on passive and active voice plus prepositions. Illustration and
Example workshop.
T Sep 14 Illustration and Example due. Lesson on responding to literature and cover letters. Essay #3:
Cause and Effect #1 intro. Topic: If x happens, then y will result because of z. Assigned readings:
“A Nation of Welfare Families (p. 100), “Sex, Drugs, Disasters, and the Extinction of Dinosaurs”
(p. 141), and “The Human Cost of An Illiterate Society” (p. 49).
R Sep 16 Readings discussed. Lesson on comma usage and splices. Cause and Effect #1 workshop.
T Sep 21 Cause and Effect #1 due. Lesson on consistency, sentence variety and themes. Essay #4: Cause
and Effect #2 started in class. Topic: Decided by class brainstorm.
R Sep 23 Lesson on summarizing and outlining. Cause and Effect #2 workshop
T Sep 28 Cause and Effect #2 due. Lesson on agreement and modifiers. Essay #5: Classification and
Division intro. Topic: Lies or Greed. Assigned readings: “Territorial Behavior” (p. 80), “”Mother
Tongue” (p. 59),and “Friends, Good Friends – and Such Good Friends” (p. 120).
R Sep 30 Quiz 1: Grammar and Mechanics. Readings discussed. Letter of self-evaluation #1 discussed.
Classification and Division#1 workshop.
T Oct 5 Classification and Division#1 due. Lesson on writing for a specific audience. Essay #6:
Classification and Division #2 started in class. Topic: Open to class brainstorm.
R Oct 7 Lesson on the apostrophe and faulty parallelism. Classification and Division workshop.
T Oct 12 No class. Midterm Conferences. Bring letter of self-evaluation with you.
R Oct 14 No class. Midterm Conferences. Bring letter of self-evaluation with you.
T Oct 19 Classification and Division due. Grammar reviewed until last day. Essay # 7: Comparison and
Contrast intro. Topic: Compare and contrast gender approaches to a given activity or ritual.
Assigned readings: “The Tapestry of Friendships” (p. 124) and “Two Views of the Mississippi”
(p. 70)
R Oct 21 Readings discussed. Comparison and Contrast workshop. (Oct. 22: Resign date for continuing
students)
T Oct 26 Comparison and Contrast #1 due. Revision Workshop #1.
R Oct 28 Quiz 2: A Smattering of What We’ve Learned. Revision Workshop #2.
T Nov 2 Essay #8: Comparison and Contrast #2 started in class. Topic: Then and Now. Assigned reading:
“Talk in the Intimate Relationship: His and Hers” (p. 5).
R Nov 4 Comparison and Contrast #2 workshop.
T Nov 9 Comparison and Contrast #2 due. Essay #9: Argument intro. Dear Matt letters explained.
Assigned readings: “None of this is Fair” (p. 45) and “Letter from Birmingham Jail in Response to
Public Statement by Eight Alabama Clergymen” (p. 104).
R Nov 11 Readings discussed. Argument topics brainstormed. Dear Matt letters due at end of class. (Nov
12: Extended resign date for first-semester students)
T Nov 16 Argument essays started in class.
R Nov 18 Quiz 3: Modes. Argument essay conferences. Final day to turn in revisions for a higher grade.
T Nov 23 Argument workshop.
R Nov 25 THANKSGIVING
T Nov 30 Argument essay due. Letter of self-evaluation #2 discussed and started in class.
R Dec 2 Portfolio setup and review.
T Dec 7 Portfolio setup and review.
R Dec 9 Final portfolios due to me in my office no later than 3:30 PM.
4