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+ 
The Descent Analysis 
Zachary Buchanan
+ 
The second scene is a MS (Mid Shot) of the main protagonists 
young deceased daughter and he birthday cake a reminder of 
what has occurred 
MS(Medium Shot)
+ 
The next scene is a MCU which is a Medium Close up of the main 
protagonist in the hospital, with no clue of what happened on that fateful day 
MCU ( Medium Close Up)
+ 
Then it pans into a MS where she id trying to find out where she currently is 
and how she got their in that current state 
MS(Medium Shot)
+ 
The Next scene is a CA (Cutaway) to the heart 
monitor where she is hooked up to heart 
monitor and showing if she’s alive or not 
CA (Cut Away
+ 
Then she appears in a MS (Mid shot) in said corridor her being scared 
and confused where her family is 
MS(Medium Shot)
+ 
Then it pans into another WS where her full body is shown where 
it’s mixed between and an VWS (Very Wide Shot) showing how 
isolated she really is 
VWS(Very Wide Shot)/WS
+ 
Then it the movie has a trombone effect where it zooms into the main 
protagonist face and creates a CU (Close Up) and shows how the 
sudden realization of what may have happened 
CU (Close Up)
+ 
Then it pans into a MCU where she is “followed” by someone or 
something and how it builds suspense 
MCU ( Medium Close Up)
+ 
Then again into a MCU where she is running away, this could as be a POV of what 
she is running away from 
MCU(Medium Close Up)/ POV
+POV(Point of Way/WS 
Then is a POV of the thing she is followed by and whilst still an, WS where 
she is running away . This is also when the Steady Cam comes into play
+ 
Then it is still a POV of the thing she is followed by and whilst still an, Where 
she is running away . This is also where the Steady Cam comes into play 
POV(Point of Way)/WS
+ 
Then it is the final POVs shot and VWS in the scene and is the last time they 
use the SteadiCam in the hallway chase, another effective thing about this 
is how the lights turn off slowly the further away she get from the camera. 
POV(Point of View)/VWS
+ 
Then the WS turns straight into the a Two Shot where the the 
protagonist and best friend hug over what has occurred in the car 
crash 
WS (Wide Shot)
+ 
Two Shot 
Then pans around the the two using the steady cam in a Two-Shot this 
implies that she has escaped the darkness and realized what has happened
+ Over the Shoulder 
Then it is an over the shoulder where we see the protagonist latch's on 
whilst grieving on her friends arm about how she has lost her child and 
family
+Two Shot 
Then it is a Two Shot of the those two crying in grief and anger showing 
them that they have lost their closest ones.
+CU (Cut Away) 
Then it Pans into a CU (Clos up) of the third musketeer where she shows 
emotion of loosing her causal love fling ( best friends husband) and best 
friends daughter
+WS (Wide Shot 
Then it has it’s final scene before the time skip where they both 
cry in agony and the the third “friend” walks of in pain.
+ VWS (Very Wide Shot) 
Then it has it’s final Frame where it’s a VWS of the pair crying in 
agony about the loss of today and how they can never changed what 
happened on that Day.

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The descent analysis

  • 1. + The Descent Analysis Zachary Buchanan
  • 2. + The second scene is a MS (Mid Shot) of the main protagonists young deceased daughter and he birthday cake a reminder of what has occurred MS(Medium Shot)
  • 3. + The next scene is a MCU which is a Medium Close up of the main protagonist in the hospital, with no clue of what happened on that fateful day MCU ( Medium Close Up)
  • 4. + Then it pans into a MS where she id trying to find out where she currently is and how she got their in that current state MS(Medium Shot)
  • 5. + The Next scene is a CA (Cutaway) to the heart monitor where she is hooked up to heart monitor and showing if she’s alive or not CA (Cut Away
  • 6. + Then she appears in a MS (Mid shot) in said corridor her being scared and confused where her family is MS(Medium Shot)
  • 7. + Then it pans into another WS where her full body is shown where it’s mixed between and an VWS (Very Wide Shot) showing how isolated she really is VWS(Very Wide Shot)/WS
  • 8. + Then it the movie has a trombone effect where it zooms into the main protagonist face and creates a CU (Close Up) and shows how the sudden realization of what may have happened CU (Close Up)
  • 9. + Then it pans into a MCU where she is “followed” by someone or something and how it builds suspense MCU ( Medium Close Up)
  • 10. + Then again into a MCU where she is running away, this could as be a POV of what she is running away from MCU(Medium Close Up)/ POV
  • 11. +POV(Point of Way/WS Then is a POV of the thing she is followed by and whilst still an, WS where she is running away . This is also when the Steady Cam comes into play
  • 12. + Then it is still a POV of the thing she is followed by and whilst still an, Where she is running away . This is also where the Steady Cam comes into play POV(Point of Way)/WS
  • 13. + Then it is the final POVs shot and VWS in the scene and is the last time they use the SteadiCam in the hallway chase, another effective thing about this is how the lights turn off slowly the further away she get from the camera. POV(Point of View)/VWS
  • 14. + Then the WS turns straight into the a Two Shot where the the protagonist and best friend hug over what has occurred in the car crash WS (Wide Shot)
  • 15. + Two Shot Then pans around the the two using the steady cam in a Two-Shot this implies that she has escaped the darkness and realized what has happened
  • 16. + Over the Shoulder Then it is an over the shoulder where we see the protagonist latch's on whilst grieving on her friends arm about how she has lost her child and family
  • 17. +Two Shot Then it is a Two Shot of the those two crying in grief and anger showing them that they have lost their closest ones.
  • 18. +CU (Cut Away) Then it Pans into a CU (Clos up) of the third musketeer where she shows emotion of loosing her causal love fling ( best friends husband) and best friends daughter
  • 19. +WS (Wide Shot Then it has it’s final scene before the time skip where they both cry in agony and the the third “friend” walks of in pain.
  • 20. + VWS (Very Wide Shot) Then it has it’s final Frame where it’s a VWS of the pair crying in agony about the loss of today and how they can never changed what happened on that Day.