I Watched Hitlers Circle of Evil on Netflix This is What I Learned 1/2 Charlie
I watched Hitler's Circle of Evil on Netflix and record down what I learned from the show and its insights about the Nazis, World War 2, and most of all the evil members of Hitler's inner circle.
I Watched Hitlers Circle of Evil on Netflix This is What I Learned 1/2 Charlie
I watched Hitler's Circle of Evil on Netflix and record down what I learned from the show and its insights about the Nazis, World War 2, and most of all the evil members of Hitler's inner circle.
ентральне розвідувальне управління США оприлюднило доповідь, яка має назву «Біографічні нариси Гітлера та Гіммлера». Це 70 сторінок про улюблену іжу, напої, заняття, сексуальну орієнтацію та інші звички Адольфа Гітлера. Доповідь датована 3 грудня 1942 року та базується на розповідях друга Гітлера Ернста Генфштенгля, який емігрував в США.
29.4Heinrich Himmler, Speech to SS Officers in Posen”As the lea.docxlorainedeserre
29.4Heinrich Himmler, “Speech to SS Officers in Posen”
As the leader of the SS (Schutzstaffel), one of the Nazi Party’s paramilitary organizations, Heinrich Himmler played a central role in the Holocaust. The SS’s role was diverse, but it’s most important duty was carrying out the racial policies of the Nazi regime, including the extermination of European Jewry and the millions of other victims, including the Roma and Sinti peoples, homosexuals, and other untermenschen (subhumans) who lived in Eastern Europe. In this excerpt on October 4, 1943 from a speech Himmler delivered to SS officers in German-occupied Poland, Himmler acknowledges the toll this process took on the perpetrators, but demands that it continue for the good of Germany. In his description of the horror of the Holocaust, he also reveals that the murder of millions occurred as much through face-to-face violence as it did in the industrial process of extermination camps such as Auschwitz.
‘I also want to mention a very grave matter here before you in complete frankness,’ said Himmler, during the speech. ‘We can talk about it quite openly among ourselves, but we shall never speak of it in public. Just as we did not hesitate to do our duty as we were ordered to on 30 June 1934, and stand comrades who had lapsed against the wall and shoot them, so we have never spoken about it, and we shall never speak of it. It was a matter of tact, for all us, thank God, never to speak of it, never to talk of it. It appalled everyone, and yet everyone was absolute in his mind that he would do it again if ordered to do so, and if it should be necessary.
I am referring now to the evacuation of the Jews, the extermination of the Jewish people. It is one of those things which is easy to talk about. ‘The Jewish people will be exterminated,’ says every Party comrade, ‘It’s clear, it’s in our programme. Elimination of the Jews, extermination – we’ll do it.’ And then they all come along, these worthy 80 million Germans, and every one of them produces his decent Jew. Of course, it’s quite obvious that the others are swine, but this one is a fine Jew. Not one of those who speak this way has watched it happening, not one of them has been through it.
Most of you know what it means when 100 bodies lie side by side, or when 500 or a 1,000 lie there. To have stuck it out – apart from exceptions caused by human weakness – and to have remained decent, that has made us tough. This is a glorious entry in our history which has never been written, and can never be written. For we know how difficult it would be for us if we still had the Jews, as secret saboteurs, agitators and trouble makers, amongst us now, in every city on top of the bombing raids, together with the suffering and deprivations of the war. We would probably already be in the same situation as in 1916/17 if the Jews were still part of the body of the German people.’
By October 1943, as Himmler stood and spoke these words, the Nazi state was in trouble ...
29.4Heinrich Himmler, Speech to SS Officers in Posen”As the lea.docxjesusamckone
29.4Heinrich Himmler, “Speech to SS Officers in Posen”
As the leader of the SS (Schutzstaffel), one of the Nazi Party’s paramilitary organizations, Heinrich Himmler played a central role in the Holocaust. The SS’s role was diverse, but it’s most important duty was carrying out the racial policies of the Nazi regime, including the extermination of European Jewry and the millions of other victims, including the Roma and Sinti peoples, homosexuals, and other untermenschen (subhumans) who lived in Eastern Europe. In this excerpt on October 4, 1943 from a speech Himmler delivered to SS officers in German-occupied Poland, Himmler acknowledges the toll this process took on the perpetrators, but demands that it continue for the good of Germany. In his description of the horror of the Holocaust, he also reveals that the murder of millions occurred as much through face-to-face violence as it did in the industrial process of extermination camps such as Auschwitz.
‘I also want to mention a very grave matter here before you in complete frankness,’ said Himmler, during the speech. ‘We can talk about it quite openly among ourselves, but we shall never speak of it in public. Just as we did not hesitate to do our duty as we were ordered to on 30 June 1934, and stand comrades who had lapsed against the wall and shoot them, so we have never spoken about it, and we shall never speak of it. It was a matter of tact, for all us, thank God, never to speak of it, never to talk of it. It appalled everyone, and yet everyone was absolute in his mind that he would do it again if ordered to do so, and if it should be necessary.
I am referring now to the evacuation of the Jews, the extermination of the Jewish people. It is one of those things which is easy to talk about. ‘The Jewish people will be exterminated,’ says every Party comrade, ‘It’s clear, it’s in our programme. Elimination of the Jews, extermination – we’ll do it.’ And then they all come along, these worthy 80 million Germans, and every one of them produces his decent Jew. Of course, it’s quite obvious that the others are swine, but this one is a fine Jew. Not one of those who speak this way has watched it happening, not one of them has been through it.
Most of you know what it means when 100 bodies lie side by side, or when 500 or a 1,000 lie there. To have stuck it out – apart from exceptions caused by human weakness – and to have remained decent, that has made us tough. This is a glorious entry in our history which has never been written, and can never be written. For we know how difficult it would be for us if we still had the Jews, as secret saboteurs, agitators and trouble makers, amongst us now, in every city on top of the bombing raids, together with the suffering and deprivations of the war. We would probably already be in the same situation as in 1916/17 if the Jews were still part of the body of the German people.’
By October 1943, as Himmler stood and spoke these words, the Nazi state was in trouble.
FEW THINGS TO SHARE ABOUT HITLER:
1.He ordered not to make any destruction to cambridge University Library during II WORLD WAR.
2.Hitler never Drinks.
3.He had a very strong patriotism than any other person.
4.Some say and talk a lot but fail to Do - but - he said and achieved.
5. There is a petty SHOP in the name of Hitler in Ahmedabad
6.He is a good artist.
7.MERCEDES BENZ IS HIS ENGINEERING MIND.
Instructions for Submissions thorugh G- Classroom.pptxJheel Barad
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An EFL lesson about the current events in Palestine. It is intended to be for intermediate students who wish to increase their listening skills through a short lesson in power point.
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The Roman Empire, a vast and enduring power, stands as one of history's most remarkable civilizations, leaving an indelible imprint on the world. It emerged from the Roman Republic, transitioning into an imperial powerhouse under the leadership of Augustus Caesar in 27 BCE. This transformation marked the beginning of an era defined by unprecedented territorial expansion, architectural marvels, and profound cultural influence.
The empire's roots lie in the city of Rome, founded, according to legend, by Romulus in 753 BCE. Over centuries, Rome evolved from a small settlement to a formidable republic, characterized by a complex political system with elected officials and checks on power. However, internal strife, class conflicts, and military ambitions paved the way for the end of the Republic. Julius Caesar’s dictatorship and subsequent assassination in 44 BCE created a power vacuum, leading to a civil war. Octavian, later Augustus, emerged victorious, heralding the Roman Empire’s birth.
Under Augustus, the empire experienced the Pax Romana, a 200-year period of relative peace and stability. Augustus reformed the military, established efficient administrative systems, and initiated grand construction projects. The empire's borders expanded, encompassing territories from Britain to Egypt and from Spain to the Euphrates. Roman legions, renowned for their discipline and engineering prowess, secured and maintained these vast territories, building roads, fortifications, and cities that facilitated control and integration.
The Roman Empire’s society was hierarchical, with a rigid class system. At the top were the patricians, wealthy elites who held significant political power. Below them were the plebeians, free citizens with limited political influence, and the vast numbers of slaves who formed the backbone of the economy. The family unit was central, governed by the paterfamilias, the male head who held absolute authority.
Culturally, the Romans were eclectic, absorbing and adapting elements from the civilizations they encountered, particularly the Greeks. Roman art, literature, and philosophy reflected this synthesis, creating a rich cultural tapestry. Latin, the Roman language, became the lingua franca of the Western world, influencing numerous modern languages.
Roman architecture and engineering achievements were monumental. They perfected the arch, vault, and dome, constructing enduring structures like the Colosseum, Pantheon, and aqueducts. These engineering marvels not only showcased Roman ingenuity but also served practical purposes, from public entertainment to water supply.
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2024.06.01 Introducing a competency framework for languag learning materials ...Sandy Millin
http://sandymillin.wordpress.com/iateflwebinar2024
Published classroom materials form the basis of syllabuses, drive teacher professional development, and have a potentially huge influence on learners, teachers and education systems. All teachers also create their own materials, whether a few sentences on a blackboard, a highly-structured fully-realised online course, or anything in between. Despite this, the knowledge and skills needed to create effective language learning materials are rarely part of teacher training, and are mostly learnt by trial and error.
Knowledge and skills frameworks, generally called competency frameworks, for ELT teachers, trainers and managers have existed for a few years now. However, until I created one for my MA dissertation, there wasn’t one drawing together what we need to know and do to be able to effectively produce language learning materials.
This webinar will introduce you to my framework, highlighting the key competencies I identified from my research. It will also show how anybody involved in language teaching (any language, not just English!), teacher training, managing schools or developing language learning materials can benefit from using the framework.
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Basic phrases for greeting and assisting costumers
The dangers of portraying hitler
1. The dangers of portraying Hitler
Downfall film director said that "evil comes with a smiling face" as Bruno Ganz talks
about the problems of playing Nazi leader Adolf Hitler in his final days
By Sheila Johnston
10:03AM BST 30 Apr 2015
On April 30, 1945, Adolf Hitler
shot himself dead in his
underground bunker beneath
the Chancellery in Berlin. Eva
Braun, whom he had married
the previous day, died beside
him by taking a cyanide pill.
In this article, first published
in 2005, Swiss actor Bruno
Ganz, the man behind the
controversial film about Hitler called Downfall talked about the dangers of portraying him
as a human being
"Gentlemen," declared Joseph Goebbels in the final days of the Berlin bunker, "a hundred years
on, a splendid colour film will be shown about these terrible times we're living through." The
situation might seem desperate now, Hitler's Minister of Propaganda explained, but everyone just
needed to hold out a little longer. Because, a century on, audiences would whoop and whistle
when they saw their heroes on the silver screen.
Two weeks later, it was over. Hitler and his new wife, Eva Braun, were dead and Goebbels's own
wife, Magda, had poisoned their six apple-cheeked children rather than watch them grow up in a
world without National Socialism.
Still, at least the film, called Downfall, has arrived, a full four decades ahead of Goebbels's
schedule. It is, however, doubtful whether audiences will whoop and whistle at the sight of it.
It shows the Third Reich crumbling amid the bang of bombs and the whimper of recrimination. The
bunker's inmates quarrel and party in a grisly dance of death, while Hitler appears as a quivering
wreck, one minute blubbering in self-pity, the next mustering the energy to rant hatefully about the
Final Solution or tucking into ravioli. But in Germany the debate has raged over whether it is
permissible to portray Hitler as a human being at all.
That honour in Downfall belongs to the distinguished Swiss actor Bruno Ganz, possessor of the
mystical Iffland Ring, which for 200 years has been awarded to the most important German-
speaking actor of each generation.
2. Eva Braun (Juliane Koehler, left), Adolf Hitler
(Bruno Ganz, middle) and Albert Speer
(Heino Ferch) in Dow nfall
Ganz says that, of course he
shuddered, just as anyone
else would, at the role. "I
asked people I've known a
long time and whom I trust,
and they all advised me
against it," he told the
Süddeutsche Zeitung. "We've
internalised a kind of taboo
against playing him."
He was encouraged by the
wealth of source material: a rare tape-recording of Hitler speaking in his normal, non-demagogic
voice and the many personal memoirs by the people around him. They provided minute insights
into how Hitler walked, talked and cleared his throat. These, Ganz said, enabled him not to brood
too long on the man's deadly Weltanschauung but to concentrate instead on the way he held his
hands.
But, Ganz also adds, "people around me claim that, while making the film, I talked a lot about
Hitler, and not always with the proper, politically correct distance". And, when he said that he was
not ashamed to arouse pity for Hitler "for fractions of seconds", his cautious confession sent shock
waves rippling through the nation.
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Apart from GW Pabst's 1955 film The Last Ten Days, the only previous German attempt to show
the Führer on screen has been Hans Juergen Syberberg's eccentric six-hour epic, Hitler, A Film
From Germany, made in 1977. Then, Syberberg agonised over how, or even whether, to depict
his protagonist. In the end,
Hitler was played by different actors, performed by puppets and even voiced by a ventriloquist's
doll. It was a low-budget, high-camp, extremely polemical tour through the German psyche and
the reasons for Hitler's hold over it.
Downfall is nothing like that. A relatively lavish £10 million production with a large cast, it's based
on historical sources: Inside Hitler's Bunker, by the scholar Joachim Fest, and Until the Final Hour,
by Traudl Junge, Hitler's private secretary. This time the aim, according to Bernd Eichinger, who
produced both it and Syberberg's film, is to "grip the viewer, without preaching at him".
Syberberg supports Downfall. He feels the time is now right to paint a realistic portrait of Hitler. Not
so another member of this older generation of German film-makers. In a passionate, very detailed
review in Die Zeit, Wim Wenders wrote that he had spent a sleepless night after seeing Downfall.
On a second viewing, he detected its absence of any strong point of view about Hitler which, in the
end, made him harmless.
3. Dow nfallw asnominated for the Academy Award for Best Foreign Language Film
Wenders compared
Downfall unfavourably with
Resident Evil, a Hollywood
potboiler about flesh-eating
zombies. There, at least,
you knew who the baddies
were.
"Of course the film has a
point of view," counters Dr
Fest. "Hitler was a master
of that smooth Viennese
charm, especially towards
women. But just because
he was sometimes nice to
his secretary doesn't mean he was a humane person. To conclude that is simply silly. Wim
Wenders would have liked to make a film that attracted two million viewers. Downfall was seen by
five million Germans."
Many American critics, on the other hand, were more concerned by the film's sympathetic take on
some of the secondary characters. "Next to the Goebbelses and to Hitler, many of the others don't
look too bad," objected a typical review in The New York Times. "The movie is sending its
domestic audience the soothing message that ordinary Germans were above all the victims of
Nazism."
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Olivier Hirschbiegel, the director of Downfall, says:"They just got it wrong. Bad people do not walk
around with claws like vicious monsters, even though it might be comforting to think so. Everyone
intelligent knows that evil comes along with a smiling face."
He has dealt before with man's inhumanity to man in an earlier film - The Experiment, based on an
experiment in which students role-played guards and prisoners. Things quickly turned nasty and
the two-week test was terminated after six days.
"Evil seems to be the most powerful force at work in the world," says Hirschbiegel, who found the
shoot of Downfall deeply depressing. "You have to protect your soul. When I got home each day, I
took a long shower and listened to Johann Sebastian Bach, and that helped."
On one point, all agree: Hitler himself remains an enigma. Hirschbiegel quotes Sebastian Haffner's
book, The Meaning of Hitler. "He came to the conclusion that Hitler was like a shell. He had lots of
ways of seducing people; even his frequent self-pity was a weapon to make people respond. But
inside this shell you would find nothing. No warmth, no heart, no passion for anything, except an
enormous will for destruction."