The University of the West Indies, Cave Hill Campus, in partnership with the Ministry of Culture, Sports and Youth, Barbados, will host the CARIFESTA XIII Symposium entitled “The Caribbean, the Arts and the Cultural Industries: Negotiating Tradition, Aesthetics, Economics and Legacy.” The Symposium will be hosted at The University of the West Indies, Cave Hill Campus, from 19-23 August 2017.
The Black Festival was introduced in West Africa bt the late President Sedat Senghore of the Republic of Senegal. The Black Festival is celebrated every year around the month of September-
The Manhattanville community will have the opportunity to learn about the history of the college during the second annual Valiant Week hosted by the First Year Program and First Year Advisory Committee. Valiant Week begins Monday September 16th and will conclude on Friday September 20th. Here is a complete list of Valiant Week events. For more information please visit http://mville.edu/gps.
The Black Festival was introduced in West Africa bt the late President Sedat Senghore of the Republic of Senegal. The Black Festival is celebrated every year around the month of September-
The Manhattanville community will have the opportunity to learn about the history of the college during the second annual Valiant Week hosted by the First Year Program and First Year Advisory Committee. Valiant Week begins Monday September 16th and will conclude on Friday September 20th. Here is a complete list of Valiant Week events. For more information please visit http://mville.edu/gps.
Letter of attestation regarding the "Study and development of a Records Retention and Archive System for the preservation of paper records of the ACP Secretariat"
Letter of attestation from the University of the West Indies Open Campus regarding development of CPE Programme: Foundations of Records Management https://www.open.uwi.edu/programmes/foundations-records-management
Letter of attestation from the Barbados National Standards Institution (BNSI) regarding participation in technical committee for BS ISO 15489-1:2013 Information and documentation – Records management - Part 1: Concepts and principles.
Certified Records Analyst (CRA) QualificationEmerson Bryan
Attaining the Certified Records Analyst (CRA) designation is based on educational background, professional work experience and successful completion of a three-part examination consisting of:
Part 2 - Records and Information: Creation and Use
Part 3 - Records Systems, Storage and Retrieval
Part 4 - Records Appraisal, Retention, Protection and Disposition
Parts 2 through 4 each consist of 100 multiple-choice questions. Part 6 is an essay question and requires a well thought, detailed response in a business case format. All examination questions are in English. The multiple-choice questions in Parts 2 through 4 are chosen as equally as possible from all parts of the Examination Outlines
The questions in each part are based on fundamental records and information management practices, and are meant to represent the best practices in the industry. Questions are NOT included in the test bank if they refer solely to the practices of a specific country, vendor or company.
Presentation delivered at the MIND Policy Forum at the Management Institute for National Development (MIND) in Kingston, Jamaica on Friday, December 1, 2017.
E. Bryan - Changing the Paradigm - Record and Information Management for Pub...Emerson Bryan
Presentation delivered at the MIND Policy Forum at the Management Institute for National Development (MIND) on Friday, December 1, 2017.
See link: https://www.scribd.com/document/369215645/MIND-Policy-Forum-Decemeber-2017
University Certificate: Museum Conservation SkillsEmerson Bryan
Organization of American States (OAS)/ University of the West Indies' (UWI) Open Campus Cultural Studies Programme - HIST6821 Museum Conservation Skill, January-May 2017
E. Bryan Digital curation of digital cultural assets- Mutual interest of AL...Emerson Bryan
The University of the West Indies, Cave Hill Campus, in partnership with the Ministry of Culture, Sports and Youth, Barbados, will host the CARIFESTA XIII Symposium entitled “The Caribbean, the Arts and the Cultural Industries: Negotiating Tradition, Aesthetics, Economics and Legacy.”
The Symposium was hosted at The University of the West Indies, Cave Hill Campus, from 19-23 August 2017.
E. Bryan - Traditional Knowledge Digital Repository - Considerations for Domi...Emerson Bryan
Description:
Traditional knowledge (TK) is knowledge, know-how, skills and practices that are developed, sustained and passed on from generation to generation within a community, often forming part of its cultural or spiritual identity. The Kalinago Barana Aute has been a fixture on the landscape of Waitukubuli for years, however, aside from the direct encounter with the indigenous peoples, physical access to the Council, and limited literary and artefacts within various repositories such as the Documentation Centre, the Dominica Museum or the Ministry of Kalinago Affairs in Roseau. However, there is a clear need to expand access to not just the physical artefacts accessible via these repositories, but also through the development of a specific resource to support the work of the Kalinago Council to revive, assist and maintain Kalinago traditions through song, dances, herbal medicine and some aspects of the ancient Kalinago language. Such a repository would support Dominica’s ratification of the UNESO Convention for the Safeguarding of the Intangible Cultural Heritage, 2003. This support of a repository is especially critical for the continued survival of the Kalinago’s heritage, as the Commonwealth of Dominica is also a small island development state, and therefore has to remain competitive should it hope to realize the United Nations Sustainable Development Goals (SDGs ), and especially under goals 11 and 13.
Also, the role and participation of indigenous peoples such as the Kalinago in global concerns such as traditional medicine, oral tradition, climate change, disaster risk reduction, tourism and sustainable development require great access to resources, including in cyberspace, to drive awareness of the Kalinago, as well as provide access to perspectives specific to Dominica, and the rich cultural heritage of these indigenous people .
Objectives:
The presentation will:
• Introduce some definitions on the subject of traditional knowledge
• Discuss the global and regional initiatives aimed at addressing traditional knowledge
• Consider some “Implementable” current best practices for developing a TK Repository
• Describe some necessary stages which must be considered for a proposed Kalinago TK Repository
SLCC 2016 Presentation Schedule - Day 2Emerson Bryan
The University of the West Indies Saint Lucia Country Conference 2016
The overall theme of the conference is: “Collegial Information Sharing for Sustainable Development”. This conference is expected to create an environment for sharing and learning, which is a necessary step towards establishing the links which facilitate the management of indigenous knowledge for our own use, thus providing an avenue by which academic research on Saint Lucia can make a substantial contribution to global discourse.
SLCC 2016 Presentation Schedule - Day 2Emerson Bryan
The University of the West Indies Saint Lucia Country Conference 2016
The overall theme of the conference is: “Collegial Information Sharing for Sustainable Development”. This conference is expected to create an environment for sharing and learning, which is a necessary step towards establishing the links which facilitate the management of indigenous knowledge for our own use, thus providing an avenue by which academic research on Saint Lucia can make a substantial contribution to global discourse.
Model Attribute Check Company Auto PropertyCeline George
In Odoo, the multi-company feature allows you to manage multiple companies within a single Odoo database instance. Each company can have its own configurations while still sharing common resources such as products, customers, and suppliers.
Operation “Blue Star” is the only event in the history of Independent India where the state went into war with its own people. Even after about 40 years it is not clear if it was culmination of states anger over people of the region, a political game of power or start of dictatorial chapter in the democratic setup.
The people of Punjab felt alienated from main stream due to denial of their just demands during a long democratic struggle since independence. As it happen all over the word, it led to militant struggle with great loss of lives of military, police and civilian personnel. Killing of Indira Gandhi and massacre of innocent Sikhs in Delhi and other India cities was also associated with this movement.
Synthetic Fiber Construction in lab .pptxPavel ( NSTU)
Synthetic fiber production is a fascinating and complex field that blends chemistry, engineering, and environmental science. By understanding these aspects, students can gain a comprehensive view of synthetic fiber production, its impact on society and the environment, and the potential for future innovations. Synthetic fibers play a crucial role in modern society, impacting various aspects of daily life, industry, and the environment. ynthetic fibers are integral to modern life, offering a range of benefits from cost-effectiveness and versatility to innovative applications and performance characteristics. While they pose environmental challenges, ongoing research and development aim to create more sustainable and eco-friendly alternatives. Understanding the importance of synthetic fibers helps in appreciating their role in the economy, industry, and daily life, while also emphasizing the need for sustainable practices and innovation.
Read| The latest issue of The Challenger is here! We are thrilled to announce that our school paper has qualified for the NATIONAL SCHOOLS PRESS CONFERENCE (NSPC) 2024. Thank you for your unwavering support and trust. Dive into the stories that made us stand out!
2024.06.01 Introducing a competency framework for languag learning materials ...Sandy Millin
http://sandymillin.wordpress.com/iateflwebinar2024
Published classroom materials form the basis of syllabuses, drive teacher professional development, and have a potentially huge influence on learners, teachers and education systems. All teachers also create their own materials, whether a few sentences on a blackboard, a highly-structured fully-realised online course, or anything in between. Despite this, the knowledge and skills needed to create effective language learning materials are rarely part of teacher training, and are mostly learnt by trial and error.
Knowledge and skills frameworks, generally called competency frameworks, for ELT teachers, trainers and managers have existed for a few years now. However, until I created one for my MA dissertation, there wasn’t one drawing together what we need to know and do to be able to effectively produce language learning materials.
This webinar will introduce you to my framework, highlighting the key competencies I identified from my research. It will also show how anybody involved in language teaching (any language, not just English!), teacher training, managing schools or developing language learning materials can benefit from using the framework.
Macroeconomics- Movie Location
This will be used as part of your Personal Professional Portfolio once graded.
Objective:
Prepare a presentation or a paper using research, basic comparative analysis, data organization and application of economic information. You will make an informed assessment of an economic climate outside of the United States to accomplish an entertainment industry objective.
Unit 8 - Information and Communication Technology (Paper I).pdfThiyagu K
This slides describes the basic concepts of ICT, basics of Email, Emerging Technology and Digital Initiatives in Education. This presentations aligns with the UGC Paper I syllabus.
Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...Dr. Vinod Kumar Kanvaria
Exploiting Artificial Intelligence for Empowering Researchers and Faculty,
International FDP on Fundamentals of Research in Social Sciences
at Integral University, Lucknow, 06.06.2024
By Dr. Vinod Kumar Kanvaria
"Protectable subject matters, Protection in biotechnology, Protection of othe...
The CARIFESTA XIII Symposium - Schedule August 11-23, 2017
1. The CARIFESTA XIII Symposium: The Caribbean, the Arts and the
Cultural Industries: Negotiating Tradition, Aesthetics, Economics and Legacy
DRAFT SCHEDULE (FULL)
SATURDAY, AUG 19
8:00-
10:00am
Registration
9:00-
10.30am
BOOK LAUNCH (10:00 am)
Room: Walcott Warner Theatre, EBCCI
“Liviticus” A New Collection of Work by celebrated
Barbadian Poet, Kamau Brathwaite
WORKSHOP I: DIGITAL PUBLISHING (9:00 am-4:30 pm)
Room: TBA
10:30-
11:00am
Coffee
11.00
am -
12:30
pm
KEYNOTE & WORKSHOP II: DANCE
Room: Walcott Warner Theatre, EBCCI
Facilitator: Jean-René Delsoin
12:30-
1:30 pm
Lunch
1:30-
3.00 pm
PANEL I: Indigenous Cultural Forms,
Spirituality and Artistic Expressions
Room: PED
Black Bodies: A performance ritual
for the dead and the living. Fabian
Thomas.
Looking through the lenses of the
Bajan Body as the living drums with
roots in Ga and the Ibo/Yoruba
pantheon. Ian Douglas
PANEL II: Cultural Industries
and Economic
Development I
Room: CIN
Agri-tourism: A Cultural
Industry with a Pathway to
Economic Development in
The Bahamas. Erecia
Hepburn
Making the Local Global
"The Development of
PANEL III: Cultural Industries
and Economic
Development II
Room: LT2
Losing Self, Playing Self in
Trinidad and Tobago
Carnival: The Effect of
Motivations for
Participation on the
Constitution of the Festival.
Sue Ann Barratt
PANEL IV: Caribbean
Culture and Embodied
Identities
Room:
Grandmother as
Keeper of the Sacred
Trust and Cultural
Memory: Presencing
Cultural Identity in the
Private Space of the
Spiritual Baptists.
2. SATURDAY, AUG 19
The Vodou Doll in America: A
Snappy Exploration of Assotto
Saint’s Bitchiness.
Mario LaMothe, Assotto Saint
Tobago’s Cultural/Creative
Industry as a means of
economic diversification"
Glenda-Rose Layne
Steelpan Tourism in the
Twenty-first Century.
Andrew Martin
The Creative Arts and
Knowledge Production:
Valuing the Creative
Process. Pedro Perini and
Alicia Charles
Cultural Tourism and the
Possibilities of Resistance.
Angelique V. Nixon
Festival Tourism: Whither it’s
Legacy? Indigenous
Cultural Forms, Spirituality
and Artistic Expressions.
Angelique V. Nixon
The Slave Identity … its
retention through Dance.
Emelda Lynch-Griffith
Omowale Elson
1:30-
4:30 pm
WORKSHOP III
(1:30 -4:30)
Room: RR
Title: on dub Theatre
WORKSHOP V
(1:30 -4:30)
Room:
Title: Dancing in Tongues –
Dance. Katrina Miller
WORKSHOP VI
(1:30 -4:30)
Room: LT1
Drums, Drummers and
Drumming: When the Drum
Calls.
WORKSHOP VII
(1:30 -4:30)
Room:
Poetry with a Purpose-
National Cultural
FoundationBOOK LAUNCH (2:00 PM)
Venue: UWI Bookshop:
NIFCA Winning Words – National
Cultural Foundation
3.00-
3:30pm
Coffee
3:30-
5:00pm
PROCESSIONAL
FILM SCREENINGS I: Julia and Joyce
Room: CIN
5:00-
7:00pm
PERFORMANCE I (DANCE)
Room: WW
(i) Bamboula Restored
3. SATURDAY, AUG 19
(ii) Alexis Capo, Mixed Media
7.00pm-
9:00 pm
FILM SCREENINGS II
Room: CIN
Student Films –The University of the West Indies –
Cave Hill and St. Augustine Campuses
PERFORMANCE II (DANCE)
Room: WW
Riddimm Tribe. Aisha Commissiong
SUNDAY, AUGUST 20
8:00-9:00am Registration (EBCCI)
9:00-10.30am WORKSHOP IX: CULTURAL POLICY AND
INTELLECTUAL RIGHTS (VIII)
WORKSHOP X (9:00 am - 4:30 pm)
Room: ALT
READ-In! Stage Play Readings. National Cultural
Foundation
10:30-11:00am Coffee
11.30 am-12:30 pm PANEL V: CULTURAL POLICY
Room: WW
Capturing Cultural Data and Reviewing Cultural Policy. Annalee Babb
Implementing Cultural Policy: Best Practices and Pitfalls. St. Vincent
An Isle So Long Unknown: A National Cultural Heritage Policy for Bermuda. Dr. Kim Robinson.
Civil Society and its Role in Shaping Cultural Policy. Pinelands Creative Workshop- Barbados and OCES
The Economic Partnership Agreement between CARIFORUM and the EU: Cultural Trade Beyond the Region.
4. SUNDAY, AUGUST 20
Caribbean Export
12:30-1:30 pm Lunch
1:30--3.00pm KEYNOTE: INTELLECTUAL PROPERTY
Room: WW
Title. Prof. Eddy Ventose
3.00-3:30pm Coffee
3:30- 5:00pm PANEL VI: INTELLLECTUAL PROPERTY
Room: (WW),
Bringing Reggae Music Home: The
Protection of a Music Genre as a
Geographical Indication. Erica K. Smith
& Dr. Wendy Hollingsworth
Intellectual Property and the Fashion
Industry - Best Practices and Pitfalls.
Trinidad & Tobago
Intellectual Property and the
Food Sector-Best Practices.
Jamaica.
WORKSHOP
Room: LT1
Dot to Dot: The Arts. Janelle
Mitchel
5:00-7:00pm Film Screenings (5:30 PM)
Room: CIN
Caribbean Animation Films
7.00pm OPENING & MINISTER’S RECEPTION
Venue: WW
5. MONDAY 21
8:00-
9:00am
Registration
9:00-
10.30am
KEYNOTE (ART)
Room: WW
“Title” by Veerle Poupeye
WORKSHOP: THEATRE (9:00 am - 4:30 pm)
Room: ALT
Dramatic Writing
EDGAR WHITE
10:30-
11:00am
Coffee
11.30
am-
12:30 pm
PANEL: CARIBBEAN CULTURE AND EMBODIED IDENTITIES
Room: PED
Pride in our Ancestry: Enriching Caribbean Identity
through Genealogical Research. Judith Toppin
The Caribbean and the Arts: The Indo-Trinidadian
Contribution to World Civilisation Dr Kumar Mahabir
Negotiating the Fancy Mas tradition in a North American
Space. Rhoma Spencer
PANEL: VISUAL CULTURE AND REPRESENTATION
Room: CIN
The Arts in Caribbean Society. Susan Alleyne
Digital Bermudiana. Alan Smith
12:30-
1:30 pm
Lunch
1:30-
3.00 pm
WORKSHOP
Room: RR
on dub Theatre
WORKSHOP
Room: ALT
Theatre, Heritage & Innovation – NCF
WORKSHOP (1:30 -4:30)
Room: DS
Working Title "Freeze"-Tina Puckerin
6. MONDAY 21
1:30-
3.00pm
PANEL: CULTURAL INDUSTRIES AND ECONOMIC DEVELOPMENT I
Room: CIN
Identifying and Explaining New Trends in the Globalization of Caribbean Culture and the Development of Caribbean
Creative Industries. Aurelia Bruce
JCDC Festival of the Performing Arts: a best practice for the Region. Zahra Henry
Innovating Cultural Industries for Economic Development: Proposing a Methodology for Research. Chantal Dos Santos
Work Work Work: An international cultural industry division of labour and profit. Margaret Harris
3.00-
3:30pm
Coffee
3:30-
5:30pm
PANEL: CARIBBEAN CULTURE AND GLOBAL CHALLENGES
Room: (PED)
Beyond the circle of white boulders around the flagstaff.
Dr. Fazal Ibrahim Ali
Culture: The Foundation of Development. H. Lincoln
Douglas
The Creative Arts Education in the Caribbean: Illuminating
the HUES in YOU. Collette Jones
VI Caribbean Heritage Education & Arts Legacy: HEAL365
Perspectives on 100 Years of Foreign Sovereignty. Chenzira
Davis Kahina
PANEL: CULTURAL INDUSTRIES AND ECONOMIC
DEVELOPMENT II
Room: (CIN)
Fete Economics: Leveraging Culture for Regional Integration
& Development. Sade N. Jemmott, Tamaisha A. Eytle
and Jonelle M. Watson.
The J’Ouvert Approach to Entrepreneurship: The Twenty-
Year Journey of 3 Canal. Sonja Dumas.
How defamation law affects the practice of law in the
Caribbean. Aurora Herrera
5:00-
7:00pm
PERFORMANCE (III)
Rayn’s Song Theatre (WW)
Book Launch (3Ws)
“Peelin’ Orange” by Mervyn Morris. The Collected works of
Jamaica’s immediate past Poet Laureate.
7. MONDAY 21
7.00pm Film Screenings (III)
Room: WW
Simeon
Traces of Sugar (TBA)
PANEL – REPARATIONS AND CARIBBEAN IDENTITIES
The Ten Principles of Reparations. David Commisiong
In search of reparatory justice: on the documentary trail of
the injustices perpetrated on the ancestors. Pedro Welch
TUESDAY 22
8:00-
9:00am
Registration
9:00-
10.30am
KEYNOTE (FILM)
Room: WW
“Title” by E. PALCY
10:30-
11:00am
Coffee
11.30
am-
12:30
pm
PANELS: CARIBBEAN CULTURE AND EMBODIED IDENTITIES
Room: PED
The Hip as a Weapon: Further investigations into the Trinidad
and Tobago Wining Complex. Sonja Dumas,
Just Call Me Sarah: The Colours of a Woman. Cher-
Antoinette Corbin
“A Rosy View of Women in Calypso”. Gelien Matthews
Blocking Both Head and Foot: An Examination of Bajan Stick
Fighting. Philip Forde
PANELS: CARIBBEAN CULTURE AND EMBODIED IDENTITIES
Room: CIN
Locating the "I" in Paradise: Caribbean Selfhood & Tourism.
Adam Patterson
A case for a hopeful future of Anglo-Caribbean culture and
expression, with focus on Trinidad and Tobago. Simone
Delzin
The Globalization of Calypso. Rudolph Ottley
8. TUESDAY 22
12:30-
1:30 pm
Lunch
1:30--
3.00pm
ROUNDTABLE: COMMUNITY MUSEUMS
Room: WW
“Title”
WORKSHOPS (1:30-4:30)
Room: RR
on dub Theatre.
Ahdri Zhina Mandiela
WORKSHOP (1:30-4:30)
Room: CIN
Business Models for the
Arts: A Creative Canvas.
Bianca Welds
WORKSHOP (1:30-4:30)
Room: DS
Igniting Teens through
Carnival Arts - Rachel
Watts
3.00-
3:30pm
Coffee
3:30-
5:00 pm
PANEL: COMMUNITY MUSEUMS:
CHALLENGES AND LEGACY
Room: PED
Building a National Museum (working
title). Natalie Urquhart
Digital Curation of Digital Cultural Assets:
Mutual interest of ALaRMs. Emerson
Bryan
PANEL: CULTURAL INDUSTRIES AND
ECONOMIC DEVELOPMENT
Room: CIN
Cultural Industries: a catalyst to
Caribbean Development. Wazari
Johnson
International Trade in Cultural Goods
and Services: A Caribbean
Perspective. Troy Lorde & Cherise
Trotman
The Tropicalisation of Policy: The
Creative Economy Concept in
Colombia & Brazil. St Dancey
Festival Tourism and Cultural
Development In The Bahamas.
Angelique Mckay
PANEL: HAITIAN PERSPECTIVES ON THE
CULTURE AND CREATIVE INDUSTRIES
Room: WW
Preservation, Heritage and
Development of Cultural and
Creative Industries in Haiti: The Case
of Voodoo. Emmelie Prophète Milcé
Popular Traditions, National Elites and
Cultural Industry. Lyonel Trouillot
Local heritage and global economic
challenges: the case of Haitian
gastronomy. Jean-Euphèle Milcé
The Creative Economy in the
Caribbean, between Myth and
Reality. Nesmy Manigat
The State of the Economy of Culture in
Haiti: Creativity, Creation, Production,
Commercialization and Consumption.
Rose Nesmy Saint-Louis
9. TUESDAY 22
TBA
Jerry Michel, National Ethnology
Office and State University of Haiti.
5:00-
7:00pm
PERFORMANCE (IV)
Room: WW
Word Soul: The Lorna Goodison Edition
BOOK LAUNCH
Venue: 3Ws
“Frontiers of the Caribbean” by Philip Nanton
7.00pm Film Screenings (IV)
Room: WW
Stuart Hall Project– John Akomfrah
Henry Mutto (TBA)
WEDNESDAY 23
8:00-
9:00am
Registration
9:00-
10.30am
Keynote (Literature)
Room: WW
Jean ANTOINE-DUNNE (Literature/Walcott)
10:30-
11:00am
Coffee
11.30 am-
12:30 pm
PANELS: CARIBBEAN CUISINE: FOOD PRACTICES AND FOODWAYS
Room: PED
Caribbean Coconut Legacy of Lagos: Reflections on the Food culture of the Brazilian Quarters of Lagos. Clement
Cecilia Titilayo
10. WEDNESDAY 23
The Evolution of Caribbean Cuisine – Then to Now. Jeanette R M Marcelle
From Discarded to Delicacy - I come to Get Me!! Anne Crick.
The Use of Banana in the Martinican Cuisine. Hélène Zamor
12:30-1:30
pm
Lunch
1:30--
3.00pm
Roundtable/Keynote (Music)
Room: WW
Elizabeth Watson
WORKSHOP
Room: CIN
Making Poetry Accessible – Icil Phillips
3.00-
3:30pm
Coffee
3:30-
5:30pm
PANEL H: CARIBBEAN CULTURE AND GLOBAL CHALLENGES
Room: (PED)
Negotiating the twists and turns of climate change: a
journey around Caribbean museums and resilience
potential. Anne-Laure Scholastique, Sciences Po Rennes
The challenge and opportunity of technology to Caribbean
culture and identities. Rev. Dr. Charles Jason Gordon
PANEL: CARIBBEAN CULTURE AND EMBODIED IDENTITIES
Room: CIN
History, tradition, and the profanity of the present – or
the other way around? [Re]considering the relativeness
of past-ness in the Caribbean present through the eyes
of a poet. Christopher Williams
Derek Walcott: The Final projects. Travis Weekes
5:00-
7:00pm
PERFORMANCE (V)
Room: WW
on dub Theatre
BOOK LAUNCH
Venue: 3Ws
“Art of Death” by Edwidge Dandicat
7.00pm FILM SCREENING (V)
Room: WW
Poetry is an Island –Ida Does
CLOSING RECEPTION (immediately following screening)
11. WEDNESDAY 23
Venue: WW Theatre
Room Key:
(EBCCI) Errol Barrow Centre for Creative Imagination
(3Ws) 3Ws Pavilion (located at
the entrance to the main
Campus)
(RR) Rehearsal
Room (EBCCI)
(ALT) Arts Lecture Theatre (located in
the Fac of Humanities on the main
Campus)
(WW) Walcott Warner Theatre
(located on the main Campus)
(CIN) Cinemateque (EBCCI) (DS) Dance
Studio (EBCCI)
(PED) George Lamming Pedagogical
Centre (EBCCI)
(LT1) Roy Marshall LT1,2 or 3
(located on the main Campus)