Textual analysis 2 Just a Girl
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The document summarizes and analyzes the music video for the song "Just a Girl" by No Doubt. It discusses how the song critiques the male-dominated society and how women are treated differently because of their gender. It also explains how the video uses stereotypes at first and then undermines them to make a point, a common technique in protest videos. Finally, it discusses how close-up shots of the lead singer help get the message across, reflecting music video theory.
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You oughta know
This document discusses the analysis of the music video for the song "You Oughta Know" by Alanis Morissette according to five steps provided by Goodwin. The video conveys anger and passion through Morissette's performance. It lacks a clear narrative connection between the lyrics and visuals. Morissette is the only consistent performer, shown expressing anger about a relationship issue through her facial expressions and body language under low lighting that matches the heated mood of the song. The rapid changing of locations fits the mood and feeling of the song.
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Paramore promoted their album "Brand New Eyes" through various media including radio interviews, a tour with No Doubt, magazine covers and articles, music video premieres on MTV and appearances on other TV shows. They also used their website to promote merchandise, tour dates and a deluxe album edition set to generate interest and revenue leading up to the album's release.
Goodwins theory
There is a relationship between the lyrics and visuals in music videos, with the visuals either illustrating, amplifying, or contradicting the lyrics. Music videos use techniques like voyeurism, intertextual references, and close-ups of the artist to gratify viewers. The lyrics in one song contradict the music video by saying "nobody's watching" when the video shows the artist in a close-up, being watched.
Who is Andrew Goodwin?
Andrew Goodwin identified six key points used in music videos in his book "Dancing in the Distraction Factory". These include genre characteristics, relationships between lyrics/music and visuals, the star image of the artist, voyeurism, and intertextuality. He analyzed how elements like dance routines, camera shots, and ideas borrowed from other videos are used to illustrate meanings, emphasize themes, or promote the artist.
Task 8 Part 2
This document discusses how different audience members may interpret music videos based on their social and demographic characteristics. It then analyzes the music video "She's So Lovely" by Scouting for Girls. The analysis notes that the star image and frequent shots of the female protagonist are used to make her seem important and the center of attention, in line with Andrew Goodwin's theories. Specific shots that zoom in on her lip biting and butt are evaluated as examples of "Male Gaze" that overly sexualize and objectify the woman only as something for men to look at. Repeated shots of her are also assessed as an example of Goodwin's "Amplification" theory to add meaning to the song through the visuals.
Still image
This document contains summaries of several still images from a music video:
- The first image shows the band running through the street naked, showing they are rebellious and don't care what people think. Bystanders react with shock, drawing attention to the band.
- Another image shows the band playing instruments naked in a plain white room, giving an unusual effect to match their unusual genre.
- One shot shows people in a car reacting dramatically to the band running through town, with conventions like attractive bystanders and a hotel worker representing authority.
- A wide shot shows the band interrupting a basketball game, contrasting them with stereotypical teenagers and portraying the band as
Audience case study
The song "Weathered" was written and performed by British artist Jack Garratt, who produces indie pop music. The music video for "Weathered" was directed by Andrew Dohono and depicts three brothers experiencing different situations in the hills of Atlanta, exploring themes of love, memories, happiness, and sadness. Garratt's target audience for the song appears to be 15-40 year olds, particularly white males, as the video characters and themes may be more relatable to those demographics.
Music Video Analysis 1
This document summarizes and analyzes the music video for Darwin Deez's song "You Can't Be My Girl". Some key points made:
1. The video displays characteristics of the indie genre through its focus on the lead singer. However, it also includes some narrative elements not usually seen in indie videos.
2. There is a close relationship between the lyrics and visuals, with the video depicting the singer viewing unattainable girls, representing his feelings of not being able to be with them.
3. The relationship between the music and visuals is also close, with shots changing based on the pace and emotion of the music. Voyeurism and the sexualization of women are prominent themes.
Recommended
You oughta know
This document discusses the analysis of the music video for the song "You Oughta Know" by Alanis Morissette according to five steps provided by Goodwin. The video conveys anger and passion through Morissette's performance. It lacks a clear narrative connection between the lyrics and visuals. Morissette is the only consistent performer, shown expressing anger about a relationship issue through her facial expressions and body language under low lighting that matches the heated mood of the song. The rapid changing of locations fits the mood and feeling of the song.
T
Paramore promoted their album "Brand New Eyes" through various media including radio interviews, a tour with No Doubt, magazine covers and articles, music video premieres on MTV and appearances on other TV shows. They also used their website to promote merchandise, tour dates and a deluxe album edition set to generate interest and revenue leading up to the album's release.
Goodwins theory
There is a relationship between the lyrics and visuals in music videos, with the visuals either illustrating, amplifying, or contradicting the lyrics. Music videos use techniques like voyeurism, intertextual references, and close-ups of the artist to gratify viewers. The lyrics in one song contradict the music video by saying "nobody's watching" when the video shows the artist in a close-up, being watched.
Who is Andrew Goodwin?
Andrew Goodwin identified six key points used in music videos in his book "Dancing in the Distraction Factory". These include genre characteristics, relationships between lyrics/music and visuals, the star image of the artist, voyeurism, and intertextuality. He analyzed how elements like dance routines, camera shots, and ideas borrowed from other videos are used to illustrate meanings, emphasize themes, or promote the artist.
Task 8 Part 2
This document discusses how different audience members may interpret music videos based on their social and demographic characteristics. It then analyzes the music video "She's So Lovely" by Scouting for Girls. The analysis notes that the star image and frequent shots of the female protagonist are used to make her seem important and the center of attention, in line with Andrew Goodwin's theories. Specific shots that zoom in on her lip biting and butt are evaluated as examples of "Male Gaze" that overly sexualize and objectify the woman only as something for men to look at. Repeated shots of her are also assessed as an example of Goodwin's "Amplification" theory to add meaning to the song through the visuals.
Still image
This document contains summaries of several still images from a music video:
- The first image shows the band running through the street naked, showing they are rebellious and don't care what people think. Bystanders react with shock, drawing attention to the band.
- Another image shows the band playing instruments naked in a plain white room, giving an unusual effect to match their unusual genre.
- One shot shows people in a car reacting dramatically to the band running through town, with conventions like attractive bystanders and a hotel worker representing authority.
- A wide shot shows the band interrupting a basketball game, contrasting them with stereotypical teenagers and portraying the band as
Audience case study
The song "Weathered" was written and performed by British artist Jack Garratt, who produces indie pop music. The music video for "Weathered" was directed by Andrew Dohono and depicts three brothers experiencing different situations in the hills of Atlanta, exploring themes of love, memories, happiness, and sadness. Garratt's target audience for the song appears to be 15-40 year olds, particularly white males, as the video characters and themes may be more relatable to those demographics.
Music Video Analysis 1
This document summarizes and analyzes the music video for Darwin Deez's song "You Can't Be My Girl". Some key points made:
1. The video displays characteristics of the indie genre through its focus on the lead singer. However, it also includes some narrative elements not usually seen in indie videos.
2. There is a close relationship between the lyrics and visuals, with the video depicting the singer viewing unattainable girls, representing his feelings of not being able to be with them.
3. The relationship between the music and visuals is also close, with shots changing based on the pace and emotion of the music. Voyeurism and the sexualization of women are prominent themes.
Question 1 Section 1
This document summarizes a music video that was created to promote the song "Here We Are" by Michael Reeve. The 3-sentence summary is:
The music video uses conventions of indie pop genres to tell a story about domestic violence and its impacts. It features a linear narrative with flashbacks and reversed scenes to convey the protagonist's pain from an abusive relationship. While utilizing some stereotypes about gender roles, the video aims to challenge hypersexualization and focus more on the female protagonist's emotions to avoid objectification.
Goodwins’ Theory
The music video for "What The Water Gave Me" by Florence + The Machine demonstrates several aspects of Goodwin's music video theory. It shows a relationship between the lyrics and visuals through references to water and themes of freedom. It also includes close-ups of the artist and uses her recognizable birdcage tattoo, aligning with record label demands. Additionally, it employs intertextual references to Frida Kahlo and Virginia Woolf. For "Girls" by The 1975, the video prominently features a stage performance, maintains the band's visual style, and uses close-ups of the lead singer, reflecting genre characteristics and record label influence. It also includes females dressed provocatively, though this may
Evaluation Q1
This document summarizes the ways in which the author's music video and print productions for the song "Gather & Run" use, develop, and challenge conventions of real media products.
For the music video, the author conforms to conventions such as length of the song, promotional focus on the artist, and relationship between lyrics and visuals. However, it also challenges conventions through its representation of females, youth, sexuality, and use of color/black and white.
For the print productions, the author conforms to conventions like four panel layout and placement of text/images. But it also challenges conventions through inconsistent color schemes, lack of additional information, and placement of track listing.
The magazine advertisement con
Question 1 full updated
The music video challenges conventions by using a sad indie-pop song to tell a story about domestic abuse and its impacts. It follows typical music video length and uses only indoor, British locations to represent the lack of freedom and control the main character experiences. Flashbacks and reversing the video add mystery and leave the ending open to interpretation. The album cover is inspired by films like Black Swan that portray psychological impacts, and blends track names with images to be original. The magazine ad follows a popular style to appeal to audiences.
Andrew goodwin's theory
Andrew Goodwin identified 6 conventions commonly found in music videos: 1) A relationship between lyrics and visuals, 2) Thought beats that illustrate the music, 3) Genre-related style and icons, 4) Multiple close-ups of artists, 5) Voyeurism especially of females, and 6) Intertextual references to other media. Examples are given for each convention from various music videos to illustrate how they employ techniques like synchronized lyrics/visuals, fast pacing to match music, recognizable artist imagery, promoting the star, sexualizing women, and referencing other works.
Andrew goodwin theory
This document summarizes Andrew Goodwin's theoretical framework for analyzing music videos. It identifies six key aspects: 1) The relationship between lyrics and visuals, 2) The relationship between music and visuals, 3) Demonstration of genre characteristics, 4) Close ups and motifs of the artist, 5) References to voyeurism, and 6) Intertextual references. It then applies this framework to analyze the music video for "Naive" by The Kooks, examining how the video illustrates the lyrics, amplifies the meaning of the song through visuals, incorporates genre-typical elements like the lead singer as protagonist, uses close ups and traveling shots as motifs, references voyeurism through shots of the
Afraid – The Neighbourhood Pt 2
1) The music video supports Goodwin's theory of looking through screens and seeing the band through someone else's eyes. It shows the band from the perspective of the boy looking at what he has become.
2) Goodwin's theory of excessive female sex appeal is subverted as there are no females and the singer is naked in an artistic, soul-baring way rather than a sexual one.
3) The black and white cinematography gives a retro, gloomy feel and references other of the band's music videos shot in greyscale like "Sweater Weather", "Daddy Issues", and "Female Robbery".
In what ways does your media product use
The document discusses how the author's music video uses and challenges conventions of real music videos. It establishes a narrative of a couple discovering infidelity that explores themes of status and gender roles. Specifically, it subverts expectations by giving the female character higher status during a confrontation scene. It also challenges conventions through the characters' formal costumes and by subjectifying the female character through revealing clothing rather than casual outfits typical of the genre.
In what ways does your media product use
The music video uses several conventions of real music videos through its structure, narrative, imagery, instruments, and setting. It begins with an opening credit sequence acknowledging the production company, a common convention. The narrative focuses on a relationship between a boy and girl that is challenged by discovered infidelity, drawing on a frequent theme in music videos. Camera angles subvert expectations by keeping both characters at eye level during a confrontation instead of elevating the typically higher status character. Costumes initially give both characters equal power but later subjectify the female character, relating to common objectification of women in music videos. The choice of formal clothing for the performance also challenges conventions of the genre.
Andrew goodwin theory
This document summarizes Andrew Goodwin's framework for analyzing music videos. It identifies six key aspects: 1) Relationship between lyrics and visuals, 2) Relationship between music and visuals, 3) Demonstration of genre characteristics, 4) Close ups and motifs of the artist, 5) Reference to voyeurism, and 6) Intertextual references. Each aspect is then further explained with examples relating to how the visual components of music videos can illustrate, amplify, or disjuncture from the song's meaning.
Question 1
The document discusses various theories related to music videos and how they apply to the student's music video "Miss You So". It examines Goodwin's theory of key features of music videos including beat, artist shots, relationship between visuals and lyrics, narrative, and technical aspects. It also discusses Barthes' codes, Levi-Strauss' binary oppositions, Todorov's narrative structure, postmodern elements, mise-en-scene considerations like costumes and location, editing techniques, and sound and packaging design. The student aims to both challenge and reinforce conventions through experimental elements like flashbacks and rewinding while maintaining conventional close-ups, transitions, and emphasis on the artist.
Kings of leon video analysis
This document provides an analysis of the Kings of Leon music video for "Sex on Fire" using various music video and film theories:
1) The video demonstrates characteristics of the indie/alternative genre through its low-budget production, the band's ragged appearance, and lyrics about sex, drugs and alcohol.
2) While the lyrics are understandable, the visuals are disjunctured and don't relate to the lyrics, showing one band member eating chicken for no reason.
3) The sad music matches the sad lyrics and visuals that fade in and out with the beat.
4) There are many close-ups of the band, especially the singer, to build recognition for future releases.
Indie alternative music
This document provides an analysis of four alternative/indie music videos according to their codes and conventions:
1. The first video by The Big Moon follows conventions such as brightly colored imagery and long shots of the full band. It appeals to the genre's audience through these recognizable elements.
2. The second video by Blaenavon also features typical settings like cities and performances of the band. It links faster editing to increases in the song's tempo and speed.
3. The third video by Bad Sounds uses surreal montages and bright colors but separates the lead singer, which is untypical for the alternative genre emphasizing unity.
4. The fourth video by The Magic Gang uses
Media evaluation question 1
Goodwin theorizes that there are 6 common characteristics found in most music videos: 1) a relationship between lyrics and visuals, 2) a relationship between music and visuals, 3) demonstration of genre characteristics, 4) close-ups of the artist per record label demands, 5) voyeuristic treatment of women, and 6) intertextual references. The document discusses how the author's indie rock music video both adheres to and challenges some of Goodwin's theories through its narrative style, shot lengths, and lack of performance scenes.
In what ways does your media product use, develop or challenge forms and conv...
1) The music video uses and challenges conventions of indie pop music videos through its focus on the notion of looking and inclusion of close-ups of the protagonist.
2) It establishes a relationship between the audience and protagonist through close-ups to engage viewers while also challenging expectations by not perfectly syncing shots to lyrics.
3) The video tells a narrative story focused on the themes of the song like warmth, relationships, and gender roles, challenging the typical indie pop convention of performance-based videos. It references Bastille's fictional news company to connect to their other music videos.
The Vaccines - Music Video Analysis
The music video for "Post Break-up Sex" by The Vaccines follows typical conventions of the indie pop/rock genre through its low-budget production, familiar setting of a house, and focus on live musical performance over commercial success. It amplifies the song's lyrics of regret after a breakup through a narrative of a woman experiencing this and imagery like her crying. Frequent close-ups on faces convey emotion, while the overall tone matches the dingy color palette and melancholy lyrics. The video relies on a linear narrative structure to illustrate the song's meaning without additional intertextual references.
Q1 upload
The document discusses conventions used in music videos and album packaging within the rock music genre.
For the music video, it identifies conventions like band performance shots, close-ups of band members, and portrayal of women. The student's video follows conventions like performance shots but challenges the sexual objectification of women.
For the album digipak, conventions discussed include artistic front covers not showing the band, and basic track listings on the back. The student's digipak links the front art to the video and follows track listing placement, developing conventions in a way that meets audience expectations.
Twenty one pilots analysis
1) The music video has a sad, depressing feel that is common in the indie/alternative genre through its themes and use of tattoos.
2) The visuals in the music video match the lyrics of the song and help the audience understand the message the artists aim to portray, showing some unstable people while the singer seems more normal.
3) The only woman is shown in a sexualized, vulnerable way when interacting with a prison guard or locked in a cage, conforming to gender stereotypes.
Andrew goodwin and laura mulvey
The document discusses music video theory proposed by Andrew Goodwin and Laura Mulvey. Goodwin identifies several conventions of music videos, including demonstrating genre characteristics, relating lyrics and visuals, relating music and visuals, and addressing record label demands. Mulvey proposes the theory of the male gaze, where the audience perspective is that of a heterosexual man focusing on a woman's body, reducing her to a sexual object. Music videos often employ techniques like camera movements and slow motion to highlight a woman's physical appearance from the male gaze perspective.
Task 1 - Goodwin's Theory
The document analyzes six music videos using Goodwin's theory of six elements: illustration, amplifying, contradicting, iconography, voyeurism, and intertextuality. For each element, a different music video is discussed and analyzed in terms of how it uses that element. The summaries provide the music video analyzed and a brief description of how it fits the given element. For example, for illustration the video analyzed is "Riptide" by Vance Joy, which directly depicts the lyrics through short clips.
ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...
Denis is a dynamic and results-driven Chief Information Officer (CIO) with a distinguished career spanning information systems analysis and technical project management. With a proven track record of spearheading the design and delivery of cutting-edge Information Management solutions, he has consistently elevated business operations, streamlined reporting functions, and maximized process efficiency.
Certified as an ISO/IEC 27001: Information Security Management Systems (ISMS) Lead Implementer, Data Protection Officer, and Cyber Risks Analyst, Denis brings a heightened focus on data security, privacy, and cyber resilience to every endeavor.
His expertise extends across a diverse spectrum of reporting, database, and web development applications, underpinned by an exceptional grasp of data storage and virtualization technologies. His proficiency in application testing, database administration, and data cleansing ensures seamless execution of complex projects.
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Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
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Question 1 Section 1
This document summarizes a music video that was created to promote the song "Here We Are" by Michael Reeve. The 3-sentence summary is:
The music video uses conventions of indie pop genres to tell a story about domestic violence and its impacts. It features a linear narrative with flashbacks and reversed scenes to convey the protagonist's pain from an abusive relationship. While utilizing some stereotypes about gender roles, the video aims to challenge hypersexualization and focus more on the female protagonist's emotions to avoid objectification.
Goodwins’ Theory
The music video for "What The Water Gave Me" by Florence + The Machine demonstrates several aspects of Goodwin's music video theory. It shows a relationship between the lyrics and visuals through references to water and themes of freedom. It also includes close-ups of the artist and uses her recognizable birdcage tattoo, aligning with record label demands. Additionally, it employs intertextual references to Frida Kahlo and Virginia Woolf. For "Girls" by The 1975, the video prominently features a stage performance, maintains the band's visual style, and uses close-ups of the lead singer, reflecting genre characteristics and record label influence. It also includes females dressed provocatively, though this may
Evaluation Q1
This document summarizes the ways in which the author's music video and print productions for the song "Gather & Run" use, develop, and challenge conventions of real media products.
For the music video, the author conforms to conventions such as length of the song, promotional focus on the artist, and relationship between lyrics and visuals. However, it also challenges conventions through its representation of females, youth, sexuality, and use of color/black and white.
For the print productions, the author conforms to conventions like four panel layout and placement of text/images. But it also challenges conventions through inconsistent color schemes, lack of additional information, and placement of track listing.
The magazine advertisement con
Question 1 full updated
The music video challenges conventions by using a sad indie-pop song to tell a story about domestic abuse and its impacts. It follows typical music video length and uses only indoor, British locations to represent the lack of freedom and control the main character experiences. Flashbacks and reversing the video add mystery and leave the ending open to interpretation. The album cover is inspired by films like Black Swan that portray psychological impacts, and blends track names with images to be original. The magazine ad follows a popular style to appeal to audiences.
Andrew goodwin's theory
Andrew Goodwin identified 6 conventions commonly found in music videos: 1) A relationship between lyrics and visuals, 2) Thought beats that illustrate the music, 3) Genre-related style and icons, 4) Multiple close-ups of artists, 5) Voyeurism especially of females, and 6) Intertextual references to other media. Examples are given for each convention from various music videos to illustrate how they employ techniques like synchronized lyrics/visuals, fast pacing to match music, recognizable artist imagery, promoting the star, sexualizing women, and referencing other works.
Andrew goodwin theory
This document summarizes Andrew Goodwin's theoretical framework for analyzing music videos. It identifies six key aspects: 1) The relationship between lyrics and visuals, 2) The relationship between music and visuals, 3) Demonstration of genre characteristics, 4) Close ups and motifs of the artist, 5) References to voyeurism, and 6) Intertextual references. It then applies this framework to analyze the music video for "Naive" by The Kooks, examining how the video illustrates the lyrics, amplifies the meaning of the song through visuals, incorporates genre-typical elements like the lead singer as protagonist, uses close ups and traveling shots as motifs, references voyeurism through shots of the
Afraid – The Neighbourhood Pt 2
1) The music video supports Goodwin's theory of looking through screens and seeing the band through someone else's eyes. It shows the band from the perspective of the boy looking at what he has become.
2) Goodwin's theory of excessive female sex appeal is subverted as there are no females and the singer is naked in an artistic, soul-baring way rather than a sexual one.
3) The black and white cinematography gives a retro, gloomy feel and references other of the band's music videos shot in greyscale like "Sweater Weather", "Daddy Issues", and "Female Robbery".
In what ways does your media product use
The document discusses how the author's music video uses and challenges conventions of real music videos. It establishes a narrative of a couple discovering infidelity that explores themes of status and gender roles. Specifically, it subverts expectations by giving the female character higher status during a confrontation scene. It also challenges conventions through the characters' formal costumes and by subjectifying the female character through revealing clothing rather than casual outfits typical of the genre.
In what ways does your media product use
The music video uses several conventions of real music videos through its structure, narrative, imagery, instruments, and setting. It begins with an opening credit sequence acknowledging the production company, a common convention. The narrative focuses on a relationship between a boy and girl that is challenged by discovered infidelity, drawing on a frequent theme in music videos. Camera angles subvert expectations by keeping both characters at eye level during a confrontation instead of elevating the typically higher status character. Costumes initially give both characters equal power but later subjectify the female character, relating to common objectification of women in music videos. The choice of formal clothing for the performance also challenges conventions of the genre.
Andrew goodwin theory
This document summarizes Andrew Goodwin's framework for analyzing music videos. It identifies six key aspects: 1) Relationship between lyrics and visuals, 2) Relationship between music and visuals, 3) Demonstration of genre characteristics, 4) Close ups and motifs of the artist, 5) Reference to voyeurism, and 6) Intertextual references. Each aspect is then further explained with examples relating to how the visual components of music videos can illustrate, amplify, or disjuncture from the song's meaning.
Question 1
The document discusses various theories related to music videos and how they apply to the student's music video "Miss You So". It examines Goodwin's theory of key features of music videos including beat, artist shots, relationship between visuals and lyrics, narrative, and technical aspects. It also discusses Barthes' codes, Levi-Strauss' binary oppositions, Todorov's narrative structure, postmodern elements, mise-en-scene considerations like costumes and location, editing techniques, and sound and packaging design. The student aims to both challenge and reinforce conventions through experimental elements like flashbacks and rewinding while maintaining conventional close-ups, transitions, and emphasis on the artist.
Kings of leon video analysis
This document provides an analysis of the Kings of Leon music video for "Sex on Fire" using various music video and film theories:
1) The video demonstrates characteristics of the indie/alternative genre through its low-budget production, the band's ragged appearance, and lyrics about sex, drugs and alcohol.
2) While the lyrics are understandable, the visuals are disjunctured and don't relate to the lyrics, showing one band member eating chicken for no reason.
3) The sad music matches the sad lyrics and visuals that fade in and out with the beat.
4) There are many close-ups of the band, especially the singer, to build recognition for future releases.
Indie alternative music
This document provides an analysis of four alternative/indie music videos according to their codes and conventions:
1. The first video by The Big Moon follows conventions such as brightly colored imagery and long shots of the full band. It appeals to the genre's audience through these recognizable elements.
2. The second video by Blaenavon also features typical settings like cities and performances of the band. It links faster editing to increases in the song's tempo and speed.
3. The third video by Bad Sounds uses surreal montages and bright colors but separates the lead singer, which is untypical for the alternative genre emphasizing unity.
4. The fourth video by The Magic Gang uses
Media evaluation question 1
Goodwin theorizes that there are 6 common characteristics found in most music videos: 1) a relationship between lyrics and visuals, 2) a relationship between music and visuals, 3) demonstration of genre characteristics, 4) close-ups of the artist per record label demands, 5) voyeuristic treatment of women, and 6) intertextual references. The document discusses how the author's indie rock music video both adheres to and challenges some of Goodwin's theories through its narrative style, shot lengths, and lack of performance scenes.
In what ways does your media product use, develop or challenge forms and conv...
1) The music video uses and challenges conventions of indie pop music videos through its focus on the notion of looking and inclusion of close-ups of the protagonist.
2) It establishes a relationship between the audience and protagonist through close-ups to engage viewers while also challenging expectations by not perfectly syncing shots to lyrics.
3) The video tells a narrative story focused on the themes of the song like warmth, relationships, and gender roles, challenging the typical indie pop convention of performance-based videos. It references Bastille's fictional news company to connect to their other music videos.
The Vaccines - Music Video Analysis
The music video for "Post Break-up Sex" by The Vaccines follows typical conventions of the indie pop/rock genre through its low-budget production, familiar setting of a house, and focus on live musical performance over commercial success. It amplifies the song's lyrics of regret after a breakup through a narrative of a woman experiencing this and imagery like her crying. Frequent close-ups on faces convey emotion, while the overall tone matches the dingy color palette and melancholy lyrics. The video relies on a linear narrative structure to illustrate the song's meaning without additional intertextual references.
Q1 upload
The document discusses conventions used in music videos and album packaging within the rock music genre.
For the music video, it identifies conventions like band performance shots, close-ups of band members, and portrayal of women. The student's video follows conventions like performance shots but challenges the sexual objectification of women.
For the album digipak, conventions discussed include artistic front covers not showing the band, and basic track listings on the back. The student's digipak links the front art to the video and follows track listing placement, developing conventions in a way that meets audience expectations.
Twenty one pilots analysis
1) The music video has a sad, depressing feel that is common in the indie/alternative genre through its themes and use of tattoos.
2) The visuals in the music video match the lyrics of the song and help the audience understand the message the artists aim to portray, showing some unstable people while the singer seems more normal.
3) The only woman is shown in a sexualized, vulnerable way when interacting with a prison guard or locked in a cage, conforming to gender stereotypes.
Andrew goodwin and laura mulvey
The document discusses music video theory proposed by Andrew Goodwin and Laura Mulvey. Goodwin identifies several conventions of music videos, including demonstrating genre characteristics, relating lyrics and visuals, relating music and visuals, and addressing record label demands. Mulvey proposes the theory of the male gaze, where the audience perspective is that of a heterosexual man focusing on a woman's body, reducing her to a sexual object. Music videos often employ techniques like camera movements and slow motion to highlight a woman's physical appearance from the male gaze perspective.
Task 1 - Goodwin's Theory
The document analyzes six music videos using Goodwin's theory of six elements: illustration, amplifying, contradicting, iconography, voyeurism, and intertextuality. For each element, a different music video is discussed and analyzed in terms of how it uses that element. The summaries provide the music video analyzed and a brief description of how it fits the given element. For example, for illustration the video analyzed is "Riptide" by Vance Joy, which directly depicts the lyrics through short clips.
Similar to Textual analysis 2 Just a Girl (20)
In what ways does your media product use, develop or challenge forms and conv...
In what ways does your media product use, develop or challenge forms and conv...
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ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...
Denis is a dynamic and results-driven Chief Information Officer (CIO) with a distinguished career spanning information systems analysis and technical project management. With a proven track record of spearheading the design and delivery of cutting-edge Information Management solutions, he has consistently elevated business operations, streamlined reporting functions, and maximized process efficiency.
Certified as an ISO/IEC 27001: Information Security Management Systems (ISMS) Lead Implementer, Data Protection Officer, and Cyber Risks Analyst, Denis brings a heightened focus on data security, privacy, and cyber resilience to every endeavor.
His expertise extends across a diverse spectrum of reporting, database, and web development applications, underpinned by an exceptional grasp of data storage and virtualization technologies. His proficiency in application testing, database administration, and data cleansing ensures seamless execution of complex projects.
What sets Denis apart is his comprehensive understanding of Business and Systems Analysis technologies, honed through involvement in all phases of the Software Development Lifecycle (SDLC). From meticulous requirements gathering to precise analysis, innovative design, rigorous development, thorough testing, and successful implementation, he has consistently delivered exceptional results.
Throughout his career, he has taken on multifaceted roles, from leading technical project management teams to owning solutions that drive operational excellence. His conscientious and proactive approach is unwavering, whether he is working independently or collaboratively within a team. His ability to connect with colleagues on a personal level underscores his commitment to fostering a harmonious and productive workplace environment.
Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
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How to Setup Warehouse & Location in Odoo 17 Inventory
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Digital Artifact 1 - 10VCD Environments Unit
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Special TechSoup offer for a free 180 days membership, and up to $150 in discounts on eligible orders.
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www.StokeNewingtonHistory.com
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BBR 2024 Summer Sessions Interview Training
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