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Wednesday, June 20, 2012   1
1.Sync History
    2.Copyright Overview
    3.Music Library
    (Retitling Shenanigans)
    4.About MusicSynk
    5. Walkthrough
Wednesday, June 20, 2012      2
Sync History


Wednesday, June 20, 2012                  3
The #1 Revenue Source
                in the Music Industry


Wednesday, June 20, 2012                4
Wednesday, June 20, 2012   5
Wednesday, June 20, 2012   6
"We have Today’s
              21st century
           musicians having to
            use 20th century
                 tools."
Wednesday, June 20, 2012         7
Sync licensing for the 21st Century
Wednesday, June 20, 2012                 8
One of the questions we
         asked, is “What would a
       ‘BMI’ or ‘ASCAP’ look like,
      if it were created today, but
          in the SYNC vertical”.

Wednesday, June 20, 2012              9
But with today's tools....
               adding transparency,
               copyright integrity,
               actually empowering
               users, rather than un-
               empowering users”.

Wednesday, June 20, 2012                    10
Copyright
                           Overview

Wednesday, June 20, 2012               11
Wednesday, June 20, 2012   12
Copyright Income
 Performance Mechanical                              Sync



   -Radio Performance          -Physical CDs, and    -Film & TV
 and Streaming Royalties       Digital Downloads    -Advertising
                                                      -Gaming
                                                       -Online




Wednesday, June 20, 2012                                           13
Wednesday, June 20, 2012   14
Wednesday, June 20, 2012   15
High Quality
 High Price
    Hits




   Qu a
       lity




Lesser Known
  Low Value
                                  Spe
                           Slow      ed   Fast
Wednesday, June 20, 2012                         16
Music Library,
               (Retitling, Derivative Copyright)

                           Shenanigans

Wednesday, June 20, 2012                           17
•      MusicSynk is nothing like a music
        Library
 •      The ‘Arranged Marriage’ model
 •      take up to 80% of each sync & ask
        to OWN part of the copyright
 •      Zero Transparency

Wednesday, June 20, 2012                    18
We believe that copyright owners
      - all writers, artists, musicians,
    publishers, and labels should have
       equal access to this valuable
     channel of distribution without
          having to give up rights.

Wednesday, June 20, 2012                   19
CD Sales:
                 Statutory Mechanical:
                     9.1 cents/song

Wednesday, June 20, 2012                 20
Selling full albums for as
          little as $0.25
    3000 Artists release new
        CDs every week
Wednesday, June 20, 2012         21
1200 YouTube
         performances = $ 2.32


Wednesday, June 20, 2012         22
PROs:
                      "weighted" average


Wednesday, June 20, 2012                   23
5,000 track downloads
             generates $3,487.  


Wednesday, June 20, 2012           24
If you listen to an album
                   1,000 times
            (once a day for 3 years)
              the artist earns $29.47.
Wednesday, June 20, 2012                 25
PANDORA:
               $0.0025 per stream...
                1/400th of a cent.

Wednesday, June 20, 2012               26
Sync Rate Ranges

                           film              gaming


         $10,000-50, 000            $2,000-5, 000

                      tv/cable       advertising
                                    National ad, $125K-370K+

   $1,000-15, 000                   Super Bowl, $250k +
Wednesday, June 20, 2012                                  27
About MusicSynk


Wednesday, June 20, 2012   28
MusicSynk is a suite of tools for
     licensing professionals. A
 convergence of a dozen fractured
  processes, and organizes them
    into a noise free workflow
        management space.

Wednesday, June 20, 2012          29
MusicSynk Users are:
•Premium/Mid level Music Publishers who
would NEVER use a library.
•Graduated from: Music Libraries, Retitling
Model, and Derivative Copyright Agencies, et al.
•Top Tier Supervisors at Advertising Agencies,
Film and Television, and Networks.



Wednesday, June 20, 2012                          30
INNOVATING
         SYNC LICENSING
            WITHOUT
           SACRIFICING
             RIGHTS
Wednesday, June 20, 2012   31
Platform
                           Walkthrough

Wednesday, June 20, 2012                 32
Your Copyright
                            Your Terms
                            Your Income
Wednesday, June 20, 2012                    33

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Techville 2012 MusicSynk - Sync Rights Organization Presentation Slides

  • 2. 1.Sync History 2.Copyright Overview 3.Music Library (Retitling Shenanigans) 4.About MusicSynk 5. Walkthrough Wednesday, June 20, 2012 2
  • 4. The #1 Revenue Source in the Music Industry Wednesday, June 20, 2012 4
  • 7. "We have Today’s 21st century musicians having to use 20th century tools." Wednesday, June 20, 2012 7
  • 8. Sync licensing for the 21st Century Wednesday, June 20, 2012 8
  • 9. One of the questions we asked, is “What would a ‘BMI’ or ‘ASCAP’ look like, if it were created today, but in the SYNC vertical”. Wednesday, June 20, 2012 9
  • 10. But with today's tools.... adding transparency, copyright integrity, actually empowering users, rather than un- empowering users”. Wednesday, June 20, 2012 10
  • 11. Copyright Overview Wednesday, June 20, 2012 11
  • 13. Copyright Income Performance Mechanical Sync -Radio Performance -Physical CDs, and -Film & TV and Streaming Royalties Digital Downloads -Advertising -Gaming -Online Wednesday, June 20, 2012 13
  • 16. High Quality High Price Hits Qu a lity Lesser Known Low Value Spe Slow ed Fast Wednesday, June 20, 2012 16
  • 17. Music Library, (Retitling, Derivative Copyright) Shenanigans Wednesday, June 20, 2012 17
  • 18. MusicSynk is nothing like a music Library • The ‘Arranged Marriage’ model • take up to 80% of each sync & ask to OWN part of the copyright • Zero Transparency Wednesday, June 20, 2012 18
  • 19. We believe that copyright owners - all writers, artists, musicians, publishers, and labels should have equal access to this valuable channel of distribution without having to give up rights. Wednesday, June 20, 2012 19
  • 20. CD Sales: Statutory Mechanical: 9.1 cents/song Wednesday, June 20, 2012 20
  • 21. Selling full albums for as little as $0.25 3000 Artists release new CDs every week Wednesday, June 20, 2012 21
  • 22. 1200 YouTube performances = $ 2.32 Wednesday, June 20, 2012 22
  • 23. PROs: "weighted" average Wednesday, June 20, 2012 23
  • 24. 5,000 track downloads generates $3,487.   Wednesday, June 20, 2012 24
  • 25. If you listen to an album 1,000 times (once a day for 3 years) the artist earns $29.47. Wednesday, June 20, 2012 25
  • 26. PANDORA: $0.0025 per stream... 1/400th of a cent. Wednesday, June 20, 2012 26
  • 27. Sync Rate Ranges film gaming $10,000-50, 000 $2,000-5, 000 tv/cable advertising National ad, $125K-370K+ $1,000-15, 000 Super Bowl, $250k + Wednesday, June 20, 2012 27
  • 29. MusicSynk is a suite of tools for licensing professionals. A convergence of a dozen fractured processes, and organizes them into a noise free workflow management space. Wednesday, June 20, 2012 29
  • 30. MusicSynk Users are: •Premium/Mid level Music Publishers who would NEVER use a library. •Graduated from: Music Libraries, Retitling Model, and Derivative Copyright Agencies, et al. •Top Tier Supervisors at Advertising Agencies, Film and Television, and Networks. Wednesday, June 20, 2012 30
  • 31. INNOVATING SYNC LICENSING WITHOUT SACRIFICING RIGHTS Wednesday, June 20, 2012 31
  • 32. Platform Walkthrough Wednesday, June 20, 2012 32
  • 33. Your Copyright Your Terms Your Income Wednesday, June 20, 2012 33