The document analyzes different elements of an NME magazine issue featuring Dizzee Rascal on the cover. It examines the front cover, contents page, and a double-page article spread. Some key connecting elements across these sections include: a consistent red, white, and black color scheme; informal language; similar bold sans serif fonts; and layouts that position major images and text on the left side. The analyses suggest these design choices aim to appeal to a predominantly young male audience through a masculine style.
The document analyzes different elements of an NME magazine issue featuring Dizzee Rascal on the cover. It examines the denotations and connotations of the front cover image, as well as the magazine's genre, layout, and target audience. It then provides detailed analyses of the contents page and a double-page article spread, identifying their fonts, language, images, and how they connect to convey a consistent masculine style and target male readers.
The front cover of NME magazine from September 2009 focuses on the rap artist Dizzee Rascal. The layout uses a 4-strip format to highlight Dizzee Rascal's name and image. The color scheme of red, white, and black appeals to a male audience. Dizzee Rascal's casual clothing style and the graffiti background relate to rap music. The target audience is identified as males aged 17-30 who are interested in alternative and indie music genres.
The contents page continues the color scheme with a modern font. Images and language create a concert-like atmosphere. Subheadings and page numbers guide readers to specific articles.
The article layout separates the title, text, and main image
The document describes the contents pages of various music magazines, analyzing their visual design elements. Key points made include how large prominent images, bold titles and headings, and lists of articles help draw attention and convey what content can be found inside. Color schemes, fonts, and positioning of elements are also discussed in terms of making important information stand out to readers.
The document analyzes the codes and conventions used across multiple magazine double page spreads featuring different artists. It describes visual elements like placement of images, use of colors, fonts, and layouts. It also discusses textual elements such as quotes, titles, and language. Key conventions highlighted include positioning images on the left, using limited text in columns, and incorporating the magazine's house colors and styles.
The document discusses Hip Hop magazines and their target audiences. It provides details about several popular Hip Hop magazines, including XXL Magazine, Vibe Magazine, and Hip Hop Weekly. XXL Magazine was founded in 1997 and is known for its album rating system from S to XXL. It targets young adult fans of Hip Hop/rap music. Vibe Magazine uses bold colors and images of Hip Hop artists to draw in readers. Hip Hop Weekly also utilizes colors like red, white, and black that are common in Hip Hop magazines. The document examines conventions for magazine covers, content pages, and double page spreads, showing examples from these Hip Hop titles.
This double page spread from a music magazine features an interview with an artist. The left page contains a large image of the artist. The right page has the article title at the top and columns of text below. The text is in a small sans serif font to fit the entire article. Neutral colors are used except for images at the bottom related to the artist's lifestyle. The image and text are integrated to share focus. Swear words are included to appeal to the adult target audience. Overall the spread aims to be informal, personal and fun while emphasizing the rap genre through the background and language.
The document analyzes various elements of the front cover and contents pages of the 2009 issue of NME magazine. On the front cover, Dizzee Rascal is pictured crouching in a room with graffiti, suggesting youth culture. The contents pages list articles about touring musicians in a informal tone. A double page spread features an image of Dizzee Rascal by graffiti-covered wall linked to his past, along with photos implying a partying lifestyle. Throughout, the layout ignores conventional rules with a messy yet vibrant style.
This document analyzes the covers of four music magazines: NME, NME (second issue), Kerrang, and Rolling Stone. It describes the layout, masthead, sell lines/cover lines, colors, and images used on each cover. The covers of NME and Kerrang are described as more crowded with a variety of fonts, colors and images, aimed at rock genres. Rolling Stone is presented as cleaner with one main image and sell lines around the edges, using a classic color scheme and aiming to appeal to fans of various music genres.
The document analyzes different elements of an NME magazine issue featuring Dizzee Rascal on the cover. It examines the denotations and connotations of the front cover image, as well as the magazine's genre, layout, and target audience. It then provides detailed analyses of the contents page and a double-page article spread, identifying their fonts, language, images, and how they connect to convey a consistent masculine style and target male readers.
The front cover of NME magazine from September 2009 focuses on the rap artist Dizzee Rascal. The layout uses a 4-strip format to highlight Dizzee Rascal's name and image. The color scheme of red, white, and black appeals to a male audience. Dizzee Rascal's casual clothing style and the graffiti background relate to rap music. The target audience is identified as males aged 17-30 who are interested in alternative and indie music genres.
The contents page continues the color scheme with a modern font. Images and language create a concert-like atmosphere. Subheadings and page numbers guide readers to specific articles.
The article layout separates the title, text, and main image
The document describes the contents pages of various music magazines, analyzing their visual design elements. Key points made include how large prominent images, bold titles and headings, and lists of articles help draw attention and convey what content can be found inside. Color schemes, fonts, and positioning of elements are also discussed in terms of making important information stand out to readers.
The document analyzes the codes and conventions used across multiple magazine double page spreads featuring different artists. It describes visual elements like placement of images, use of colors, fonts, and layouts. It also discusses textual elements such as quotes, titles, and language. Key conventions highlighted include positioning images on the left, using limited text in columns, and incorporating the magazine's house colors and styles.
The document discusses Hip Hop magazines and their target audiences. It provides details about several popular Hip Hop magazines, including XXL Magazine, Vibe Magazine, and Hip Hop Weekly. XXL Magazine was founded in 1997 and is known for its album rating system from S to XXL. It targets young adult fans of Hip Hop/rap music. Vibe Magazine uses bold colors and images of Hip Hop artists to draw in readers. Hip Hop Weekly also utilizes colors like red, white, and black that are common in Hip Hop magazines. The document examines conventions for magazine covers, content pages, and double page spreads, showing examples from these Hip Hop titles.
This double page spread from a music magazine features an interview with an artist. The left page contains a large image of the artist. The right page has the article title at the top and columns of text below. The text is in a small sans serif font to fit the entire article. Neutral colors are used except for images at the bottom related to the artist's lifestyle. The image and text are integrated to share focus. Swear words are included to appeal to the adult target audience. Overall the spread aims to be informal, personal and fun while emphasizing the rap genre through the background and language.
The document analyzes various elements of the front cover and contents pages of the 2009 issue of NME magazine. On the front cover, Dizzee Rascal is pictured crouching in a room with graffiti, suggesting youth culture. The contents pages list articles about touring musicians in a informal tone. A double page spread features an image of Dizzee Rascal by graffiti-covered wall linked to his past, along with photos implying a partying lifestyle. Throughout, the layout ignores conventional rules with a messy yet vibrant style.
This document analyzes the covers of four music magazines: NME, NME (second issue), Kerrang, and Rolling Stone. It describes the layout, masthead, sell lines/cover lines, colors, and images used on each cover. The covers of NME and Kerrang are described as more crowded with a variety of fonts, colors and images, aimed at rock genres. Rolling Stone is presented as cleaner with one main image and sell lines around the edges, using a classic color scheme and aiming to appeal to fans of various music genres.
The document analyzes magazine covers and articles from Kerrang! and Billboard magazines. It discusses design elements like images, colors, fonts and layouts used on the covers and within articles. Key points analyzed include the use of images and poses to attract audiences, color schemes, font sizes and placement of elements. Articles are also summarized in terms of topics, quotes used and writing styles.
The double page spreads analyzed show the importance of large eye-catching headers, full length images of the featured artist that reflect their persona and style, and minimal use of colors and fonts to draw the reader in while maintaining a clean, easy to read layout. Common conventions included continuing color schemes from the cover, using quotes from the artist in larger font, and omitting page numbers to encourage reading the full spread.
The document outlines plans for a new music magazine called "Verve". It discusses the magazine's proposed monthly release schedule, colorful cover design featuring prominent artist images, and interior layout featuring articles, interviews, reviews and advertisements. Sample designs are provided for the cover, double page spreads, and a flat plan of the interior contents. Inspiration is drawn from popular music magazines like Vibe. Photography and font style plans are also mentioned.
The document analyzes and summarizes the key elements of magazine front covers and double page spreads across different genres including Harper's Bazaar, NME, PC Gamer. For the Harper's Bazaar front cover, it identifies the masthead, cover lines, celebrity endorsement and typography. The double page spread breakdown examines elements like the masthead, stand first, typography and conventions. Website summaries analyze color themes, images, mastheads and cover lines. Other magazines are similarly broken down focusing on mastheads, cover lines, images and conventions to understand the essential information presented.
This document provides an evaluation of the design elements of the front cover and interior pages of a special edition dance music issue of Q Magazine.
The front cover features 26 album covers arranged together to create a collage rather than a single artist photo, representing the 46-page feature on dance music. Inside, clear typography and a balanced mix of photos and text help guide readers through articles on the genre. Color schemes, pull quotes, and changes in font style are used to draw attention to key parts of articles and keep the content navigable for its target 25-50 year old audience. Overall an unconventional front cover design is used that represents the issue's focus while classic interior design elements make the magazine easy to read
Assignment 6 research of double page spreadsAbc Abc
This double page spread from Guess magazine uses two large black and white photographs taking up the entire pages with only the Guess logo in bold text. The layout is eye catching due to the bold black and white colors and lack of distraction from other text. The photos have been edited to make the actress appear flawless and give a vintage feel through color manipulation and emphasis on black shading contrasting with white. Information organization is simplistic, focusing only on the Guess logo in red to stand out against the photos.
This document discusses the codes and conventions used on magazine covers. It analyzes covers from the magazines NME, Relix, and Q. Some common conventions identified include using high contrast color schemes of red, white, and black. Covers typically feature medium close-ups and close-ups of subjects. Mastheads are often positioned in the top left corner. Backdrops are commonly used to set the scene related to the subject's music genre. Typography is intentionally varied in placement and style to attract readers.
The document provides feedback on three draft versions of a magazine front cover created by Evie Theodore. For the first draft, the feedback notes that the use of primary colors and black will create a bright yet balanced color scheme. It suggests considering the model's costume and specifying the background image. For the second draft, the feedback praises the font and color scheme choices, but recommends improving the eye flow by moving coverlines. It also suggests making the main image larger. For the final version, the feedback commends changes like replacing the footbar with a skyline and moving design elements to follow eye flow principles. Overall, the feedback aims to help refine the front cover design through suggestions on colors, images, layout, and conforming to
The document provides feedback on three draft versions of a magazine front cover created by Evie Theodore. For the first draft, the feedback notes that the use of primary colors and black will create a bright yet balanced color scheme. It suggests considering the model's costume and specifying the background image. For the second draft, the feedback praises the font and color scheme choices, but recommends improving the eye flow by moving coverlines. It also suggests making the main image larger. For the final version, the feedback commends changes like replacing the footbar with a skyline and moving design elements to follow eye flow principles. Overall, the feedback aims to help refine the front cover design through suggestions on colors, images, layout and conforming with design
Analysis of NME magazine cover,contents and spreadasmediab15
The double page spread features an article about British rapper Dizzee Rascal. A large main image shows Dizzee in a red leather jacket with graffiti in the background, portraying him as a rebel who is part of youth culture. The layout is organized into thirds, with the top containing the large heading "From tags to riches," referring to Dizzee's background in graffiti. The article text is in the center to draw the eye. Additional small images at the bottom set the tone of the rapper's lifestyle with depictions of partying. The formatting and images work together to present Dizzee as an influential yet relatable figure for readers.
The document discusses the design elements of a magazine cover and contents page. It analyzes the use of color, images, typography and other conventions. The magazine cover features Eminem and 50 Cent with the title "A conversation by brothers" in red, black and yellow. The contents page features Kanye West looking at the camera with the page split into feature sections in different fonts and colors. Overall the document examines how these elements establish the magazine's brand identity and style.
- Kerrang! is a music magazine published in the UK by Bauer Media since 1981
- Bauer Media is a division of Bauer Media Group, one of Europe's largest privately owned publishing groups, with over 300 magazines and various online/TV/radio assets
- Bauer Media produces specialist magazines, radio, TV, online and digital businesses, employing over 6,400 people across their various media operations
- Some of Bauer Media's best known titles include music/entertainment magazines Kerrang!, Q, and Mojo
This document discusses the Kerrang! magazine. It notes that Kerrang! was first published in 1981 and is owned by Bauer Media, a large European publishing group. Bauer Media produces Kerrang! as well as other music and entertainment titles like Q and MOJO magazines. Pictures included are sourced from the Kerrang! website and provide information about the magazine. The document also discusses the style of the magazine, including its regular print size and color scheme using black, grey, red and yellow.
NME magazine has been published since 1952 in the UK, starting as a music newspaper before transitioning to a magazine format. It was the first British publication to feature a singles chart and now has over 7 million online users per month. The magazine maintains a consistent red, black, and white color scheme and house style across its covers and contents pages.
The document provides feedback on magazine front cover drafts created by Evie Theodore. For the first draft, the feedback notes that the use of primary colors is appropriate and the model positioning shows thought. However, the feedback recommends considering the model's costume and specifying the background image. For the second draft, the feedback praises the font and color scheme choices but suggests improving the eye flow by moving the coverlines. Additional recommendations include making the main image larger and including the date and price. The document concludes by outlining changes Evie made in response to the feedback, such as modifying graphic elements and repositioning text blocks to better guide the eye across the cover.
This document summarizes Raissa Vasconcelos' research and planning for a music magazine project. It includes details on target audience, design choices, and use of Adobe software. Reflections note the magazine cover had too much text and the masthead should be bolder. Revisions included simplifying the cover, adding more subgenres, and ensuring consistent colors across pages to link elements together. Feedback was incorporated to strengthen visual connections between the cover, contents, and double-page spread.
Arwain Sir Benfro PAVS Funding Fair Nov 2015LornaLivock
A presentation from the Pembrokeshire Funding Fair about LEADER which is part of the Welsh Government Rural Communities – Rural Development Programme 2014-2020. The LEADER approach in Pembrokeshire will be outlined with an overview of the Local Action Group and its Local Development Strategy.
Shailesh Kumbhar is a network and system administrator with over 1 year of experience working on projects such as 4G network deployment. He has a M.E. in Electronics Engineering and B.E. in Electronics and Telecommunications. His skills include administration, management, troubleshooting, and he has experience with technologies such as Cisco, VMware, EMC, and signaling protocols.
Webinaire Isogeo - Répondre à la directive INSPIRE : exemple de la plateforme...Isogeo
Retour du MEDDE sur la journée INSPIRE du 16 novembre 2015 :
- situation actuelle en France (les +/- )
- mise en perspective par rapport à l'Europe
- les défis à relever
- les prochaines échéances
- les actions de l'Etat
Retour d'expérience du département de la Mayenne par geomayenne.fr :
- volonté politique & culture du catalogage
- équipe dédiée à l'animation et à l'administration
- outils, méthodes
- réussite / difficultés
- résultats / défis
The document analyzes magazine covers and articles from Kerrang! and Billboard magazines. It discusses design elements like images, colors, fonts and layouts used on the covers and within articles. Key points analyzed include the use of images and poses to attract audiences, color schemes, font sizes and placement of elements. Articles are also summarized in terms of topics, quotes used and writing styles.
The double page spreads analyzed show the importance of large eye-catching headers, full length images of the featured artist that reflect their persona and style, and minimal use of colors and fonts to draw the reader in while maintaining a clean, easy to read layout. Common conventions included continuing color schemes from the cover, using quotes from the artist in larger font, and omitting page numbers to encourage reading the full spread.
The document outlines plans for a new music magazine called "Verve". It discusses the magazine's proposed monthly release schedule, colorful cover design featuring prominent artist images, and interior layout featuring articles, interviews, reviews and advertisements. Sample designs are provided for the cover, double page spreads, and a flat plan of the interior contents. Inspiration is drawn from popular music magazines like Vibe. Photography and font style plans are also mentioned.
The document analyzes and summarizes the key elements of magazine front covers and double page spreads across different genres including Harper's Bazaar, NME, PC Gamer. For the Harper's Bazaar front cover, it identifies the masthead, cover lines, celebrity endorsement and typography. The double page spread breakdown examines elements like the masthead, stand first, typography and conventions. Website summaries analyze color themes, images, mastheads and cover lines. Other magazines are similarly broken down focusing on mastheads, cover lines, images and conventions to understand the essential information presented.
This document provides an evaluation of the design elements of the front cover and interior pages of a special edition dance music issue of Q Magazine.
The front cover features 26 album covers arranged together to create a collage rather than a single artist photo, representing the 46-page feature on dance music. Inside, clear typography and a balanced mix of photos and text help guide readers through articles on the genre. Color schemes, pull quotes, and changes in font style are used to draw attention to key parts of articles and keep the content navigable for its target 25-50 year old audience. Overall an unconventional front cover design is used that represents the issue's focus while classic interior design elements make the magazine easy to read
Assignment 6 research of double page spreadsAbc Abc
This double page spread from Guess magazine uses two large black and white photographs taking up the entire pages with only the Guess logo in bold text. The layout is eye catching due to the bold black and white colors and lack of distraction from other text. The photos have been edited to make the actress appear flawless and give a vintage feel through color manipulation and emphasis on black shading contrasting with white. Information organization is simplistic, focusing only on the Guess logo in red to stand out against the photos.
This document discusses the codes and conventions used on magazine covers. It analyzes covers from the magazines NME, Relix, and Q. Some common conventions identified include using high contrast color schemes of red, white, and black. Covers typically feature medium close-ups and close-ups of subjects. Mastheads are often positioned in the top left corner. Backdrops are commonly used to set the scene related to the subject's music genre. Typography is intentionally varied in placement and style to attract readers.
The document provides feedback on three draft versions of a magazine front cover created by Evie Theodore. For the first draft, the feedback notes that the use of primary colors and black will create a bright yet balanced color scheme. It suggests considering the model's costume and specifying the background image. For the second draft, the feedback praises the font and color scheme choices, but recommends improving the eye flow by moving coverlines. It also suggests making the main image larger. For the final version, the feedback commends changes like replacing the footbar with a skyline and moving design elements to follow eye flow principles. Overall, the feedback aims to help refine the front cover design through suggestions on colors, images, layout, and conforming to
The document provides feedback on three draft versions of a magazine front cover created by Evie Theodore. For the first draft, the feedback notes that the use of primary colors and black will create a bright yet balanced color scheme. It suggests considering the model's costume and specifying the background image. For the second draft, the feedback praises the font and color scheme choices, but recommends improving the eye flow by moving coverlines. It also suggests making the main image larger. For the final version, the feedback commends changes like replacing the footbar with a skyline and moving design elements to follow eye flow principles. Overall, the feedback aims to help refine the front cover design through suggestions on colors, images, layout and conforming with design
Analysis of NME magazine cover,contents and spreadasmediab15
The double page spread features an article about British rapper Dizzee Rascal. A large main image shows Dizzee in a red leather jacket with graffiti in the background, portraying him as a rebel who is part of youth culture. The layout is organized into thirds, with the top containing the large heading "From tags to riches," referring to Dizzee's background in graffiti. The article text is in the center to draw the eye. Additional small images at the bottom set the tone of the rapper's lifestyle with depictions of partying. The formatting and images work together to present Dizzee as an influential yet relatable figure for readers.
The document discusses the design elements of a magazine cover and contents page. It analyzes the use of color, images, typography and other conventions. The magazine cover features Eminem and 50 Cent with the title "A conversation by brothers" in red, black and yellow. The contents page features Kanye West looking at the camera with the page split into feature sections in different fonts and colors. Overall the document examines how these elements establish the magazine's brand identity and style.
- Kerrang! is a music magazine published in the UK by Bauer Media since 1981
- Bauer Media is a division of Bauer Media Group, one of Europe's largest privately owned publishing groups, with over 300 magazines and various online/TV/radio assets
- Bauer Media produces specialist magazines, radio, TV, online and digital businesses, employing over 6,400 people across their various media operations
- Some of Bauer Media's best known titles include music/entertainment magazines Kerrang!, Q, and Mojo
This document discusses the Kerrang! magazine. It notes that Kerrang! was first published in 1981 and is owned by Bauer Media, a large European publishing group. Bauer Media produces Kerrang! as well as other music and entertainment titles like Q and MOJO magazines. Pictures included are sourced from the Kerrang! website and provide information about the magazine. The document also discusses the style of the magazine, including its regular print size and color scheme using black, grey, red and yellow.
NME magazine has been published since 1952 in the UK, starting as a music newspaper before transitioning to a magazine format. It was the first British publication to feature a singles chart and now has over 7 million online users per month. The magazine maintains a consistent red, black, and white color scheme and house style across its covers and contents pages.
The document provides feedback on magazine front cover drafts created by Evie Theodore. For the first draft, the feedback notes that the use of primary colors is appropriate and the model positioning shows thought. However, the feedback recommends considering the model's costume and specifying the background image. For the second draft, the feedback praises the font and color scheme choices but suggests improving the eye flow by moving the coverlines. Additional recommendations include making the main image larger and including the date and price. The document concludes by outlining changes Evie made in response to the feedback, such as modifying graphic elements and repositioning text blocks to better guide the eye across the cover.
This document summarizes Raissa Vasconcelos' research and planning for a music magazine project. It includes details on target audience, design choices, and use of Adobe software. Reflections note the magazine cover had too much text and the masthead should be bolder. Revisions included simplifying the cover, adding more subgenres, and ensuring consistent colors across pages to link elements together. Feedback was incorporated to strengthen visual connections between the cover, contents, and double-page spread.
Arwain Sir Benfro PAVS Funding Fair Nov 2015LornaLivock
A presentation from the Pembrokeshire Funding Fair about LEADER which is part of the Welsh Government Rural Communities – Rural Development Programme 2014-2020. The LEADER approach in Pembrokeshire will be outlined with an overview of the Local Action Group and its Local Development Strategy.
Shailesh Kumbhar is a network and system administrator with over 1 year of experience working on projects such as 4G network deployment. He has a M.E. in Electronics Engineering and B.E. in Electronics and Telecommunications. His skills include administration, management, troubleshooting, and he has experience with technologies such as Cisco, VMware, EMC, and signaling protocols.
Webinaire Isogeo - Répondre à la directive INSPIRE : exemple de la plateforme...Isogeo
Retour du MEDDE sur la journée INSPIRE du 16 novembre 2015 :
- situation actuelle en France (les +/- )
- mise en perspective par rapport à l'Europe
- les défis à relever
- les prochaines échéances
- les actions de l'Etat
Retour d'expérience du département de la Mayenne par geomayenne.fr :
- volonté politique & culture du catalogage
- équipe dédiée à l'animation et à l'administration
- outils, méthodes
- réussite / difficultés
- résultats / défis
O documento discute como o ciclo de vida de gerenciamento de processos de negócios (BPM) deve ser repensado para impulsionar a transformação digital. Ele aborda como projetar, implementar e monitorar processos de forma mais ágil e flexível para apoiar jornadas digitais do cliente, processos conectados e personalizados em tempo real.
The document provides an analysis of the front cover and contents page of the September 2009 issue of NME magazine, which featured Dizzee Rascal. Key elements analyzed include the masthead, cover lines, main image and background, pull quote, barcode, footer, editorial, subscription offer, layout, images, and tagline. NME targets mostly male readers ages 16-24 from middle and upper social classes interested in discovering new bands and integrating music into their daily lives.
The front cover of the September 2009 issue of NME magazine features Dizzee Rascal. The layout follows a standard format with the masthead at the top, the cover image centrally located, and the artist's name and main headline below. The sans serif font, red, white, and black color scheme, and imagery of graffiti appeal to the target male audience in their 20s. The main headline references Dizzee Rascal "spreading joy around the world" in a somewhat formal way, while also using the informal term "man" to connect with younger readers.
This document analyzes the cover page and contents of NME magazine. Key points:
- The cover features a large image of hip hop artist Dizzie Rascal, representing the magazine's focus on indie and rock music.
- The masthead is bold and red, standing out against white coverlines that advertise the magazine's content.
- Inside pages continue the color scheme and include photos that depict an urban lifestyle to match the genre of music covered.
This double page spread from a music magazine features an interview with an artist. The left page contains a large image of the artist. The right page has the article title at the top and columns of text below. The text is in a small sans serif font to fit the entire article. Neutral colors are used except for images at the bottom related to the artist's lifestyle. The image and text are integrated to share focus. Swear words are included to appeal to the adult target audience. Overall the spread aims to be informal, personal and fun while emphasizing the genre of rap music.
The magazine cover features the recognizable masthead font and features an article on Dizzee Rascal as the lead story, highlighted in white capital letters. A pull quote from Dizzee Rascal gives a warm impression of him spreading joy. The main image shows a bubbly Dizzee Rascal inviting readers in with his arms wide open. A skyline advertises an autumn music tour with popular bands Kasabian, Maximo Park, Yeah Yeah Yeahs, and Muse to entice readers who enjoy live music.
This document analyzes magazine covers and contents pages from NME, Q, and Rolling Stone magazines.
[1] The NME cover effectively presents Mike Skinner as serious and business-oriented through his formal clothing and straightforward fonts. The central photo draws readers in with a focus on his eyes.
[2] The Q contents page continues the magazine's color scheme and bold fonts to emphasize featured artists. Big stories are at the top with regular sections below.
[3] Rolling Stone's sophisticated masthead and exclusive story banner attract readers. Adele's large close-up photo draws readers in while yellow complements her hair for quality impression.
NME is a weekly British music magazine that was first published in 1952. It began as a music newspaper and transitioned to a magazine format in the 1980s. The target audience is males aged 17-25. Elements that link the different pages together include consistent use of font, colors like red and black, and an informal tone throughout the text.
The document analyzes two double page spreads from NME magazine. The first spread features an image of Dizzee Rascal spray painting with text wrapping around an image of a radio. The article discusses Dizzee Rascal's career transformation. The second spread features an image of Florence from Florence and the Machine sitting draped in an American flag. The article discusses her success in the US. Both spreads utilize font sizes, column layouts, and colors to emphasize important elements and guide the reader.
Detailed class analysis of music magazine one nmehanafiftakhar
The document analyzes different elements of the NME (New Musical Express) magazine, including the front cover, contents page, and double page spread of an issue featuring Dizzee Rascal.
It describes the purpose and placement of elements like the masthead, main image, pull quotes, and band index. It also discusses the target audience of 80% seeing music as important in their lives and liking new bands. Finally, it provides background on NME being created in 1952 as a music journalism publication in the UK initially as a newspaper before changing to a magazine format.
The document analyzes the design elements of a music magazine cover and contents page. The magazine cover uses bold colors, prominent artist names and images to attract its target audience of teenage music fans. Key elements like the masthead, cover lines and main image are carefully placed following design principles. The contents page similarly uses clear layout, images and offers to guide readers through the magazine in an appealing way for its youthful readership.
This document summarizes the key elements typically included on the front cover of the NME (New Musical Express) magazine. It discusses the masthead, main image, cover lines, issue number, date, barcode, and other standard front cover elements. It also analyzes design choices like the use of color, layout, and photo composition to appeal to NME's target audience of young, alternative music fans in the UK. Elements are strategically placed following principles like the rule of thirds to guide the audience's eyes.
The document analyzes the contents pages of two pop magazines. It discusses the main titles, images, headings, page numbers, descriptions, colors and layouts used. For the first magazine, the main title is centered at the top in bold black font. The largest image shows the band posing brightly colored outfits. Headings have page numbers, descriptions and blue quotes. The second magazine's title is in white on pink with a photo of the cover annotating sections. It uses pink and yellow colors and has multiple boxes listing pages by category with related images.
The document summarizes the layout and design elements of magazine pages featuring artists Dizzee Rascal and The Black Eyed Peas. For Dizzee Rascal's page, graffiti in the background establishes a rebellious theme, and the artist is shown tagging walls. Text is organized into four columns. The Black Eyed Peas page is dominated by a large image of the band, with Will.i.am prominently featured. The design utilizes gold and utilizes to match the band's futuristic music.
This document analyzes how the media product uses, develops, and challenges conventions of real jazz magazines. It summarizes the masthead, cover lines, images, and features on the front cover, contents page, and double page spread. Overall, the masthead and placement of elements generally follow conventions, but colors, fonts, and additional elements sometimes develop or challenge typical jazz magazine conventions to make the design more eye-catching or informative.
The document analyzes the conventions and layout of a double page article spread from a music magazine. It discusses the use of large central images of the band, a banner of smaller images, and centered text on the second page surrounded by photos. Color schemes typically include reds and blacks to match the rock genre. Key elements like headlines, pull quotes, and captions help readers understand the article content and context.
This double page spread features an article about British rapper Dizzee Rascal. The main image shows Dizzee Rascal holding a spray paint can in front of a wall covered in graffiti tags. The image and article title "From Tags To Riches" reference Dizzee's origins in graffiti art. The typography uses a common sans serif font in black text on a white background for easy readability. The house style maintains a simple color scheme of black and white to avoid visual distraction. A drop capital is used at the start of the article to draw attention and add visual interest.
The document summarizes key elements of the music magazine NME, including its history, target audience, and design elements that link different pages. It provides analysis of the cover, contents page, and a double-page article spread. The masthead, images, headings, and structure are consistently used throughout the magazine to maintain its brand identity and attract its target 17-25 year old male audience.
This document provides instructions and guidelines for designing the contents page of NME magazine. It describes the typical target audience of 15-24 year old males interested in indie rock. This particular issue features Dizzee Rascal on the cover, aiming to attract black males and widen the audience. The contents page uses a mix of fonts, colors, and images to list articles in an eye-catching way and appeal to both male and female readers aged 15-24. One article is about Dizzee Rascal's past lifestyle and rise to fame, with an image and headline designed to draw in his fans and those aspiring to success.
- NME is a weekly music magazine focused on new and indie/alternative music genres that has been published since 1952.
- It is currently published by IPC and edited by Mike Williams.
- NME can be purchased at good magazine retailers for around £2.40 or through a subscription at a reduced rate.
- NME is a weekly music magazine focused on new and indie/alternative music genres that has been published since 1952.
- It is currently published by IPC and edited by Mike Williams.
- NME can be purchased at magazine retailers for around £2.40 or through a subscription at a reduced rate.
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𝐄𝐱𝐩𝐥𝐚𝐢𝐧 𝐭𝐡𝐞 𝐍𝐚𝐭𝐮𝐫𝐞 𝐚𝐧𝐝 𝐒𝐜𝐨𝐩𝐞 𝐨𝐟 𝐚𝐧 𝐄𝐧𝐭𝐫𝐞𝐩𝐫𝐞𝐧𝐞𝐮𝐫:
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2. Denotation/ Connotation
• A picture of Dizzee Racal squatting
down with a big smile on his face.
• The way Dizzee is squatting down along
with the background, you can connote a
party scene and the quote suggests that
Dizzee is wanting to spread party joy
around the world.
Genre
• NME is a British journalist magazine
however you cannot tell the magazine is
British from the front cover.
• Rock, alternative and indie music are
mostly associated with NME but with
Dizzee Rascal on the front cover, that
may suggest rap and other genres also
come into NME.
Rule of Thirds/ Masthead
• The cover lines, masthead and even the
main part of the image are all on the
left hand side.
• We tend to look towards the right hand
side of something and with NME doing
this they are kind of breaking the rules.
• The masthead is also on the left hand
side. The masthead is very bold, plain
and clear.
• The fact that the masthead is like this
suggests that the magazine producers
are trying to target males due to the
boldness of the masthead however that
is not suggesting that females don’t
read this magazine.
Model
• Rap has a big male following and Dizzee Rascal is mainstream.
• The way Dizzee Rascal is dressed in a casual way so the working class can relate to what he is
wearing and the young people can.
• Dizzee Rascals stance seems to look like he is reaching out to his fans so again people can
relate to him.
Main Coverline/ Coverline
• The main coverline is quite informal
with the use of the word ‘man!’ in
particular.
• The younger audience can relate to the
way Dizzee Rascal talks as it may be a
way they talk.
• The fact that they’ve had to put Dizzee
Rascals name on the cover suggests
that not everyone buying NME will
know who he is.
Layout
• The masthead, cover image, his name
and the main coverline are all in a 4
strip layout.
• This allows the name to stand out so
any readers who may not know Dizzee
Rascal from the image.
• The use of the tilted text for ‘DIZZEE’
suggests that he is rebellious. It
suggests the Dizzee likes to be noticed
as a rebellious person and people often
link rap with rebellion.
Barcode
• Its conventional to have a barcode on
every magazine front cover.
• This barcode is found at the bottom right
hand corner.
3. Camerawork
• The camera shot of Dizzee
Rascal is a medium close up
shot which is conventional for a
magazine front cover.
• Dizzee Rascals stance is
unconventional for a front cover
so it is not a typical medium
close up shot that you would
expect.
Strapline
• The word ‘SPECIAL’ makes the
strapline look more exciting and
without the word ‘SPECIAL’ it
wouldn’t be as enticing.
Colour Scheme
• Red, white and black.
• Plain and bold masthead.
• Leaning towards a male
audience as it is a bold,
masculine choice in colour.
Target Audience
• Dizzee Rascal is used on the
front cover to target a younger
audience.
• ‘Kasabian’ is band which are
widely known and a more wider
range of audience will want to
read about them.
• Middle class students may also
be wanting to buy a magazine
with Dizzee Rascal on the front
cover as they might be people
trying to reform their identity
and to find something different.
5. Layout
• The layout of this contents page is very simple
and easy to understand.
• It is easy to understand what page you have to
go to for what you want to read about and that
is because the main pages are down the right
hand side of the page.
• The paragraph at the bottom of the page give a
description of what else is in the magazine and
that come under the main image which
suggests that the image is linked with that
paragraph.
Fonts
• Sans Serif has been used for the headings on
this contents page. This has been done so it
makes the headings look bold, plain, modern
and clean which make the headings very easy to
read.
• Serif has been used for the body text and this is
a bit unusual to do in a modern magazine
however NME have been around for years and
they seem to have certain traditional
characteristics about their magazines such as
using Serifs on their body text.
Language
• There is an element of humour on the first line
of the paragraph at the bottom of the page
‘Thank god the sun has disappeared, eh?’. This
gives off a friendly, informal tone and the reader
can relate to this sort of language.
• There are lot of imperative verbs used in the
paragraph also such as ‘get’, ‘play’ and ‘listen’
and this is done because they are trying to
persuade the reader to go that specific page.
Main Image
• The image shows that this singer is possibly
going on tour and the fact that there is an
image of this suggests that you can read
about her tour in this magazine.
• The coach suggests she is travelling on a
tour regionally.
Masthead
• The masthead is similar to the front cover
which shows there is a consistent theme.
• It is bold, clear and upper case lettering
which makes it simple but effective as it
does the job and doesn’t need to be
anything special.
• The white is used on the black background
which again gives the contents a striking,
masculine look about it.
Boarders Around Images
• The boarder around the main image gives
the look of a physical photograph
something which you would see in a
postcard.
• The black boarder which goes behind the
image and the paragraph at the bottom
looks like a flight case which you would
associate with bands travelling on tour.
Rule of Thirds
• The main image and small paragraph at
the bottom are both on the left hand side
and that is because that is the main part of
the page and you read from left to right.
• The main page numbers and a small
advertisement for NME are both on the
right hand side.
Brand Identity
• NME’s logo is in the top left corner by the
masthead.
• There is also an advertisement in the
bottom right hand corner of the page
which is telling you how subscribing to
NME will give you cheaper prices.
Date
• The date is in the top right hand
corner underneath the masthead
and this is conventional for
magazines.
6. Page Numbers
• The main page numbers are down the right
hand side of the page.
• They are in the colour red which matches
the NME title.
• In the paragraph at the bottom they have
put page numbers in there for people who
would be interested in that specific thing.
Target Audience
• You would say the target audience based
on this contents page is predominantly
males.
• The bold plain colours used on this page
make you assume this is for males. It is
clear and easy to read.
• There is also quite an attractive female on
the main image which you would assume is
there to catch males eye.
Shot Types
• There is a medium shot on the female
who is on the main image.
• I think they’ve used that so that you can
see the coach in the background which
suggests she’s travelling on tour before
you even read the bottom paragraph.
Sub-headings
• The sub-headings on this page are in a
white colour with a black background
which again gives it a very basic effective
look.
• They are in capital letters and are bold
which makes them clear and easy to
read.
• ‘TOURING SPECIAL’ is similar to the
other sub-headings on the page
however this one has some sort of black
fade going through the middle of it
which coincides with the black
background which has a kind of white
fade going through it.
8. Basic Layout
• They have used one whole
main image for one page out of
the double page spread.
• The masthead covers near
enough half of the second page
of the double page spread.
• The article written itself is
actually quite small comparing
the other things that are on the
double page spread and this is
because they want to give you a
big indication at what Dizzee
Rascal may be talking about in
this interview.
Main Image
• The main image is of Dizzee
standing up against a wall
spraying graffiti on it.
• The fact that the wall is full of
graffiti on it may suggest that
Dizzee Rascal may have got up
to no good as a youngster
compared to now where he is a
big mainstream pop star.
• Dizzee’s stance seems to give
an impression of mischief which
again links to the graffiti that he
may have used to get up to no
good.
Font
• The font on the headline is very
big, bold and in upper case
lettering which gives it a similar
look as to what the contents and
front page headline was like.
Use of Space
• The producer has used one whole page to put Dizzee Rascal on
it.
• They’ve pretty much covered up half of the second page with
the masthead, with pictures of beer and a stereo at the
bottom of the second page which suggests that Dizzee might
like to party.
Colours
• The text is black on a white background which gives you an
indication that this magazine is for males as it is very simple
choice of colouring and it seems to just get you straight to the
point of reading this text.
• Dizzee Rascals red coat stands out ahead of everything because
it is a bold colour on lots of plain colours. This suggests that
Dizzee might be a bold and interesting character.
Use of Images
• The images that are underneath
the article give you an indication
that Dizzee Rascal likes to party as
there are empty bottles of beer
and a stereo which you would
suggest dance music would be
played off.
Language
• The masthead ‘FROM TAGS TO
RICHES’ comes from the saying
‘from rags to riches’ which
suggests that somebody has
worked their way up from the
bottom.
• However the use of ‘TAGS’ instead
of rags suggests that Dizzee Rascal
may have been in trouble with the
police in the past and now the use
of ‘RICHES’ suggests that he has
turned his life around.
Design
• The overall design gives it a very
masculine looking double page
spread.
• The masthead is very masculine
as it is bold, black and upper case
lettering.
• The images are also quite
masculine with the graffiti and the
beer bottles make you
automatically think that Dizzee
Rascal may be trying to relate to
males in this magazine.
9. By line
• This by line gives you a big
impression of what this article
is going to be about.
• ‘2009 has been Dizzee Rascal’s
year’ suggests that this is the
reason why NME have had him
to be their main cover story in
this issue of the magazine.
Grab Quotes
• ‘his amazing story’ suggests
that there is a lot to read about
Dizzee Rascal and that there are
a lot of interesting stories that
he can tell you about his past.
• ‘last six haven’t been bad
either’ suggests that he is an
act that has been growing and
getting bigger and bigger and
that is possibly another reason
why he is the main cover story
in this magazine.
Overall Impression
• My overall impression of this
double page spread is that it is
masculine looking and is
probably aimed at males. That
doesn’t mean females
wouldn’t read it.
• The colour scheme of this
double page spread are a very
bold choice of colours. White,
black and the red coat again
give this double page spread a
very masculine look.
• The images of the beer bottles
and Dizzee Rascal spray
painting a wall again give off a
masculine look at things. It also
shows the rebellion behind
Dizzee Rascal which maybe
some of the male readers
could relate to.
11. Colour Scheme
• There is a common colour scheme of rad,
white and black throughout all 3.
• It is white text on a black background on the
contents page whilst the double page spread
it is black text on a white background. The
front covers cover lines are white so there is a
consistent colour scheme throughout.
• The colour red is used for the NME logo on
both the front cover and the contents page
however to keep the colour scheme
consistent they seem to put Dizzee Rascal in a
bright red coat on the double page spread.
They seem to do that so he is noticed which is
what they want the NME logo to be also.
Language
• There is an informality about the language
throughout all 3.
• The use of ‘MAN’ on the front cover is
evidence of the informality I am referring to.
If this magazine was aimed at upper class you
would not expect to see terms such as ‘MAN’
being used.
• On the first line of the contents page you see
‘Thank god the sun has disappeared, eh?’
which again gives off an informal tone
particularly with the word ‘eh’.
• On the double page spread you see the use of
the word ‘TAGS’ to basically describe being
arrested. This again highlights the informality.
Font
• The font choice and type are all similar
across these 3 elements.
• You will see the titles on all 3 of these are
all Sans Serif.
• They are also a similar font size and all 3 are
very bold.
• They are all upper case lettering also and
upper case lettering is used for both the
headlines and the sub-headings on the
contents page.
• The contents and the double page spread
both have a drop cap at the start of their
paragraphs which are written.
Layout
• The main image across all these 3 elements
seems to fall mainly on the left hand side.
• The main image on the front cover could be
seen as central but Dizzee Rascal is even
leaning towards the left hand side which
makes me think whether that’s a common
theme.
• The masthead on all 3 of these elements
are at the top of the page and start from left
to right. ‘FROM TAGS TO RICHES’ still goes
from right to left however it does it in an
unconventional way as the text ends up
sitting on top of each other instead of going
in a straight line from left to right.