Task 1
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This document contains descriptions of 9 scene screen grabs from a thriller film. Scene 2 establishes the character in a dark wooded area to make them feel lost and uncomfortable. Scene 3 shows the villain's house surrounded by trees for the first time. Scene 5 shows the character cautiously exploring the main corridor for the first time. Scene 7 introduces the protagonist and villain meeting for the first time, using an inverted effect to symbolize the villain.
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Analysis of Trailer : '30 Days of Night'
This document analyzes the theatrical trailer for the horror film "30 Days of Night." The trailer begins by establishing the normal lives of the main characters before ominous events occur. It then uses common horror conventions like chases and victims to set up tension and danger. Graphics like the bold title font make text appear mysterious against eerie background images. Significant scenes shown build narrative and introduce antagonistic characters to generate fear in the audience.
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The document discusses different camera shots and angles used in filmmaking and their purposes. It describes shots like extreme long shots being used to show how isolated the film's setting is, long shots showing a protagonist alone and vulnerable, and low angle shots making antagonists seem powerful. It also explains how cut shots can imply a cloaked figure is searching and track shots can follow protagonists with no one around to help. The document concludes it has helped the author better understand using micro elements like shots and angles to set the tone and power dynamics for a horror film opening.
Genre conventions
The document discusses genre conventions for zombie films. It summarizes that zombie film settings are usually abandoned areas to show societal breakdown. Technical aspects like shaky cameras and silence build tension as characters stealthily avoid zombies. Iconography like blood and props identify the genre, while narratives typically follow a male hero protecting his family against the undead and other survivors. Main characters, villains, and foolish adults/children who are killed are common character types that move the plot. Central themes involve humanity against the deceased and implications of death.
Brutal force shot analysis
This document analyzes 8 shots from the opening of a prison film. Shot 1 establishes the prison setting with a low angle. Shot 2 introduces the film title against the prison backdrop. Shot 3 reinforces the prison setting with a long shot of the facility and raised bridge adding a sense of isolation. Shot 4 shows the prison courtyard from above, conveying the guards' dominance. Shot 5 gives a sense of the prison's scale and clinical feeling. Shot 6 shows a guard walking above cells from a low angle, reinforcing submission. Shot 7 establishes the power dynamic between guards and prisoners. Shot 8 introduces the main characters in their cell with clear lighting.
Se7en shot analysis
The opening shots of Se7en establish recurring motifs and set the dark, mysterious tone. Shot 1 shows a close-up of a book's pages being flipped through, representing the opening of the story. Later shots feature a book that contains the killer's notes and photos of victims. Low-key lighting throws most of each shot into shadow, focusing the audience's attention on important details. Images of deformed hands and a split screen suggest the killer's dual nature. References to the seven deadly sins and a city skyline with the word "Monday" introduce core elements of the plot.
Evaluation Activity 1
The document analyzes the opening sequence of a thriller film. It uses 9 screenshots to show how the sequence establishes mystery and tension. It begins with a character entering a dark room and shows their legs to create intrigue. Throughout the sequence, the character is shown in dark lighting and their face is hidden to maintain their mysterious identity. As the sequence continues it shows the character traveling to a busy area of London and walking menacingly towards a large building, with suspenseful music building tension. The sequence challenges conventions by not revealing the villain's face but keeps audiences engaged through mystery and threat of impending conflict.
Seven textual analysis.
The document analyzes various techniques used in the opening scenes of the film Seven. It discusses how the opening credits use quick close-up shots and unidentified images to create mystery around the antagonist. The mise-en-scene establishes Morgan Freeman's character as having sleeping problems due to his meticulous room and use of a metronome. When the detectives walk in the rain, pathetic fallacy sets a moody tone suggesting something negative will happen. Differences in the detectives' experiences are also depicted through their walking styles.
Lovefield
The short film Lovefield by Mathieu Ratthe manipulates the audience by initially making them think it is a thriller about a woman who is murdered in a field by a man, through the use of ominous music, lighting, camerawork, and costumes that make the man seem threatening. However, it is later revealed that the man actually helps the woman give birth to her baby, subverting the audience's expectations and supporting Todorov's theory that films create an initial equilibrium, a disruption, and then a new resolution.
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The document discusses different camera shots and angles used in filmmaking and their purposes. It describes shots like extreme long shots being used to show how isolated the film's setting is, long shots showing a protagonist alone and vulnerable, and low angle shots making antagonists seem powerful. It also explains how cut shots can imply a cloaked figure is searching and track shots can follow protagonists with no one around to help. The document concludes it has helped the author better understand using micro elements like shots and angles to set the tone and power dynamics for a horror film opening.
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The opening shots of Se7en establish recurring motifs and set the dark, mysterious tone. Shot 1 shows a close-up of a book's pages being flipped through, representing the opening of the story. Later shots feature a book that contains the killer's notes and photos of victims. Low-key lighting throws most of each shot into shadow, focusing the audience's attention on important details. Images of deformed hands and a split screen suggest the killer's dual nature. References to the seven deadly sins and a city skyline with the word "Monday" introduce core elements of the plot.
Evaluation Activity 1
The document analyzes the opening sequence of a thriller film. It uses 9 screenshots to show how the sequence establishes mystery and tension. It begins with a character entering a dark room and shows their legs to create intrigue. Throughout the sequence, the character is shown in dark lighting and their face is hidden to maintain their mysterious identity. As the sequence continues it shows the character traveling to a busy area of London and walking menacingly towards a large building, with suspenseful music building tension. The sequence challenges conventions by not revealing the villain's face but keeps audiences engaged through mystery and threat of impending conflict.
Seven textual analysis.
The document analyzes various techniques used in the opening scenes of the film Seven. It discusses how the opening credits use quick close-up shots and unidentified images to create mystery around the antagonist. The mise-en-scene establishes Morgan Freeman's character as having sleeping problems due to his meticulous room and use of a metronome. When the detectives walk in the rain, pathetic fallacy sets a moody tone suggesting something negative will happen. Differences in the detectives' experiences are also depicted through their walking styles.
Lovefield
The short film Lovefield by Mathieu Ratthe manipulates the audience by initially making them think it is a thriller about a woman who is murdered in a field by a man, through the use of ominous music, lighting, camerawork, and costumes that make the man seem threatening. However, it is later revealed that the man actually helps the woman give birth to her baby, subverting the audience's expectations and supporting Todorov's theory that films create an initial equilibrium, a disruption, and then a new resolution.
Analysing Lovefield by Matieu Ratthe considering codes and conventions and th...
The short film Love Field uses elements of horror, suspense, and drama to tell the story of a woman giving birth alone in a corn field. Various cinematic techniques are used to build fear and lead the audience to believe violence has occurred, including ominous music, scattered possessions, and shots of blood on a knife and the woman's foot. However, the film subverts expectations by revealing the man is actually a farmer helping the woman deliver her baby, and others have arrived to assist. The accompaniment plays a key role in manipulating the audience's perceptions throughout the film.
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The trailer for the horror film The Thing provides a clear overview of the plot and introduces main characters in under 2 minutes. It begins by showing the isolated setting where the film takes place. Several quick shots show that something is wrong and put the audience on edge. A key scene reveals that a monster may have taken over someone's body. Throughout, two main characters with authority guide the audience and debate how to deal with the emerging threat. The trailer effectively establishes the narrative and genre through its use of lighting, sound, and gore.
Lovefield
The document discusses various elements of a short film including the sign at the beginning that establishes the setting, the use of close up shots of a crow that takes on symbolic meaning, and camera movements like panning that add suspense. It also analyzes the tattoo on a character that subverts expectations and challenges assumptions about his appearance, as well as how camera angles and the lack of dialogue tell the story.
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The opening sequence of Pulp Fiction uses conventions of the thriller genre to introduce the main characters and set the tone for the film. It starts with silence and an on-screen definition of "pulp", then shows two characters in a restaurant discussing robbing banks while background noises are heard. One character is shown mid-shot, holding a gun on the table to stop all background noise, indicating he has power. The characters then start waving guns around while loud shouting and music plays, along with the film title in bold yellow and red letters against a black background, signaling danger and action to come through typical thriller conventions.
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This document discusses conventions used in opening sequences of thriller films. It analyzes several frames from movie openings that set expectations for the genre. The frames introduce antagonists, build suspense through the use of shadows and unknown sounds, and provide context clues about characters through establishing shots and details. Overall, the frames discussed aim to immerse the audience in the thriller world and mystery of the film through common techniques of the genre.
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The opening two minutes of The Ring establishes tension and sets expectations for a horror film through its visuals and dialogue. Quick cuts between camera angles create tension as two girls discuss an ominous video tape that causes death within seven days to anyone who watches it. Typical horror film elements like a normal suburban house at night and the use of a phone call to convey threats draw the audience in and appeal to their emotions within the first 30 seconds.
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The opening title sequence of The Ring establishes it as a horror genre film through various cinematic techniques. DreamWorks' production logo is shown over a dark, stormy background with bold font, foreshadowing themes of good vs. evil. Low-key lighting and a nighttime setting are used when introducing the primary location of an isolated house. Sound effects like heavy rain, whispers and a ticking clock build tension. The two main characters, shown as innocent schoolgirls through costumes and makeup, discuss a mysterious tape that worries them through a series of shots that switch between their faces.
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The document discusses conventions used in the thriller genre for a student film project. It describes conventions used for the antagonist character including dark costume, stern posture, and blank facial expression. It also discusses conventions for the graveyard setting, low key lighting, simple white typography on a black background, and a tilt shot reveal of a victim. Iconography included a phone and dark jacket. Following genre conventions created suspense without explicitly showing violence.
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The summary analyzes the opening scene of the film "The Silence of the Lambs". It establishes the setting in a foggy forest to build tension. The first character we see appears to be doing some type of training in gym clothes, hinting at her identity without revealing too much. Tension is built as the music swells and she runs into the fog, leaving the audience confused but curious to learn more about the story.
Lovefield film analysis
This film analysis summarizes the short film "Lovefield" directed by Mathieu Ratthe in 2009. Some key points:
1) The film uses a simple title but beautiful cinematography to set an ominous tone despite the word "love" in the title.
2) A focusing black raven seen throughout signifies something sinister is happening.
3) Clean and fast editing builds suspense without dialogue in the isolated rural setting.
4) Panning camera shots and long shots create dramatic tension through the empty fields.
5) Elements like the raven and bloodied cloth establish horror conventions but the ending subverts expectations.
Nine frame structure analysis on opening sequence of a film
The document provides an analysis of the opening sequence of the film "Lord of War." It summarizes each shot in detail. The sequence traces a bullet from its production in a factory through various stages until it is loaded into a gun and fired into a human victim. Each shot is examined for the techniques used, such as camera angles, lighting, and imagery, to set the tone of the film as a thriller and highlight themes of violence and war. The detailed analysis shows how the sequence subtly builds intrigue around the bullet's journey and leaves the viewer wondering why it was used to shoot the young victim at the end.
Lovefield
The short film 'Lovefield' uses suspense and surprise to tell a unique story. It misleads the audience through the use of signs and assumptions into thinking the main character is a murderer, when he has actually just delivered a baby. Sound, camera techniques, lighting, and props are used to build an unsettling atmosphere and lead the audience to make incorrect judgments. The film challenges horror conventions by subverting expectations with an unexpected twist. It shows how audiences can make premature judgments based on certain cues without understanding the full context.
Micro elements in film openings
The document discusses various micro elements used in film openings including extreme close-ups, close-ups, medium shots, long shots, pans, performance, diegetic sound, non-diegetic sound, and mise en scene. An extreme close-up shows stress and danger. A close-up allows viewers to see emotion and emphasis. A medium shot provides context of a character's appearance. A long shot sets the scene. A pan reveals something important. Performance and sound design enhance believability. Mise en scene like setting, costumes, expressions, and props add mystery and scare audiences. Understanding these micro elements will help create effective opening film sequences.
Se7en
This document provides an analysis of the opening sequence of the film Se7en. It discusses the film's budget, directors, actors and target audience. Regarding the opening sequence, it analyzes the lighting, colors, sounds and camera work used to set a dark, disturbing tone. Linear narrative is used to show a man completing mysterious tasks in his home, while close-up shots hide his identity. The sequence is meant to intrigue audiences and make them fear the unidentified man. Overall, it provides a positive representation that aligns with the target thriller/drama audience.
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Evaluation task 1
The document summarizes the key frames from a thriller film opening created by the author. Each frame advances the story of a protagonist who receives threatening messages and is chased through a park by an unidentified antagonist hiding in the bushes. Common thriller conventions used include keeping the antagonist's identity secret, showing the protagonist become increasingly worried and vulnerable, and using shots that put the viewer in the perspective of the characters.
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This document provides details about the 1990 film Goodfellas, directed by Martin Scorsese. It discusses a scene where three gangster characters hear noises coming from the trunk of a car. The editing and camera work are done slowly to build tension for the audience. When they open the trunk, they find the source of the noise, which they kill brutally to show the ruthless nature of their criminal world. The costumes, lighting, and props are realistic for the gangster genre and time period of the 1950s.
Shot types in horror films
Horror films commonly use close-up shots to create atmosphere and increase audience fear by showing character facial expressions. Close-ups reveal emotions and create emphasis, according to film theorist Goddard who believed they were invented for tragedy. Extreme close-ups, as in Hitchcock's shower scene in Psycho, add dramatic effect. For a horror film trailer, the document author will use various close-ups of the main protagonist only to increase audience involvement and tension as she is in danger.
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Corey A. Johnson is seeking internship and employment opportunities in public relations and communication. He has a bachelor's degree in communication and public relations from the University of North Florida and an associate's degree from St. John's River State College. His work experience includes serving as a bartender and server at Longhorn Steakhouse, where he assists with managerial duties and was trained as an assistant manager. Corey has strong communication, leadership, customer service, and team-building skills.
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El documento describe las fases de evaluación de proyectos. Incluye tres fases principales: análisis, ejecución y operación. La fase de análisis incluye tres niveles: identificación de la idea, anteproyecto y proyecto, que implican diferentes niveles de profundidad en el análisis. El documento también describe los componentes clave de un proyecto, incluido el estudio de mercado, técnico, económico y financiero, y la evaluación y análisis de riesgos.
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Analysing Lovefield by Matieu Ratthe considering codes and conventions and th...
The short film Love Field uses elements of horror, suspense, and drama to tell the story of a woman giving birth alone in a corn field. Various cinematic techniques are used to build fear and lead the audience to believe violence has occurred, including ominous music, scattered possessions, and shots of blood on a knife and the woman's foot. However, the film subverts expectations by revealing the man is actually a farmer helping the woman deliver her baby, and others have arrived to assist. The accompaniment plays a key role in manipulating the audience's perceptions throughout the film.
The Thing
The trailer for the horror film The Thing provides a clear overview of the plot and introduces main characters in under 2 minutes. It begins by showing the isolated setting where the film takes place. Several quick shots show that something is wrong and put the audience on edge. A key scene reveals that a monster may have taken over someone's body. Throughout, two main characters with authority guide the audience and debate how to deal with the emerging threat. The trailer effectively establishes the narrative and genre through its use of lighting, sound, and gore.
Lovefield
The document discusses various elements of a short film including the sign at the beginning that establishes the setting, the use of close up shots of a crow that takes on symbolic meaning, and camera movements like panning that add suspense. It also analyzes the tattoo on a character that subverts expectations and challenges assumptions about his appearance, as well as how camera angles and the lack of dialogue tell the story.
Opening sequences to pulp fiction
The opening sequence of Pulp Fiction uses conventions of the thriller genre to introduce the main characters and set the tone for the film. It starts with silence and an on-screen definition of "pulp", then shows two characters in a restaurant discussing robbing banks while background noises are heard. One character is shown mid-shot, holding a gun on the table to stop all background noise, indicating he has power. The characters then start waving guns around while loud shouting and music plays, along with the film title in bold yellow and red letters against a black background, signaling danger and action to come through typical thriller conventions.
Opening sequences to jurassic world
This document discusses conventions used in opening sequences of thriller films. It analyzes several frames from movie openings that set expectations for the genre. The frames introduce antagonists, build suspense through the use of shadows and unknown sounds, and provide context clues about characters through establishing shots and details. Overall, the frames discussed aim to immerse the audience in the thriller world and mystery of the film through common techniques of the genre.
The Ring Film Analysis
The opening two minutes of The Ring establishes tension and sets expectations for a horror film through its visuals and dialogue. Quick cuts between camera angles create tension as two girls discuss an ominous video tape that causes death within seven days to anyone who watches it. Typical horror film elements like a normal suburban house at night and the use of a phone call to convey threats draw the audience in and appeal to their emotions within the first 30 seconds.
The ring analysis powerpoint doc
The opening title sequence of The Ring establishes it as a horror genre film through various cinematic techniques. DreamWorks' production logo is shown over a dark, stormy background with bold font, foreshadowing themes of good vs. evil. Low-key lighting and a nighttime setting are used when introducing the primary location of an isolated house. Sound effects like heavy rain, whispers and a ticking clock build tension. The two main characters, shown as innocent schoolgirls through costumes and makeup, discuss a mysterious tape that worries them through a series of shots that switch between their faces.
Evaluation – Question 1 - AS Media
The document discusses conventions used in the thriller genre for a student film project. It describes conventions used for the antagonist character including dark costume, stern posture, and blank facial expression. It also discusses conventions for the graveyard setting, low key lighting, simple white typography on a black background, and a tilt shot reveal of a victim. Iconography included a phone and dark jacket. Following genre conventions created suspense without explicitly showing violence.
The mummy 9 frame coop
The 9-frame analysis summarizes the opening sequence of "The Mummy" film. Frame 1 establishes the familiar logo to reassure audiences. Frame 2 introduces the Egyptian setting with shots of the sun and pyramids. Frame 3 shows a bustling Egyptian city to further set the context. Frame 4 introduces a main character and adds context through voiceover. Frame 5 introduces a love interest and shows their high status. Frame 6 reveals a new angry character who may be the catalyst for turning someone into a monster. Frame 7 hints at danger through shadows and reveals the lovers will be executed. Frame 8 changes to a new bleak location for their punishment. Frame 9 reveals the film's title, tying the flashbacks to the
The silence of the lambs
The summary analyzes the opening scene of the film "The Silence of the Lambs". It establishes the setting in a foggy forest to build tension. The first character we see appears to be doing some type of training in gym clothes, hinting at her identity without revealing too much. Tension is built as the music swells and she runs into the fog, leaving the audience confused but curious to learn more about the story.
Lovefield film analysis
This film analysis summarizes the short film "Lovefield" directed by Mathieu Ratthe in 2009. Some key points:
1) The film uses a simple title but beautiful cinematography to set an ominous tone despite the word "love" in the title.
2) A focusing black raven seen throughout signifies something sinister is happening.
3) Clean and fast editing builds suspense without dialogue in the isolated rural setting.
4) Panning camera shots and long shots create dramatic tension through the empty fields.
5) Elements like the raven and bloodied cloth establish horror conventions but the ending subverts expectations.
Nine frame structure analysis on opening sequence of a film
The document provides an analysis of the opening sequence of the film "Lord of War." It summarizes each shot in detail. The sequence traces a bullet from its production in a factory through various stages until it is loaded into a gun and fired into a human victim. Each shot is examined for the techniques used, such as camera angles, lighting, and imagery, to set the tone of the film as a thriller and highlight themes of violence and war. The detailed analysis shows how the sequence subtly builds intrigue around the bullet's journey and leaves the viewer wondering why it was used to shoot the young victim at the end.
Lovefield
The short film 'Lovefield' uses suspense and surprise to tell a unique story. It misleads the audience through the use of signs and assumptions into thinking the main character is a murderer, when he has actually just delivered a baby. Sound, camera techniques, lighting, and props are used to build an unsettling atmosphere and lead the audience to make incorrect judgments. The film challenges horror conventions by subverting expectations with an unexpected twist. It shows how audiences can make premature judgments based on certain cues without understanding the full context.
Micro elements in film openings
The document discusses various micro elements used in film openings including extreme close-ups, close-ups, medium shots, long shots, pans, performance, diegetic sound, non-diegetic sound, and mise en scene. An extreme close-up shows stress and danger. A close-up allows viewers to see emotion and emphasis. A medium shot provides context of a character's appearance. A long shot sets the scene. A pan reveals something important. Performance and sound design enhance believability. Mise en scene like setting, costumes, expressions, and props add mystery and scare audiences. Understanding these micro elements will help create effective opening film sequences.
Se7en
This document provides an analysis of the opening sequence of the film Se7en. It discusses the film's budget, directors, actors and target audience. Regarding the opening sequence, it analyzes the lighting, colors, sounds and camera work used to set a dark, disturbing tone. Linear narrative is used to show a man completing mysterious tasks in his home, while close-up shots hide his identity. The sequence is meant to intrigue audiences and make them fear the unidentified man. Overall, it provides a positive representation that aligns with the target thriller/drama audience.
World War Z Trailer Analysis
A detailed break down of the codes and conventions displayed within the official World War Z Trailer
The Stepfather Analysis
The opening scene of The Stepfather establishes tension through its score, lack of ambient noise, and imagery of ordinary suburbs. Reflections in mirrors are used, signifying self-reflection of the blood-splattered man who is cleaning up. His transformation and admiring himself raises questions about what happened. Dark lighting in a child's bedroom and a shot of a dead child holding a teddy bear further the intrigue and suspense before revealing the bloodshed downstairs. The man's casual demeanor as he leaves suggests he is responsible and disrespects the crime scene. Overall, the buildup makes the audience very intrigued to keep watching through common thriller techniques.
Evaluation task 1
The document summarizes the key frames from a thriller film opening created by the author. Each frame advances the story of a protagonist who receives threatening messages and is chased through a park by an unidentified antagonist hiding in the bushes. Common thriller conventions used include keeping the antagonist's identity secret, showing the protagonist become increasingly worried and vulnerable, and using shots that put the viewer in the perspective of the characters.
Goodfellas
This document provides details about the 1990 film Goodfellas, directed by Martin Scorsese. It discusses a scene where three gangster characters hear noises coming from the trunk of a car. The editing and camera work are done slowly to build tension for the audience. When they open the trunk, they find the source of the noise, which they kill brutally to show the ruthless nature of their criminal world. The costumes, lighting, and props are realistic for the gangster genre and time period of the 1950s.
Shot types in horror films
Horror films commonly use close-up shots to create atmosphere and increase audience fear by showing character facial expressions. Close-ups reveal emotions and create emphasis, according to film theorist Goddard who believed they were invented for tragedy. Extreme close-ups, as in Hitchcock's shower scene in Psycho, add dramatic effect. For a horror film trailer, the document author will use various close-ups of the main protagonist only to increase audience involvement and tension as she is in danger.
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Actividad metodologia 4
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Screen grabs for evaluation tt 2
1) The production company logo took up a major percentage of the screen, unlike typical films which show logos smaller.
2) The opening sequence used the same title conventions, order, size, and positioning on screen as typical films to make it recognizable as an opening sequence.
3) The titles were made recognizable by having the same size, positioning and order as typical films, and the font related to the thriller genre of the opening sequence.
Screen grabs for evaluation
1) The production company logo took up a major percentage of the screen, unlike typical films which show logos smaller.
2) The opening sequence used the same title conventions, order, size, and positioning on screen as typical films to make it recognizable as an opening sequence.
3) The titles were made recognizable by having the same size, positioning and order as typical films, and the font related to the thriller genre of the opening sequence.
Trailer analysis put up today
1) Downsizing is a comedy about people who voluntarily shrink their bodies to escape overpopulation on Earth. It follows an average American couple who become wealthy after downsizing.
2) The trailer introduces the main characters through dialogue and scenes showing their ordinary lives. It establishes that downsizing allows people to gain wealth and status but also change their world completely.
3) Through one-liners, changes in editing pace, and the use of star power in opening shots, the trailer immerses viewers in the world of downsizing while teasing the transformation of the main characters' lives.
Screen grabs for evaluation tt
This document evaluates 9 shots from the opening sequence of a student film. Shot 1 establishes the film's title and logo to identify it. Shot 2 introduces the director and sets a gloomy tone fitting for a horror genre. Shot 3 presents the location and leaves viewers curious about the isolated house. Shots 4-6 depict the interior, lighting, and victim's expressions to convey emptiness, melancholy, and a sense of disturbance. Shots 7-8 leave viewers in suspense about the interaction between characters. The final shot ends on an action-packed chase without showing faces, maintaining secrecy and mystery.
Stock camera shots (blog)
The document analyzes common shots used in horror film trailers and discusses their purpose and placement. It examines shots from two horror film trailers in detail, identifying shots that introduce the production company, establish characters and locations, create a sense of being watched or in danger, reveal threats or abnormalities, and elicit fear and confinement in viewers. These shots generally appear at the start, middle or end of trailers, following conventions to inform audiences and engage their interest in the films. The document concludes it has provided insight into typical horror trailer composition.
Cinematography Research
Cinematography involves camera techniques like shot distance, movement, angle, composition, and depth of field. These techniques are used stylistically in films and can help indicate the genre. For example, the thriller film Nightwatch uses extreme close-ups to create a sense of mystery. The document then analyzes several shots from Nightwatch to demonstrate different cinematography techniques like close-ups, medium shots, rule of thirds composition, long shots, over-the-shoulder shots, and shallow focus. It concludes that cinematography is important for creating mystery in the opening of a thriller by using various shots.
Screen grabs for evaluation tt
This document evaluates 9 shots from the opening sequence of a student film. The opening sequence mimics real films by using standard title cards in the correct order, making it look professional. Shot 1 introduces the film. Shot 2 identifies the director and sets the horror genre through gloomy lighting. Shot 3 introduces the location and creates mystery. Shot 4 establishes the house layout and feeling of emptiness. Shot 5 sets the atmosphere and shows where the victim will wander. Shot 6 adds to the spooky feel. Shot 7 leaves the viewer in suspense by showing the victim and abductor face to face. Shot 8 implies the victim feels nervous. Shot 9 creates excitement and fear by chasing the characters without showing their faces, maintaining mystery.
Film analysis (6)
The document provides an analysis of the opening title sequences and conventions used in several thriller films. Key conventions discussed include the use of non-diegetic music to build tension, establishing shots of locations, showing the main character first, and using dark colors and lighting to set a mysterious tone. Camera techniques like jump cuts, close ups, and pan shots are used to create unease or inform the audience. Common props seen in titles like writings, photos and drawings hint at themes of planning or stalking. Together, these visual and audio elements help set expectations and immerse viewers in the thriller genre.
Lovefield
The document discusses various cinematography techniques used in a short film including:
- Establishing shots of a sign and wheat field that set the eerie tone at the beginning.
- Close-up shots of a crow that take on symbolic significance and increase suspense.
- Dramatic camera pans that slowly reveal clues like a phone and bloodied cloth, heightening tension.
- Framing that centers the crow in shots or shows a man nervously watching it from a superior angle.
- Diegetic sounds, particularly the crow's call, that build an unsettling atmosphere without dialogue.
Tom screen grabs
The document analyzes 9 shots from a film opening sequence. Shot 1 establishes the production company. Shot 2 sets a dark, mysterious mood. Shot 3 introduces the main character and setting. Shot 4 uses a POV shot to make the audience feel what the character feels. Shot 5 adds shadow effects to the character's movements. Shot 6 emphasizes a second important character. Shot 7 uses a low angle to make the protagonist seem determined. Shot 8 shows the protagonist and antagonist falling into stereotypical roles. Shot 9 changes perspective and tempo to add drama. The shots aim to set the scene and introduce characters following thriller film conventions.
Tom screen grabs for opening sequence
The document analyzes 9 shots from a film opening sequence. Shot 1 establishes the production company and allows the audience to focus on the visuals. Shot 2 sets a dark, mysterious mood using a "cool tone" effect. Shot 3 introduces the main character and setting, showing his emotions. Shot 4 uses a point-of-view shot to make the scene relatable. Shot 5 adds shadow effects to the main character's movements. Shot 6 emphasizes a second character and title using different effects. Shot 7 uses a negative effect and low camera angle to make the main character imposing. Shot 8 shows the protagonist and antagonist falling into stereotypical roles through facial expressions and positioning. Shot 9 varies the shots using a Dutch angle and shows
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Task 1
This document provides explanations for 9 screenshots from a student film project. The screenshots show the opening distribution company logo, CCTV-style footage of the antagonist in dark clothing to seem menacing, edited shots setting the scene and showing locations without revealing identities, examples of the bold title design, definitions linking the title "Hidden" to the concealed antagonist, the antagonist studying a map, using a prop phone, and reading a prop newspaper with added effects before walking away into the distance at the end. The screenshots and explanations aim to establish tone and mystery around the unrevealed antagonist for the thriller film.
5 minute analysis
- Taxi Driver is a 1976 film noir about a veteran who works as a taxi driver in New York City as he struggles with insomnia and seeks to clean up the streets.
- The beginning introduces the main character through shots that emphasize his focus and surveillance of his surroundings from his taxi, establishing his detached and watchful nature.
- Stylistic elements like low-key lighting, smoke, and a dark color palette set the tone for a classic film noir story about a lonely man on a mysterious mission in a gritty urban environment.
Alien infestation analysis
The short film Alien Infestation is a 2016 fan film inspired by the 1979 film Alien and 2011 video game Alien Infestation. It takes place in an apartment where a lonely girl encounters the Xenomorph alien. The film is directed by Swedish director Martin Leon Lindstedt and was made with a love and appreciation for the Alien franchise. It uses various horror techniques like dark settings, shadows, and diegetic sounds to build tension. While aimed at older fans of the original, the film hopes to appeal to a wide audience through its relatable setting and use of standard horror tropes.
The Rings
The Ring uses various film techniques to establish itself as a psychological thriller. These include starting without opening credits to build tension, zooming in on a house to signify its importance, and using camera angles and lighting to identify the two female protagonists as victims. The story is set in an isolated location and follows a chronological order that disrupts the characters' calm introduction with a phone call that kills one of the girls, leaving the audience with questions about what will happen next.
Structure types
Feature films are full-length movies that audiences pay to see in cinemas. They typically run over 40 minutes, with most being between 75-210 minutes. Feature films follow a three-act structure of introduction, rising action, and resolution to tell a story. Short films have a similar structure but must establish characters and settings immediately without long title sequences due to their shorter time frame. Both feature and short films use techniques like camera work, lighting, music, and character development to effectively communicate their narrative and engage audiences.
Trailer conventions - Conventions Of Existing Media Texts
The document discusses conventions of horror film trailers in terms of narrative, camera use, editing, and sound. It explains that trailers typically begin with an "equilibrium" to introduce characters, then depict a confrontation or problem through intensifying editing and camera techniques to build tension. While not revealing endings, trailers aim to leave viewers wanting more through an abrupt conclusion. Common camera angles and shots are used to reflect mood, and editing increases pace to showcase key moments in a short time. Sound is manipulated to emphasize scares, build suspense through silence, or signify important events.
Short film analysis
This short film analysis summarizes 4 short films:
1. Lovefield uses camera movements and shots of a crow to imply a horror genre and show a character in pain. Extreme close-ups reveal bloody props and screaming to further the horror elements.
2. Signs uses facial expressions and a lack of dialogue to develop characters in a story told through notes. Shots establish a connection between a lonely male and female character.
3. Strangers uses close-ups and a train setting to imply a fast-paced adventure. Props like a Jewish necklace and Arabic newspaper suggest a theme of different religions or cultures.
4. Teeth uses establishing shots of fishing friends to set a tranquil atmosphere,
Short film analysis
This short film analysis summarizes 4 short films:
1. Lovefield uses camera movements and shots of a crow to imply a horror genre and show a character in pain. Extreme close-ups reveal bloody props and screaming to further the horror elements.
2. Signs uses facial expressions and a lack of dialogue to develop characters in a story told through notes. Shots establish a connection between a lonely male and female character.
3. Strangers uses close-ups and a train setting to imply a fast-paced adventure. Props like a Jewish necklace and Arabic newspaper suggest a theme of different religions or cultures.
4. Teeth uses establishing shots of fishing friends to set a tranquil atmosphere,
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Trailer conventions - Conventions Of Existing Media Texts
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Task 7
The document compares the opening scenes of two films, a preliminary task and a final task. For the preliminary task opening, it shows only a radiator with no people, which does not effectively set the scene. The final task opening shows two characters, Tom and Chris, interacting, which better establishes the story and characters. Both openings lack audio, but the final task is improved by including human interaction and dialogue to engage the audience.
Task 6
Tripod - Allowed for professional still shots and slight camera angle adjustments to follow cinematography rules.
Camera - Filmed the piece and had good functions like animation and playback to review shots.
Computer - Edited all filmed clips together using good software and hardware without performance issues. It kept projects separate and accessible for continued editing.
Task 4
David Aldridge is an 18-year-old avid thriller book reader who enjoys exploring abandoned buildings. He works at a local pub to save money for trips to Thailand where he likes to explore and isolate himself from others. David and his friend Jonnie are planning a road trip across Thailand and Burma.
Task 2
The document describes two characters, Tom and Chris, who differ in social class. Tom is middle class while Chris is upper middle class, which is represented through their facial expressions and clothing. Tom appears insecure compared to the more dominant and comfortable Chris. The characters portray Tom as helpless and Chris as dominant, showing their difference in social class through their appearance and facial cleanliness.
Screen grabs for evaluation tt 3
This document discusses screen grabs for evaluation. Screen grabs allow evaluators to capture images from a computer screen. These screen captures can then be used by evaluators to review and assess what is displayed on the screen.
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Task 1
- 1. Task 1: Screen grabs for evaluation 1) This is our production company logo, we suited this to be a thriller production company so that it matches the film produced making it amore realistic. 2) This scene is like many others, it is there to set the scene, it shows the character is in a woodland are which usually makes the film more intense, along with the filter time make it darker and at night time it gives it the effect of being in the middle of nowhere making the audience feel like they are lost and outside of their comfort zone. 3) Here is the establishing shot, this shot shows the audience the house of the villain for the first time the audience sees the trees surrounding it is also a long length of a clip while tom is walking up to the house.
- 2. 4) In this shot we used a point of view shot to emphasize the fact that tom has no idea where he is, and wants to be aware of his surroundings so that he can become more comfortable with the surroundings, the shot is also there to show there is another place for the villain to come out from to confront tom. 5) In this scene it is tom walking down the main corridor for the very first time, his head is constantly twitching side to side, as he is very cautious of his surroundings. This scene confirms for the audience that. 6) This scene is where we reveal the title to the film and at the same time the films villain, the effect of revealing them both at the same time was an idea by tom, as it would give the audience so much information at once and get the audience hooked. 7) Is where the main protagonist and the villain come together for the first time, the inverted effect gives the audience of the feel of the villain being the opposite side of the spectrum. 8) An up close shot of tom showing his emotions, this is good for the audience as it gets up close and personal with tom so they can understand how he is feeling by the way he moves his eyes mouth and head. 9) the last shot is at a cated angle where it shows tom running away from Chris, this shot is showing how out of control the situation he is, and how dominant Chris is being over tom.