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Rabindranath Tagore –As a
        Dramatist
• NAME        HEERAL A.BHATT

• Roll no.    11

• Year        2012/13

• Semester     1

• Paper no.    4
Introduction


“ Rabindranath Tagore is a
 versetile GENIUS”
Divison of Tagore’s DRAMATIC
                  CAREER

(1)     PRE-GITANJALI PERIOD

(2)     GITANJALI PERIOD

(3)     POST GITANJALI PERIOD
The theme of LOVE in Tagore’s
             Drama

  “ we live in this world,when we love
  it” ---Tagore(Inspiration Thoughts)

• LOVE in the drama CHITRA by Tagore

• “Chitra is a succinct Tagorean version of
  kalidas’s Sakuntala-Iyengar
Continue……

Role of ATTRACTION in love.
• The theme of love in Tagore’s another drama
  chandlika
 Love is a favouring desire as,
 “mother mother stop undo the spell now at once
  undoit what have you done ?o,wicked,wicked
  deed?better have died what a sight to see?where is
  the lightand radiance,the shining purity,the
  heavenly glow?how worn,how faded,has he come
  to my door?bearng his self’s as a heavy burden,he
  comes with drooping head”
The theme of FREEDOM in
      Tagore’s play
“My freedom lies not in pursing
deta chment Armidst a thousand
fatters shall I Savour the taste of
    freedom in delirious joys”
Dramas on the theme of Freedom by
             Tagore
• (1)Dakghar-(the post office)

• (2)Achalayatan-(the Immovable)

• (3) Muktadhara-(The waterfall)

• (4)Raktarabi-(Red olenders)
The drama-Red olenders
• The theme of unscrupulous,capitalism
  and human relationships.

• Expression of the Truth

• Play of both the good and evil working.
SOUNDS in Tagore’s Drama
• SOUNDS are not depends upon words.
• Example-
• Ding-dong
• Cry of curds curds curds
                 (The post office)
• The cascade –rhythmic ebb
• Use of “loci” and metaphor
Thank you

SUBMITTED TO,
HEENABA ZALA,
S.B.G.DEPARTMENT OF ENGLISH
M.K.K.S.BHAVNAGAR UNIVERSITY
“YOU CAN NOT CROSS THE
SEA MERELY BY STARING
AND STANDING AT THE
WATER”
------RABINDRANATH TAGORE

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Tagore as a dramatist

  • 1. Rabindranath Tagore –As a Dramatist • NAME HEERAL A.BHATT • Roll no. 11 • Year 2012/13 • Semester 1 • Paper no. 4
  • 2. Introduction “ Rabindranath Tagore is a versetile GENIUS”
  • 3. Divison of Tagore’s DRAMATIC CAREER (1) PRE-GITANJALI PERIOD (2) GITANJALI PERIOD (3) POST GITANJALI PERIOD
  • 4. The theme of LOVE in Tagore’s Drama “ we live in this world,when we love it” ---Tagore(Inspiration Thoughts) • LOVE in the drama CHITRA by Tagore • “Chitra is a succinct Tagorean version of kalidas’s Sakuntala-Iyengar
  • 5. Continue…… Role of ATTRACTION in love. • The theme of love in Tagore’s another drama chandlika  Love is a favouring desire as,  “mother mother stop undo the spell now at once undoit what have you done ?o,wicked,wicked deed?better have died what a sight to see?where is the lightand radiance,the shining purity,the heavenly glow?how worn,how faded,has he come to my door?bearng his self’s as a heavy burden,he comes with drooping head”
  • 6. The theme of FREEDOM in Tagore’s play “My freedom lies not in pursing deta chment Armidst a thousand fatters shall I Savour the taste of freedom in delirious joys”
  • 7. Dramas on the theme of Freedom by Tagore • (1)Dakghar-(the post office) • (2)Achalayatan-(the Immovable) • (3) Muktadhara-(The waterfall) • (4)Raktarabi-(Red olenders)
  • 8. The drama-Red olenders • The theme of unscrupulous,capitalism and human relationships. • Expression of the Truth • Play of both the good and evil working.
  • 9. SOUNDS in Tagore’s Drama • SOUNDS are not depends upon words. • Example- • Ding-dong • Cry of curds curds curds (The post office) • The cascade –rhythmic ebb • Use of “loci” and metaphor
  • 10. Thank you SUBMITTED TO, HEENABA ZALA, S.B.G.DEPARTMENT OF ENGLISH M.K.K.S.BHAVNAGAR UNIVERSITY
  • 11. “YOU CAN NOT CROSS THE SEA MERELY BY STARING AND STANDING AT THE WATER” ------RABINDRANATH TAGORE