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Studio and Outdoor Production
The document discusses the management of television production, focusing on equipment for studio and outdoor settings as well as production techniques. It also highlights various camera technologies and advancements, including robotic cameras and unique filming devices tailored for specific environments. Additionally, it includes references to literature and legal issues related to creative works in the media industry.
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Studio and Outdoor Production
- 1. Manajemen Stasiun Televisi STUDIO &OUTDOOR PRODUCTION Amelia Day Pertemuan Ke-12 30 November 2010
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- 3. Intro kuliah hariini: Produksi studio dan luar ruang: 1. Kenali perangkat luar ruang 2. Kenali perangkat studio 3. Pelajari semua trik, gratis outdoor what outdoor?
- 5. Berita – SiaranLangsung wgaul.com
- 6. William George Wilson (1917-2007) SportsCinematographer http://en.wikipedia.org/wiki/William_George_Wilson
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- 8. Stereoscopic 1280x720 HDcamera, with the video recorded to two Mac CPU's mounted in the case (2006 model) http://videothing.blogspot.com/
- 9. Stereoscopic 1280x720 HDcamera, with the video recorded to two Mac CPU's mounted in the case (2006 model) http://videothing.blogspot.com/
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- 12. Rivet Moving Productsshoots with the Panasonic AJ-HDX900 ww.rivet.tv
- 13. digitalunion.osu.edu The Gigapan cameramount has 3 operations; -a left-right motor for horizontal panning, -An up-down motor for vertical movement, and -a servo which presses down on the camera’s shutter button.
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- 16. This is theSummit Series Snow Goggle Camera Model 335 which incorporates a great 5-megapixel sensor to record photos and video saved on internal memory 16MB or better yet on the coupon microSD / SDHC 16GB card slot. The other model is the Freestyle Swim Series Camera Goggle. http://weblogsurf.com/liquid-image-camera-mask-snowboard/
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- 22. Liquid Image hasthis new version of the Underwater HD Video Camera Mask that captures your real time scuba adventure up to 115 feet and is capable of capturing 720p video and 5 megapixel photos. Liquid Image will also be out will 3 new camera masks spring 2009...so stay tuned. There's no word on the price of the Scuba Series HD 320, but we'd say somewhere around $200. (www.besportier.com)
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- 28. German researchers at theTechnical University of Munich have developed a super speedy robotic camera that mimics the human eye. In technical terms, "the camera mount features three degrees of movement, and can flick around at a rapid 2500 degrees per second." Video after the break. http://eckiller.com/tag/robotic-camera
- 29. Itu tadi perangkatluar ruang.
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- 32. w2jts.comMaster Control atWPIX-TV - 1979
- 33. Hari ini diCNN… blogs.ajc.com
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- 38. Digital Illumination forAugmented Studios jvrb.org Oliver Bimber, Anselm Grundhöfer, Stefanie Zollmann and Daniel Kolster
- 39. Projector-based illumination forcreating global illumination effects synthetically, ©2003 IEEE. jvrb.org Oliver Bimber, Anselm Grundhöfer, Stefanie Zollmann and Daniel Kolster
- 40. Projector-based illumination forcreating global illumination effects synthetically, ©2003 IEEE. jvrb.org Oliver Bimber, Anselm Grundhöfer, Stefanie Zollmann and Daniel Kolster
- 41. Result after structure-from-motion estimation. jvrb.org ThorstenThormählen, Nils Hasler, Michael Wand, and Hans-Peter Seidel
- 42. After processing along sequence 3D object points Pj and Pi are not at the same position because of drift. jvrb.org Thorsten Thormählen, Nils Hasler, Michael Wand, and Hans-Peter Seidel
- 43. Registration of multiplemoving cameras that capture the same scene simultaneously jvrb.org Thorsten Thormählen, Nils Hasler, Michael Wand, and Hans-Peter Seidel
- 44. A ground truthdata set with 30 hand- labeled unconnected feature tracks, marked in green jvrb.org Thorsten Thormählen, Nils Hasler, Michael Wand, and Hans-Peter Seidel
- 45. Combined Relighting andMaterial Editing Overview jvrb.org Thorsten Thormählen, Nils Hasler, Michael Wand, anPeter Stroia-Williams, Adrian Hilton, and Oliver Grau†d Hans-Peter Seidel
- 46. Combined Relighting andMaterial Editing Overview jvrb.org Thorsten Thormählen, Nils Hasler, Michael Wand, anPeter Stroia-Williams, Adrian Hilton, and Oliver Grau†d Hans-Peter Seidel
- 47. Material Edited Examples jvrb.org Thorsten Thormählen, Nils Hasler,Michael Wand, anPeter Stroia-Williams, Adrian Hilton, and Oliver Grau†d Hans-Peter Seidel
- 48. Material Edited and Relit Example. jvrb.org Thorsten Thormählen,Nils Hasler, Michael Wand, anPeter Stroia-Williams, Adrian Hilton, and Oliver Grau†d Hans-Peter Seidel
- 49. Comparison of reflectance estimationmethods. The first column shows the estimated normal maps, the second shows the acquired albedo maps and the remaining columns show relit results under different illumination conditions. (a) Creases do not respond to changing light position. (b) Dynamic lighting of creases but texture contaminates shape data instead of being captured in reflectance map. (c) Dynamic lighting of creases with texture detail separated from shape detail. jvrb.org Thorsten Thormählen, Nils Hasler, Michael Wand, anPeter Stroia-Williams, Adrian Hilton, and Oliver Grau†d Hans- Peter Seidel
- 50. Video frames ofRoxanne Twirl sequence with hand labelled markers in red jvrb.org Ashish Doshi, Jonathan Starck, Adrian Hilton
- 51. jvrb.org Ashish Doshi, JonathanStarck, Adrian Hilton Identification of features using (a)-(d) SIFT; (e)-(h) SURF and (i)-(l) Scale Saliency.
- 52. jvrb.orgAshish Doshi, JonathanStarck, Adrian Hilton 3D multiple view video sequence tracking results using SIFT
- 53. jvrb.org Thorsten Thormählen, NilsHasler, Michael Wand, and Hans-Peter Seidel 3. A real-world example of drift. After the camera revisits the same part of the scene the 3D object points of the current image (red) differ strongly from the 3D object points generated earlier in the sequence (blue). The right image shows a detail magnification from the left image. The squared shape of the yellow paper is clearly visible in the shifted blue point cloud.
- 54. Bisa juga untukluar ruang.
- 55. jvrb.org Thorsten Thormählen, NilsHasler, Michael Wand, and Hans-Peter Seidel a) result without drift removal after two loops around the column, b) result with drift removal, c) first frame of the sequence as drift-free reference. Only the 3D object points that were generated in the first frame are shown as blue dots. The second row shows detail magnifications of the above images.
- 56. jvrb.org In example 2,four moving cameras simultaneously capture a street scene. Top row: Two sample images out of the sequence for each of the four cameras. Bottom row: The scene is augmented with a 3D model of a gate. Thorsten Thormählen, Nils Hasler, Michael Wand, and Hans-Peter Seidel
- 57. Enrich your knowledge: TheJournal of Virtual Reality and Broadcasting - abbreviated "jvrb" - is an open access online journal covering topics related to the fields of Virtual Reality, Interface Techniques, Computer Graphics and Interactive Broadcasting. A detailed description of all topics can be found in the scope section. jvrb is part of the DiPP-NRW- Project. jvrb is issued continuously and in electronic form only. wikipedia
- 58. Pertemuan Ke-14 NEXT? Contract &Legal Issues (of all cretive works)
- 59. Bibliografi - Alan Bermingham,Ken Angold-Stephens, The Video studio, Focal Press, 1994 - 200 pages - David Miles Huber, Robert E. Runstein, Modern recording techniques, Focal Press, 2005 - Jonathan Higgins, An introduction to SNG and ENG microwave, Elsevier, 2004 - Philip J. Cianci, HDTV and the transition to digital broadcasting: understanding new television technologies, Elsevier, 2007 - Ben Goldsmith, Tom O'Regan, The film studio: film production in the global economy, Rowman & Littlefield - Eve Light Honthaner, The Complete Film Production Handbook, Focal Press, 2010