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STORYTELLING WITH
SHADOW PUPPETS
Jessica Rolen
SHADOW PUPPETRY
 Shadow puppetry is an ancient art form in which shadow images
of elaborately handcrafted puppets are projected onto a screen
 Over 1,000 years old

 Originated in India and Egypt and overtime became a prominent
part of Indonesian culture.
SHADOW PUPPETRY
Materials
 Traditional form of storytelling is
known as Wayang Kulit (Shadow Skin)

 Constructed from pressed
and dried buffalo hide

 Involves: performance of

 Hand painted with gold leaf

musicians, a puppeteer (dhalang) and a

and colorful pigments

series of two-dimensional puppets that

 Polished section of buffalo

are projected on a backlit screen.

horn that functions as a handle
STORYTELLING
 Traditionally the shadow plays are performed based on the specific
community in which they are being presented

 The dhalang or puppeteer asks the village about the local issues
they are facing and then chooses a story that illustrates solutions
FIVE STORY ELEMENTS
 The Five Essential Elements of a Story
http://www.katiekazoo.com/pdf/KK_FiveEssentialElements.pdf
REFERENCES
 http://www.worldartswest.org/plm/guide/locator/shadowpuppet
.shtml (Shadow Puppet Information)
 http://www.katiekazoo.com/pdf/KK_FiveEssentialElements.pdf

(Handout)
 Bridging The Curriculum Through Art Interdisciplinary
Connections, Second Edition
 Google Images

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Storytelling with Shadow Puppets

  • 2. SHADOW PUPPETRY  Shadow puppetry is an ancient art form in which shadow images of elaborately handcrafted puppets are projected onto a screen  Over 1,000 years old  Originated in India and Egypt and overtime became a prominent part of Indonesian culture.
  • 3. SHADOW PUPPETRY Materials  Traditional form of storytelling is known as Wayang Kulit (Shadow Skin)  Constructed from pressed and dried buffalo hide  Involves: performance of  Hand painted with gold leaf musicians, a puppeteer (dhalang) and a and colorful pigments series of two-dimensional puppets that  Polished section of buffalo are projected on a backlit screen. horn that functions as a handle
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  • 6. STORYTELLING  Traditionally the shadow plays are performed based on the specific community in which they are being presented  The dhalang or puppeteer asks the village about the local issues they are facing and then chooses a story that illustrates solutions
  • 7. FIVE STORY ELEMENTS  The Five Essential Elements of a Story http://www.katiekazoo.com/pdf/KK_FiveEssentialElements.pdf
  • 8. REFERENCES  http://www.worldartswest.org/plm/guide/locator/shadowpuppet .shtml (Shadow Puppet Information)  http://www.katiekazoo.com/pdf/KK_FiveEssentialElements.pdf (Handout)  Bridging The Curriculum Through Art Interdisciplinary Connections, Second Edition  Google Images