The camera fadesinto reveal a close upof the face
of a womanlyingdown.Hereyesare closed. We
wanther hairto be messyonthe pillowina
nightdress
As soonas the camera stopspanningout,hereyes
suddenlyopen,leadingimmediatelyontothe next
shot
The camera shot expandstoreveal several people
(familymembers) gatheredaround,lookingupset.
The camera endswitha shot ona youngman
amongstthembefore switchingtothe nextshot.
We soonintothe woman’sirisandusinggraphic
match cut, dissolve intothe nextscene…
The woman’sirisisshownto have turnedintoa ball
on the ground
we can thensee a shadowapproachingthe ball
The shadowapproachesand picksthe ball up We thencut to see the shadow,the (father)
throwingthe ball tothe son
Nextwe see the sonthrowingthe ball towardsa
man whoispresumablyhisfatherthe camerawill
followthe ball until itreacheshimandthenitcuts
To thisoverthe shouldershotwiththe mother
watchingoverherfamilywhensuddenlythe father
hunchesover,the time movestoslowmotionashe
dropsthe ball andthe wife movestowardsthe
husband.The ball bouncesasshe approaches
As the ball fallsthe final time the slowmotionis
broken
We thensee the husbandsarmfallingadjacentto
the ball.we will leave itonthisframe toemphasisit
We cut to the presentonce more the oldwoman
(whowe nowknowisthe same womanfromthe
flashback) isinan armchair playingwithalittle girl
(hergranddaughter)
We go back intime to the father’sfuneral,dissolving
the image of the soncrying,to the same image of
the son cryingwithmournersinthe background
The camera pans to showThe son (nowmucholder)
watchesoverthemfromthe doorwaymouthingthe
lyricsand lookingdowncast
He breaksdownaroundthe corner awayfrom the
happyscene soas notto upsetthem.he knowsshe
isunlikelytosurvive muchlonger
The mournersand the motherare mourningatthe
side cryingfortheirloss.One of the mourner’s
comfortsher
Close upto mothersface we see an array of
emotionspassthroughherface,thenit’sjust
sadnessagain
The face fromthe past dissolvestothe presentand
movesawayfromthe face to showthe outerparts
of the doorway.
The son and a familymemberdiscussoptionsforthe
womanshe ismotionlessandtheyare ina heated
discussion.
The old womenlooksatherweddingpicturesanin
thiswe compare the oldhandsto the younghands
and we use thisto once more transitionintothe
past.
Back to the past womenwatchingover
son superimpositiononwindowasshe
looksouton boythisallowsusto see her
facial expressions.
Young womaninpresentwithsonlookingover
husband’sgrave
We thencut to a close upof the oldwoman’sface
and herson to bettersee theirexpressions
We cut to a close up of the oldwomanlookingvery
pale lyingonherbed
We thensee herclose hereyesforthe lasttime
audience assume she haspassedon
We fade toblack to showendof productionas well
as the endof herlife
We showour logoat thispoint.
Storyboard (3)
Storyboard (3)

Storyboard (3)

  • 1.
    The camera fadesintoreveal a close upof the face of a womanlyingdown.Hereyesare closed. We wanther hairto be messyonthe pillowina nightdress As soonas the camera stopspanningout,hereyes suddenlyopen,leadingimmediatelyontothe next shot The camera shot expandstoreveal several people (familymembers) gatheredaround,lookingupset. The camera endswitha shot ona youngman amongstthembefore switchingtothe nextshot. We soonintothe woman’sirisandusinggraphic match cut, dissolve intothe nextscene… The woman’sirisisshownto have turnedintoa ball on the ground we can thensee a shadowapproachingthe ball
  • 2.
    The shadowapproachesand pickstheball up We thencut to see the shadow,the (father) throwingthe ball tothe son Nextwe see the sonthrowingthe ball towardsa man whoispresumablyhisfatherthe camerawill followthe ball until itreacheshimandthenitcuts To thisoverthe shouldershotwiththe mother watchingoverherfamilywhensuddenlythe father hunchesover,the time movestoslowmotionashe dropsthe ball andthe wife movestowardsthe husband.The ball bouncesasshe approaches As the ball fallsthe final time the slowmotionis broken We thensee the husbandsarmfallingadjacentto the ball.we will leave itonthisframe toemphasisit
  • 3.
    We cut tothe presentonce more the oldwoman (whowe nowknowisthe same womanfromthe flashback) isinan armchair playingwithalittle girl (hergranddaughter) We go back intime to the father’sfuneral,dissolving the image of the soncrying,to the same image of the son cryingwithmournersinthe background The camera pans to showThe son (nowmucholder) watchesoverthemfromthe doorwaymouthingthe lyricsand lookingdowncast He breaksdownaroundthe corner awayfrom the happyscene soas notto upsetthem.he knowsshe isunlikelytosurvive muchlonger The mournersand the motherare mourningatthe side cryingfortheirloss.One of the mourner’s comfortsher Close upto mothersface we see an array of emotionspassthroughherface,thenit’sjust sadnessagain
  • 4.
    The face fromthepast dissolvestothe presentand movesawayfromthe face to showthe outerparts of the doorway. The son and a familymemberdiscussoptionsforthe womanshe ismotionlessandtheyare ina heated discussion. The old womenlooksatherweddingpicturesanin thiswe compare the oldhandsto the younghands and we use thisto once more transitionintothe past. Back to the past womenwatchingover son superimpositiononwindowasshe looksouton boythisallowsusto see her facial expressions. Young womaninpresentwithsonlookingover husband’sgrave We thencut to a close upof the oldwoman’sface and herson to bettersee theirexpressions
  • 5.
    We cut toa close up of the oldwomanlookingvery pale lyingonherbed We thensee herclose hereyesforthe lasttime audience assume she haspassedon We fade toblack to showendof productionas well as the endof herlife We showour logoat thispoint.