Eurostat 1 salarié sur 6 dans l'ue est travailleur à bas salaireSociété Tripalio
Eurostat a publié le 8 décembre 2016 un communiqué de presse relatif à une enquête sur la structure des salaires.
Eurostat révèle que dans l'UE, 1 salarié sur 6 est un travailleur à bas salaire.
La proportion de bas salaires parmi les salariés s'élevait à 17,2% dans l'UE en 2014. Ces salariés gagnaient deux-tiers ou moins du salaire horaire national brut médian.
Selon Eurostat, de grandes différences subsistent entre hommes et femmes: dans l'UE en 2014, 21,1% des femmes salariées percevaient un bas salaire, contre 13,5% des salariés homme.
En France, la proportion de bas salaires est de 8,8%. La France compte parmi les pays de l'UE ayant la proportion de bas salaires la plus faible. Des pays comme la Lettonie, la Roumanie et la Lituanie ont enregistré les plus hauts pourcentages de bas salaire avec respectivement 25,5%, 24,4% et 24,0%.
Eurostat 1 salarié sur 6 dans l'ue est travailleur à bas salaireSociété Tripalio
Eurostat a publié le 8 décembre 2016 un communiqué de presse relatif à une enquête sur la structure des salaires.
Eurostat révèle que dans l'UE, 1 salarié sur 6 est un travailleur à bas salaire.
La proportion de bas salaires parmi les salariés s'élevait à 17,2% dans l'UE en 2014. Ces salariés gagnaient deux-tiers ou moins du salaire horaire national brut médian.
Selon Eurostat, de grandes différences subsistent entre hommes et femmes: dans l'UE en 2014, 21,1% des femmes salariées percevaient un bas salaire, contre 13,5% des salariés homme.
En France, la proportion de bas salaires est de 8,8%. La France compte parmi les pays de l'UE ayant la proportion de bas salaires la plus faible. Des pays comme la Lettonie, la Roumanie et la Lituanie ont enregistré les plus hauts pourcentages de bas salaire avec respectivement 25,5%, 24,4% et 24,0%.
Overview of drinking water procurement and processing in plant No.1 (Hesar br...Hanieh Farzaneh
The water is a simple chemical compound, but with complex properties because of its bias. The chemical formula of water is H2O. That is, each water molecule consists of one oxygen atom between two hydrogen atoms. Water is essential for human health and well-being; there can be no life on Earth without water. Specifically in Iran country, freshwater availability is too scarce and it is necessary to provide clean drinking water to all citizens. In the Karaj city drinking water is one the main issues and challenges of the government, due to the decrease in the quality of raw water because of environmental and ecological changes, disposal of solid wastes and wastewaters, and also increase in the population and per capita consumption of drinking water, uncontrolled usage of drinking water as result of lack of appropriate consumption patterns of water and drought seasons, are just a few examples of the major challenges of drinking water faced by people and the government. So it is very important to know and to understand different technologies that have been adopted for drinking water to ensure health and safety of the citizens. This study talks about the overview of drinking water procurement, processing in Karaj city-Iran.
The job of anyone in the hospitality industry is to feed, nurture and entertain people. It makes sense that social media has entered the hospitality as a natural extension of that goal, since much of social media is meant to entertain. Ça Va’s owner and general manager Caitlin Corcoran will discuss what it looks like to develop a social media strategy for a hospitality brand and how that strategy ultimately enables guests to build a lasting relationship with that brand.
Week 5- Final Film Critique
Critique Of The Film Titanic
Film Music Critique Essay
Movie Review
Movie Analysis of Grease Essay
I Am Legend Film Analysis Essay
Critique Of The Movie Gasland
Cinematography Essay examples
Final Film Critique Essay
56 CINEASTE, Fall 2017isn’t unreasonable to say this is a .docxblondellchancy
56 CINEASTE, Fall 2017
isn’t unreasonable to say this is a film about
patriarchal law’s last gasp, especially since
the killing of an older man is at the center of
the narrative. Thomas shouts at his models,
at one point grabbing one physically to push
her into position. The image of James Stew-
art holding a camera with an outsized lens
(in Rear Window) became a much-used sym-
bol for film studies of the impotent,
voyeuristic male. Thomas takes this much
further, using the camera as a phallus as he
unconsciously mimes intercourse, complete
with shouts of “Yes!, Yes!” as he photographs
the leggy, then-trendy model Veruschka; as
usual, the male achieves “orgasm” (Thomas
collapses on a sofa) while the female is merely
a receptacle left on her own.
The moment, reproduced on virtually
every poster for the film, might be a bit ripe,
but the point is made. It is later repeated,
with emphasis on Thomas’s sadism, in the
famous nude romp with two giddy, aspiring
teenage models (Jane Birkin and Gillian
Hills), who end up as servants, dressing
David as he stares at his mysterious pho-
tographs. As in Red Desert, the sex act is
achieved, but it is poisoned, bringing no ful-
fillment to male or female.
The film opens with a car full of mimes,
the famous Rag Week troupe, barreling
around the drab urban citadel of The Econo-
mist magazine. At the film’s end, Thomas
spots them at a tennis court in Maryon Park,
about which he continues to obsess. Two of
the troupe’s members “play” tennis without
rackets or balls. When they hit a “ball” over
the fence, they beckon to Thomas, who joins
in the mimed game, picking up the invisible
ball, tossing it back. He enters the realm of
metaphysics as he watches the game with a
small smile—he even seems to hear the ball
being struck. This object is invisible, yet it
becomes the reason for unity—until
Thomas’s smile turns to a frown. The
mimes’ society is too marginal and bizarre
to offer consolation. Thomas actually fades
into the landscape as the camera pulls back,
consciousness shutting down.
When I first looked at the Criterion Blu-
ray of this film, I was startled, thinking I had
time-warped back to my initial viewing in
1966. Every print of the film since then has
been inferior, my measure being the deathly
greenness of Maryon Park. I find no fault
with this magnificent 4K edition, yet another
of Criterion’s sterling achievements. The
supplements are rich and plentiful, includ-
ing Garner’s substantial remarks as well as
those of photo and art historians Walter
Moser and David Alan Mellor. There is an
intelligent 2016 documentary on the making
of and legacy of Blow-Up, conversations
with Antonioni (pretty slim), David Hem-
mings, Jane Birkin, and a lengthy recent
interview with Vanessa Redgrave. The pack-
age also includes an essay by David Forgacs
and Stig Björkman and the famous—but
marginally relevant—short story by Julio
Cortázar.—Christopher Sharrett
His Girl Friday
Produced and directed by Howard Hawks;
wri ...
56 Movies That Are Considered To Be Almost Flawless.pptxJack Codd
Writing, shooting, editing, and releasing a feature-length film is an incredibly complicated and strenuous process. There are so many moving parts that there’s no guarantee that the movie will translate to the audience or turn out the way it was envisioned. Because of this, movies can range from absolutely terrible to unbelievable works of art. The best of the best are those that had the perfect team working on it, evoke emotion, and executed their vision. These are some of those films.
Racial Discrimination Essays. Academic assignment essay racial discrimination...Jennifer Johnson
Racial Discrimination Argumentative Essay Example | StudyHippo.com. Academic assignment essay racial discrimination - www.topgradepaper…. Racism Essay | Racism | Ethnicity, Race & Gender. Essay Racism and Discrimination - Both racism and discrimination are .... Essay on racial discrimination, Discrimination/ Racial Discrimination .... 025 Racism Essay Example Racial Discrimination Essays On Race And .... Racism Essay | Essay on Racism for Students and Children in English - A .... Argumentative Essay on Racism in Schools | Free Essay Example. Personal Essay - Racial Discrimination | Racism | Ethnicity, Race & Gender. Racial Discrimination Research Paper Free Essay Example. Racial Discrimination Essay Examples – Telegraph. 009 Essay Example Racial Discrimination Essays On Race And Ethnicity .... Racial Discrimination - GCSE English - Marked by Teachers.com. Scholarship essay: Essay racial discrimination.
Anna Kendrick: Acting Real in Tinseltown by Luke BattenLiza Palmer
This first academic piece on Anna Kendrick examines her constructed and individualistic off-screen and on-screen persona, with particular emphasis on the prevailing issues of patriarchy within the film industry. This is achieved through a study of the representation of women within the melodrama, romantic comedy/chick flick, fantasy, and musical genres of film, whilst considering Kendrick’s own perspective on the subject from interviews and her observations in her memoir Scrappy Little Nobody. The aim of this article is to further discourse on the representation of women within the aforementioned genres, and interrogate the portrayal of the female performer more broadly, both on- and off-screen.
Chapter one of this dissertation analyzes Kendrick’s off-screen depiction in conjunction with her child star status, celebrity culture, and social media. The following chapter investigates her on-screen personality as Natalie Keener in Up in the Air and Beca Mitchell in Pitch Perfect, the films which brought her to international recognition as an actor. The final chapter of this work evaluates her more recent on-screen characterization as Cinderella in Into the Woods and Cathy Hiatt in The Last Five Years.
2137ad Merindol Colony Interiors where refugee try to build a seemengly norm...luforfor
This are the interiors of the Merindol Colony in 2137ad after the Climate Change Collapse and the Apocalipse Wars. Merindol is a small Colony in the Italian Alps where there are around 4000 humans. The Colony values mainly around meritocracy and selection by effort.
Explore the multifaceted world of Muntadher Saleh, an Iraqi polymath renowned for his expertise in visual art, writing, design, and pharmacy. This SlideShare delves into his innovative contributions across various disciplines, showcasing his unique ability to blend traditional themes with modern aesthetics. Learn about his impactful artworks, thought-provoking literary pieces, and his vision as a Neo-Pop artist dedicated to raising awareness about Iraq's cultural heritage. Discover why Muntadher Saleh is celebrated as "The Last Polymath" and how his multidisciplinary talents continue to inspire and influence.
2137ad - Characters that live in Merindol and are at the center of main storiesluforfor
Kurgan is a russian expatriate that is secretly in love with Sonia Contado. Henry is a british soldier that took refuge in Merindol Colony in 2137ad. He is the lover of Sonia Contado.
Hadj Ounis's most notable work is his sculpture titled "Metamorphosis." This piece showcases Ounis's mastery of form and texture, as he seamlessly combines metal and wood to create a dynamic and visually striking composition. The juxtaposition of the two materials creates a sense of tension and harmony, inviting viewers to contemplate the relationship between nature and industry.
2. The frame from John Ford’s classic American Western film Stagecoach (1939), exhibits Mrs. Lucy Mallory’s (Louise Platt) facial
expression and attitude thought the film. The way Mrs. Lucy Mallory’s eyes appear dazed, looking to the left as if she’s rolling her
eyes and the smirk on her face, gives the on-screen impression that she is fed up with being trapped in a small stagecoach with a
bunch of riff-raff. She’s stuck with an outlaw, who goes by Ringo Kid (John Wayne), the inebriated Doc (Doctor) Josiah Boone
(Thomas Mitchell), a woman of the night named Dallas (Claire Trevor), a gambler named Hatfield (John Carradine), a whiskey
salesman named Samuel Peacock (Donald Meek) and a greedy banker named Ellsworth Henry Gatewood (Berton Churchill). The
only thing that keeps Mrs. Lucy Mallory in the stagecoach with the eclectic group of people headed to the New Mexico territory
is the mission to find her husband. ~Benjamin J. Alexander
3. In this scene of Stagecoach (1939), the tension between characters of different social classes is explicitly conveyed through the tight facial
expressions and stiff postures of Dallas (Claire Trevor), Ringo Kid (John Wayne), Mrs. Mallory (Louise Platt), and Gatewood (Berton Churchill)
as they unwillingly interact. The production design plays a key role in building the tension of the scene, as the actors eye each other across
the cluttered, untouched table, waiting for someone to make the first move – a western standoff between the social classes. ~Kelsey Davis
4. The appearance of a shadowy figure (Claire Trevor) builds tension for viewers, letting them recognize the woman at the
same time as the other characters, which becomes a recurring theme throughout the film. ~Paul Cirigliano
5. This single frame creates an empowering message of mystery through its strong shadows, forming silhouettes that test the audience,
along with the bold angles and John Wayne's position looking at Claire Trevor, drawing one’s eye to the center of the frame, engaging the
viewer in this perplexing story that’s unraveling. ~Brittany Lowe
6. This elegant shot in Stagecoach (1939) features back lighting that provides a beautiful silhouette which elongates the hall making
the characters, Ringo (John Wayne) and Dallas (Claire Trevor), seem farther apart creating a sense of intimacy or vulnerability,
though this particular frame does not feature the characters directly interacting. ~Sarah Baylor
7. John Ford uses the effects of chiaroscuro to draw the viewer’s attention to the depth of field—forcing the viewer to reckon
with the physical and symbolic meaning of the distance between the Ringo Kid (John Wayne) and Dallas (Claire Trevor).
~Garrett Farrington
8. [Stagecoach (1939) at 1:11:18.]
As the climax of Stagecoach (1939) reaches its peak, the viewers find themselves on the edge of their seats itching to see
how the remaining scenes unfold. With the use of auditory noises that includes lively music and the characters hollering, the
viewer can expect a noteworthy action scene to unfold before them. ~Madison Landau
9. This frame from John Ford’s Stagecoach (1939) captures the entire essence of the film in a single, beautifully balanced image by
using the different facial expressions of each of the characters to show that their group is composed of a variety of strangers
(consisting of an outlaw played by John Wayne, a prostitute played by Claire Trevor, an alcoholic doctor played by Thomas
Mitchell, a pregnant woman played by Louise Platt, a whiskey salesman played by Donald Meek, and more) as well as fitting the
entire group and their vehicle into the frame, demonstrating that this disparate cast must unite on this stagecoach in order to
escape the Apache in this moment and complete their journey to New Mexico. ~Tyler Linden
10. The claustrophobic framing around Hatfield (John Carradine) featured in these shots from John Ford’s Stagecoach (1939) adds the perfect
amount of tension for such a pivotal scene. ~Christian Fulton
11. This shot is part of a one-take shot that lasts thirty-seven seconds, and is one of the shots that has always interested me in this film.
During the stagecoach’s attempts to outrun and defend itself from a raid of Apache horsemen, the Southern gambler Hatfield (John
Carradine) notices he has one bullet left and decides to “spare” the pregnant Lucy Mallory (Louise Platt) from the Apaches by using
it on her. The shot begins with a medium close-up of his face and then travels to a close-up of hers as she is praying for them to
make it out alive. He puts the gun up to her head, pulls the hammer back, and before he can pull the trigger is shot himself. As he
drops the gun, we hear the horns of the cavalry on the charge to save them. Lucy, not having any knowledge of what almost
happened, proclaims with joy that she can hear the bugle and that the charge has been ordered.
This shot can be seen as the darkest point of the scene, as this is the moment when Hatfield believes that it would be better for
Lucy to be dead than captured. This is mirrored in the tight shots of the actor’s upper bodies, not only further demonstrating the
close quarters of the stagecoach but also their proximity to their impending doom. They are trapped, and we are there with them
in the trap. With its mix of chiaroscuro, it almost feels like a shot from film noir, which adds to the dread. This is complemented by
the worn, frightened expression on Louise’s face and the cold resignation on Carradine’s. He has lost hope, and she is clinging to
hers. It’s an excellent shot that adds to one of the greatest action sequences in classical Hollywood history. ~R. F. Karmi
12. In the chosen frame, Dallas leads Ringo towards the Red-Light district. The camera lingers on the two in a long shot as they head
towards the illuminated houses, providing a deep-camera focus on what lies ahead of the pair. ~Connor Allen Lummert
13. DVD by The Criterion Collection
SPECIAL EDITION FEATURES
• Audio commentary by western authority Jim Kitses (Horizons West)
• Bucking Broadway, a 1917 silent feature by John Ford, with new music composed and performed
by Donald Sosin
• Journalist and television presenter Philip Jenkinson’s extensive 1968 video interview with Ford
• New video appreciation of Stagecoach, with director and Ford biographer Peter Bogdanovich
• New video interview with Ford’s grandson, Dan Ford about the director and his home movies
• New video piece, featuring journalist Buzz Bissinger, about trader Harry Goulding’s key role in
bringing Monument Valley to Hollywood
• New video homage to legendary stuntman Yakima Canutt, with celebrated stunt coordinator Vic
Armstrong
• Video essay by writer Tag Gallagher analyzing Ford’s visual style in Stagecoach
• Screen Director’s Playhouse 1949 radio dramatization of Stagecoach, with John Wayne, Claire
Trevor, and Ford, downloadable as an MP3 file
• Theatrical trailer
• PLUS: A booklet featuring a new essay by David Cairns and Ernest Haycox’s “Stage to Lordsburg,”
the short story that inspired the film
• New cover by Eric Skillman
For more information about this product, please visit: https://www.criterion.com/films/980-stagecoach