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Sound Research
Horror Soundtracks - Often themusic for horror soundtrackswas darkly romantic, but
heavily influenced by impressionism, atonality and surrealism.
Popular Horror Soundtracks
 Halloween (John Carpenter)
 The Exorcist (William Friedkin)
 Psycho (Alfred Hitchcock)
 Jaws (Steven Spielberg)
 Saw (James Wan)
 The Wicker Man (Paul Giovanni)
The purposeof thehorror soundtrack is to represent thetoneof thefilm and the genre
through music. Without dialoguein a film, non-diegetic sound is crucial in making a film,
especially of the horror genre. Somefilms becomefamous and recognisablethrough the
soundtrack and this is what I haveaimed to do with my short film. I havenot used any
dialogueor much diegetic sound at all and haveinstead relied on the music in thefilm to
represent thegenre and overall tone.

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Sound research

  • 1. Sound Research Horror Soundtracks - Often themusic for horror soundtrackswas darkly romantic, but heavily influenced by impressionism, atonality and surrealism. Popular Horror Soundtracks  Halloween (John Carpenter)  The Exorcist (William Friedkin)  Psycho (Alfred Hitchcock)  Jaws (Steven Spielberg)  Saw (James Wan)  The Wicker Man (Paul Giovanni) The purposeof thehorror soundtrack is to represent thetoneof thefilm and the genre through music. Without dialoguein a film, non-diegetic sound is crucial in making a film, especially of the horror genre. Somefilms becomefamous and recognisablethrough the soundtrack and this is what I haveaimed to do with my short film. I havenot used any dialogueor much diegetic sound at all and haveinstead relied on the music in thefilm to represent thegenre and overall tone.