Sound Ideas Within The Trailer
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Non-diegetic sounds added in post-production, such as music, can be used to create suspense and indicate to the audience that something scary is about to happen in a horror film trailer. The document discusses using slow, peaceful music at the beginning of the trailer that gradually becomes menacing when the villain appears. During murder scenes, no non-diegetic sound will be used to build suspense, but eerie music will be played leading up to the events. Fast-paced action music will accompany outdoor scenes of the villain chasing teens, and silence will add tension during intense moments before reverting to slow, eerie music once a teen is caught.
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Non-diegetic sounds, such as music, that are added in post-production are important for making horror films scary. The document discusses using non-diegetic sounds in the group's horror film trailer, including a slow build-up of ominous music during establishing shots that gradually speeds up as the butcher appears. During murders there will be no sound to create suspense, but eerie music will play in build-ups. After murders, sad music will play. Fast-paced music will complement scenes of the butcher searching for teens to add tension, and music will go silent as the teen stays quiet to avoid detection before ominous music plays again after being caught.
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The document discusses the use of diagetic and non-diagetic sounds in horror film openings. It lists non-diagetic sounds that will be used such as theme music and eerie music. Both recorded and free online sounds will be used. Silence can also be effective at adding suspense. Different films use different balances of diagetic and non-diagetic sounds to immerse the audience or create strange atmospheres.
Music Video SCRIPT
The document is a script for a music video for the song "Aphrodite - Ganja Man". It outlines 9 scenes that will make up the video. Scene 1 introduces a DJ entering a room with equipment. Scene 2 shows the DJ at work on the turntables as the song begins. Scene 3 cuts to someone spray painting the song title on a wall. Further scenes focus on shots of the DJ mixing, people dancing to the music, and spraying additional graffiti, with the video utilizing different camera shots and angles. The final scene splits the screen into four sections with different clips as the song fades out.
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The document outlines a script for a music video featuring the song "Ganja Man" by Aphrodite. It describes 9 scenes that will make up the 3-minute video. The first scene shows someone entering a room with DJ equipment in the dark. Subsequent scenes include shots of the DJ mixing, someone spray painting the song title on a wall, people dancing to the music, and close-ups of the vinyl and turntables. The final scene splits the screen into four sections with different clips playing as the song fades out.
Ig3 annotations567678
Callum Drake describes the process of replacing the default sounds in a game with custom sounds. He opened the sound panel and changed each of the five default sounds by selecting the corresponding custom sound files from his folder and playing them to confirm they worked as intended. Screenshots were provided showing the custom sounds had successfully replaced the defaults for all sound effects in the game.
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Sound use Ideas
Non-diegetic sounds, such as music, that are added in post-production are important for making horror films scary. The document discusses using non-diegetic sounds in the group's horror film trailer, including a slow build-up of ominous music during establishing shots that gradually speeds up as the butcher appears. During murders there will be no sound to create suspense, but eerie music will play in build-ups. After murders, sad music will play. Fast-paced music will complement scenes of the butcher searching for teens to add tension, and music will go silent as the teen stays quiet to avoid detection before ominous music plays again after being caught.
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The document discusses sound planning for a short film called "Passive Patron". It includes samples of non-diegetic sounds like snoring and a door knock that will be used in scenes. Non-diegetic sounds are recorded separately while diegetic sounds occur during filming. Royalty-free music tracks are also listed that will play at different points in the film. Examples of diegetic sounds that will be deliberately emphasized include sounds of making toast and tea in a kitchen scene and of keys and a wallet in a hallway scene.
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This document discusses music for post-apocalyptic films. It notes that post-apocalyptic film soundtracks typically have a dark, dissonant, and atonal tone to match the bleak settings. The pace and mood of the music often changes depending on the scene to build atmosphere and tension. Piano is commonly used due to its versatility. The document also provides recommendations for different types of instrumental music for different scenes in a short post-apocalyptic film, including impactful opening music, nostalgic music for a conversation, and a dark, sad piece for a character's death.
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The document discusses the use of diagetic and non-diagetic sounds in horror film openings. It lists non-diagetic sounds that will be used such as theme music and eerie music. Both recorded and free online sounds will be used. Silence can also be effective at adding suspense. Different films use different balances of diagetic and non-diagetic sounds to immerse the audience or create strange atmospheres.
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The document is a script for a music video for the song "Aphrodite - Ganja Man". It outlines 9 scenes that will make up the video. Scene 1 introduces a DJ entering a room with equipment. Scene 2 shows the DJ at work on the turntables as the song begins. Scene 3 cuts to someone spray painting the song title on a wall. Further scenes focus on shots of the DJ mixing, people dancing to the music, and spraying additional graffiti, with the video utilizing different camera shots and angles. The final scene splits the screen into four sections with different clips as the song fades out.
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Callum Drake describes the process of replacing the default sounds in a game with custom sounds. He opened the sound panel and changed each of the five default sounds by selecting the corresponding custom sound files from his folder and playing them to confirm they worked as intended. Screenshots were provided showing the custom sounds had successfully replaced the defaults for all sound effects in the game.
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Thriller films often use ominous, slowly-paced music at the beginning to build suspense, as shown in the opening of Panic Room. The music in Panic Room starts slow with long, ominous notes alongside city sounds. As time passes in the film, the music speeds up, mirroring increasing panic and unease. Non-diegetic clock ticking emphasizes the sense of a looming deadline, hinting at what may happen in the film. For their own thriller opening, the document's authors created music in GarageBand and collaborated with a friend studying music technology.
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This document contains a shooting schedule for a music video that includes 76 shots. It lists the description of each shot, characters and location, estimated time to film, and any necessary props. Shots will feature Rumena lip syncing and dancing as Ariana Grande in various locations like a green screen, wallpaper, canteen, and street. Other actors will play Grande's friends and a crush. Filming is estimated to take around 4 hours total and will require equipment like a camera, tripod, lighting, and props like an iPod, balloons, and glow sticks to play music and set the party scene.
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The film starts with ominous music playing over opening titles. Scenes of increasingly isolated houses establish a sense of suspense and isolation for the main characters. Shots of a damaged car, bloody knife, and other clues show the aftermath of a violent incident at an isolated house. Intercut with these clues is a 911 call from one of two boys who have discovered the aftermath, setting up the main story of the film.
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Comparing 3
In the first draft of a video, a fade in-and-out transition was used at 0:42 but the ambient sound started too low and stopped abruptly. Time-lapse music started at 0:52 and ended at 1:11, but the victim walked very fast due to the quick time-lapse speed. In the second, final version, there is no abrupt transition and the ambient sound fades in at a louder, easier to hear volume until 0:43. The time-lapse begins at 0:49 and shows the victim at 0:57, edited to a slower pace. The music fades out at 1:01 for a smooth transition to the next scene.
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The document provides a shot-by-shot description of a music video over its 4 minute and 30 second runtime. It details how the camera perspective and number of people in shots change throughout the video to different people dancing in various locations. The video starts with a point-of-view shot of someone waking up and putting on music, before showing more people dancing together in the same room. It ends with a panoramic shot of the exhausted group asleep, zooming in on just the DJ still awake mixing music.
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Imogen edited an audio recording in Premiere Pro. She imported the audio file and deleted pauses and mistakes. She split one section into two tracks to make the beginning louder without changing the volume of the rest. Imogen also added sound effects by importing files and dragging them into the timeline. She chose space-themed sound effects like a whooshing noise and spaceship sounds to match the content about reviewing the movie Passengers without overwhelming the dialogue.
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Daniel Thompson created a music production reflecting his process. He began by collecting music from YouTube and organizing it in his editing software. He added sound effects but removed one that did not sound as intended. For the talking aspects, he turned down music to play quietly under his voice. He downloaded additional sound effects for introductions and varied them using editing tools. Finally, he recorded his script based on strange news stories and added the full mix to his project, blending elements using various audio editing tools.
IDEAS FOR USE OF SOUND
The document discusses using sound in a trailer for a horror film called The Human Carvery. It explains that non-diegetic sound like music can be used to add suspense, tension, and scare audiences. The group plans to use slow then menacing music when the butcher appears, no music during murders to build suspense, and fast-paced music during chase scenes. An analysis of the film Scream shows it uses phone call music to build tension, stops music briefly for chilling lines, and mixes hacking/banging noises with eerie music for the scariest parts of the trailer.
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This document discusses the use of non-diegetic sound in film trailers to add suspense, tension, and fear. It analyzes the sounds used in the trailer for the horror film Scream. The group plans to use various non-diegetic sounds in their own horror trailer, including ominous music during establishing shots that gets more menacing when the villain appears. During murders there will be no sound, but eerie music before and after. Fast-paced music will accompany chase scenes. Silence will build suspense when the villain searches for victims.
sound ideas
This document discusses the use of non-diegetic sound in film trailers to add suspense, tension, and fear. It analyzes the sounds used in the trailer for the horror film Scream. The group plans to use various non-diegetic sounds in their own horror trailer, including ominous music during establishing shots that gets more intense when the villain appears. During murders there will be no sound, but eerie music before and after. Fast-paced music will accompany chase scenes. Silence will build suspense when the villain searches for victims.
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The opening scene of Lock, Stock and Two Smoking Barrels uses non-diegetic music to build suspense and tension as Eddie warns that the police are coming. This instigates the antagonists to run away into a dilapidated warehouse as goods are thrown into a suitcase. The indistinct lighting, shadows, and jittery soundtrack in the warehouse create an eerie atmosphere and foreshadow a theme of good vs. evil. As the police enter the frame, the soundtrack acts as a "sound bridge" and "sting" to punctuate the ending of the opening scene and warn the audience of the illegal activities and disruption to come.
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This document discusses the effective use of sound in short films. It explains that sound is as important as video and audiences are more bothered by poor sound than poor cinematography. The three essential sound elements are dialogue, sound effects, and music. Dialogue conveys character and story. Synchronous sounds match the visuals while asynchronous sounds add emotion. Background music provides tone and links scenes. Sound corresponds to emotions and scenes to effectively tell the story and engage audiences. Pre-production planning considers how music will build suspense or show emotion by increasing or decreasing at certain points.
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Music plays an important role in setting the tone and eliciting emotions in different movie genres. For horror films, suspenseful music with fast, dramatic violins are commonly used to create tension and unease. Examples include the theme from Jaws and the screeching violins during the shower scene in Psycho. Sci-fi films often feature electronic keyboards and computer-generated sounds, as seen in 2001: A Space Odyssey with its grand orchestral opening theme. Murder mysteries employ a variety of instruments like piano and mixtures of tones to convey emotions like sadness, anger, and shock during pivotal scenes such as revelations of the killer's identity.
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Sound is an important but often overlooked element of filmmaking. It needs to be carefully crafted during post-production to fully realize the film. There are two main types of sound: diegetic sounds that exist within the story world, like voices and noises, and non-diegetic sounds added later like music and voiceovers. Both can be used creatively to impact meaning, such as using contrasting music to create irony or associate sounds with characters. Careful use of sound effects and music can influence how audiences perceive characters, narratives, genres, and settings.
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The document analyzes the use of sound and music in the trailers for Horrible Bosses 2 and San Andreas. For Horrible Bosses 2, the trailer uses contrasting dark then upbeat music to shift between serious and comedic tones. Dialogue with rhymes and references to the previous film enhance comedy. San Andreas uses a slow, ominous version of "California Dreaming" to build suspense without effects initially. Slow music and shots maintain tension, while voiceover at the end enhances realism and draws the audience in. Both trailers effectively employ music and sound design to engage audiences in their respective genres.
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Music ideas
Thriller films often use ominous, slowly-paced music at the beginning to build suspense, as shown in the opening of Panic Room. The music in Panic Room starts slow with long, ominous notes alongside city sounds. As time passes in the film, the music speeds up, mirroring increasing panic and unease. Non-diegetic clock ticking emphasizes the sense of a looming deadline, hinting at what may happen in the film. For their own thriller opening, the document's authors created music in GarageBand and collaborated with a friend studying music technology.
Filimng schedule
This document contains a shooting schedule for a music video that includes 76 shots. It lists the description of each shot, characters and location, estimated time to film, and any necessary props. Shots will feature Rumena lip syncing and dancing as Ariana Grande in various locations like a green screen, wallpaper, canteen, and street. Other actors will play Grande's friends and a crush. Filming is estimated to take around 4 hours total and will require equipment like a camera, tripod, lighting, and props like an iPod, balloons, and glow sticks to play music and set the party scene.
The Strangers - Opening Analysis
The film starts with ominous music playing over opening titles. Scenes of increasingly isolated houses establish a sense of suspense and isolation for the main characters. Shots of a damaged car, bloody knife, and other clues show the aftermath of a violent incident at an isolated house. Intercut with these clues is a 911 call from one of two boys who have discovered the aftermath, setting up the main story of the film.
All in the name 2st draft script by alex nesbit
The document is a music video script for the song "All in the Name" by the Janice Graham Band. The script involves the following key events in 3 sentences:
The video begins with an establishing shot of Strangeways Prison before cutting to the lead singer singing in his cell. Scenes then show each band member playing their instruments in their individual prison cells. The band members then set their cells on fire while continuing to perform, and walk down the prison corridor while it burns around them, ultimately escaping with their instruments as the prison goes up in flames behind them.
Comparing 3
In the first draft of a video, a fade in-and-out transition was used at 0:42 but the ambient sound started too low and stopped abruptly. Time-lapse music started at 0:52 and ended at 1:11, but the victim walked very fast due to the quick time-lapse speed. In the second, final version, there is no abrupt transition and the ambient sound fades in at a louder, easier to hear volume until 0:43. The time-lapse begins at 0:49 and shows the victim at 0:57, edited to a slower pace. The music fades out at 1:01 for a smooth transition to the next scene.
Music video script
The document provides a shot-by-shot description of a music video over its 4 minute and 30 second runtime. It details how the camera perspective and number of people in shots change throughout the video to different people dancing in various locations. The video starts with a point-of-view shot of someone waking up and putting on music, before showing more people dancing together in the same room. It ends with a panoramic shot of the exhausted group asleep, zooming in on just the DJ still awake mixing music.
Nerve Slide Show 04 19 2009 97 03
The document discusses Yo-Yo's new single "Morning Comes" which features Ray J and was produced by Eric Sermon and DJ Quik. It mentions her upcoming EP "Black Butterfly" which is set for release in April. Yo-Yo is promoting the single herself to build buzz ahead of the release.
Production Reflection
Imogen edited an audio recording in Premiere Pro. She imported the audio file and deleted pauses and mistakes. She split one section into two tracks to make the beginning louder without changing the volume of the rest. Imogen also added sound effects by importing files and dragging them into the timeline. She chose space-themed sound effects like a whooshing noise and spaceship sounds to match the content about reviewing the movie Passengers without overwhelming the dialogue.
Editing log
The document describes the process of editing a movie trailer in Adobe Premiere Elements 9. It discusses importing video clips, organizing clips into folders, adding title screens and text, adjusting audio levels and timing, and previewing the draft trailer. The summarizer organized video clips, added title screens and text to introduce scenes, synced audio levels to clips, and previewed a draft version of the trailer before correcting spelling errors and shortening the runtime.
Music video script_template finished
This music video script is for the song "Discolights" by Ultrabeat vs Darren Styles. It consists of 6 scenes: 1) Friends arrive at a house and get ready to go out. 2) They arrive at the club and dance. 3) Extended dancing scenes inside the busy club. 4) More dancing and shots of the DJ. 5) The drunk friends leave the club in a taxi and take photos. 6) Final shots show each friend asleep in the house. The script provides timing cues and descriptions to visualize the song and accompany the music and lyrics.
Dance Music
Joel Zimmerman adopted the name Deadmau5 after he found a defunct mouse in his computer system and t...
Pitch 2
The document is a pitch for a music video for the song "Yatahaze" by the band Dredg. The video will feature split-screen footage of each band member performing their part of the song separately in different locations to create the illusion that they are playing together. It will also incorporate narrative scenes of the band members preparing for a live performance. Shooting each musician individually will allow for an easy and low-cost production. The target audience is teenagers aged 13 to 20.
6. production reflection
Daniel Thompson created a music production reflecting his process. He began by collecting music from YouTube and organizing it in his editing software. He added sound effects but removed one that did not sound as intended. For the talking aspects, he turned down music to play quietly under his voice. He downloaded additional sound effects for introductions and varied them using editing tools. Finally, he recorded his script based on strange news stories and added the full mix to his project, blending elements using various audio editing tools.
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The document discusses using sound in a trailer for a horror film called The Human Carvery. It explains that non-diegetic sound like music can be used to add suspense, tension, and scare audiences. The group plans to use slow then menacing music when the butcher appears, no music during murders to build suspense, and fast-paced music during chase scenes. An analysis of the film Scream shows it uses phone call music to build tension, stops music briefly for chilling lines, and mixes hacking/banging noises with eerie music for the scariest parts of the trailer.
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This document discusses the use of non-diegetic sound in film trailers to add suspense, tension, and fear. It analyzes the sounds used in the trailer for the horror film Scream. The group plans to use various non-diegetic sounds in their own horror trailer, including ominous music during establishing shots that gets more menacing when the villain appears. During murders there will be no sound, but eerie music before and after. Fast-paced music will accompany chase scenes. Silence will build suspense when the villain searches for victims.
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This document discusses the use of non-diegetic sound in film trailers to add suspense, tension, and fear. It analyzes the sounds used in the trailer for the horror film Scream. The group plans to use various non-diegetic sounds in their own horror trailer, including ominous music during establishing shots that gets more intense when the villain appears. During murders there will be no sound, but eerie music before and after. Fast-paced music will accompany chase scenes. Silence will build suspense when the villain searches for victims.
Soundtrack Analysis - Lock, Stock and Two Smoking Barrels
The opening scene of Lock, Stock and Two Smoking Barrels uses non-diegetic music to build suspense and tension as Eddie warns that the police are coming. This instigates the antagonists to run away into a dilapidated warehouse as goods are thrown into a suitcase. The indistinct lighting, shadows, and jittery soundtrack in the warehouse create an eerie atmosphere and foreshadow a theme of good vs. evil. As the police enter the frame, the soundtrack acts as a "sound bridge" and "sting" to punctuate the ending of the opening scene and warn the audience of the illegal activities and disruption to come.
Sound in short film
This document discusses the effective use of sound in short films. It explains that sound is as important as video and audiences are more bothered by poor sound than poor cinematography. The three essential sound elements are dialogue, sound effects, and music. Dialogue conveys character and story. Synchronous sounds match the visuals while asynchronous sounds add emotion. Background music provides tone and links scenes. Sound corresponds to emotions and scenes to effectively tell the story and engage audiences. Pre-production planning considers how music will build suspense or show emotion by increasing or decreasing at certain points.
Examples and Research into Music in Films
Music plays an important role in setting the tone and eliciting emotions in different movie genres. For horror films, suspenseful music with fast, dramatic violins are commonly used to create tension and unease. Examples include the theme from Jaws and the screeching violins during the shower scene in Psycho. Sci-fi films often feature electronic keyboards and computer-generated sounds, as seen in 2001: A Space Odyssey with its grand orchestral opening theme. Murder mysteries employ a variety of instruments like piano and mixtures of tones to convey emotions like sadness, anger, and shock during pivotal scenes such as revelations of the killer's identity.
Sound handout
Sound is an important but often overlooked element of filmmaking. It needs to be carefully crafted during post-production to fully realize the film. There are two main types of sound: diegetic sounds that exist within the story world, like voices and noises, and non-diegetic sounds added later like music and voiceovers. Both can be used creatively to impact meaning, such as using contrasting music to create irony or associate sounds with characters. Careful use of sound effects and music can influence how audiences perceive characters, narratives, genres, and settings.
Media sound
The document discusses how sound is used in different television genres like crime drama, medical drama, sci-fi drama, and historical drama to convey information to audiences and create certain effects. In crime dramas, eerie music builds tension while screams and gunshots communicate danger and violence. Medical dramas use relaxing cafรฉ music to ease tension versus a drumbeat that builds suspense. Sci-fi dramas employ mysterious sounds and machine noises to set a futuristic tone. Finally, historical dramas rely on period music, horse carriages and formal speech to transport audiences back in time.
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The document analyzes the use of sound and music in the trailers for Horrible Bosses 2 and San Andreas. For Horrible Bosses 2, the trailer uses contrasting dark then upbeat music to shift between serious and comedic tones. Dialogue with rhymes and references to the previous film enhance comedy. San Andreas uses a slow, ominous version of "California Dreaming" to build suspense without effects initially. Slow music and shots maintain tension, while voiceover at the end enhances realism and draws the audience in. Both trailers effectively employ music and sound design to engage audiences in their respective genres.
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The document discusses non-diegetic sounds that will be used in the opening of a horror film, including production company sound, theme tune, eerie music, and heartbeat sounds. It notes that some sounds will be self-recorded while others will come from free sound effect websites. The use of sounds in horror films adds suspense, tension, and draws the audience into the action by contributing to the atmosphere and scene. Examples are given of how different horror films utilize diegetic and non-diegetic sounds differently.
Sound planning
The document discusses non-diegetic sounds that will be used in the opening of a horror film, including production company sound, theme tune, eerie music, and heartbeat sounds. It notes that some sounds will be self-recorded while others will come from free sound effect websites. The use of sounds in horror films adds suspense, tension, and draws the audience into the action by contributing to the atmosphere and scene. Examples are given of how different horror films utilize diegetic and non-diegetic sounds differently.
Importance Of Sound In Film
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Sound planning and research
The document discusses music planning for an opening film sequence. It analyzes the opening credits of the Sherlock Holmes film, noting the non-diegetic piano music sets the Victorian tone and transitions smoothly to diegetic sounds. This provides an example for the planning of tension-building music in the author's opening sequence for their crime thriller genre film. Effective music choice is also discussed as important for setting mood, character behavior, and audience reaction. For a crime thriller genre, the summary recommends music that builds tension through slower pacing and higher pitches, or faster music matching heart rates during action scenes to deeply involve the audience.
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The document discusses sound design ideas for a movie trailer called "The Basement". It divides the trailer into three sections for sound design purposes. The first 30 seconds will feature unsettling non-diegetic sounds like nails scraping and knocking to set an uneasy tone. From 30-60 seconds, all non-diegetic sound will cut out during a pivotal scene, then return along with a child's singing and increasing heartbeat rhythm. During the final minute, the heartbeat and other instruments will build to a climax, then cut to just the child's voice and a rising scream for an unsettling effect. The trailer aims to disorient viewers through innovative sound design that enhances the horror elements and leaves a lasting impression.
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The document discusses conventions, titles/timings, mise-en-scene, sound, and camera techniques used in horror and thriller movies. It provides examples of how these elements set the tone and build suspense, such as using string instruments and dark colors in the score, having the male character wear dark clothing, showing clocks at night to suggest mystery, and employing jump cuts and zooms between characters and locations. The document analyzes how these techniques are employed in the openings of movies to immerse viewers and establish the psychological nature of the films.
Effectiveness of sound in short film
The document discusses sound in short films. It explains that sound, like video, is an important element that can manipulate audience experience. It also provides examples of how different films use dialogue, sound effects, and music to convey meaning and emotion. Specific short films are analyzed to show how music corresponds to the mood and story. The conclusion discusses plans to use background music in an upcoming short film, varying the sound based on the emotion of scenes like an argument versus resolution.
39 steps
The document provides analysis of the mise-en-scene, sound, camera shots, and editing techniques used in the first three minutes of the film 39 Steps. It summarizes that the black and white filming establishes the early 20th century setting. Upbeat non-diegetic music and lighting create an atmosphere of excitement for a glamorous theater occasion. Shadows and shots of a mysterious man in a trench coat create intrigue about the unfolding mystery genre narrative. Formal staging of two suited men on stage signals the start of a comedy performance to a sophisticated, upper-class audience. Linear editing moves the story along without disorienting the viewer as they are introduced to this world.
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Cast and other roles
The document lists the cast of characters for a film or story including a villain named Matthew Jones, 4 victims named Scarlett Hayward, Katy Harrison, Hannah Becket with Lucy Broker as the final girl, a boss named Terry Henderson, and a character named Jake played by Oliver Humphris.
Ideas for Name of magazine
The document discusses the selection of the name "Movie Talk" for the group's horror magazine. They chose this name because it sounds professional and implies the magazine will discuss movies in theaters. They also wanted a general film magazine rather than one focused solely on horror. When asking members of the target audience which name seemed most professional, "Movie Talk" was preferred. The group did not select other proposed names like "Total Horror" due to being too similar to an existing magazine or not fitting the target demographic and content.
New ideas for tagline
1) The group researched taglines to find one relating to their slasher film's narrative and subgenre. They conducted a focus group to get audience input on potential options.
2) Effective existing taglines hint at the narrative without spoiling the plot, drawing audiences in.
3) The group chose "He is what he eats" based on focus group feedback that it relates well to the genre and film's narrative of a killer who eats victims.
Ideas for use of camera
This document discusses camera techniques used in horror film trailers and plans for a student film trailer. It notes that extreme close-ups are often used to show victims' emotions and jump scares with villains. Wide shots set the scene before the horror begins. Camera height can create power dynamics between characters. Quick or slow camera movements can build suspense or frighten viewers. Shots planned for the student trailer include close-ups of victims' faces during torture, a close-up of the villain for a jump scare, and high angles to show the villain's dominance over victims.
History of horror
This document provides a history of the horror genre from the 1920s to the 2010s. It summarizes the evolution of horror films over the decades by highlighting representative films from each era and how they reflected the fears of society at that time. Key developments included the introduction of sound and technology, evolving monsters and villains from mythical creatures to human killers, and changing narrative structures. Overall, the history shows how the horror genre has adapted to continue scaring audiences by targeting their new fears in each generation.
Call sheets
This production call sheet outlines the filming schedule and cast details for the film "The Human Carvery" over several days in November. It lists the shooting locations which include a house, road, fields and school. The cast includes Matt as the Villain and Scarlett, Katy, Hanaha and Lucy as Victims. Their roles and makeup requirements are provided. Oliver will also play the role of Jake. The sheets provide the producer, director and scenes for each shoot date.
Filming schedule
The filming schedule outlines scenes to be filmed from November 11th to November 21st in various locations including Scarlett's Garage, cars, A40 Fields, and a school. On November 11th and 12th, scenes taking place in Scarlett's Garage will be filmed using props like a wheelchair, prosthetic hand, and pig mask. Gory scenes involving fake blood and organs will also be filmed on the 12th. Later dates include scenes filming kids running from a pig man in the A40 Fields and teens being stalked in a park. Establishing shots of the school and a scene of a character being fired are also scheduled.
Magazine front cover analysis
This magazine front cover analysis document summarizes the key design elements and conventions used across two different movie magazine covers - Empire magazine's cover for the film Interstellar and Total Film magazine's cover for the film Maleficent. For the Interstellar cover, the masthead font reflects the space theme, different sell lines try to attract various audiences, and the color scheme matches the film's narrative. For the Maleficent cover, the masthead is partially covered allowing more focus on the main Angelina Jolie image, the background resembles the film's setting, and buzzwords like "epic" are used to promote the film. Both covers effectively utilize color, images, and text to relate to their featured films and
Film poster analysis
This poster for the film The Conjuring 2 effectively promotes the supernatural horror film. It depicts a young girl at a window with her arms outstretched, surrounded by a halo of light. Religious iconography like the cross suggests supernatural elements. Minimal lighting and fog at the bottom create an eerie atmosphere. Positioning and lighting draw viewers' eyes to focus on the girl, establishing her importance to the plot. Overall, the poster uses common horror conventions like an isolated setting and religious symbols to attract audiences to the supernatural thriller.
Film trailer analysis 2
The trailer is for the 2016 psychological horror film Hush, directed by Mike Flanagan. It stars Kate Siegel as Maddie, a young deaf woman living alone in an isolated house in the woods. The trailer establishes the setting and Maddie's disability through text and imagery, creating an unsettling atmosphere. It then sets up the plot - an intruder is outside with the intent to kill Maddie. Due to her being deaf, she is reliant on visuals and has heightened senses of unease. The trailer uses the setting, lighting, sounds and lack of dialogue to reflect Maddie's vulnerability and build suspense for the killer's threat.
Film trailer analysis 1
The trailer introduces the plot of the film "Insidious" through a series of shots and scenes. It follows a family that moves into a new home where supernatural events begin to occur after their son falls into a coma. Various film techniques like lighting, editing, and sound are used to build tension and mystery around the cause of the son's condition. The trailer then reveals that a paranormal investigator will help the family investigate what is haunting their home and son. It ends by hinting that the son himself may be the source of the supernatural presence.
Outline of narrative
This document contains an outline for scenes in a horror film featuring a butcher seeking revenge by killing teenagers. It includes scenes of the butcher being fired from his job, preparing his tools and props, stalking the teenagers in his car, killing one teenager by dragging their body, multiple killings showing removed organs, and a dinner scene of the butcher eating the internal organs of his victims. Musical cues and camera shots are described to build tension and drama throughout the scenes.
Poster overview
The document analyzes eight film posters from the horror genre to identify common features and conventions. It finds that most posters feature bold white text, red and black colors, images of the villain, and weapons to attract audiences without revealing too much of the plot. Common elements help link different media within the genre in a symbiotic relationship. For example, most posters feature the "final girl" character archetype through use of innocent white clothing and positioning closest to danger. Layout and design conventions also aim to guide the eye across the poster according to principles like the rule of thirds. Overall, the posters effectively promote films in the slasher genre while encouraging curiosity through limited revealing of the story.
Conventions of the slasher genre
The document discusses several conventions of the slasher film genre. It describes the tropes of the final girl, who is typically innocent and survives, and the first girl, who is promiscuous and dies first. It also outlines conventions for the villain's costume including masks, the signature weapon or prop they use, and how mass killings are used to create fear and suspense. Finally, it notes that slasher films commonly take place in isolated locations that trap the victims.
Focus group analysis
The focus group was conducted to determine what elements would attract the target horror film audience to a trailer, poster, and magazine cover. Key findings included that the audience preferred posters featuring the villain prominently with the weapon, a font resembling blood splatter, the tagline "He is what he eats", diegetic and foley sounds in the trailer, close-up shots of the villain's face on the magazine cover, a meat cleaver as the weapon, and a costume combining a mask and suit. These elements align with horror conventions and will be incorporated into the media pieces to appeal to the target group.
Questionnaire Analysis
The document summarizes the results of a questionnaire conducted to gather information from teenagers about their preferences and interests related to horror films. The questionnaire asked about respondents' age, favorite horror films, preferred horror sub-genres, fears, how often they watch horror films, if trailers and posters influence viewing decisions, and what elements make for effective horror trailers. The results will help the document's authors create compelling marketing materials for a slasher film project by highlighting elements shown to appeal to their target demographic.
Horror sub genres
This document summarizes four main horror sub-genres: slasher, gothic, psychological, and supernatural. It provides examples for each sub-genre, including films like Scream for slasher, Dracula for gothic, The Strangers for psychological, and The Conjuring for supernatural. Each sub-genre is described in terms of its common themes, tropes, settings, and conventions.
Target audience profile
The target audience is a male aged 15-23 who is educated, outgoing, reliable, and open-minded. He has interests in psychology, slasher films, and becoming a detective. He studies criminology in university and enjoys researching infamous killings and torture. Relationships with family and friends are important to him, and he socializes regularly. In his free time, he enjoys the gym, swimming, films by directors like Stanley Kubrick, and psychological novels. He has a passion for horror films based on true events and appreciates realistic films that required effort to produce.
Original Brief
The document outlines a promotional package for an upcoming horror film that will include a trailer, poster, and magazine article. It will follow conventions of the psychological slasher genre to quickly engage audiences in an exciting yet thrilling way through gripping scenes and suspense. By analyzing existing media pieces, the team aims to familiarize themselves with typical conventions to incorporate into their own work promoting the villain as easily recognizable. They will collectively produce the three media texts while distributing work equally and communicating effectively as a team.
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Chapter wise All Notes of First year Basic Civil Engineering.pptx
Chapter wise All Notes of First year Basic Civil Engineering
Syllabus
Chapter-1
Introduction to objective, scope and outcome the subject
Chapter 2
Introduction: Scope and Specialization of Civil Engineering, Role of civil Engineer in Society, Impact of infrastructural development on economy of country.
Chapter 3
Surveying: Object Principles & Types of Surveying; Site Plans, Plans & Maps; Scales & Unit of different Measurements.
Linear Measurements: Instruments used. Linear Measurement by Tape, Ranging out Survey Lines and overcoming Obstructions; Measurements on sloping ground; Tape corrections, conventional symbols. Angular Measurements: Instruments used; Introduction to Compass Surveying, Bearings and Longitude & Latitude of a Line, Introduction to total station.
Levelling: Instrument used Object of levelling, Methods of levelling in brief, and Contour maps.
Chapter 4
Buildings: Selection of site for Buildings, Layout of Building Plan, Types of buildings, Plinth area, carpet area, floor space index, Introduction to building byelaws, concept of sun light & ventilation. Components of Buildings & their functions, Basic concept of R.C.C., Introduction to types of foundation
Chapter 5
Transportation: Introduction to Transportation Engineering; Traffic and Road Safety: Types and Characteristics of Various Modes of Transportation; Various Road Traffic Signs, Causes of Accidents and Road Safety Measures.
Chapter 6
Environmental Engineering: Environmental Pollution, Environmental Acts and Regulations, Functional Concepts of Ecology, Basics of Species, Biodiversity, Ecosystem, Hydrological Cycle; Chemical Cycles: Carbon, Nitrogen & Phosphorus; Energy Flow in Ecosystems.
Water Pollution: Water Quality standards, Introduction to Treatment & Disposal of Waste Water. Reuse and Saving of Water, Rain Water Harvesting. Solid Waste Management: Classification of Solid Waste, Collection, Transportation and Disposal of Solid. Recycling of Solid Waste: Energy Recovery, Sanitary Landfill, On-Site Sanitation. Air & Noise Pollution: Primary and Secondary air pollutants, Harmful effects of Air Pollution, Control of Air Pollution. . Noise Pollution Harmful Effects of noise pollution, control of noise pollution, Global warming & Climate Change, Ozone depletion, Greenhouse effect
Text Books:
1. Palancharmy, Basic Civil Engineering, McGraw Hill publishers.
2. Satheesh Gopi, Basic Civil Engineering, Pearson Publishers.
3. Ketki Rangwala Dalal, Essentials of Civil Engineering, Charotar Publishing House.
4. BCP, Surveying volume 1
Temple of Asclepius in Thrace. Excavation results
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skeleton System.pdf (skeleton system wow)
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2- ุชุญุชูู ุนูู 78 ุฑุณู
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A wound is a break in the integrity of the skin or tissues, which may be associated with disruption of the structure and function.
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Complications of wound healing like infection, hyperpigmentation of scar, contractures, and keloid formation.
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Sound Ideas Within The Trailer
- 1. IdeasFor Use Of Sound Sound is one of the most important features within a horror film when making it scary, especially non-diegetic soundwhich is added later in post production. This is why we as a group understand the importance of exploring many different non-diegetic sounds that could potentially be used within our trailer to make it even more frightening for the audience. Non-Diegetic sounds are sounds that are added, for example music and diegetic or ambient soundsare sounds that occur when shooting the film, however these can be made louder in poster production to make them seem scarier. Music can be used to foreshadow upcoming events, it can be used toindicate to the audience that something sinister is going to occur, creating suspense and keeping the audience engaged. In our trailer we plan to include a slow build up of music (non-diegetic sound)during the equilibrium and the establishing shots, beginning with slow peaceful music. This will gradually speed up and become menacing as the butcher first appears on our screens, giving the audience that the butcher is our villain and the source of evil activity. During the murders, there will be no non-diegetic soundin an attempt to create suspense however in the building upthere will be eerie music to indicate to the audience what is about to happen and keep them engaged. Then after the murder has taken place the music will begin again and this time will be slow sad music. There will be other scenes shotoutside where the butcher is attempting to catch the teens (i can assure you it won't be as cringy as it sounds) for this scene we will include fast pace music, something similar to what you may expect to hear as the main track within an action film. This is to complement the activity happening on screen and adding to the tension. As the scene gets really tense and the butcher is looking for the teens in the abandoned building, the music will go silent to represent that the teen is staying as quiet as they can to prevent the butcher from hear them. Also sometimes no music adds to suspense. Once the teen is caught, slow eerie music will be played again t signify the brutal and sinister events that will be coming up, once the butcher has taken the victim back to his lab like room.