Sound timeline
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The document provides a timeline for sound planning in a film. It details different non-diegetic sound effects and music to be used at specific time intervals throughout the film. These include eerie sounds, bangs, scratches, suspenseful music, and romantic music to accompany flashback scenes. The sounds and music are meant to build tension and lead up to a climax from 0:30 to 1:21.
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Costume planning
Reece will wear dark clothing in the teaser trailer to represent his dark personality and symbolize negativity. Lex will wear different clothes in flashbacks showing her carefree approach to life, and ripped clothing with no shoes in current times to show the torture and pain she has endured which adds to the severity of her situation.
Text graphics research
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Risk assessment
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Screenplay A2
The document is a screenplay that tells the story of Charley and Steve. In the beginning, Charley is curled up in Steve's basement breathing heavily, implying something traumatic has happened. The story cuts back and forth between flashbacks of Charley and Steve being happy together and the present where Steve is physically abusing Charley. As Charley runs away from Steve through the woods and to a park where they had good memories, she has flashbacks of their past relationship. In the climax, Charley is hiding in the park when Steve finds and attacks her once more.
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The call sheet summarizes a film production shooting on October 14th at Castlefield House and Reigate Park. It lists the crew and actors, their roles, and call and finish times of 9am to 4pm. It provides details on costumes, props, and equipment being brought by various crew members. Notes mention potential rain impacting outdoor filming and locations including the house studio and park. Lex's character will wear makeup showing bruises from Reece's character.
Shot by Shot analysis
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Shotlist A2
This document contains a shot list for a short film titled "He Loves Me Not". It includes 26 shots planned for the film involving scenes of a couple, Charley, being abused by her partner Steve. The shots range from extreme long shots to extreme close ups and cover scenes both indoors and outdoors. Details are provided for each shot such as camera setup, scene number, whether it takes place indoors or outdoors, and estimated time. Comments sections are also included to note how each shot goes during filming.
Film marketing
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Costume planning
Reece will wear dark clothing in the teaser trailer to represent his dark personality and symbolize negativity. Lex will wear different clothes in flashbacks showing her carefree approach to life, and ripped clothing with no shoes in current times to show the torture and pain she has endured which adds to the severity of her situation.
Text graphics research
The document discusses the textual graphics needed for a teaser trailer for the film "He Loves Me Not". It outlines that there will be 5 textual cards throughout the trailer with a similar theme. The first 3 cards will use a red font on a black background with slight shaking. The last card, revealing the film title, will have a different font style - either fancy romantic writing or a scratched deep red font. The background for the last card should be similar to the others with a shaky frame.
Risk assessment
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Screenplay A2
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Textual analysis
The teaser trailer provides glimpses of various scenes and characters that seem to be involved in a sinister situation. A woman is shown gagged with her eyes covered, suggesting she is in danger. Various shots introduce characters that appear angry, worried, and intimate in hidden areas. A blond woman seems to be a main character, shown with a knife in a low, sinister shot. The trailer aims to make the audience question what happened to the protagonist and why the antagonist is acting this way, following thriller conventions with an established audience.
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analysis of trailer conventions
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Legend Analysis
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Evaluation - Task 1
Our teaser trailer used conventions of real teaser trailers by having a length between 1 to 2 minutes, using montage editing in the second half to contrast a slower introduction, and including voiceovers and soundtrack to portray the genre and narrative. Similarly, our ident, titles, and graphics used in the trailer followed conventions seen in other teaser trailers like "BrOTHERHOOD", which we took inspiration from. Our poster and magazine cover also employed standard design elements typical of those media but tailored them to promote our independent British crime drama film.
A2 media course details
This document outlines the details of the Media Studies A2 course, which consists of two units worth 50% each: 1) an Advanced Portfolio coursework unit and 2) a Critical Perspectives exam unit.
The coursework unit involves creating a promotion package - including a teaser trailer, film magazine cover, and poster - to advertise a fictional film. Students will use software like Final Cut Express, Photoshop and Illustrator. They must also submit planning/research documentation and a reflective evaluation.
The exam unit has two sections - the first involves writing about and evaluating the student's coursework portfolio, and the second addresses contemporary media issues focusing on media in the online age. Students must demonstrate understanding across multiple
Screenwriting
Billy, a teenager, is seen listening to music at a skate park when he receives a text. He is later arguing with a gang outside a shop and looks angry. Billy is then seen looking into a music classroom, standing on a train platform, and writing lyrics in the college refectory. Billy tries to avoid the gang on the college grounds and runs from them under a tunnel. He is seen sitting outside a classroom in trouble at school and being told off by a teacher for his unacceptable behavior. The script ends with Billy arguing and fighting with the gang in the street.
Evaluation task 2
The document discusses how the main product (a film) and ancillary texts (magazine cover, poster, teaser trailer) work together to brand the film. It analyzes how each product suggests the same thriller genre through use of dark colors and imagery. It also examines how each product conveys similar narrative themes of violence, suspense, and justice. Finally, it considers how each product represents the main character in a consistent way and appeals to the target audience of 16-35 year olds.
Pitch presentation
An undercover journalist investigates a multinational company and discovers corruption and illegal activities including assassinations. After months of investigating and about to expose the company, the journalist finds himself targeted by hired killers. He must finish what he started or die trying.
Question 3
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My Soul to Take Analysis
This document contains time-coded notes from a film, describing various audio and visual elements including cuts, music, settings, and sounds over the course of around 2 minutes. These elements shift between diegetic (part of the film's world) and non-diegetic (added for the audience), and the tone and tension and in and out of equilibrium as horror elements are introduced or resolved through quick cuts, music, and sounds.
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Textual analysis
The teaser trailer provides glimpses of various scenes and characters that seem to be involved in a sinister situation. A woman is shown gagged with her eyes covered, suggesting she is in danger. Various shots introduce characters that appear angry, worried, and intimate in hidden areas. A blond woman seems to be a main character, shown with a knife in a low, sinister shot. The trailer aims to make the audience question what happened to the protagonist and why the antagonist is acting this way, following thriller conventions with an established audience.
Magazine Research and Planning
This document provides guidance for a research and planning assignment involving film magazines. Students are instructed to: 1) Research existing film magazines to understand their profiles, content, readerships and conventions; 2) Analyze front covers of the chosen magazine title to identify design elements and how they target audiences; 3) Draft their own mock magazine cover applying conventions from research. The research aims to inform students' choices for the magazine most likely to feature their film and guide their cover design layout.
Jc summer tt trailer conventions adapted from film ed.docx.2 2
This document analyzes trailer conventions for a hybrid genre film starring Nicholas Hoult and John Malkovich. It notes that the full trailer introduces the title late at 2:18, credits the distribution company and stars, and uses changes in music and editing pace to suggest shifting between genres of horror, thriller, comedy, action, and romance. The teaser trailer also focuses on the stars, shows more action scenes to attract audiences, and uses intense non-diegetic music and diegetic sounds to transition between scenes and establish genres.
analysis of trailer conventions
Teaser trailers are typically 30 seconds to 90 seconds long. They use a montage style of fast-paced editing to show varied shots that give audiences an overview of the film's plot and genre while not revealing too much. Loud sounds, music, and voiceovers are used to keep viewers engaged. The main characters and any famous actors are prominently featured to attract audiences' interest. The film title is displayed at the end to be the last thing viewers see so they remember it.
Textual analysis
The document provides an analysis of the camerawork, editing, sound, and mise-en-scene techniques used in the teaser trailer for the film Brotherhood. It notes that establishing shots, low angles, extreme close-ups, and over-the-shoulder shots were effective techniques used. It also highlights that the trailer started slow and sped up the shots to build tension, used cross-cutting between scenes, and included diegetic sounds like sirens. Music was also discussed as creating tension. The clothing and facial expressions of the characters were analyzed as being realistic for dramas about street life and gangs.
Trailer Task
The document discusses the target audiences for three movie trailers:
The Odd Life of Timothy Green targets families, teenage boys and girls with its upbeat and uplifting storyline about a couple who mysteriously receive a child.
Trance is aimed at males ages 16-35 as an action adventure film with thriller aspects that would appeal more to stereotypical male interests.
Song for Marion targets audiences ages 25-35 skewed to women, ages 35+, and couples with its emotional story line about an elderly couple, one with failing health, and a choir that could appeal to older audiences.
Legend Analysis
This document contains descriptions of various shots and scenes from a film. It begins with establishing shots setting the scene and introducing characters. Credits are shown informing the audience of the film's release date, main characters, screenwriter, and title. Action scenes are described like a fight, someone being hit over the head, and a tracking shot of a character walking to shoot a gun. Character moments include a close up of someone looking in a mirror and a shot of twins looking up at the same time. Sound elements are also noted, like diegetic sounds of punches being thrown during a fight.
Warm bodies marketing campaign timeline
The document outlines the marketing campaign timeline for the movie Warm Bodies from October 2012 to June 2013. It includes the release of trailers, posters, movie clips, interviews on YouTube and with the main characters, premiere events, and DVD/Blu-Ray release to promote the film leading up to and following its US and UK release dates in early February 2013.
4321 Analysis
This trailer analysis summarizes the key elements of a crime thriller film trailer called 4.3.2.1. The costumes shown suggest young adult main characters. Scenes take place in everyday locations but also darker alleys and under bridges, with props like safes and weapons establishing the crime genre. The editing uses montage and increasing pace to build tension. Representations include strong criminal characters, even females going against stereotypes, and dark, "dodgy" places shown in a negative light. The unique selling point is a strong female lead committing crimes against stereotypes commonly seen in films.
Poster analysis
The movie poster suggests the film will focus on sex, love, and comedy based on the tagline and visual elements. The tagline hints at these three themes being central to the plot. Additionally, the leading female characters wear mainly red costumes, which implies themes of love and lust. The grand staircase in the background signifies wealth, while the title is in unusual black and white to represent the comedic tone. The specific actresses featured are meant to appeal to existing fans and increase ticket sales.
Presentation task 1 media evaluation
The document discusses how the media product challenges conventions of real media products through its teaser trailer. It analyzes the teaser trailer's duration, text/graphics, ident placement, titles/release date placement, sound design, and narrative information compared to other films like "Brotherhood" and "Straight Outta Compton". The document found the teaser trailer challenged conventions through a longer duration to provide more narrative, different ident placement, and use of voiceovers to better convey the narrative. The poster and magazine cover were designed following conventions of similar real media publications and films.
A2 Media course details
This document provides details about the Media Studies A2 course, which consists of two units worth 50% each: 1) an advanced portfolio coursework and 2) a critical perspectives exam. The coursework involves creating a promotion package for a film, including a teaser trailer as the main task and a magazine cover and poster as ancillary tasks. Students will use software like Final Cut Pro, Photoshop, and Illustrator. The exam has two sections - the first covers evaluating skills and a past production work, the second addresses contemporary media issues and online media.
Evaluation - Task 1
Our teaser trailer used conventions of real teaser trailers by having a length between 1 to 2 minutes, using montage editing in the second half to contrast a slower introduction, and including voiceovers and soundtrack to portray the genre and narrative. Similarly, our ident, titles, and graphics used in the trailer followed conventions seen in other teaser trailers like "BrOTHERHOOD", which we took inspiration from. Our poster and magazine cover also employed standard design elements typical of those media but tailored them to promote our independent British crime drama film.
A2 media course details
This document outlines the details of the Media Studies A2 course, which consists of two units worth 50% each: 1) an Advanced Portfolio coursework unit and 2) a Critical Perspectives exam unit.
The coursework unit involves creating a promotion package - including a teaser trailer, film magazine cover, and poster - to advertise a fictional film. Students will use software like Final Cut Express, Photoshop and Illustrator. They must also submit planning/research documentation and a reflective evaluation.
The exam unit has two sections - the first involves writing about and evaluating the student's coursework portfolio, and the second addresses contemporary media issues focusing on media in the online age. Students must demonstrate understanding across multiple
Screenwriting
Billy, a teenager, is seen listening to music at a skate park when he receives a text. He is later arguing with a gang outside a shop and looks angry. Billy is then seen looking into a music classroom, standing on a train platform, and writing lyrics in the college refectory. Billy tries to avoid the gang on the college grounds and runs from them under a tunnel. He is seen sitting outside a classroom in trouble at school and being told off by a teacher for his unacceptable behavior. The script ends with Billy arguing and fighting with the gang in the street.
Evaluation task 2
The document discusses how the main product (a film) and ancillary texts (magazine cover, poster, teaser trailer) work together to brand the film. It analyzes how each product suggests the same thriller genre through use of dark colors and imagery. It also examines how each product conveys similar narrative themes of violence, suspense, and justice. Finally, it considers how each product represents the main character in a consistent way and appeals to the target audience of 16-35 year olds.
Pitch presentation
An undercover journalist investigates a multinational company and discovers corruption and illegal activities including assassinations. After months of investigating and about to expose the company, the journalist finds himself targeted by hired killers. He must finish what he started or die trying.
Question 3
The document discusses feedback received on marketing materials for a film from target audiences aged 15-24. Surveys and online comments provided feedback on a pitch presentation, rough cut trailer featuring an out-of-place scream, and posters and magazines with inconsistent colors and hard-to-read fonts. Based on the feedback, the scream was removed from the final trailer, fonts and lighting were improved, and posters and magazines were made consistent to better link the materials and identify the film. Overall, most audience feedback on the final marketing campaign was positive.
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Jc summer tt trailer conventions adapted from film ed.docx.2 2
Jc summer tt trailer conventions adapted from film ed.docx.2 2
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My Soul to Take Analysis
This document contains time-coded notes from a film, describing various audio and visual elements including cuts, music, settings, and sounds over the course of around 2 minutes. These elements shift between diegetic (part of the film's world) and non-diegetic (added for the audience), and the tone and tension and in and out of equilibrium as horror elements are introduced or resolved through quick cuts, music, and sounds.
Sinister Equilibrium
The document provides a timeline for a sinister movie trailer. It describes the various non-diegetic sounds used throughout the trailer, including music, screams, buzzing and screeching sounds. It also notes the use of tone cards, fades, and cuts between shots. Key moments in the trailer include the introduction of disturbing sounds, a sudden change in music, and quick cuts coinciding with a point of disequilibrium in the viewer experience.
My Soul to take timeline
This document contains time-coded notes about the audiovisual elements in a film or video. It notes changes in music, sounds effects, dialogue, and imagery at various time stamps. The piece shifts between diegetic and non-diegetic sounds, and moments of equilibrium and disequilibrium in the tone and pacing.
My Soul to Take Analysis
This document contains time-coded notes about the audiovisual elements in a film or video. It notes changes in music, sounds effects, dialogue, and settings over time, as well as moments of equilibrium and disequilibrium in the narrative. Transitions between diegetic and non-diegetic sound are marked, as are tone cards with on-screen text.
Time
This document contains descriptions of sounds from various media and their intended effects on audiences. It includes the sounds of a werewolf transformation intended to shock or chill viewers. Gameplay sounds from Tomb Raider that set the scene and engage players. Non-diegetic music and sounds in a crab documentary meant to inform viewers and engage them in watching the crabs' behaviors. An Audi advert uses a variety of sounds like plugging in a wire or gunshots to surprise, excite, relax, and keep the interest of listeners.
Texas chainsaw masaccre timeline
This document describes the timeline of audio and visual elements in a film sequence. It notes the starting and stopping times of different non-diegetic sounds like music and camera shutter noises. It also tracks the introduction and endings of diegetic sounds like screaming and a chainsaw, as well as visual elements like slow and fast cuts between shots. The sequence moves from a period of calm with angelic music to increasing tension and disequilibrium marked by screaming, a chainsaw, and fast-paced editing.
Mama analysis
The document is an analysis of the trailer for the film "Mama." It provides timestamps and descriptions of various shots and scenes from the trailer to analyze the filmmaking techniques used to build tension and convey the plot. Key moments analyzed include establishing shots of the setting, changes in music to suggest something ominous is about to happen, diegetic sounds of characters and animals to create an unsettling atmosphere, and cuts between the young girl and shadowy figures or the "monster" to build suspense throughout the trailer.
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Timeline analysis
The document analyzes and compares the trailers for four horror films: Annabelle, Mama, Insidious, and The Last Exorcism. For each trailer, it describes the timeline of shots/scenes and notes aspects like music, camera work, tone, and how elements are used to build tension, disequilibrium, or provide context. It also notes common trailer components like production companies, release dates and credits. The analysis considers how the trailers employ techniques to immerse viewers and establish an unsettling, mysterious atmosphere around the films.
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population expansion, and economic progress, the effects on natural ecosystems are becoming
more evident. A crucial element of this impact is the alteration of vegetation cover, which plays a
significant role in maintaining the ecological equilibrium of our planet.Land serves as the foundation for all human activities and provides the necessary materials for
these activities. As the most crucial natural resource, its utilization by humans results in different
'Land uses,' which are determined by both human activities and the physical characteristics of the
land.
The utilization of land is impacted by human needs and environmental factors. In countries
like India, rapid population growth and the emphasis on extensive resource exploitation can lead
to significant land degradation, adversely affecting the region's land cover.
Therefore, human intervention has significantly influenced land use patterns over many
centuries, evolving its structure over time and space. In the present era, these changes have
accelerated due to factors such as agriculture and urbanization. Information regarding land use and
cover is essential for various planning and management tasks related to the Earth's surface,
providing crucial environmental data for scientific, resource management, policy purposes, and
diverse human activities.
Accurate understanding of land use and cover is imperative for the development planning
of any area. Consequently, a wide range of professionals, including earth system scientists, land
and water managers, and urban planners, are interested in obtaining data on land use and cover
changes, conversion trends, and other related patterns. The spatial dimensions of land use and
cover support policymakers and scientists in making well-informed decisions, as alterations in
these patterns indicate shifts in economic and social conditions. Monitoring such changes with the
help of Advanced technologies like Remote Sensing and Geographic Information Systems is
crucial for coordinated efforts across different administrative levels. Advanced technologies like
Remote Sensing and Geographic Information Systems
9
Changes in vegetation cover refer to variations in the distribution, composition, and overall
structure of plant communities across different temporal and spatial scales. These changes can
occur natural.
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- 2. 0:00 Ident sound effect. 0:13 Sudden sound increase, non diegetic bang. 0:10 Flashback: Non diegetic subtle music, preferably acoustic romantic music. 0:03 Eerie sudden non diegetic sound that fades into suspenseful music. 0:14 First title card: Sound decrease, scratchy non diegetic sound. 0:16 Sudden sound increase, non diegetic bang. 0.17 Second title card: Sound decrease, scratchy non diegetic sound. 0.19 Eerie suspenseful nondiegetic sound ending with a bang. 0:22 Third title card: Sound decrease, scratchy non diegetic sound. 0:24 Sudden sound increase, non diegetic bang. 0:28 Fourth title card: Sound decrease, scratchy non diegetic sound. 0:30 Eerie, tension building, non diegetic music, slow leading up to climax. 0:46 Flashback: Non diegetic subtle music, preferably acoustic romantic music. 0:50 Eerie, tension building, non diegetic music, slow leading up to climax - continues. 0:52 Flashback: Non diegetic subtle music, preferably acoustic romantic music. 0:57 Eerie, tension building, non diegetic music, slow leading up to climax - continues. 0:60 Flashback: Non diegetic subtle music, preferably acoustic romantic music. 1:03 - 1:21 Non diegetic dialogue over non diegetic eerie music which ends in a bang/scream noise at 1:19