Cast and other roles
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The document lists the cast of characters for a film or story including a villain named Matthew Jones, 4 victims named Scarlett Hayward, Katy Harrison, Hannah Becket with Lucy Broker as the final girl, a boss named Terry Henderson, and a character named Jake played by Oliver Humphris.
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CAST AND CREW
The document lists the cast of characters for a film including a villain named Matthew Jones, four victims named Scarlett Hayward, Katy Harrison, Hanna Becket with the fourth and final girl being Lucy Broker. It also names the boss character Terry Henderson and another character named Jake played by Oliver Humphris.
Cast
The document lists the cast of characters for a film including a villain named Matthew Jones, four victims named Scarlett Hayward, Katy Harrison, Hanna Becket with the fourth and final girl being Lucy Broker. It also names the boss character Terry Henderson and another character named Jake played by Oliver Humphris.
Cast and other roles
The document lists the cast for a production including a villain played by Matthew Jones, four victims played by Scarlett Hayward, Katy Harrison, Hanna Becket and Lucy Broker, and a boss role played by Terry Henderson. It also lists support roles including co-directors Oliver Humphris and Jamie Dawson, with Oliver Humphris also handling cameraman, lighting and sound duties.
Ideas for Name of magazine
The document discusses the selection of the name "Movie Talk" for the group's horror magazine. They chose this name because it sounds professional and implies the magazine will discuss movies in theaters. They also wanted a general film magazine rather than one focused solely on horror. When asking members of the target audience which name seemed most professional, "Movie Talk" was preferred. The group did not select other proposed names like "Total Horror" due to being too similar to an existing magazine or not fitting the target demographic and content.
New ideas for tagline
1) The group researched taglines to find one relating to their slasher film's narrative and subgenre. They conducted a focus group to get audience input on potential options.
2) Effective existing taglines hint at the narrative without spoiling the plot, drawing audiences in.
3) The group chose "He is what he eats" based on focus group feedback that it relates well to the genre and film's narrative of a killer who eats victims.
Ideas for use of camera
This document discusses camera techniques used in horror film trailers and plans for a student film trailer. It notes that extreme close-ups are often used to show victims' emotions and jump scares with villains. Wide shots set the scene before the horror begins. Camera height can create power dynamics between characters. Quick or slow camera movements can build suspense or frighten viewers. Shots planned for the student trailer include close-ups of victims' faces during torture, a close-up of the villain for a jump scare, and high angles to show the villain's dominance over victims.
History of horror
This document provides a history of the horror genre from the 1920s to the 2010s. It summarizes the evolution of horror films over the decades by highlighting representative films from each era and how they reflected the fears of society at that time. Key developments included the introduction of sound and technology, evolving monsters and villains from mythical creatures to human killers, and changing narrative structures. Overall, the history shows how the horror genre has adapted to continue scaring audiences by targeting their new fears in each generation.
Call sheets
This production call sheet outlines the filming schedule and cast details for the film "The Human Carvery" over several days in November. It lists the shooting locations which include a house, road, fields and school. The cast includes Matt as the Villain and Scarlett, Katy, Hanaha and Lucy as Victims. Their roles and makeup requirements are provided. Oliver will also play the role of Jake. The sheets provide the producer, director and scenes for each shoot date.
Recommended
CAST AND CREW
The document lists the cast of characters for a film including a villain named Matthew Jones, four victims named Scarlett Hayward, Katy Harrison, Hanna Becket with the fourth and final girl being Lucy Broker. It also names the boss character Terry Henderson and another character named Jake played by Oliver Humphris.
Cast
The document lists the cast of characters for a film including a villain named Matthew Jones, four victims named Scarlett Hayward, Katy Harrison, Hanna Becket with the fourth and final girl being Lucy Broker. It also names the boss character Terry Henderson and another character named Jake played by Oliver Humphris.
Cast and other roles
The document lists the cast for a production including a villain played by Matthew Jones, four victims played by Scarlett Hayward, Katy Harrison, Hanna Becket and Lucy Broker, and a boss role played by Terry Henderson. It also lists support roles including co-directors Oliver Humphris and Jamie Dawson, with Oliver Humphris also handling cameraman, lighting and sound duties.
Ideas for Name of magazine
The document discusses the selection of the name "Movie Talk" for the group's horror magazine. They chose this name because it sounds professional and implies the magazine will discuss movies in theaters. They also wanted a general film magazine rather than one focused solely on horror. When asking members of the target audience which name seemed most professional, "Movie Talk" was preferred. The group did not select other proposed names like "Total Horror" due to being too similar to an existing magazine or not fitting the target demographic and content.
New ideas for tagline
1) The group researched taglines to find one relating to their slasher film's narrative and subgenre. They conducted a focus group to get audience input on potential options.
2) Effective existing taglines hint at the narrative without spoiling the plot, drawing audiences in.
3) The group chose "He is what he eats" based on focus group feedback that it relates well to the genre and film's narrative of a killer who eats victims.
Ideas for use of camera
This document discusses camera techniques used in horror film trailers and plans for a student film trailer. It notes that extreme close-ups are often used to show victims' emotions and jump scares with villains. Wide shots set the scene before the horror begins. Camera height can create power dynamics between characters. Quick or slow camera movements can build suspense or frighten viewers. Shots planned for the student trailer include close-ups of victims' faces during torture, a close-up of the villain for a jump scare, and high angles to show the villain's dominance over victims.
History of horror
This document provides a history of the horror genre from the 1920s to the 2010s. It summarizes the evolution of horror films over the decades by highlighting representative films from each era and how they reflected the fears of society at that time. Key developments included the introduction of sound and technology, evolving monsters and villains from mythical creatures to human killers, and changing narrative structures. Overall, the history shows how the horror genre has adapted to continue scaring audiences by targeting their new fears in each generation.
Call sheets
This production call sheet outlines the filming schedule and cast details for the film "The Human Carvery" over several days in November. It lists the shooting locations which include a house, road, fields and school. The cast includes Matt as the Villain and Scarlett, Katy, Hanaha and Lucy as Victims. Their roles and makeup requirements are provided. Oliver will also play the role of Jake. The sheets provide the producer, director and scenes for each shoot date.
Filming schedule
The filming schedule outlines scenes to be filmed from November 11th to November 21st in various locations including Scarlett's Garage, cars, A40 Fields, and a school. On November 11th and 12th, scenes taking place in Scarlett's Garage will be filmed using props like a wheelchair, prosthetic hand, and pig mask. Gory scenes involving fake blood and organs will also be filmed on the 12th. Later dates include scenes filming kids running from a pig man in the A40 Fields and teens being stalked in a park. Establishing shots of the school and a scene of a character being fired are also scheduled.
Magazine front cover analysis
This magazine front cover analysis document summarizes the key design elements and conventions used across two different movie magazine covers - Empire magazine's cover for the film Interstellar and Total Film magazine's cover for the film Maleficent. For the Interstellar cover, the masthead font reflects the space theme, different sell lines try to attract various audiences, and the color scheme matches the film's narrative. For the Maleficent cover, the masthead is partially covered allowing more focus on the main Angelina Jolie image, the background resembles the film's setting, and buzzwords like "epic" are used to promote the film. Both covers effectively utilize color, images, and text to relate to their featured films and
Film poster analysis
This poster for the film The Conjuring 2 effectively promotes the supernatural horror film. It depicts a young girl at a window with her arms outstretched, surrounded by a halo of light. Religious iconography like the cross suggests supernatural elements. Minimal lighting and fog at the bottom create an eerie atmosphere. Positioning and lighting draw viewers' eyes to focus on the girl, establishing her importance to the plot. Overall, the poster uses common horror conventions like an isolated setting and religious symbols to attract audiences to the supernatural thriller.
Film trailer analysis 2
The trailer is for the 2016 psychological horror film Hush, directed by Mike Flanagan. It stars Kate Siegel as Maddie, a young deaf woman living alone in an isolated house in the woods. The trailer establishes the setting and Maddie's disability through text and imagery, creating an unsettling atmosphere. It then sets up the plot - an intruder is outside with the intent to kill Maddie. Due to her being deaf, she is reliant on visuals and has heightened senses of unease. The trailer uses the setting, lighting, sounds and lack of dialogue to reflect Maddie's vulnerability and build suspense for the killer's threat.
Film trailer analysis 1
The trailer introduces the plot of the film "Insidious" through a series of shots and scenes. It follows a family that moves into a new home where supernatural events begin to occur after their son falls into a coma. Various film techniques like lighting, editing, and sound are used to build tension and mystery around the cause of the son's condition. The trailer then reveals that a paranormal investigator will help the family investigate what is haunting their home and son. It ends by hinting that the son himself may be the source of the supernatural presence.
Outline of narrative
This document contains an outline for scenes in a horror film featuring a butcher seeking revenge by killing teenagers. It includes scenes of the butcher being fired from his job, preparing his tools and props, stalking the teenagers in his car, killing one teenager by dragging their body, multiple killings showing removed organs, and a dinner scene of the butcher eating the internal organs of his victims. Musical cues and camera shots are described to build tension and drama throughout the scenes.
Poster overview
The document analyzes eight film posters from the horror genre to identify common features and conventions. It finds that most posters feature bold white text, red and black colors, images of the villain, and weapons to attract audiences without revealing too much of the plot. Common elements help link different media within the genre in a symbiotic relationship. For example, most posters feature the "final girl" character archetype through use of innocent white clothing and positioning closest to danger. Layout and design conventions also aim to guide the eye across the poster according to principles like the rule of thirds. Overall, the posters effectively promote films in the slasher genre while encouraging curiosity through limited revealing of the story.
Conventions of the slasher genre
The document discusses several conventions of the slasher film genre. It describes the tropes of the final girl, who is typically innocent and survives, and the first girl, who is promiscuous and dies first. It also outlines conventions for the villain's costume including masks, the signature weapon or prop they use, and how mass killings are used to create fear and suspense. Finally, it notes that slasher films commonly take place in isolated locations that trap the victims.
Focus group analysis
The focus group was conducted to determine what elements would attract the target horror film audience to a trailer, poster, and magazine cover. Key findings included that the audience preferred posters featuring the villain prominently with the weapon, a font resembling blood splatter, the tagline "He is what he eats", diegetic and foley sounds in the trailer, close-up shots of the villain's face on the magazine cover, a meat cleaver as the weapon, and a costume combining a mask and suit. These elements align with horror conventions and will be incorporated into the media pieces to appeal to the target group.
Questionnaire Analysis
The document summarizes the results of a questionnaire conducted to gather information from teenagers about their preferences and interests related to horror films. The questionnaire asked about respondents' age, favorite horror films, preferred horror sub-genres, fears, how often they watch horror films, if trailers and posters influence viewing decisions, and what elements make for effective horror trailers. The results will help the document's authors create compelling marketing materials for a slasher film project by highlighting elements shown to appeal to their target demographic.
Horror sub genres
This document summarizes four main horror sub-genres: slasher, gothic, psychological, and supernatural. It provides examples for each sub-genre, including films like Scream for slasher, Dracula for gothic, The Strangers for psychological, and The Conjuring for supernatural. Each sub-genre is described in terms of its common themes, tropes, settings, and conventions.
Target audience profile
The target audience is a male aged 15-23 who is educated, outgoing, reliable, and open-minded. He has interests in psychology, slasher films, and becoming a detective. He studies criminology in university and enjoys researching infamous killings and torture. Relationships with family and friends are important to him, and he socializes regularly. In his free time, he enjoys the gym, swimming, films by directors like Stanley Kubrick, and psychological novels. He has a passion for horror films based on true events and appreciates realistic films that required effort to produce.
Original Brief
The document outlines a promotional package for an upcoming horror film that will include a trailer, poster, and magazine article. It will follow conventions of the psychological slasher genre to quickly engage audiences in an exciting yet thrilling way through gripping scenes and suspense. By analyzing existing media pieces, the team aims to familiarize themselves with typical conventions to incorporate into their own work promoting the villain as easily recognizable. They will collectively produce the three media texts while distributing work equally and communicating effectively as a team.
Conventions of the Slasher genre
The document discusses several conventions of the slasher film genre. It describes the tropes of the final girl, who is typically innocent and survives, and the first girl, who is promiscuous and dies first. It also outlines conventions for the villain's costume including masks, the signature weapon or prop they use, and how mass killings are used to create fear and suspense. Finally, it notes that slasher films commonly take place in isolated locations that trap the victims.
Name of magazine
Our magazine will be called "Movie Talk" because the name implies it will discuss and report on movies. We chose a general film magazine over a horror-specific one since horror magazines tend to have lower budgets compared to magazines like Empire. "Movie Talk" was selected as it sounds like an existing film magazine name without focusing on a particular genre like horror.
Use Of Camera Ideas
The document discusses camera techniques used in horror film trailers. It notes that close-ups of victims showing fear and villains are often used, especially for jump scares. Wide establishing shots set the scene before evil occurs. Camera height and angle are used to convey power dynamics, with low angles making villains look powerful and high angles making victims look vulnerable. Camera movement can make scenes scarier by bringing the audience closer to the action. The document concludes by outlining specific shots the author will use in their own horror film trailer, including close-ups, high and low angles, and point-of-view shots, to convey fear, domination/control, and the idea that someone is stalking the victims.
Use Of Lighting Ideas
Lighting can be used to manipulate mood and foreshadow events in horror films. Dark, shadowy lighting at night creates tension and mystery, putting audiences on edge. Specific lighting techniques like backlighting, profile lighting, and three-point lighting can be used to hide details or parts of a character's face, suggesting they have something to hide or two sides to their personality. For their horror trailer, the document discusses plans to carefully light different scenes - using softboxes and reflectors for indoor shots to mimic professional lighting, natural lighting for outdoor shots, and dim, subtle lighting for close-ups of victims to create a sinister mood. A backlit, profile close-up of the butcher will create a harsh silhouette to hide
Sound Ideas Within The Trailer
Non-diegetic sounds added in post-production, such as music, can be used to create suspense and indicate to the audience that something scary is about to happen in a horror film trailer. The document discusses using slow, peaceful music at the beginning of the trailer that gradually becomes menacing when the villain appears. During murder scenes, no non-diegetic sound will be used to build suspense, but eerie music will be played leading up to the events. Fast-paced action music will accompany outdoor scenes of the villain chasing teens, and silence will add tension during intense moments before reverting to slow, eerie music once a teen is caught.
Magazine Front Cover Analysis
The document analyzes the front covers of two film magazines - Empire's issue on the film Interstellar and Total Film's issue on the film Maleficent. For the Interstellar cover, the summary discusses the use of stars in the masthead font to reflect the film's space theme. It also discusses how quotes and descriptions are used in the sell lines to attract audiences. For the Maleficent cover, the summary discusses how Angelina Jolie's image is used prominently as she is a famous actress, and how words like "epic" are used in the skyline and sell lines to attract audiences. Both covers effectively employ conventions like placement of elements and color schemes to market the featured films and attract
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Filming schedule
The filming schedule outlines scenes to be filmed from November 11th to November 21st in various locations including Scarlett's Garage, cars, A40 Fields, and a school. On November 11th and 12th, scenes taking place in Scarlett's Garage will be filmed using props like a wheelchair, prosthetic hand, and pig mask. Gory scenes involving fake blood and organs will also be filmed on the 12th. Later dates include scenes filming kids running from a pig man in the A40 Fields and teens being stalked in a park. Establishing shots of the school and a scene of a character being fired are also scheduled.
Magazine front cover analysis
This magazine front cover analysis document summarizes the key design elements and conventions used across two different movie magazine covers - Empire magazine's cover for the film Interstellar and Total Film magazine's cover for the film Maleficent. For the Interstellar cover, the masthead font reflects the space theme, different sell lines try to attract various audiences, and the color scheme matches the film's narrative. For the Maleficent cover, the masthead is partially covered allowing more focus on the main Angelina Jolie image, the background resembles the film's setting, and buzzwords like "epic" are used to promote the film. Both covers effectively utilize color, images, and text to relate to their featured films and
Film poster analysis
This poster for the film The Conjuring 2 effectively promotes the supernatural horror film. It depicts a young girl at a window with her arms outstretched, surrounded by a halo of light. Religious iconography like the cross suggests supernatural elements. Minimal lighting and fog at the bottom create an eerie atmosphere. Positioning and lighting draw viewers' eyes to focus on the girl, establishing her importance to the plot. Overall, the poster uses common horror conventions like an isolated setting and religious symbols to attract audiences to the supernatural thriller.
Film trailer analysis 2
The trailer is for the 2016 psychological horror film Hush, directed by Mike Flanagan. It stars Kate Siegel as Maddie, a young deaf woman living alone in an isolated house in the woods. The trailer establishes the setting and Maddie's disability through text and imagery, creating an unsettling atmosphere. It then sets up the plot - an intruder is outside with the intent to kill Maddie. Due to her being deaf, she is reliant on visuals and has heightened senses of unease. The trailer uses the setting, lighting, sounds and lack of dialogue to reflect Maddie's vulnerability and build suspense for the killer's threat.
Film trailer analysis 1
The trailer introduces the plot of the film "Insidious" through a series of shots and scenes. It follows a family that moves into a new home where supernatural events begin to occur after their son falls into a coma. Various film techniques like lighting, editing, and sound are used to build tension and mystery around the cause of the son's condition. The trailer then reveals that a paranormal investigator will help the family investigate what is haunting their home and son. It ends by hinting that the son himself may be the source of the supernatural presence.
Outline of narrative
This document contains an outline for scenes in a horror film featuring a butcher seeking revenge by killing teenagers. It includes scenes of the butcher being fired from his job, preparing his tools and props, stalking the teenagers in his car, killing one teenager by dragging their body, multiple killings showing removed organs, and a dinner scene of the butcher eating the internal organs of his victims. Musical cues and camera shots are described to build tension and drama throughout the scenes.
Poster overview
The document analyzes eight film posters from the horror genre to identify common features and conventions. It finds that most posters feature bold white text, red and black colors, images of the villain, and weapons to attract audiences without revealing too much of the plot. Common elements help link different media within the genre in a symbiotic relationship. For example, most posters feature the "final girl" character archetype through use of innocent white clothing and positioning closest to danger. Layout and design conventions also aim to guide the eye across the poster according to principles like the rule of thirds. Overall, the posters effectively promote films in the slasher genre while encouraging curiosity through limited revealing of the story.
Conventions of the slasher genre
The document discusses several conventions of the slasher film genre. It describes the tropes of the final girl, who is typically innocent and survives, and the first girl, who is promiscuous and dies first. It also outlines conventions for the villain's costume including masks, the signature weapon or prop they use, and how mass killings are used to create fear and suspense. Finally, it notes that slasher films commonly take place in isolated locations that trap the victims.
Focus group analysis
The focus group was conducted to determine what elements would attract the target horror film audience to a trailer, poster, and magazine cover. Key findings included that the audience preferred posters featuring the villain prominently with the weapon, a font resembling blood splatter, the tagline "He is what he eats", diegetic and foley sounds in the trailer, close-up shots of the villain's face on the magazine cover, a meat cleaver as the weapon, and a costume combining a mask and suit. These elements align with horror conventions and will be incorporated into the media pieces to appeal to the target group.
Questionnaire Analysis
The document summarizes the results of a questionnaire conducted to gather information from teenagers about their preferences and interests related to horror films. The questionnaire asked about respondents' age, favorite horror films, preferred horror sub-genres, fears, how often they watch horror films, if trailers and posters influence viewing decisions, and what elements make for effective horror trailers. The results will help the document's authors create compelling marketing materials for a slasher film project by highlighting elements shown to appeal to their target demographic.
Horror sub genres
This document summarizes four main horror sub-genres: slasher, gothic, psychological, and supernatural. It provides examples for each sub-genre, including films like Scream for slasher, Dracula for gothic, The Strangers for psychological, and The Conjuring for supernatural. Each sub-genre is described in terms of its common themes, tropes, settings, and conventions.
Target audience profile
The target audience is a male aged 15-23 who is educated, outgoing, reliable, and open-minded. He has interests in psychology, slasher films, and becoming a detective. He studies criminology in university and enjoys researching infamous killings and torture. Relationships with family and friends are important to him, and he socializes regularly. In his free time, he enjoys the gym, swimming, films by directors like Stanley Kubrick, and psychological novels. He has a passion for horror films based on true events and appreciates realistic films that required effort to produce.
Original Brief
The document outlines a promotional package for an upcoming horror film that will include a trailer, poster, and magazine article. It will follow conventions of the psychological slasher genre to quickly engage audiences in an exciting yet thrilling way through gripping scenes and suspense. By analyzing existing media pieces, the team aims to familiarize themselves with typical conventions to incorporate into their own work promoting the villain as easily recognizable. They will collectively produce the three media texts while distributing work equally and communicating effectively as a team.
Conventions of the Slasher genre
The document discusses several conventions of the slasher film genre. It describes the tropes of the final girl, who is typically innocent and survives, and the first girl, who is promiscuous and dies first. It also outlines conventions for the villain's costume including masks, the signature weapon or prop they use, and how mass killings are used to create fear and suspense. Finally, it notes that slasher films commonly take place in isolated locations that trap the victims.
Name of magazine
Our magazine will be called "Movie Talk" because the name implies it will discuss and report on movies. We chose a general film magazine over a horror-specific one since horror magazines tend to have lower budgets compared to magazines like Empire. "Movie Talk" was selected as it sounds like an existing film magazine name without focusing on a particular genre like horror.
Use Of Camera Ideas
The document discusses camera techniques used in horror film trailers. It notes that close-ups of victims showing fear and villains are often used, especially for jump scares. Wide establishing shots set the scene before evil occurs. Camera height and angle are used to convey power dynamics, with low angles making villains look powerful and high angles making victims look vulnerable. Camera movement can make scenes scarier by bringing the audience closer to the action. The document concludes by outlining specific shots the author will use in their own horror film trailer, including close-ups, high and low angles, and point-of-view shots, to convey fear, domination/control, and the idea that someone is stalking the victims.
Use Of Lighting Ideas
Lighting can be used to manipulate mood and foreshadow events in horror films. Dark, shadowy lighting at night creates tension and mystery, putting audiences on edge. Specific lighting techniques like backlighting, profile lighting, and three-point lighting can be used to hide details or parts of a character's face, suggesting they have something to hide or two sides to their personality. For their horror trailer, the document discusses plans to carefully light different scenes - using softboxes and reflectors for indoor shots to mimic professional lighting, natural lighting for outdoor shots, and dim, subtle lighting for close-ups of victims to create a sinister mood. A backlit, profile close-up of the butcher will create a harsh silhouette to hide
Sound Ideas Within The Trailer
Non-diegetic sounds added in post-production, such as music, can be used to create suspense and indicate to the audience that something scary is about to happen in a horror film trailer. The document discusses using slow, peaceful music at the beginning of the trailer that gradually becomes menacing when the villain appears. During murder scenes, no non-diegetic sound will be used to build suspense, but eerie music will be played leading up to the events. Fast-paced action music will accompany outdoor scenes of the villain chasing teens, and silence will add tension during intense moments before reverting to slow, eerie music once a teen is caught.
Magazine Front Cover Analysis
The document analyzes the front covers of two film magazines - Empire's issue on the film Interstellar and Total Film's issue on the film Maleficent. For the Interstellar cover, the summary discusses the use of stars in the masthead font to reflect the film's space theme. It also discusses how quotes and descriptions are used in the sell lines to attract audiences. For the Maleficent cover, the summary discusses how Angelina Jolie's image is used prominently as she is a famous actress, and how words like "epic" are used in the skyline and sell lines to attract audiences. Both covers effectively employ conventions like placement of elements and color schemes to market the featured films and attract
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Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
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