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This document provides an overview of audio devices, formats, and codecs. It defines audio devices as elements that can connect to other devices to play sounds, such as microphones, speakers, sound cards, and headphones. Codecs are described as software or hardware that can transform audio files or streams into different formats for playback or manipulation. Finally, sound formats are file types used to store digital audio on computers, such as WAV, MP3, VOX, and RAW files, which can be uncompressed or compressed.
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This document examines audio devices, formats, and codecs. It discusses common audio devices like microphones, which convert sound waves to electrical signals, and loud speakers, which do the opposite. It also covers sound cards, ports, and headphones. The document explores lossy and lossless codecs used to compress audio files. Finally, it reviews major uncompressed, lossless compressed, and lossy compressed sound formats like WAV, MP3, and MIDI.
Sound Editing David and Sory
The document discusses audio devices, formats, and codecs. It describes common audio devices like microphones, loud speakers, and sound cards. It also discusses popular audio formats such as WAV, MIDI, AIFF, CDA, MP3, WMA, and AUP. Finally, it provides definitions for codecs and how they compress audio files to reduce file sizes.
Kieran dixon sound recording glossary
This document contains a glossary of terms related to sound design and production for computer games. It provides researched definitions from online sources for terms like foley artistry, sound libraries, wav files, midi keyboards, sample rates, and more. For each term, it also describes how the definition relates to the author's own production practice. The goal is to research and gather technical definitions of sound design terms to expand knowledge in this area.
Sound recording glossary
The document is a glossary assignment for a games design course requiring the student to research and define terms related to sound design and production. It contains definitions for over 20 key terms with references, along with the student's descriptions of how each term relates to their own production practice. Some of the key terms defined and related to the student's work include Foley effects, sound libraries, audio file formats like .wav and .mp3, limitations like sound cards and RAM, audio recording systems, MIDI, software sequencers, and plugins.
Sound recording glossary
The document is a glossary assignment for a games design course requiring the student to research and define terms related to sound design and production. It contains definitions for over 20 key terms with references, including types of audio file formats (.wav, .mp3, MIDI), hardware components (sound cards, RAM), recording systems (digital, analog, CD), and software (sequencers, plugins). The student provides brief explanations of how each term relates to their own production practice, such as using sample libraries and compression formats to reduce file sizes.
U9-P2-Olena&Karen
Sound editing is the process of assembling all audio elements such as dialogue, music, and sound effects to create the final soundtrack. It is used in film, music, and live concerts. Codecs are devices or computer programs that encode and decode digital audio data. There are lossless codecs that can compress audio files without losing any quality, and lossy codecs that reduce file size by losing some audio quality. Common audio file formats include WAV, AIFF, MP3, and WMA. Audio devices like microphones, speakers, sound cards, and headphones are used to record, play, and listen to audio.
Ig2 task 1 work sheet (revisited)
This document provides definitions for various terms related to sound design and production. It includes a glossary with definitions for terms like foley artistry, sound libraries, uncompressed audio file formats like .wav and .aiff, compressed formats like .mp3, components like sound processor units and digital signal processors, audio formats like mono, stereo and surround sound, recording methods like analog and digital, and storage systems like compact discs. For each term, the student provided an internet definition and link and described how the term relates to their own production practice, such as using sound libraries to store sound files and .mp3 to save songs on their computer.
Ig2 task 1 work sheet (revisited)
This document provides a glossary of terms related to sound design and production for computer games. It includes definitions for terms like foley artistry, sound libraries, file formats like .wav and .mp3, audio limitations involving hardware like sound processor units, and audio recording systems like analog, digital discs, MIDI, and sampling concepts like bit depth and sample rate. For each term, the student provided an internet definition source and described how the term relates to their own production practice.
Ig2 task 1 work sheet (revisited)
This document provides a glossary of terms related to sound design and production for computer games. It includes definitions for terms like foley artistry, sound libraries, file formats like .wav and .mp3, audio limitations involving sound processor units and RAM, recording techniques like analogue and digital, and sampling concepts involving bit depth and sample rate. For each term, the student provided a short definition from an online source as well as a brief description of how the term relates to their own production practice.
Ig2 task 1 work sheet (revisited)
This document provides definitions for sound design and production terms as part of a unit on sound for computer games. It includes a glossary with over 20 terms defined, including foley artistry, sound libraries, audio file formats like .wav and .aiff, lossy compression, audio cards, mono and stereo audio, and analogue recording. For each term, the student provided a short definition from an online source as well as their own thoughts on how the term relates to their production practice.
Ig2 task 1 work sheet (revisited)
This document provides definitions for sound design and production terms as part of a unit on sound for computer games. It includes a glossary with over 20 terms defined, including foley artistry, sound libraries, audio file formats like .wav and .aiff, lossy compression, audio cards, mono and stereo audio, and analogue recording. For each term, the student provided a short definition from an online source as well as their own thoughts on how the term relates to their production practice.
Sound recording glossary
The document provides definitions for various audio and sound design terms. It includes a glossary with definitions for terms like foley artistry, sound libraries, audio file formats (like .wav and .mp3), audio limitations involving hardware like sound processor units and digital sound processors, audio recording systems like analog, digital, MIDI, and software tools for audio like software sequencers, plugins, and MIDI keyboard instruments. The student provided researched definitions from online sources and described how each term relates to their own sound production practice.
Audio devices
Audio devices allow for playback and recording of audio. Codecs encode or decode digital audio streams, and can be lossy or lossless. Common audio formats include WAV, MIDI, AIFF, CDA, MP3, WMA, and AUP, each used for different purposes such as storage on PCs, communication between devices, or compression.
Ig2 task 1 work sheet (1)
Brandon McNamara produced a glossary of 15 terms related to sound design and production for computer games. For each term, he provided a short definition from an online source along with details about how the term relates to his own production practice. Some of the key terms he defined and related to his work included Foley artistry, which he will use to add most sounds to his game, sound libraries which will be used to create most of his sounds, and software sequencers and plug-ins which he uses to edit most of the sounds.
abra ka dabra.pdf
This document discusses digital audio and sound. It covers topics like digitizing sound, sampling rates, file formats, editing audio, MIDI, and adding sound to multimedia projects. Some key points include:
- Digital audio is created by representing sound waves with numbers through sampling and storing the values.
- Common file formats include WAV, MP3, M4A. Higher sampling rates result in better quality but larger file sizes.
- MIDI stores musical performance data instead of sampled sound. It allows editing and is more compact than audio.
- When adding sound to projects, considerations include compatibility, playback capabilities, needed effects, and timing. Storage needs depend on format, sampling rate, and length.
Sound recording glossary improved
David Hall completed a glossary of terms related to sound design and production. He researched definitions from online sources and described how each term relates to his own production practice. Some key terms he defined included Foley effects, sound libraries, audio file formats like .wav and .mp3, audio limitations such as sound cards and RAM, audio recording systems, MIDI, software sequencers, and plugins. The document provides an overview of foundational concepts in sound design through David's research and application to his own work.
Sound recording glossary
The document is a glossary of terms related to sound design and production for computer games created by Phillip Norris Wynne. It contains definitions for over 20 key terms sourced from online references and describes the relevance of each term to the author's own production practice. Some of the terms defined and summarized include Foley artistry, sound libraries, audio file formats like .wav and .mp3, lossy compression, audio limitations of hardware like sound processor units, and audio sampling concepts like bit depth and sample rate.
Ig2 task 1 work sheet
This document contains a glossary of terms related to sound design and production for computer games. It includes definitions for terms like Foley artistry, sound libraries, file formats like .wav and .mp3, audio limitations such as memory and processors, recording systems like analog and digital audio tape, and more. For each term, the student provided an internet definition source and described how the term relates to their own production practice, such as using sound libraries to store recorded sounds and rendering files into different formats for various uses.
Ben ce sound recording glossary
This document contains a glossary of terms related to sound design and production for computer games. It provides definitions for terms like foley artistry, sound libraries, audio file formats like .wav and .mp3, audio limitations, recording systems like analog and digital, MIDI, software sequencers, sampling constraints like bit depth and sample rate. For each term, it gives a short definition from an online source as well as how the term relates to the author's own production practice.
Jordan smith ig2 task 1 revisited
Jordan Smith has produced a glossary of terms related to sound design and production for computer games. The glossary contains definitions for terms such as Foley artistry, sound libraries, audio file formats like .wav and .mp3, audio limitations including sound processor units and random access memory, audio recording systems like analog and digital, MIDI, software sequencers, and audio sampling concepts like bit depth and sample rate. For each term, Jordan has provided a researched definition from an online source as well as his own comments on the relevance of the term to his production practice where possible.
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Sound editing.
- 1. Audio devices, formats and codecs.
- 3. INTRODUCTION In this presentation we are going to talk about information of sound editing, audio devices, codecs and sound formats.
- 4. AUDIO DEVICES Audio devices are elements that we can connect to other apparatus or devices, so with this we can play audios, which can be sounds, music or speech etc… Examples: o Microphones. o Loud speakers. o Sound cards or sound parts. o Headphones.
- 5. CODECS It describes a specification developed codec software, hardware or a combination, capable of transforming a file of a stream of data or signal. The codecs could hardcode signal flow or decrypt it or retrieve it similarly to reproduction or manipulation in a format suitable for these operations. Codecs are often used in videoconferencing and media releases.
- 6. SOUND FORMATS A sound format is a file format used for storing digital audio data on a computer system. This data can be stored uncompressed, or compressed to reduce the file size. Some examples of sound formats are “WAV”, “MP3”, “VOX” or “RAW”.
- 7. WEBGRAPHY. Audio Devices. Codecs
- 8. By Andrea Nicole and Óscar Sarmiento.