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1 of 7
Starter
Task
Look at the effects on the
sheet in front of you and take
a minute or two to select
which technique is used to
create which sound effect.
Alyson Moore - Professional Foley Artist
The work of the Foley Artist
Galloping horses
Punching someone
Kissing in a
romantic scene
Footsteps in snow
The sound of the
guillotine
playing coconuts stuffed with cloth
kissing the back of your hand
thumping a watermelon
crunching grain held in a glove
slicing a cabbage with a knife
SO
UN
D
Apply a range of key terms in relation to this micro
element with a view to being able to write about
sound effectively in TV Drama Exam
Aims &
Objectives
Know that sound constructs meanings and effects
just as subtle as those as any other micro technique
can achieve.
Identify different sounds from a broad mix.
Blind Screening
✦ What kind of story is
being told? How can you
tell?
✦ How do you think an
audience is supposed to
feel listening to it?
✦ Can we split the sounds
we hear into any
categories? What
different varieties of
sound does a sound
designer have at their
disposal?
Classifying Sounds
DIEGETIC NON DIEGETIC
Diegetic sound is the sound that is
heard in the fictional world, the sound
that the characters in that world can
hear. Diegetic sound includes…
This is the sound that is outside the
fictional world, and that characters in
the fictional world cannot hear.
Non-diegetic sound would include…
Dialogue spoken by characters
Sound effects (specific sounds that stand
out against the general soundscape; ones the
makers wish to draw attention to)
Ambient sound (the overall background
‘atmosphere’ of a fictionalised location is created
through ambient sound like traffic noise or
weather sounds)
Soundtrack music
Musical leitmotifs (a theme within the
music ‘attached’ to a character, object or place)
Voice-over narration
Practice
• Watch the sequence and try to
practice categorising the sounds
you hear.
• Also give some thought to why
they have been used in the
creation of meaning.
• http://www.youtube.com/watch?v
=qx0LSM_qy7s&list=TLjkdFXaWcb5
N_0J-N5RXOl3487N8eQ_nj
Analysis
• How does the sound work to generate meaning?
• Think about:
• Narrative: The story/plot Genre or the type of TV Drama it is
• Character: What do we understand about the characters
• Consider the changes in the levels (volume) of the various sounds in
one or both of the following extracts:
• Life on Mars, episode 1 going to the suspect’s house > leaving the same (ch6
48:18 > )
• police canteen > rooftop (end of episode) (ch7 53:32 > )
• Are changes in levels apparent? When do they occur? For what
reasons?

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Sound

  • 1. Starter Task Look at the effects on the sheet in front of you and take a minute or two to select which technique is used to create which sound effect. Alyson Moore - Professional Foley Artist
  • 2. The work of the Foley Artist Galloping horses Punching someone Kissing in a romantic scene Footsteps in snow The sound of the guillotine playing coconuts stuffed with cloth kissing the back of your hand thumping a watermelon crunching grain held in a glove slicing a cabbage with a knife
  • 3. SO UN D Apply a range of key terms in relation to this micro element with a view to being able to write about sound effectively in TV Drama Exam Aims & Objectives Know that sound constructs meanings and effects just as subtle as those as any other micro technique can achieve. Identify different sounds from a broad mix.
  • 4. Blind Screening ✦ What kind of story is being told? How can you tell? ✦ How do you think an audience is supposed to feel listening to it? ✦ Can we split the sounds we hear into any categories? What different varieties of sound does a sound designer have at their disposal?
  • 5. Classifying Sounds DIEGETIC NON DIEGETIC Diegetic sound is the sound that is heard in the fictional world, the sound that the characters in that world can hear. Diegetic sound includes… This is the sound that is outside the fictional world, and that characters in the fictional world cannot hear. Non-diegetic sound would include… Dialogue spoken by characters Sound effects (specific sounds that stand out against the general soundscape; ones the makers wish to draw attention to) Ambient sound (the overall background ‘atmosphere’ of a fictionalised location is created through ambient sound like traffic noise or weather sounds) Soundtrack music Musical leitmotifs (a theme within the music ‘attached’ to a character, object or place) Voice-over narration
  • 6. Practice • Watch the sequence and try to practice categorising the sounds you hear. • Also give some thought to why they have been used in the creation of meaning. • http://www.youtube.com/watch?v =qx0LSM_qy7s&list=TLjkdFXaWcb5 N_0J-N5RXOl3487N8eQ_nj
  • 7. Analysis • How does the sound work to generate meaning? • Think about: • Narrative: The story/plot Genre or the type of TV Drama it is • Character: What do we understand about the characters • Consider the changes in the levels (volume) of the various sounds in one or both of the following extracts: • Life on Mars, episode 1 going to the suspect’s house > leaving the same (ch6 48:18 > ) • police canteen > rooftop (end of episode) (ch7 53:32 > ) • Are changes in levels apparent? When do they occur? For what reasons?