This document provides a guide for writing Shakespearean sonnets. It begins with an introductory quote about the importance of loving the sonnet form. It then presents Shakespeare's Sonnet 73 as an example, analyzing its structure including the four line quatrains that introduce the theme, continue the metaphor, and sometimes include a "volta" or twist, as well as the two line couplet that provides the conclusion. The document guides the reader through brainstorming a topic, choosing a metaphor, and composing their own sonnet line-by-line while maintaining the proper rhyme scheme and iambic pentameter. It concludes by encouraging revision to perfect the newly written sonnet.

1. Writing
Shakespearean Sonnets:
A How-To Guide

2. The man who writes a good
love sonnet needs not only to
be enamored of a woman, but
also to be enamored of the
sonnet.
~C.S. Lewis~

3. Thank you for choosing this guide to assist
you in your sonnet-writing journey! This
step-by-step guide should be an excellent
source for you as you embark on this
exciting endeavor!

4. Now, before we get started writing a
sonnet, it’s important to understand how
sonnets are set up. Let’s take a look at
one of Shakespeare’s most famous
sonnets so that you can visually see how
the poem should look.

5. Sonnet 73
That time of year thou mayst in me behold
When yellow leaves, or none, or few, do hang
Upon those boughs which shake against the cold,
Bare ruin'd choirs, where late the sweet birds sang.
In me thou seest the twilight of such day
As after sunset fadeth in the west,
Which by and by black night doth take away,
Death's second self, that seals up all in rest.
In me thou see'st the glowing of such fire
That on the ashes of his youth doth lie,
As the death-bed whereon it must expire
Consumed with that which it was nourish'd by.
This thou perceivest, which makes thy love more strong,
To love that well which thou must leave ere long.

6. On first glance, this might just seem like a regular old
poem, but we would be doing the sonnet a great injustice
if we thought that. The sonnet is actually a carefully
crafted argument that builds in a very particular way. Let’s
take a look at the format of a sonnet and use
Shakespeare’s Sonnet 73 as an example of how each
section functions.
Once you understand how each section of a sonnet is
supposed to work, you will be able to write one on your
own!

7. Quatrain #1: These four lines introduce the main
metaphor and theme of the sonnet.
That time of year thou mayst in me behold
When yellow leaves, or none, or few, do hang
Upon those boughs which shake against the cold,
Bare ruin'd choirs, where late the sweet birds sang.
Here, we find out that this poem is about a man who’s
growing old. He’s comparing his life to the changing of the
seasons. The year is coming to a close as fall slowly gives way
to winter, and so too is his life. In the first line he makes it
clear that he is addressing another person, as he uses the
word “thou.” This is the first stage of the sonnet’s argument.

8. Quatrain #2: The metaphor and the theme are continued and a
creative illustration is usually given to further the ideas of the
first quatrain.
In me thou seest the twilight of such day
As after sunset fadeth in the west,
Which by and by black night doth take away,
Death's second self, that seals up all in rest.
We see the same theme continued here, only now the
man has shifted from comparing himself to the end of the
year to the end of a day. He has narrowed down his
argument from a year to a day. This makes the poem
seem more urgent because days pass much more quickly
than years do. The creative example we see here is the
reference to night being “death’s second self.”

9. Quatrain #3: Here, one of two things occurs: the metaphor is
extended, or a twist or conflict is brought into the sonnet,
known as the peripeteia, or the volta. This turn is vital and
must be in the sonnet, though some writers prefer to place
this in the closing couplet.
In me thou see'st the glowing of such fire
That on the ashes of his youth doth lie,
As the death-bed whereon it must expire
Consumed with that which it was nourish'd by.
Here, the argument continues and the metaphor shifts to
something even more fleeting than a day—a dying fire.
Shakespeare chooses not to include the volta here; he
decides to keep it for the last two lines of the poem.
Let’s take a look at it that so you can see how it functions
in the sonnet.

10. Couplet: These two lines summarize the entire sonnet and give
the reader something new to think about. They often act as the
“thesis” of the poem.
This thou perceivest, which makes thy love more strong,
To love that well which thou must leave ere long.
Here, Shakespeare does not continue with another
metaphor. Rather, he gives us the volta that must be in the
sonnet. The speaker explains that the reason the other
person loves him so strongly is because he/she knows that
the speaker will soon die. They must experience all the love
they can now, before he passes away. This acts as the
thesis because he states that their love is strong, and uses
the first three quatrains to tell us why their love is strong.

11. Now that you know all the different sections of the
Shakespearean sonnet and understand how each one
functions, you’re almost ready to write one of your own. We
just need to go over a few things about style and form first.
All sonnets require the following stylistically:
1. 3 quatrains
2. 1 couplet
3. 14 lines
4. ABABCDCDEFEFGG rhyme scheme
5. Iambic pentameter
Let’s take one more look at Shakespeare’s Sonnet 73 so that
you can see how each of these are included.

12. Sonnet 73
That time of year thou mayst in me behold
When yellow leaves, or none, or few, do hang
Upon those boughs which shake against the cold,
Bare ruin'd choirs, where late the sweet birds sang.
In me thou seest the twilight of such day
As after sunset fadeth in the west,
Which by and by black night doth take away,
Death's second self, that seals up all in rest.
In me thou see'st the glowing of such fire
That on the ashes of his youth doth lie,
As the death-bed whereon it must expire
Consumed with that which it was nourish'd by.
This thou perceivest, which makes thy love more strong,
To love that well which thou must leave ere long.

13. Let’s start by brainstorming. Make sure you have a paper and
pencil handy. A good eraser is also recommended! Now, let’s
begin. What do you want to say in your sonnet? A lot of
sonnets pertain to love in some way, but yours doesn’t have
to. If you are having trouble coming up with some ideas, here
are some things to think about:
-school
-sports
-losing a loved one
-falling in love
-a pet
-a problem
-an emotion

14. Now that you have your topic, think of a
metaphor that you want to use throughout
your sonnet. Try to think of something that
wouldn’t normally be compared to your topic,
and then figure out ways that they are similar.
Once you have your metaphor and how you
want to compare it to your topic, write it down
so you don’t forget it later.

15. Now you are ready to begin composing. Make sure that you use
only 10 syllables in each line, and do your best to keep them all in
iambic pentameter. Also, choose your words that come at the
end of each line carefully; remember that another word will need
to rhyme with it. Also remember that you want to introduce your
topic and your metaphor here.
Hint: If you’re having trouble with iambic pentameter, go back to
Shakespeare’s Sonnet 73 and read each line to this beat: duh-
DUH-duh-DUH-duh-DUH-duh-DUH-duh-DUH.
Quatrain 1:
1. ___________________________________________________________ a
2. ___________________________________________________________ b
3. ___________________________________________________________ a
4. ___________________________________________________________ b

16. Here, you want to continue your metaphor and your argument,
but you want to build on what you wrote in the first quatrain.
Remember that you are setting up for an eventual turn that
will come either in the next quatrain or in the couplet, so be
preparing for that.
Quatrain 2:
5. ___________________________________________________________ c
6. ___________________________________________________________ d
7. ___________________________________________________________ c
8. ___________________________________________________________ d

17. Here is where it starts getting even more exciting! Hang
tough; it’s hard to write a sonnet and you may be feeling
frustrated, but you can do it. This is where a lot of
Shakespearean sonnets bring in the volta, or the turn. How
can you shift your argument through the use of your
metaphor? Do that here in this quatrain. Or, if you wish, save
the twist for the final couplet, and build up your metaphor
some more here.
Quatrain 3:
9. ___________________________________________________________ e
10. ___________________________________________________________ f
11. ___________________________________________________________ e
12. ___________________________________________________________ f

18. Okay, we’ve come to the final couplet. Make sure to put your
turn here if you haven’t done so yet. This is where you need
to summarize your argument—remember to think of it as
your thesis. Why do the previous twelve lines matter? Also
remember that this is a couplet, so both lines will rhyme at
the end.
Couplet:
13. ___________________________________________________________ g
14. ___________________________________________________________ g

19. Now put your sonnet together. All of your lines should come together
in the following manner:
1. ______________________________________________________________ a
2. ______________________________________________________________ b
3. ______________________________________________________________ a
4. ______________________________________________________________ b
5. ______________________________________________________________ c
6. ______________________________________________________________ d
7. ______________________________________________________________ c
8. ______________________________________________________________ d
9. ______________________________________________________________ e
10. ______________________________________________________________ f
11. ______________________________________________________________ e
12. ______________________________________________________________ f
13. ______________________________________________________________ g
14. ______________________________________________________________ g

20. Congratulations! You’ve just written your own
Shakespearean sonnet! Now remember, just because
you’ve finished doesn’t mean you’re done. Good writing
is all about revision. Go back and make sure your sonnet
is as strong in all areas as you would like it to be. Feel
free to edit and revise until you feel like you’ve
perfected it.

21. The End.
We hope that this guide has helped you
learn how to write a Shakespearean
sonnet. Please contact us if you have any
questions or concerns.
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