Sonata form is a musical structure that became popular in the Classical period, consisting of three main sections - the Exposition, Development, and Recapitulation. In the Exposition, the main themes are introduced, including the rhythmic first subject and more lyrical second subject, which is usually in a related key. The Development section transforms fragments of the themes, and the Recapitulation restates the Exposition with the second subject now in the tonic key. Tchaikovsky's Romeo and Juliet Fantasy Overture employs sonata form and features themes representing strife, love, and Friar Lawrence.

1. Sonata Form - Explained

2. Sonata Form Tchaikovsky’s Romeo and Juliet Fantasy Overture is written in sonata form Sonata form is a type of structure, based on the relationship between keys, that became popular in the Classical Period Romantic composers, such as Tchaikovsky, adapted classical sonata form in their compositions Sonata form can also be described as Ternary form (ABA) as it has three main sections: Exposition, Development and Recapitulation Sonata form can also be extended to include an introduction and coda

3. Sonata Form Diagram

4. Introduction The tempo of the introduction is usually slower than that of the exposition The musical themes are often independent of those presented in the exposition The opening Friar Lawrence theme forms the Introduction of Tchaikovsky’s Romeo and Juliet Fantasy Overture

5. Exposition In the exposition the main themes are exposed for the first time The themes are divided into two groups called subjects: the first subject and the second subject The first subject is generally rhythmic, fast and in the tonic key The Strife theme in Romeo and Juliet is the first subject

6. Exposition (contd.) After the first subject there is a transition period before the music moves to the second subject During this transition period the music changes key The second subject is usually much more lyrical and beautiful than the first. It is in a related key (either the dominant or relative minor) Tchaikovsky’s second subject is unusual as it doesn’t modulate to the relative major but instead to a key a semitone lower The second subject in the Romeo and Juliet Fantasy Overture has two parts

7. Exposition (contd.) The second subject (part 1) is the familiar Love theme The second subject (part 2) is the extended love section:

8. Development Fragments of material heard in the Exposition are developed in this section The themes can be developed by changing the texture, key and order of themes The themes can also be developed by using compositional devices such as dialogue and sequence In the development of the R+J overture Tchaikovsky fuses fragments of the Strife and Friar Lawrence themes together to reflect what is happening in the story

9. Recapitulation This section restates the music of the exposition but with a few changes Usually the second subject will now be in the tonic key to help resolve the tension This does not happen in the R+J overture. Instead the music moves finally to the relative major key of D major for the second subject. In the Recapitulation the second subjects also occur in a different order with the second subject (part 2) coming before the second subject (part 1) this time

10. Coda A Coda is often added in the tonic key after the recapitulation to complete the movement In R+J the coda establishes the mood of a funeral Though the exact themes cannot be heard, an altered love theme is heard at the start to represent the lovers’ deaths A chorale tune not unlike the Friar Lawrence theme is also heard in this section