Sociodrama for public relations practice (chapter 8)
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This document discusses sociodrama as a theory for public relations practice. It explores concepts like dramatism, symbolic interaction, and how sociodrama views language, motives, and action. The document also outlines three levels of sociodrama - behind the scenes where messages are decided, on stage where audiences interpret messages, and outside the theater where messages are sent to larger audiences. Key sources on sociodrama and its use in public relations are also cited.
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02. mise en scene notes sheet (1)
Mise-en-scene refers to everything visible within a shot or scene that helps tell the story, including props, costumes, lighting, location, and actor positioning and performance. It draws on principles of semiotics to use signs and their interpretation. There are six key areas of mise-en-scene analysis: color, costume, props, set/location, blocking/performance, and lighting. Color, costume, and lighting can be used to convey specific meanings and themes. Blocking refers to actor positioning in relation to each other and the camera. Props should be chosen to advance the story and actors directed in how to use them appropriately.
Different types of shots
This document discusses different types of shots used in romantic comedies. Over the shoulder shots are used to show conversations between characters and their potential to establish a relationship. Close-ups show a character's emotions to help the audience understand what they may be feeling or thinking. Mid-shots determine a character's body language toward another to convey if they care for or are shy around each other, while also showing some of the setting. Long shots allow viewers to see how much space or closeness there is between characters to judge their level of liking or disliking each other.
Good&Bad Poster
Good posters centralize important visual elements, use minimal and harmonious colors to draw focus to characters, and follow Gestalt principles of proximity, similarity and closure to clearly convey the plot. Bad posters have too many competing visual elements, use many different fonts and colors that diffuse the message, and violate Gestalt principles of simplicity and organization by not clearly grouping elements.
mise en scene notes sheet
The document discusses the concept of mise-en-scene and its key elements in film analysis. Mise-en-scene includes costume, props, lighting, color, set/location, and blocking/performance. Color, costume, and props can have symbolic meanings that provide insight into characters. Lighting is used to set mood, with low-key lighting creating shadows for drama and high-key ensuring even light. Mise-en-scene aims to create an authentic on-screen environment through the orchestration of these various visual elements.
Social groups
The document discusses how different social groups are represented in the media product's opening title sequence. While the sequence does not explicitly show characters, it implies some like Jennifer Love Hewitt. The main character represents the middle class as an ex-cop. The lower class is represented by showing criminals and mug shots, especially of Curtis Jackson, implying they come from poor areas and poverty as part of the gang subculture.
Sp the notebook
The document analyzes and summarizes several shots from the film The Notebook. It describes the first shot as a wide shot of the sun rising, establishing the early morning setting and genre. Another wide shot shows a man rowing past the rising sun, using the sun's reflection to create a romantic scene. A medium long shot in the dark adds to the sad emotion and hints that the film will not show much visually. Two wide shots use similar color schemes and silhouettes to create a heartwarming emotion. An over-the-shoulder shot adds context by showing the same woman as the first scene, looking pensively at birds.
Poster analysis for the bourne supremacy
The poster for The Bourne Supremacy depicts the main character in shadow holding a gun, suggesting an action-packed and mysterious plot. Smaller images on the poster show characters pointing guns at each other, implying the film will focus on someone watching these interactions. The tagline "They stole his identity. Now he wants it back" indicates the character is seeking revenge against those who committed identity theft, drawing audience interest for the revenge-driven action story.
Social groups
The document discusses how social groups are represented in the opening of a film through location, characters, and costume. It explains that the lower-class location of a Tesco shopping place helps audiences visualize the characters' surroundings and mirrors their social class. The aggressive manner and public outrage of character Tay instantly creates the image of a loud, obnoxious person associated with lower status. Danni's dark, relaxed costume shows she has little care for her self-image and could foreshadow her personality.
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02. mise en scene notes sheet (1)
Mise-en-scene refers to everything visible within a shot or scene that helps tell the story, including props, costumes, lighting, location, and actor positioning and performance. It draws on principles of semiotics to use signs and their interpretation. There are six key areas of mise-en-scene analysis: color, costume, props, set/location, blocking/performance, and lighting. Color, costume, and lighting can be used to convey specific meanings and themes. Blocking refers to actor positioning in relation to each other and the camera. Props should be chosen to advance the story and actors directed in how to use them appropriately.
Different types of shots
This document discusses different types of shots used in romantic comedies. Over the shoulder shots are used to show conversations between characters and their potential to establish a relationship. Close-ups show a character's emotions to help the audience understand what they may be feeling or thinking. Mid-shots determine a character's body language toward another to convey if they care for or are shy around each other, while also showing some of the setting. Long shots allow viewers to see how much space or closeness there is between characters to judge their level of liking or disliking each other.
Good&Bad Poster
Good posters centralize important visual elements, use minimal and harmonious colors to draw focus to characters, and follow Gestalt principles of proximity, similarity and closure to clearly convey the plot. Bad posters have too many competing visual elements, use many different fonts and colors that diffuse the message, and violate Gestalt principles of simplicity and organization by not clearly grouping elements.
mise en scene notes sheet
The document discusses the concept of mise-en-scene and its key elements in film analysis. Mise-en-scene includes costume, props, lighting, color, set/location, and blocking/performance. Color, costume, and props can have symbolic meanings that provide insight into characters. Lighting is used to set mood, with low-key lighting creating shadows for drama and high-key ensuring even light. Mise-en-scene aims to create an authentic on-screen environment through the orchestration of these various visual elements.
Social groups
The document discusses how different social groups are represented in the media product's opening title sequence. While the sequence does not explicitly show characters, it implies some like Jennifer Love Hewitt. The main character represents the middle class as an ex-cop. The lower class is represented by showing criminals and mug shots, especially of Curtis Jackson, implying they come from poor areas and poverty as part of the gang subculture.
Sp the notebook
The document analyzes and summarizes several shots from the film The Notebook. It describes the first shot as a wide shot of the sun rising, establishing the early morning setting and genre. Another wide shot shows a man rowing past the rising sun, using the sun's reflection to create a romantic scene. A medium long shot in the dark adds to the sad emotion and hints that the film will not show much visually. Two wide shots use similar color schemes and silhouettes to create a heartwarming emotion. An over-the-shoulder shot adds context by showing the same woman as the first scene, looking pensively at birds.
Poster analysis for the bourne supremacy
The poster for The Bourne Supremacy depicts the main character in shadow holding a gun, suggesting an action-packed and mysterious plot. Smaller images on the poster show characters pointing guns at each other, implying the film will focus on someone watching these interactions. The tagline "They stole his identity. Now he wants it back" indicates the character is seeking revenge against those who committed identity theft, drawing audience interest for the revenge-driven action story.
Social groups
The document discusses how social groups are represented in the opening of a film through location, characters, and costume. It explains that the lower-class location of a Tesco shopping place helps audiences visualize the characters' surroundings and mirrors their social class. The aggressive manner and public outrage of character Tay instantly creates the image of a loud, obnoxious person associated with lower status. Danni's dark, relaxed costume shows she has little care for her self-image and could foreshadow her personality.
Ocean's Eleven Poster Textual Analysis
The poster for Ocean's Eleven suggests that George Clooney's character is the most important through his positioning at the top of the character lineup and as the first name listed. The dominant colors of black, white, and red are likely to draw the viewer's eye first to the bright white text of the title and characters' names. The mixture of red and black implies elements of action and danger, while a character's smirk suggests comedy as well. The bold white title stands out against the dark background, which could indicate mystery will be a theme. Brad Pitt's character is also highlighted through lighting, marking him as an important figure.
Reservoir Dogs
This document provides a detailed analysis of various film techniques used in the opening scene of Reservoir Dogs. It examines the titling, camera movements, shot framing, camera angles, mise-en-scene elements including lighting, location, costumes, editing techniques, sound design, and actor positioning and movement. Key points include the use of easy-to-read titling over a black background, tracking camera movements that pan between characters to show them as equals, close-up shots that focus on faces, daytime high-key lighting that makes the characters seem non-threatening, and matched cuts with dialogue but no reverse shots showing who is speaking.
Chapter 5 presentation(1)
This chapter discusses various aspects of color in film including color energy, symbolism, colorizing film, sound, and how color expresses mood and qualities. Color energy is determined by saturation, with highly saturated colors having more energy. Color symbolism can represent events and beliefs but meanings vary by culture. Colorizing film is controversial as it may alter the artist's original work. Sound adds emotion, rhythm, and tone to set mood and foreshadow events. Color expresses qualities and establishes moods through techniques like desaturation.
The Sixth Sense by M.Night Shyamalan
The Sixth Sense was directed by M. Night Shyamalan and released in 1999. It uses conventions of traditional thrillers but also subverts expectations. In the opening scene, an isolated cellar is used rather than an abandoned house, and the female victim is revealed to live with her partner. Strange characters are introduced that have psychological problems. The opening credits use black and white colors and fading text to seem ghostly. Visual elements like a lighting light bulb and mirrored frame are used to suggest characters that can see things others cannot. Mysterious music in the credits mirrors the fading text and changes in tone to set a creepy tone. Sound of doors and footsteps add authenticity. Camera work with close-ups emphasizes important visual clues
Social Groups
The document discusses how media represents social groups. It defines social groups as collectives of people who share characteristics and interests, separating them into primary groups of close friends and family, and secondary groups of more distant shared-interest connections. Regarding its own representation, the document's film features only two people, but represents aspects of society through its male protagonist and antagonist, suggesting males are more likely to encounter the situations portrayed. It also notes the protagonist is aged 20-30 to convey inexperience, and made male to avoid stereotypes while aligning with typical thriller genres.
9 shot analysis - The Sixth Sense
This document analyzes 9 different shots from a film and discusses the purpose and meaning conveyed by different camera angles, lighting techniques, settings, and character positioning in each shot. The shots include a close up of a character's face using light and shadow to convey emotion, an over the shoulder shot that makes the audience feel like they are eavesdropping on a conversation, and a wide establishing shot that zooms in to show characters and set the scene.
The sixth sense
The poster for The Sixth Sense effectively conveys the film's supernatural thriller genre. Bruce Willis' shadowed facial expression evokes fear and anxiety, reflecting the main emotions of the film. The orange lighting suggests entering another world, reinforcing the psychological storyline. The lighting is arranged as a number "6", resembling the title and supernatural theme. The black background emphasizes the lighting and creates a supernatural sense, reflecting the genre as a thriller. The gothic white title draws attention and contrasts with the black, centered in line with Bruce Willis' image. The tagline evokes mystery and intrigue, enticing audiences to learn more.
Cult thriller poster analysis
The document analyzes cult thriller film posters based on common elements identified by Nick Lacey. Most posters use dark colors and feature a single dominant character, often a male, to set the tone and focus on key individuals. All posters prominently display the simple, bold title to identify the genre. However, some posters diverge by using bright colors, including multiple characters, or depicting a scene from the film in the background.
Film noir 9 frame - Godfather
In this scene from The Godfather, a close-up shot with low-key lighting of a man in a dinner suit establishes him as a dark and mysterious character of power. As the camera zooms out into a medium shot, another man is revealed only from the shoulder, seated in darkness and conveying his dominance. The camera continues zooming out as the seated man tells a sorrowful story, gradually lifting shadows to symbolize his revelation.
Film poster analysis
The film poster uses red and black colors which symbolize blood, death, and darkness to convey the horror or thriller genre of the film. The main image shows a shocking picture of a little girl curled up on the floor in a weak position, with red coloring seeming to come from her, giving the feeling she is both dangerous and in danger. Additional text and the release date are less prominent than the image and title to ensure the striking visual elements are what sell the film.
Film poster analysis (Let me in)
The film poster uses red and black colors to symbolize blood, death, and darkness, setting the tone for a horror or thriller film. A shocking image of a curled up girl in white suggests she may be the dangerous element, though her weak position implies she is also in danger. Additional text stands out in bright red to help audiences remember the film's title.
Chapter 5 presentation
This presentation discusses color energy, color symbolism, colorizing film, sound, and how color expresses qualities and establishes mood in media. It covers topics like how saturated vs. desaturated colors convey different energies, how color symbolism must be recognizable to audiences, and debates on colorizing black and white film. Examples are provided from films like Schindler's List and Halloween. In closing, the presentation notes color has informational, compositional and expressive functions that help determine symbols, mood and quality for audiences.
Barbara kruger 2 images
The document summarizes and analyzes two artworks by Barbara Kruger that use bold text over images to represent society's views of women and the effect of powerful people over vulnerable groups. The first artwork depicts a black and white image of a woman with red text stating "You are not yourself" to represent how women were seen as plain and used by those in power. The second artwork features large white text over an image of Hitler saying "You don't need me - but you do" to scare viewers about the control powerful figures can have over others. Both images use strong colors and text styles to emphasize their critical messages.
Poster analysis
This document discusses three horror movie posters and how they could inspire a poster for a film about a riot among infected teens. It notes that two posters effectively use a limited color palette and simple images to focus viewer attention. The third poster reflects a bathroom scene and conventions of voyeurism, dressing the protagonist in white to represent purity as she transforms from good to evil. City backgrounds and orange tones could be used to depict the riot fires.
Me and you and everyone we know
1. The document analyzes and summarizes scenes from the 2005 film "Me and You and Everyone We Know" directed by Miranda July.
2. It focuses on the relationships between different characters in the film, including Richard and Miranda's romance which forms the main storyline.
3. Key scenes like their first meeting and a walk they take together are analyzed in terms of mise-en-scene, cinematography, sound and editing techniques used by the director.
Presentation1
This document discusses how the media product conforms to and challenges conventions of existing romance genres. It follows some conventions, such as slow pacing, close-ups to show emotion, and lamentable music. However, it challenges conventions by featuring a romance between two women rather than a heterosexual couple. The lighting creates a romantic atmosphere to highlight the courtship. Overall, the document examines how the media product both adheres to and innovates on common forms and styles of romance films.
9 frame analysis ‘donnie brasco’
The document summarizes key frames from the opening sequence of the film "Donnie Brasco". It describes tense opening music with white text credits. The sequence then shows extreme close-ups of a man's eyes, a group of men in similar attire, and a stern-faced man surrounded by people, establishing him as an important mafia boss figure. Color is briefly introduced before returning to black and white for a final frame focusing on organized crime.
Representation of youth theories
The document summarizes several theories about media representations of youth:
- Giroux and Acland argue that media representations are created by adults without understanding youth reality, portraying them in stereotypical ways to control behavior.
- Hebdige says media limits representations of youth to "trouble" or "fun" without showing diversity.
- Cohen describes how media can create "moral panics" by portraying youth as "folk devils" when they challenge social norms.
- Gramsci discusses how media upholds norms of the middle class as the standard.
- Philo and Gerbner examine how media links negative stereotypes to social class and cultivates perceptions that youth are
Tv Drama Notes
The document discusses key concepts for analyzing television drama such as representation, ideology, verisimilitude, and representational codes. It examines different genres of TV drama like teen dramas and soap operas. Representation in media is shaped by economic and technological factors and influences how different groups are portrayed. Micro and macro analysis of elements like camera work, editing, sound, and mise-en-scene provide insights into a drama's representations.
Media langauge
Here are some things I noticed about the paragraph:
- It makes a clear comparison between Rihanna and Taylor Swift's images and the audiences they aim their music towards. This is the main point of the paragraph.
- It uses some relevant terminology like "stereotypical image", "rebellion", "role model", "clean cut image", "fan base", "demographic" to analyze and describe the two artists.
- The comparison could be strengthened by providing some examples or evidence from the music videos to back up the claims.
- There are a few minor grammatical errors like missing articles.
Overall it gets the main point across in a concise way and uses some appropriate terminology. With a
Drama And Dramatic Arts
Drama and dramatic arts involve the expression and performance of literature through theater. It can be used to spread ideas to large audiences and comes in different forms from loosely organized entertainment to elite art. Key components include playwriting, acting, costumes, and scene design which come together to bring drama to life for audiences through performers and elements of theater.
How words and images signify
This document discusses communication and how meaning is conveyed through signs like words, images, gestures, and other symbols. It covers classic communication models and how mass communication changes those models by introducing technologies and separating senders and receivers in time and space. It also discusses semiotics, the study of signs and meaning, focusing on the theories of Peirce, Saussure, and Barthes. Peirce saw meaning as encoded in signs consisting of a signifier, object, and interpretant. Saussure's model had a signifier and signified. Barthes analyzed how images convey denotative and connotative meanings depending on cultural context. The document asks questions about how meaning is encoded, transmitted, interpreted, and
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Ocean's Eleven Poster Textual Analysis
The poster for Ocean's Eleven suggests that George Clooney's character is the most important through his positioning at the top of the character lineup and as the first name listed. The dominant colors of black, white, and red are likely to draw the viewer's eye first to the bright white text of the title and characters' names. The mixture of red and black implies elements of action and danger, while a character's smirk suggests comedy as well. The bold white title stands out against the dark background, which could indicate mystery will be a theme. Brad Pitt's character is also highlighted through lighting, marking him as an important figure.
Reservoir Dogs
This document provides a detailed analysis of various film techniques used in the opening scene of Reservoir Dogs. It examines the titling, camera movements, shot framing, camera angles, mise-en-scene elements including lighting, location, costumes, editing techniques, sound design, and actor positioning and movement. Key points include the use of easy-to-read titling over a black background, tracking camera movements that pan between characters to show them as equals, close-up shots that focus on faces, daytime high-key lighting that makes the characters seem non-threatening, and matched cuts with dialogue but no reverse shots showing who is speaking.
Chapter 5 presentation(1)
This chapter discusses various aspects of color in film including color energy, symbolism, colorizing film, sound, and how color expresses mood and qualities. Color energy is determined by saturation, with highly saturated colors having more energy. Color symbolism can represent events and beliefs but meanings vary by culture. Colorizing film is controversial as it may alter the artist's original work. Sound adds emotion, rhythm, and tone to set mood and foreshadow events. Color expresses qualities and establishes moods through techniques like desaturation.
The Sixth Sense by M.Night Shyamalan
The Sixth Sense was directed by M. Night Shyamalan and released in 1999. It uses conventions of traditional thrillers but also subverts expectations. In the opening scene, an isolated cellar is used rather than an abandoned house, and the female victim is revealed to live with her partner. Strange characters are introduced that have psychological problems. The opening credits use black and white colors and fading text to seem ghostly. Visual elements like a lighting light bulb and mirrored frame are used to suggest characters that can see things others cannot. Mysterious music in the credits mirrors the fading text and changes in tone to set a creepy tone. Sound of doors and footsteps add authenticity. Camera work with close-ups emphasizes important visual clues
Social Groups
The document discusses how media represents social groups. It defines social groups as collectives of people who share characteristics and interests, separating them into primary groups of close friends and family, and secondary groups of more distant shared-interest connections. Regarding its own representation, the document's film features only two people, but represents aspects of society through its male protagonist and antagonist, suggesting males are more likely to encounter the situations portrayed. It also notes the protagonist is aged 20-30 to convey inexperience, and made male to avoid stereotypes while aligning with typical thriller genres.
9 shot analysis - The Sixth Sense
This document analyzes 9 different shots from a film and discusses the purpose and meaning conveyed by different camera angles, lighting techniques, settings, and character positioning in each shot. The shots include a close up of a character's face using light and shadow to convey emotion, an over the shoulder shot that makes the audience feel like they are eavesdropping on a conversation, and a wide establishing shot that zooms in to show characters and set the scene.
The sixth sense
The poster for The Sixth Sense effectively conveys the film's supernatural thriller genre. Bruce Willis' shadowed facial expression evokes fear and anxiety, reflecting the main emotions of the film. The orange lighting suggests entering another world, reinforcing the psychological storyline. The lighting is arranged as a number "6", resembling the title and supernatural theme. The black background emphasizes the lighting and creates a supernatural sense, reflecting the genre as a thriller. The gothic white title draws attention and contrasts with the black, centered in line with Bruce Willis' image. The tagline evokes mystery and intrigue, enticing audiences to learn more.
Cult thriller poster analysis
The document analyzes cult thriller film posters based on common elements identified by Nick Lacey. Most posters use dark colors and feature a single dominant character, often a male, to set the tone and focus on key individuals. All posters prominently display the simple, bold title to identify the genre. However, some posters diverge by using bright colors, including multiple characters, or depicting a scene from the film in the background.
Film noir 9 frame - Godfather
In this scene from The Godfather, a close-up shot with low-key lighting of a man in a dinner suit establishes him as a dark and mysterious character of power. As the camera zooms out into a medium shot, another man is revealed only from the shoulder, seated in darkness and conveying his dominance. The camera continues zooming out as the seated man tells a sorrowful story, gradually lifting shadows to symbolize his revelation.
Film poster analysis
The film poster uses red and black colors which symbolize blood, death, and darkness to convey the horror or thriller genre of the film. The main image shows a shocking picture of a little girl curled up on the floor in a weak position, with red coloring seeming to come from her, giving the feeling she is both dangerous and in danger. Additional text and the release date are less prominent than the image and title to ensure the striking visual elements are what sell the film.
Film poster analysis (Let me in)
The film poster uses red and black colors to symbolize blood, death, and darkness, setting the tone for a horror or thriller film. A shocking image of a curled up girl in white suggests she may be the dangerous element, though her weak position implies she is also in danger. Additional text stands out in bright red to help audiences remember the film's title.
Chapter 5 presentation
This presentation discusses color energy, color symbolism, colorizing film, sound, and how color expresses qualities and establishes mood in media. It covers topics like how saturated vs. desaturated colors convey different energies, how color symbolism must be recognizable to audiences, and debates on colorizing black and white film. Examples are provided from films like Schindler's List and Halloween. In closing, the presentation notes color has informational, compositional and expressive functions that help determine symbols, mood and quality for audiences.
Barbara kruger 2 images
The document summarizes and analyzes two artworks by Barbara Kruger that use bold text over images to represent society's views of women and the effect of powerful people over vulnerable groups. The first artwork depicts a black and white image of a woman with red text stating "You are not yourself" to represent how women were seen as plain and used by those in power. The second artwork features large white text over an image of Hitler saying "You don't need me - but you do" to scare viewers about the control powerful figures can have over others. Both images use strong colors and text styles to emphasize their critical messages.
Poster analysis
This document discusses three horror movie posters and how they could inspire a poster for a film about a riot among infected teens. It notes that two posters effectively use a limited color palette and simple images to focus viewer attention. The third poster reflects a bathroom scene and conventions of voyeurism, dressing the protagonist in white to represent purity as she transforms from good to evil. City backgrounds and orange tones could be used to depict the riot fires.
Me and you and everyone we know
1. The document analyzes and summarizes scenes from the 2005 film "Me and You and Everyone We Know" directed by Miranda July.
2. It focuses on the relationships between different characters in the film, including Richard and Miranda's romance which forms the main storyline.
3. Key scenes like their first meeting and a walk they take together are analyzed in terms of mise-en-scene, cinematography, sound and editing techniques used by the director.
Presentation1
This document discusses how the media product conforms to and challenges conventions of existing romance genres. It follows some conventions, such as slow pacing, close-ups to show emotion, and lamentable music. However, it challenges conventions by featuring a romance between two women rather than a heterosexual couple. The lighting creates a romantic atmosphere to highlight the courtship. Overall, the document examines how the media product both adheres to and innovates on common forms and styles of romance films.
9 frame analysis ‘donnie brasco’
The document summarizes key frames from the opening sequence of the film "Donnie Brasco". It describes tense opening music with white text credits. The sequence then shows extreme close-ups of a man's eyes, a group of men in similar attire, and a stern-faced man surrounded by people, establishing him as an important mafia boss figure. Color is briefly introduced before returning to black and white for a final frame focusing on organized crime.
Representation of youth theories
The document summarizes several theories about media representations of youth:
- Giroux and Acland argue that media representations are created by adults without understanding youth reality, portraying them in stereotypical ways to control behavior.
- Hebdige says media limits representations of youth to "trouble" or "fun" without showing diversity.
- Cohen describes how media can create "moral panics" by portraying youth as "folk devils" when they challenge social norms.
- Gramsci discusses how media upholds norms of the middle class as the standard.
- Philo and Gerbner examine how media links negative stereotypes to social class and cultivates perceptions that youth are
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Tv Drama Notes
The document discusses key concepts for analyzing television drama such as representation, ideology, verisimilitude, and representational codes. It examines different genres of TV drama like teen dramas and soap operas. Representation in media is shaped by economic and technological factors and influences how different groups are portrayed. Micro and macro analysis of elements like camera work, editing, sound, and mise-en-scene provide insights into a drama's representations.
Media langauge
Here are some things I noticed about the paragraph:
- It makes a clear comparison between Rihanna and Taylor Swift's images and the audiences they aim their music towards. This is the main point of the paragraph.
- It uses some relevant terminology like "stereotypical image", "rebellion", "role model", "clean cut image", "fan base", "demographic" to analyze and describe the two artists.
- The comparison could be strengthened by providing some examples or evidence from the music videos to back up the claims.
- There are a few minor grammatical errors like missing articles.
Overall it gets the main point across in a concise way and uses some appropriate terminology. With a
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Drama is a story enacted on stage through dialogue and action that involves characters facing conflicts. It aims to engage audiences emotionally by making them believe in and feel for characters. A drama uses literary elements like scripts, plots, characters, settings and dialogue, technical elements like scenery, costumes and props, and performance elements like acting, speaking and expression to develop conflicts and resolve them. Common drama forms include tragedies featuring noble tragic heroes facing downfalls, comedies with romantic conflicts ending happily, and musicals combining stories, music and dance.
Media languages
This document discusses codes, conventions, and languages used in media to communicate meaning. It explains that technical codes like camera angles and lighting and symbolic codes like character dress and actions are used to construct meaning. It then defines different media languages including written, verbal, non-verbal, visual, and aural and provides examples. The document also discusses semiotics, denotation and connotation. It profiles theorists Roland Barthes and Claude Levi-Strauss and their work on structuralism and semiotics. Finally, it provides quotes from each theorist and briefly summarizes two music videos.
Pentadic ratios in TV Talk Shows
This document discusses different types of television talk shows and their potential pentadic ratios based on Kenneth Burke's pentad. It summarizes three main types of talk shows: host-elicited storytelling and celebrity confessional shows, television phone-in shows, and political interview shows. For host-elicited shows, the host elicits guests' stories to generate audience discussion, with narrative and drama playing important roles. The document aims to analyze these talk show genres to understand why their pentadic ratios may differ based on factors like their format and conversational dynamics.
Media theories%2 f theory (1)
This document summarizes several media theorists and their perspectives on analyzing genres and narratives. It discusses Rick Altman's three ways of breaking down genre - semantic, syntactic, and pragmatic. It also outlines Tzetuan Todorov's theory of narrative structure as equilibrium, disruption, and restoration. Claude Levi-Strauss's view of narratives being driven by binary opposites is presented. Roland Barthes' concepts of enigma and action codes in narratives are covered. Finally, Vladimir Propp's idea of certain character types performing actions is mentioned.
The Writers Empire
This document discusses Hunter S. Thompson's linguistic strategies in his political commentaries. It analyzes how Thompson uses discourse and language to assert power and control perceptions. Specifically, it examines his use of coercion through imperatives and hate language with derogatory labels. Thompson employs commands like "never forget" coupled with negative consequences to suggest readers accept his view. He also uses terms like "A-rab", "rich nerds", and "lawyers" to distance and insult targets, promoting negative stereotypes. Through these techniques, the document argues Thompson works to establish his views and limit other perspectives for his readers.
Theoretrical investigation
The document discusses various aspects of genre, narrative, representation, audience and other concepts related to analyzing media texts. It provides definitions and examples of different genre, narrative and representation theories and links some of them to the horror genre. Specifically, it notes that Rick Altman and Daniel Chandler's genre theories adhere to common elements in horror films like murder, blood and dark settings. It also links Tzventan Todorov and Levi-Strauss's narrative theories to conventions commonly seen in horror narratives and their use of concepts like binaries. For representation, it links Laura Mulvey's "male gaze" theory and stereotypes about vulnerable females often portrayed in horror.
Mise en scene.pptx
This document provides an overview of key concepts in film analysis related to mise-en-scène. It discusses 15 elements of mise-en-scène including the frame, composition and design, territorial space, proxemic patterns, and open and closed form. Each element is defined and examples are provided to illustrate techniques like framing objects symbolically within the frame, using lighting and movement to guide viewer attention, and how character arrangement in space conveys social relationships. The conclusion states that understanding these visual principles can help analyze images more critically.
Question 1B
This document provides definitions and summaries of key media concepts:
Genre categorizes texts based on common elements and divides audiences. Narrative provides coherence through beginning, middle, end story structures. Representation portrays reality and influences perceptions through stereotypes. Audience consumption is motivated by uses and gratifications while reception depends on individual contexts. Media language conveys meaning through techniques like camera shots, editing, and sound design according to theorists like Barthes.
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Sociodrama for public relations practice (chapter 8)
- 1. Tom Hurst Comm 337 Sociodrama for Public Relations Practice (Chapter 8)
- 2. What is Sociodrama? Language Based Theory Uses in PR Press Releases, Speeches, and more Questions the way of Meaning Dramatism and Symbolic Interaction
- 3. What is Sociodrama? cont… Hugh Duncan Drama of Human Relationships Sherman, Blanchard, and Kagel (1995) Theory in a Theatrical Perspective “Sociodrama” by Thomas J. Mickey
- 4. Concepts of Sociodrama Dramatism Language, Motives, and action Symbolic Interaction Interpretive view of the world
- 5. Concepts of Sociodrama cont… Sociodrama Words to define themselves Identification Duncan Popular Press versus Art Drama
- 6. Elements of the Drama Drama in Speech or Writing Five Dramatic Concepts Act, Scene, Actors, Means, Purpose
- 7. Hierarchy Language expresses a certain Hierarchy Social Order Superiors, Inferiors, Equals Social Order in Hierarchy Context
- 8. Three Levels of Sociodrama-Behind the Scenes Deciding the message Actors in an organization PR Director Attached Meaning Get the Job Done
- 9. Three Levels of Sociodrama-On Stage Audience Listens to Message Audience Interpretation Audience versus Actors
- 10. Three Levels of Sociodrama-Outside the Theatre Larger Social Order Message Sent to Outside Receivers Neighborhoods, Cities, Country, and others
- 11. Sources Hansen-Horn, T. L., & Neff, B. D. (2008). Public Relations: From theory to practice. Boston, Ma: Pearson Education, Inc. Mickey, T. J. (1995). Sociodrama: An interpretive theory for the practice of Public Relations. Lanham, Maryland: University Press of America.
Editor's Notes
- Language based approach to Public RelationsInteraction, Interpretive, and Cultural PerspectiveTheory uses in Public RelationsSpeeches, Press Releases, Brochures, Feature Stores, and more. Explores the question: How as social partisipants in society make meaning?2 Main Concepts in Sociodrama are Dramatism and Symbolic Interaction
- Hugh Duncan is a sociologistMain focus is the drama in Human RelationshipsRelations=Form and SymbolsSherman, Blanchard, and Kagel=SociologistsSaw this theory most represented in a theatrical perspectiveFurther research on this theory in this perspective can be found from Professor Thomas J. Mickey’s BookSociodrama: An interpretive theory for the practice of Public Relations
- Language, Motives, and ActionSystematic approach to understand human action and languageAnalysis of motives through actionsSymbolic Interaction relates to DramatismSociety Views the human world in an interpretive viewLanguage and symbols
- Not only concerned with actions and conceptsHow people use words to define themselvesResponse or action through the dramatic process Sociodrama basedIdentity through CommunicationMovies, Radio, TV, Popular Press VS Art DramaStruggle of Good and Bad Principals in Social Order
- Drama in the theory is expressed by Speech or WritingLanguage takes a dramatic metaphor Forms understanding, attitudes, and interpretation of the person, thing or eventRelate to each other through Speech or WritingAct, Scene, Actors, Means, and Purpose
- Superiors, Inferiors, and EqualsPR Person reports to supervisor; write employee newsletter; serve clients effectivelyEach ranks in some form of HierarchySociodrama gives a certain kind of social order in a Hierarchal context
- Actors in an organization make the decision regarding the message that is being sentRight message is very importantPR director, pr staffAttached meaning#1 in the marketNeed to get the job done
- Audience paying close attention to the messageAttached meaning to the messageHear or ReadAudience way get a different meaning than what the Actor is trying to portrayNews Example
- Larger social orderRelationships of the MessageInterpretation of the message being sent to outside receiversFamily, Friends, Neighborhoods, cities, countries, and more