Slavko Milekic, Action, affection and control: Interface guidelines for complex visual content

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A presentation from Museums and the Web 2009. This paper examines emerging interface paradigms, to a certain extent exemplified by Apple’s iPhone interface, for interacting with complex visual content. It provides an overview of 15 years of research devoted to the creation of intuitive user-friendly interfaces, as well as conceptual analysis of design principles. Implications for the design of interfaces for cultural heritage information are also being discussed.

Technology Health & Medicine

Museums & Web 2009
April 15-19
Indianapolis

Slavko Milekic, M.D., PhD
Dept. of Art Education & Art Therapy
University of the Arts, Philadelphia

Action, affection & control:
Interface guidelines for complex visual content

Confessions anyone?

www.confessions.com

www.webconfessions.com

www.paidconfessions.com

Museums & Web 2002
April 17-20
Boston, MA, US

Slavko Milekic
Dept. of Art Education & Art Therapy
University of the Arts, Philadelphia

Towards Tangible Virtualities: Tangialities

Touch, the oldest of all senses, is the foundation of our
existence.

“Not only our geometry and our physics, but our whole
conception of what exists outside us, is based upon the sense
of touch.”

Bertrand Russell

1 a : capable of being perceived especially by
the sense of touch : PALPABLE
b : substantially real : MATERIAL

2 : capable of being precisely identified or
realized by the mind <her grief was tangible>

Merriam-Webster Dictionary, on-line version

synonyms:

tangible => PERCEPTIBLE

which in turn, has the following synonyms:

SENSIBLE,
PALPABLE,
TANGIBLE,
APPRECIABLE,
PONDERABLE

basic assumption:

association of virtual and abstract information with
multimodal sensory experiences creates a new layer
of knowledge and action spaces that are more natural
and efficient for humans

these in-between domains, where interactions with
virtual data produce tangible sensations, I dubbed
tangialities.

And now to action, affection and control….

Basic premise:

Good interface designs tend to be the
ones that are usable by the broadest segment
of the population.

Most of technologies we are using now started as a response to a special need

Questions:

What characteristics of the target population
are most relevant for the design process?

Questions:

What characteristics of the target population
are most relevant for the design process?

What is the goal of a particular interface design?

Design principles:

- based on users needs

Design principles:

-based on users needs

which begs the question………

What are our real needs?

Design principles:

• Action

• Affection

• Control

Time for another confession…..

I hate PowerPoint…

Control:

In general, the human need for control
of their environment can be broken
down into three (related) categories.
These are the control of:

• what (choice)
• how (method), and
• when (time)

My talk at the 2nd General Meeting of the CINA project, Bologna, 18-20 Feb 2014. The increasing diffusion of cloud technologies offers new opportunities for distributed and collaborative computing. Volunteer clouds are a prominent example, where participants join and leave the platform and collaborate by sharing computational resources. The high complexity, dynamism and unpredictability of such scenarios call for decentralized self-* approaches. We present in this paper a framework for the design and evaluation of self-adaptive collaborative task execution strategies in volunteer clouds. As a byproduct, we propose a novel strategy based on the Ant Colony Optimization paradigm, that we validate through simulation-based statistical analysis over Google workload data.

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Our shared human experiences are the true connection points between our art and our audiences. The opportunity for conversation lies in our willingness to share these stories with each other, utilising the digital tools that are enabling us to do so more easily and more widely than ever before. In this thought-provoking and practical workshop session, Vicki Allpress Hill will facilitate a discussion about ways that we can invite, curate, create and distribute digital content in the form of text, images, video and audio in order to share our stories, and those of our audiences, opening the way for conversation as a result. Vicki will draw on her current work in the area of content marketing with arts organisations here and internationally to present examples of the ways artists and arts organisations are now using digital content to generate audience engagement. As part of this session, you will participate in a creative brainstorming session with your peers to unearth the stories that exist within and around your own organisations. If you are responsible for developing website, social media, video, email, media or publication content in your organisation, and/or your role is focused on audience development and engagement, this session will be of interest to you.

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museums and the web

A presentation from Museums and the Web 2010. Europeana, Europe's multimedia on-line library, museum and archive, currently grants access to the cultural holdings of Europe's twenty-seven member states. It includes more than 5.5 million books, maps, recordings, photographs, archival documents, paintings, and films from national libraries and cultural institutions. Europeana’s goal is to open up new ways of exploring Europe's heritage through free access to the collections and treasures via a single Web portal that is available in all the official EU languages (http://ec.europa.eu/information_society/ doc/factsheets /071-europeana-en.pdf). Europeana is currently in prototype; the full service will launch later in 2010. The operational Europeana portal will provide improved search functionality and access to over 10 million objects. A follow-up release in 2011 will showcase multilingual and semantic Web features. ATHENA's role is to harvest holdings from Europe's museums and similar collections across the cultural sector, and to facilitate their integration into Europeana. This paper will discuss this ambitious project from the point of view of the organizational strategies required to coordinate the pan-European, ATHENA Network, as well as the thesauri and multilingual developments that the partners are currently dealing with towards the integration of digital content. Session: Multi-Institutional Collaboration: Process [organizations]

MW2010: D. Peacock, Putting Mallala on the map: Creating a wiki community wit...

museums and the web

A presentation from Museums and the Web 2010. The Now and Then community heritage wiki was initiated to research the potential of Web 2.0 technologies to engage and sustain interest in local history and heritage collections. The aim of this action research project is to explore whether wikis can provide a low-cost, sustainable way of increasing interest and participation in the preservation, interpretation and enjoyment of local history and heritage collections. The target organisations to use the wiki are generally very small and are often staffed solely by volunteers. The pilot implementation in a small rural community has been well received and is generating significant levels of interest and participation. This paper aims to share the learning from this project about the potential and implications of wikis as the basis for sustainable knowledge communities around local history and heritage. It explores how collaborative knowledge-making practices such as crowdsourcing present new challenges and opportunities for museums, their information management paradigms, and their relationships with communities. Session: Wikis for Content Management [content] see http://www.archimuse.com/mw2010/abstracts/prg_335002330.html

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Slavko Milekic, Action, affection and control: Interface guidelines for complex visual content

1. Museums & Web 2009 April 15-19 Indianapolis Slavko Milekic, M.D., PhD Dept. of Art Education & Art Therapy University of the Arts, Philadelphia Action, affection & control: Interface guidelines for complex visual content

2. Confessions anyone?

3. Confessions anyone? www.confessions.com www.webconfessions.com www.paidconfessions.com

4. Museums & Web 2002 April 17-20 Boston, MA, US Slavko Milekic Dept. of Art Education & Art Therapy University of the Arts, Philadelphia Towards Tangible Virtualities: Tangialities

5. Touch, the oldest of all senses, is the foundation of our existence. “Not only our geometry and our physics, but our whole conception of what exists outside us, is based upon the sense of touch.” Bertrand Russell

6. 1 a : capable of being perceived especially by the sense of touch : PALPABLE b : substantially real : MATERIAL 2 : capable of being precisely identified or realized by the mind <her grief was tangible> Merriam-Webster Dictionary, on-line version

7. synonyms: tangible => PERCEPTIBLE which in turn, has the following synonyms: SENSIBLE, PALPABLE, TANGIBLE, APPRECIABLE, PONDERABLE

8. basic assumption: association of virtual and abstract information with multimodal sensory experiences creates a new layer of knowledge and action spaces that are more natural and efficient for humans these in-between domains, where interactions with virtual data produce tangible sensations, I dubbed tangialities.

9. And now to action, affection and control….

10. Basic premise: Good interface designs tend to be the ones that are usable by the broadest segment of the population.

11. Most of technologies we are using now started as a response to a special need

12. Questions: What characteristics of the target population are most relevant for the design process?

13. Questions: What characteristics of the target population are most relevant for the design process? What is the goal of a particular interface design?

14. Design principles: - based on users needs

15. Design principles: -based on users needs which begs the question……… What are our real needs?

16. Design principles: • Action • Affection • Control

17. Time for another confession…..

18. Time for another confession….. I hate PowerPoint…

19. Action:

20. Action:

21. Action:

22. Action:

23. Affection:

24. Affection:

25. Affection:

26. Control: In general, the human need for control of their environment can be broken down into three (related) categories. These are the control of: • what (choice) • how (method), and • when (time)

27. Thank you!

Slavko Milekic, Action, affection and control: Interface guidelines for complex visual content

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