Shotlist
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This document describes a series of 41 shots from a film. The shots include different camera angles, types of camera movement, and locations. Many of the shots zoom or pan between two characters as they interact in various settings like a prison cell, courthouse, car, and forest. The shots follow the characters as one is released from prison and the two men drive to a forest, where they open the car boot to reveal guns and fist bump before walking into the trees.
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Memento Video Essay
The document provides analysis of various scenes and elements from the film Memento. It summarizes key shots including a close-up of the protagonist with blood on his face looking distressed, a low-angle mid-shot showing him dominating another character, and a close-up of a victim with blood and glasses beside him. It also analyzes the use of sound, cinematography, editing, setting, characters, narrative, and title to build tension and convey that the film is a psychological thriller about a man who murders people.
Shot list a2
This shot list contains 14 shots describing scenes for a music video and narrative film. Shots 1-4 focus on close-ups and movements around a band performing. Shots 5-7 involve handheld shots from a moving car and person's point of view walking through a town. Shots 8-10 show a group in a park from different angles. Shots 11-13 follow the group running and interacting aggressively with a car from their perspective. The final shot focuses on the driver of the car reacting to the group.
Research presentation
Crime/thriller films typically feature props like weapons, drugs, and police cars that connote violence. Main characters are often male and set in cities or foreign locations. The films have fast pacing, suspense, and action with a protagonist and antagonist. Trailers are 2-3 minutes, introduce characters and plot, and leave an "enigma" to entice viewers. Technical elements like music, shots, and editing create tension and drama to engage the target audience of 17-25 year olds.
Choice of trailer and synopsis
A highlights trailer contains the most exciting parts of a film without significant plot details in order to generate initial buzz, while a scene trailer provides more information about plot and characters. The document discusses different types of trailers and how they are used. It then explains that the group has chosen to create a highlights trailer for their film to build excitement through multiple scenes rather than focusing on one, without revealing major plot points.
5: how did you attract/address the audience?
The film uses an enigmatic opening plot involving a man searching for his missing wife and child to attract thriller audiences who enjoy mystery. It also includes elements commonly found in successful thriller films like action and suspense. The plot involves the man being kidnapped by loan sharks and having to fight to save his family, similar to the popular film "Taken". Precise timing is used between the soundtrack and editing to add tension and attract audiences, in a style similar to films like "Inception" and "War of the Worlds".
Shot list
This document contains a shot list for a film with 40 shots. It describes the scene location, camera angle, subject, and approximate length of various outdoor and indoor shots showing a developing relationship between a boy and girl from their first meeting in a park through various interactions in different settings over time. The shots become more intimate as the relationship progresses and include them holding hands, kissing, playing in a field, singing in a car, and eventually lying in a bedroom together.
Teaser analysis 3
This document provides a record sheet for the teaser/trailer of the film "Let Me In". It includes questions raised by the teaser, comments on the genre and reaction, and a detailed shot list describing each visual element in the teaser. The questions probe who the victims are, the girl's relationship to the male lead, what the "something wicked" refers to, and whether the girl is truly evil. The comments note the teaser's use of music, shots, cuts and dialogue to build tension without being too scary. The shot list then meticulously outlines each shot from establishing scenes to character close-ups to title screens.
Textual analysis
1) The opening scene shows three main characters - Henry Hill, Jimmy Conway, and Tommy De Vito - lounging in a car at night in New York in 1970.
2) They hear a banging sound coming from the trunk of the car, so they stop to investigate. Two of the men are holding weapons like a spade and knife.
3) When they open the trunk, they find a bloodied, wrapped man still alive inside. One man stabs him repeatedly while another shoots him to ensure he is dead. Henry Hill calmly closes the trunk, expressing in a voiceover how he has always wanted to be a gangster.
Recommended
Memento Video Essay
The document provides analysis of various scenes and elements from the film Memento. It summarizes key shots including a close-up of the protagonist with blood on his face looking distressed, a low-angle mid-shot showing him dominating another character, and a close-up of a victim with blood and glasses beside him. It also analyzes the use of sound, cinematography, editing, setting, characters, narrative, and title to build tension and convey that the film is a psychological thriller about a man who murders people.
Shot list a2
This shot list contains 14 shots describing scenes for a music video and narrative film. Shots 1-4 focus on close-ups and movements around a band performing. Shots 5-7 involve handheld shots from a moving car and person's point of view walking through a town. Shots 8-10 show a group in a park from different angles. Shots 11-13 follow the group running and interacting aggressively with a car from their perspective. The final shot focuses on the driver of the car reacting to the group.
Research presentation
Crime/thriller films typically feature props like weapons, drugs, and police cars that connote violence. Main characters are often male and set in cities or foreign locations. The films have fast pacing, suspense, and action with a protagonist and antagonist. Trailers are 2-3 minutes, introduce characters and plot, and leave an "enigma" to entice viewers. Technical elements like music, shots, and editing create tension and drama to engage the target audience of 17-25 year olds.
Choice of trailer and synopsis
A highlights trailer contains the most exciting parts of a film without significant plot details in order to generate initial buzz, while a scene trailer provides more information about plot and characters. The document discusses different types of trailers and how they are used. It then explains that the group has chosen to create a highlights trailer for their film to build excitement through multiple scenes rather than focusing on one, without revealing major plot points.
5: how did you attract/address the audience?
The film uses an enigmatic opening plot involving a man searching for his missing wife and child to attract thriller audiences who enjoy mystery. It also includes elements commonly found in successful thriller films like action and suspense. The plot involves the man being kidnapped by loan sharks and having to fight to save his family, similar to the popular film "Taken". Precise timing is used between the soundtrack and editing to add tension and attract audiences, in a style similar to films like "Inception" and "War of the Worlds".
Shot list
This document contains a shot list for a film with 40 shots. It describes the scene location, camera angle, subject, and approximate length of various outdoor and indoor shots showing a developing relationship between a boy and girl from their first meeting in a park through various interactions in different settings over time. The shots become more intimate as the relationship progresses and include them holding hands, kissing, playing in a field, singing in a car, and eventually lying in a bedroom together.
Teaser analysis 3
This document provides a record sheet for the teaser/trailer of the film "Let Me In". It includes questions raised by the teaser, comments on the genre and reaction, and a detailed shot list describing each visual element in the teaser. The questions probe who the victims are, the girl's relationship to the male lead, what the "something wicked" refers to, and whether the girl is truly evil. The comments note the teaser's use of music, shots, cuts and dialogue to build tension without being too scary. The shot list then meticulously outlines each shot from establishing scenes to character close-ups to title screens.
Textual analysis
1) The opening scene shows three main characters - Henry Hill, Jimmy Conway, and Tommy De Vito - lounging in a car at night in New York in 1970.
2) They hear a banging sound coming from the trunk of the car, so they stop to investigate. Two of the men are holding weapons like a spade and knife.
3) When they open the trunk, they find a bloodied, wrapped man still alive inside. One man stabs him repeatedly while another shoots him to ensure he is dead. Henry Hill calmly closes the trunk, expressing in a voiceover how he has always wanted to be a gangster.
Shot list
The document describes 26 shots in a film scene depicting the kidnapping of a victim. Shot 1 is a blackout. Shot 2 is an extreme close up of a car driving into a location. Shot 3 is an establishing shot of someone exiting the car. The remaining shots continue following the kidnapping victim and kidnappers across multiple locations, with shots ranging from close ups to wide angles, some with camera movement and others still. Voiceovers are included in most shots.
Shot List
The shot list describes scenes for a music video involving a main character. It includes 16 scenes shot in various locations like a lake, woods, living room, church, street, and studio. The shots involve the main character and range from long shots showing settings to close ups of objects and performances. They will use different camera movements, angles, and techniques like panning, tilts, and zooms. Cutaway shots may also be included on location if opportunities arise.
American gangster - textual analysis
1) The scene begins with an eerie soundtrack as production logos play, setting a suspenseful tone.
2) Two smartly dressed men interrogate a tied-up man in a shadowy urban alley, establishing their power over the inferior protagonist. An ambiguous mafia figure watches in the shadows.
3) During a fast-paced sequence, one interrogator callously lights the gasoline-covered man on fire while showing no mercy, highlighting his evil nature.
Music Video Narrative Analysis
The video analyzes the narrative structure of the Tame Impala music video "Let It Happen". It follows the plight of a man who suffers a heart attack at an airport and hallucinates as his condition worsens. Despite efforts to revive him, he eventually accepts his fate and flies away. The protagonist acts as the hero initially seeking escape from confusion, but then seeks peace as his perspective changes. The video starts in equilibrium, disrupts as he suffers the heart attack, and resolves to a new equilibrium as he finds acceptance.
Genre research
Horror films seek to elicit negative emotional reactions from viewers by playing on primal fears. They often feature startling scenes involving the macabre, supernatural, or unknown. Common horror movie themes include things trying to kill people in or around haunted houses. Most have a killer/evil entity pursuing a single victim or group. Thriller films stimulate moods like anticipation, tension, and anxiety through suspense, uncertainty, and fast-paced action scenes usually involving a troublemaking main character.
Mission impossible media
The document analyzes the genre of the film Mission Impossible: Ghost Protocol. It begins by stating that Mission Impossible is an action genre film. It then lists other films in this genre like The Matrix, Taken, and Die Hard. The purpose of action films is explained as getting the audience's heart pumping with excitement, thrills, and special effects like explosions and fights. The main audience for this genre is described as generally being male. Common conventions of action films are then outlined, such as fights between the hero and villain, chase scenes, and life-threatening situations. The trailer for Mission Impossible is then analyzed in more detail based on the genre conventions.
The shining film trailer analysis
The trailer is for the 1980 horror film The Shining, directed by Stanley Kubrick and starring Jack Nicholson. It depicts a family moving into an isolated hotel for the winter. Shots establish the setting and show the father descending into madness, holding weapons. Tension builds with quick cuts and screaming, without revealing the cause. This leaves viewers wanting more information and ensures the film is intriguing and frightening.
Analysis of wolf creek 2
The document describes 20 shots from a film, including shot types, lengths, scene numbers, and brief content descriptions. It shows characters being dropped off in the desert, drawing on a sign, walking together, having fun in water, displaying captions, smiling at scenery, walking over a hill, camping when a truck arrives, a man holding a gun to someone's head, a girl running from the truck with her hands tied, laying on a car hood asking for help with a bloodied face, and a man walking with a weapon as someone crawls before him.
The srangers analysis
The document provides a detailed summary and analysis of the scenes and techniques used in a film trailer. It describes the establishing shots used at the beginning to set the romantic mood and setting. This is interrupted by a loud crash, changing the tone. Subsequent scenes introduce the antagonists and elements of violence to create suspense and unease. Jump cuts and changing audio are used between shots of the protagonists to build tension without revealing what happens. Text frames are analyzed positively for their transitions, font and ability to engage the audience.
Analysis of film opening zodiac
The document provides a minute-by-minute summary of the opening sequence of the film Zodiac. It describes the establishing shots that set the time and location of San Francisco in the 1960s. It follows the first couple who are celebrating July 4th and are later approached in their car. Tension rises as another car periodically stops near them, and the sequence ends with the man murdering the couple in a quick montage before driving away. The summary uses shots, angles, lighting, music and dialogue to analyze how the director establishes mood, characters and sets up the thriller genre of the film.
Outside call sheet
This outside call sheet provides details for 24 shots in a film scene involving characters Tristan, Neil, Emma, and James encountering a zombie. The shots include Tristan walking with headphones on, noticing the zombie approaching Neil near a fence, Emma waving to get their attention, James pulling out a weapon as the zombie turns towards them, Tristan and James knocking the zombie to the floor with a rolling pin, and the group agreeing to get in Emma's car to escape as more zombies are spotted.
Similar Products – The Nine Shots
The document summarizes the opening sequence of a superhero comedy film. It begins with establishing shots showing the production logo against clouds and opening credits appearing as the camera moves through the clouds. Dialogue uses superhero catchphrases to draw the viewer in. The next shots introduce a character on a skyscraper and show the crowd below looking up at the building, both cliches of the superhero genre. Building music and dialogue build suspense around the mystery narrator. A close-up shows the character's emotionless face before a high angle shot looks down from the top of the skyscraper. After the dialogue ends, the character jumps but the expected superhero landing is subverted as the character simply plummets to the ground,
1408
The document provides details about the opening scene and titles of a film. It summarizes shots that introduce the main character driving in the rain to an old, remote house-turned-hotel. Signs and warnings suggest danger for the protagonist. The fast pacing and unsettling sounds set an ominous tone as the story follows the man's journey to the mysterious hotel.
Memento
The document provides analysis of various shots and scenes from the film Memento. A close-up shot of the protagonist shows a hopeless expression with blood on his face, conveying his mental state. During the opening scene, gunshot sounds build tension and suspense. Another shot shows glasses and a floor covered in blood, creating an unsettled and uncomfortable feeling for the audience. The setting of a location where a victim is shot appears derelict and dark. The main actor, Guy Pearce, is a well-known figure. Elements like blood and a gun pointed at the protagonist indicate the film could be a psychological thriller or murder mystery.
Timeline
The document outlines the plot and timeline of events for a soap opera trailer. It will first establish the submissive female character who is kidnapped. It will then familiarize viewers with the town of LangelyVale by showing establishing shots of key locations. A theme of trying to identify the kidnapper will run throughout the trailer, showing flashbacks and closeups of different characters like the milkman to suggest potential suspects. The climax will be the kidnapped girl being found dead, with a red ribbon as a key visual motif. As plots intertwine, many suspects will be revealed at a fast pace. The trailer will end slowly at the girl's funeral, holding the red ribbon with the title card.
Timeline
The document outlines the timeline and key events that will be depicted in a soap opera trailer. It establishes that the opening shots will introduce a submissive female character portrayed as a princess whose kidnapping is shown. Establishing shots of the town of LangelyVale will familiarize viewers with locations. A theme of mystery around who the kidnapper is will be shown through flashbacks and suspects like a milkman pausing at a girl's door. The kidnapped girl is ultimately found dead, with a red ribbon acting as a symbolic motif. As the climax reveals intertwining plots and suspects, the trailer ends with a character holding the ribbon at the girl's funeral, fading to the title and air time.
Shot list
The document provides a shot list for the music video of James Bay's song "Scars". It outlines 21 shots ranging from establishing shots of London to close-ups of the protagonist. The shots include the protagonist sitting on steps, walking through streets, and lip syncing the song in various locations around London including a black box room and overlooking the Thames. The shots utilize different camera movements and techniques such as focus pulls, panning, and steadycam.
Shot list music
This shot list contains 51 shots detailing scenes for a music video. The shots progress from wide establishing shots of a person sitting in a garden to close-ups of their hands and feet. Later shots show the person walking through a forest, sitting on a stump playing guitar, interacting with a horse, traveling to an airport and New York City, and returning to the garden to complete the narrative. The shots vary from wide establishing angles to close character moments and include the use of GoPros and handheld camera work to capture the story.
Shot number
This document provides a shot-by-shot summary of a film scene involving an altercation between several men. It describes 27 shots including establishing shots, close-ups, and over-the-shoulder shots. The shots show the men arriving in cars, having a heated argument, squaring up to fight, and ultimately opening the car boot to reveal someone inside. Dialogue and actions are described for each shot to provide context of the unfolding confrontation.
Shotlist
The document is a storyboard for a film scene containing 49 shots. It details shots of a protagonist getting ready to leave their home, driving along a road where they encounter someone pretending to be hurt, and then waking up tied to a chair in an isolated room after being attacked and knocked unconscious. The storyboard provides technical details for each shot such as camera angles, character and prop information, and intended length of the scene.
Shot list
The document describes 12 shots from a music video. Shot 1 introduces the song and shows a male entering the frame from the side and walking toward the camera. Shot 2 shows a female looking out a bedroom window. Shot 3 shows a more colorful version of the male joining the black and white version from shot 1. Shot 4 follows the female leaving her house. Shots 5, 7, and 9 show the male being joined by additional colorful versions of himself. Shots 6 and 10 show the female in different locations. Shot 11 shows the male coming to a standstill and the colorful versions walking away. Shot 12 shows a long shot of the male and female looking at each other.
Music video shot list
This document provides a shot list for a music video with 8 scenes and various shots within each scene. The shots include closeups, medium shots, long shots, and establishing shots of a male and female actor in a bedroom. The shots show the actors interacting, looking at phones, sitting on a bed, opening a door, and more. Technical details such as camera angles, actor positioning and movement, and lighting setups are included to capture the scenes as planned.
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Shot list
The document describes 26 shots in a film scene depicting the kidnapping of a victim. Shot 1 is a blackout. Shot 2 is an extreme close up of a car driving into a location. Shot 3 is an establishing shot of someone exiting the car. The remaining shots continue following the kidnapping victim and kidnappers across multiple locations, with shots ranging from close ups to wide angles, some with camera movement and others still. Voiceovers are included in most shots.
Shot List
The shot list describes scenes for a music video involving a main character. It includes 16 scenes shot in various locations like a lake, woods, living room, church, street, and studio. The shots involve the main character and range from long shots showing settings to close ups of objects and performances. They will use different camera movements, angles, and techniques like panning, tilts, and zooms. Cutaway shots may also be included on location if opportunities arise.
American gangster - textual analysis
1) The scene begins with an eerie soundtrack as production logos play, setting a suspenseful tone.
2) Two smartly dressed men interrogate a tied-up man in a shadowy urban alley, establishing their power over the inferior protagonist. An ambiguous mafia figure watches in the shadows.
3) During a fast-paced sequence, one interrogator callously lights the gasoline-covered man on fire while showing no mercy, highlighting his evil nature.
Music Video Narrative Analysis
The video analyzes the narrative structure of the Tame Impala music video "Let It Happen". It follows the plight of a man who suffers a heart attack at an airport and hallucinates as his condition worsens. Despite efforts to revive him, he eventually accepts his fate and flies away. The protagonist acts as the hero initially seeking escape from confusion, but then seeks peace as his perspective changes. The video starts in equilibrium, disrupts as he suffers the heart attack, and resolves to a new equilibrium as he finds acceptance.
Genre research
Horror films seek to elicit negative emotional reactions from viewers by playing on primal fears. They often feature startling scenes involving the macabre, supernatural, or unknown. Common horror movie themes include things trying to kill people in or around haunted houses. Most have a killer/evil entity pursuing a single victim or group. Thriller films stimulate moods like anticipation, tension, and anxiety through suspense, uncertainty, and fast-paced action scenes usually involving a troublemaking main character.
Mission impossible media
The document analyzes the genre of the film Mission Impossible: Ghost Protocol. It begins by stating that Mission Impossible is an action genre film. It then lists other films in this genre like The Matrix, Taken, and Die Hard. The purpose of action films is explained as getting the audience's heart pumping with excitement, thrills, and special effects like explosions and fights. The main audience for this genre is described as generally being male. Common conventions of action films are then outlined, such as fights between the hero and villain, chase scenes, and life-threatening situations. The trailer for Mission Impossible is then analyzed in more detail based on the genre conventions.
The shining film trailer analysis
The trailer is for the 1980 horror film The Shining, directed by Stanley Kubrick and starring Jack Nicholson. It depicts a family moving into an isolated hotel for the winter. Shots establish the setting and show the father descending into madness, holding weapons. Tension builds with quick cuts and screaming, without revealing the cause. This leaves viewers wanting more information and ensures the film is intriguing and frightening.
Analysis of wolf creek 2
The document describes 20 shots from a film, including shot types, lengths, scene numbers, and brief content descriptions. It shows characters being dropped off in the desert, drawing on a sign, walking together, having fun in water, displaying captions, smiling at scenery, walking over a hill, camping when a truck arrives, a man holding a gun to someone's head, a girl running from the truck with her hands tied, laying on a car hood asking for help with a bloodied face, and a man walking with a weapon as someone crawls before him.
The srangers analysis
The document provides a detailed summary and analysis of the scenes and techniques used in a film trailer. It describes the establishing shots used at the beginning to set the romantic mood and setting. This is interrupted by a loud crash, changing the tone. Subsequent scenes introduce the antagonists and elements of violence to create suspense and unease. Jump cuts and changing audio are used between shots of the protagonists to build tension without revealing what happens. Text frames are analyzed positively for their transitions, font and ability to engage the audience.
Analysis of film opening zodiac
The document provides a minute-by-minute summary of the opening sequence of the film Zodiac. It describes the establishing shots that set the time and location of San Francisco in the 1960s. It follows the first couple who are celebrating July 4th and are later approached in their car. Tension rises as another car periodically stops near them, and the sequence ends with the man murdering the couple in a quick montage before driving away. The summary uses shots, angles, lighting, music and dialogue to analyze how the director establishes mood, characters and sets up the thriller genre of the film.
Outside call sheet
This outside call sheet provides details for 24 shots in a film scene involving characters Tristan, Neil, Emma, and James encountering a zombie. The shots include Tristan walking with headphones on, noticing the zombie approaching Neil near a fence, Emma waving to get their attention, James pulling out a weapon as the zombie turns towards them, Tristan and James knocking the zombie to the floor with a rolling pin, and the group agreeing to get in Emma's car to escape as more zombies are spotted.
Similar Products – The Nine Shots
The document summarizes the opening sequence of a superhero comedy film. It begins with establishing shots showing the production logo against clouds and opening credits appearing as the camera moves through the clouds. Dialogue uses superhero catchphrases to draw the viewer in. The next shots introduce a character on a skyscraper and show the crowd below looking up at the building, both cliches of the superhero genre. Building music and dialogue build suspense around the mystery narrator. A close-up shows the character's emotionless face before a high angle shot looks down from the top of the skyscraper. After the dialogue ends, the character jumps but the expected superhero landing is subverted as the character simply plummets to the ground,
1408
The document provides details about the opening scene and titles of a film. It summarizes shots that introduce the main character driving in the rain to an old, remote house-turned-hotel. Signs and warnings suggest danger for the protagonist. The fast pacing and unsettling sounds set an ominous tone as the story follows the man's journey to the mysterious hotel.
Memento
The document provides analysis of various shots and scenes from the film Memento. A close-up shot of the protagonist shows a hopeless expression with blood on his face, conveying his mental state. During the opening scene, gunshot sounds build tension and suspense. Another shot shows glasses and a floor covered in blood, creating an unsettled and uncomfortable feeling for the audience. The setting of a location where a victim is shot appears derelict and dark. The main actor, Guy Pearce, is a well-known figure. Elements like blood and a gun pointed at the protagonist indicate the film could be a psychological thriller or murder mystery.
Timeline
The document outlines the plot and timeline of events for a soap opera trailer. It will first establish the submissive female character who is kidnapped. It will then familiarize viewers with the town of LangelyVale by showing establishing shots of key locations. A theme of trying to identify the kidnapper will run throughout the trailer, showing flashbacks and closeups of different characters like the milkman to suggest potential suspects. The climax will be the kidnapped girl being found dead, with a red ribbon as a key visual motif. As plots intertwine, many suspects will be revealed at a fast pace. The trailer will end slowly at the girl's funeral, holding the red ribbon with the title card.
Timeline
The document outlines the timeline and key events that will be depicted in a soap opera trailer. It establishes that the opening shots will introduce a submissive female character portrayed as a princess whose kidnapping is shown. Establishing shots of the town of LangelyVale will familiarize viewers with locations. A theme of mystery around who the kidnapper is will be shown through flashbacks and suspects like a milkman pausing at a girl's door. The kidnapped girl is ultimately found dead, with a red ribbon acting as a symbolic motif. As the climax reveals intertwining plots and suspects, the trailer ends with a character holding the ribbon at the girl's funeral, fading to the title and air time.
Shot list
The document provides a shot list for the music video of James Bay's song "Scars". It outlines 21 shots ranging from establishing shots of London to close-ups of the protagonist. The shots include the protagonist sitting on steps, walking through streets, and lip syncing the song in various locations around London including a black box room and overlooking the Thames. The shots utilize different camera movements and techniques such as focus pulls, panning, and steadycam.
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Similar to Shotlist
Shot list music
This shot list contains 51 shots detailing scenes for a music video. The shots progress from wide establishing shots of a person sitting in a garden to close-ups of their hands and feet. Later shots show the person walking through a forest, sitting on a stump playing guitar, interacting with a horse, traveling to an airport and New York City, and returning to the garden to complete the narrative. The shots vary from wide establishing angles to close character moments and include the use of GoPros and handheld camera work to capture the story.
Shot number
This document provides a shot-by-shot summary of a film scene involving an altercation between several men. It describes 27 shots including establishing shots, close-ups, and over-the-shoulder shots. The shots show the men arriving in cars, having a heated argument, squaring up to fight, and ultimately opening the car boot to reveal someone inside. Dialogue and actions are described for each shot to provide context of the unfolding confrontation.
Shotlist
The document is a storyboard for a film scene containing 49 shots. It details shots of a protagonist getting ready to leave their home, driving along a road where they encounter someone pretending to be hurt, and then waking up tied to a chair in an isolated room after being attacked and knocked unconscious. The storyboard provides technical details for each shot such as camera angles, character and prop information, and intended length of the scene.
Shot list
The document describes 12 shots from a music video. Shot 1 introduces the song and shows a male entering the frame from the side and walking toward the camera. Shot 2 shows a female looking out a bedroom window. Shot 3 shows a more colorful version of the male joining the black and white version from shot 1. Shot 4 follows the female leaving her house. Shots 5, 7, and 9 show the male being joined by additional colorful versions of himself. Shots 6 and 10 show the female in different locations. Shot 11 shows the male coming to a standstill and the colorful versions walking away. Shot 12 shows a long shot of the male and female looking at each other.
Music video shot list
This document provides a shot list for a music video with 8 scenes and various shots within each scene. The shots include closeups, medium shots, long shots, and establishing shots of a male and female actor in a bedroom. The shots show the actors interacting, looking at phones, sitting on a bed, opening a door, and more. Technical details such as camera angles, actor positioning and movement, and lighting setups are included to capture the scenes as planned.
Shotlist final draft
This document contains a shot list for a music video with 32 shots. It describes each shot, including the scene, shot type (close-up, mid-shot, etc.), and duration. The shots tell a narrative of a boy grieving the loss of his mother, from people comforting him initially to him sitting alone in his new home remembering happy times with his mother through drawings and photos as he cries. Interspersed are shots of the singing artist to advance the song.
Shot list
The shot list documents 44 shots needed for a romantic drama film set in Bournemouth, England. It includes various establishing shots of Bournemouth Beach, medium and close-up shots of actors arguing at home, over-the-shoulder shots of an actor singing to his love interest, and shots of the actress storming out and leaving for the airport while the actor tries to stop her from leaving. The shots range from establishing wide angles to close personal moments between the actors and cover locations like the beach, their home, and the airport as the story of the couple's argument and attempted reconciliation unfolds.
Shot list final edition
This document contains a shot list for the film "High Hopes" by Kodaline. It includes 36 shots ranging from close-ups to long shots that will be filmed at various locations in Lymington and Ringwood. The shots depict a man driving with his wife and child, having a car accident that kills his wife, and him coping with the aftermath over time, including visiting his wife's grave.
Example production schedule and shot list
The document is a shot list for a film scene that takes place in the woods and an abandoned hut. It includes 20 shots that transition between close-ups, medium shots, wide shots, and over-the-shoulder shots of characters. The shots use techniques like pans, zooms, tracking and change in location, camera movement, and sound to move between suspense, silence, and dialogue between characters inside and outside the hut.
Shooting script
The document is a shot list for a film that follows a group of boys on a camping trip. It describes 38 shots ranging from establishing shots, close-ups, and longer shots showing interactions between the boys. Their trip is interrupted by an argument between two of the boys, Jason and Harvey, which escalates when Jason storms off into the woods angry. The next day the others find Jason's body lying dead in an abandoned cabin, shot by his own gun.
Script
The document contains a script for a television production titled "Forge Lane" divided into 32 scenes. Each scene lists the character, camera shot, and brief action. The production uses the song "Everybody Wants to Rule the World" by Lorde throughout. The script shows various characters engaged in actions like running through a field, arguing, looking suspicious while washing blood off hands, and dropping a bloody knife.
Script
The document contains a script for a television production titled "Forge Lane" divided into 32 scenes. Each scene lists the character, camera shot, and brief action. The production utilizes a single song, "Everybody Wants to Rule the World" by Lorde, throughout. The script depicts various characters engaged in actions such as running through a field, arguing, looking suspicious while washing blood off hands, and dropping a bloody knife.
Shot list
This document provides a summary of 31 different film shots for a music video or film. The shots include various angles and close-ups of artists playing instruments like the piano and guitar, a couple having a pillow fight, messing around in a room, playing arcade games, lip syncing in a bedroom, reflecting in a room, running in a forest, sitting on a bench, walking down the street and onto a beach, and cuddling by a piano. The shots utilize a variety of camera angles, movements, locations and focal lengths to capture the scenes and artists.
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Ryan wilkinson as coursework overall marksheet
Ryan Wilkinson received marks for his AS coursework in planning, construction, and evaluation. For the construction component focusing on a creative thriller piece, he demonstrated proficiency in technical skills but could have improved mise en scene and location choice. His evaluation used a variety of technologies to thoroughly answer questions about genre conventions, target audience, film distribution, audience research, production technologies, and lessons learned. Overall he earned a grade of C with a total score of 68 out of 100 for demonstrating skills but needing more attention to certain elements like location and balancing sound elements.
Question 7
1) The author's preliminary task involved filming a scene in a classroom setting with a spy retrieving a magical artifact. While the classroom provided challenges, an abandoned building would have been a better setting.
2) For the full film, the author chose a rundown prison in a forest, which better fit the action genre. The setting conveyed the film's themes of camouflage and vengeance.
3) Both films featured casual costumes to help characters blend in, which the author found effective for conveying stealth. Proper lighting and shot selection were also improved upon for the full film.
Question 3
Lionsgate would be well-suited to distribute the media product due to its reputation for distributing high-quality independent and action films. As the largest mini-major film studio in North America, Lionsgate has had success distributing several major film franchises. It also has experience with controversial films too risky for major studios. Lionsgate's library and partnerships with other distributors would help the media product reach a wide audience across various platforms. The poster of the media product is similar in style to Lionsgate's successful Expendables action film franchise, indicating it would appeal to similar audiences.
Title of my film opening
The document discusses the title, plot, and marketing of a film called "Pure Vengeance". The film is about a man named John Mcquade who seeks revenge against another man who framed him and sent him to prison. The title directly conveys the film's theme of vengeance. Storyboards and scripts were created before selecting the title to ensure it fit the plot. The opening credits will feature the title in a professionally selected font and size. A DVD cover was also designed with an "army font" and green color to imply an action/military theme, and was styled like other similar films to signal its genre to audiences.
Film analysis openings
The document analyzes the opening scenes of several films, including Prison Break, Hawaii Five-0, The Godfather Part II, and Back to the Future. For his own film opening, the author plans to show the main character having a flashback in his prison cell to the day he was wrongly convicted. He will then be released from prison after 3 years when the real criminal is found. The character will be dressed in dark clothing to convey his negative mood in prison.
Production schedule
This document outlines Ryan Wilkinson's production schedule for filming and editing scenes for a film. It details the dates, locations, crew, costumes, props, and equipment needed for filming scenes from a prison cell, a forest, and a car. It also lists the dates the editor will be working at the editing school using Adobe Premiere Pro CS5.5 software to edit the filmed scenes onto SD cards. The schedule shows Wilkinson's plan to capture and assemble the necessary audiovisual elements to complete his film.
Equipment
I will be using a Canon 600d camera, Velbon DV7000 tripod, SD card to store footage, and a computer to edit the film opening. The camera and tripod will provide reliable and steady footage. Footage will be uploaded to the computer and edited in Adobe Premiere Pro CS5.5, which the filmmaker has experience using for preliminary films.
Clothing
The document discusses clothing choices for two characters, McQuade and another man, in different scenes of a film. For their mission in the forest, they will wear hoodies and dark jeans to appear casual and show their vengeance outweighs fear. Hoodies and dark jeans are commonly worn in action films. While in prison, McQuade will wear black jogging bottoms and a plain black short-sleeve t-shirt, which are stereotypical prison attire and help distinguish the prison scenes from the forest scenes.
Equipment
I will be using a Canon 600d camera, Velbon DV7000 tripod, SD card to store footage, and a computer to edit the film opening. The camera and tripod will provide reliable and steady footage. Footage will be uploaded to the computer and edited in Adobe Premiere Pro CS5.5, which the filmmaker has experience using for preliminary films.
Genre history
Action films typically feature continuous high-energy scenes involving stunts, battles, fights, and escapes. They are designed to provide pure audience escapism, with heroes in non-stop motion. Key genres include sci-fi, thrillers, and war films. Major action film stars include Sylvester Stallone, Arnold Schwarzenegger, Bruce Willis, and Jason Statham. While women often play supporting roles, modern films increasingly feature strong female leads. Major studios like Columbia Pictures, Lionsgate, and Warner Brothers distribute many popular action franchises.
The dice script
1) A man named Nathan is playing with dice in a classroom when a mysterious man named Callum appears at the door.
2) Callum demands that Nathan return his dice. Nathan pleads to keep it but reluctantly hands it over.
3) Callum takes the dice and leaves. Nathan then reveals that he tricked Callum and still has the dice he was originally playing with.
Floor plan forest
This floor plan shows a forest setting with trees. It includes a main actor, the camera's point of view, and direction it is facing. A car is also included in the floor plan layout.
Floor plan - car
The floor plan document outlines the key elements needed for a car scene, including the main actor, camera positioned inside looking through the windscreen, and car seats inside the vehicle.
Floor plan- prison cell
This floor plan shows a prison cell with a bed, door, and camera. The camera is positioned to face into the cell and record the main actor or prisoner. The simple diagram outlines the key components of a basic prison cell layout.
Floor plan car
The floor plan document outlines the key elements needed for a car scene, including the main actor, camera placement and direction within the car, as well as visual elements like the windscreen and seats.
Title of my film opening
The filmmaker has titled their movie "Pure Vengeance" because the name captures what the film is about - a man named John Mcquade seeks vengeance against another man who framed him and sent him to prison. The filmmaker created a storyboard and script first to help choose a title that relates to the plot without revealing too much. At the end of the opening scene, the title "Pure Vengeance" will appear in introduction credits using a professional-looking font and size.
Production schedule
This production schedule outlines the filming of scenes for a short film between December 20th, 2014 and February 13th, 2015. It details the dates, locations, crew, cast, props, costumes, and equipment needed for filming prison cell, leaving prison, meeting a friend, and forest scenes. It also schedules editing sessions at editing school between January 8th and February 13th, which will require an editor, SD cards, and editing software.
Clothing
The author decides that two men seeking vengeance in the forest will wear hooded sweatshirts and jeans to appear casual and unafraid, implying their motivation is vengeance rather than worry. They also choose for a character in prison to wear stereotypical black jogging bottoms and a short-sleeved t-shirt that are easy to put on and demonstrate not caring about appearance.
Equipment
This document lists the equipment needed to film a film opening. The filmmaker will use a Canon 600d camera and Velbon DV7000 tripod for steady shots. An SD card and computer are also needed to upload footage for post-production editing. A GoPro is not required since the opening scene does not involve running.
Props for my film
The document outlines props needed for a film opening including weapons like guns and knives found in the boot of a car when men pull up in a forest. A Vauxhall Corsa vehicle is also needed to travel from a prison to the forest where the men begin their mission. Finally, a guard costume, map, and bag are required to emphasize a man leaving a prison cell for good as the men struggle to find someone in the forest.
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Shotlist
- 1. Shot number Shot type Camera movement Location Sound 1 Highangle shot Cameralooksdown Prisoncell Music 2 Close up Zoomsin at the man’s face Prisoncell bed Music 3 Extreme close up Zoomsin at the man’s face Prisoncell bed Music 4 lowangle shot Looksup at judge on table courthouse Voiceover 5 Highangle close up pointof view shot Looksdownat hishands courthouse Voiceover 6 Highangle shot Looksback at the man on hisbed Prisoncell bed Music 7 Pointof view Looksat guardat his prisoncell Prisoncell Voiceover 8 Close uppointof view Looksat the guard at his cell Prisoncell Voiceover 9 Overthe shoulder Looksat the guard at his cell Prisoncell Voiceover 10 Extreme close up Looksat the man inthe cell Prisoncell Voiceover 11 Wide shot Looksat bothmen Prisoncell Voiceover 12 Overthe shoulder Looksat manpacking histhings Prisoncell Voiceover 13 Pointof viewshot Looksback at hiscell for the last time Prisoncell Voiceover 14 Low angle shot Followsthe manbehind him Prison Music 15 Establishingwide shot Looksat manleave the prisonbuilding Outside the prison Music 16 Pointof view Looksat the man’s friendwaitingforhim Outside the prison Music 17 Two shot Looksat the 2 men hugging Outside the prison Voiceover 18 Shot-reverseshot Watchesthe mentalk Outside the prison Voiceover 19 Low angle shot Followsthemtothe man’scar Prisoncar park Music 20 Wide shot Watchesthemget into the car Prisoncar park Music 21 Pointof viewshot Man looksathis friend whilstinthe car Car Voiceover 22 Pointof view Friendlooksbackat the man inthe car Car Voiceover 23 Pointof viewshot Lookingoutthe car window astheyare driving Car Voiceover
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