Shot list
•Download as DOCX, PDF•
0 likes•86 views
This document provides a shot list for a music video. It includes 20 shots with descriptions of the camera movement, location, and key details for each shot. The shots include both indoor locations like a café and bedroom, as well as outdoor street scenes. They transition between close-ups of the actors' faces and body parts to medium shots of them interacting in different environments. The song playing throughout provides context for the scenes depicted. Overall, the shot list outlines the visual storytelling of the music video through a sequence of varied shots in various settings.
Report
Share
Report
Share
Recommended
Music video evaluation - Jake Bugg 'Two Fingers'
The music video tells a narrative story of the artist Jake Bugg's life. It shows him hanging out with friends, then scenes of conflict at home with his mother and her boyfriend drinking and fighting. Shots show Bugg packing up and leaving home, represented by a shot of him at the airport with friends. The video contrasts scenes of his difficult home life with shots of him performing music, suggesting he uses his artistry as an escape from his problems at home.
Music video evaluation loyle carner ~ sun of jean
The music video for 'Sun of Jean' by Loyle Carner uses a narrative structure and stylistic elements to tell the story of family and motherhood. Through a series of shots featuring women in domestic settings accompanied by their children, the video explores the relationships between mothers and sons. The grainy, dimly lit footage shot on square formats evokes a nostalgic, comforting atmosphere. By zooming the camera inward, the director draws the audience into the intimate scenes before coming full circle back to the artist at his mother's home.
Finished story board all together
1. The document provides editing notes and descriptions for 18 shots to film a music video for the song "Mr. Brightside" by The Killers.
2. The shots include both close-ups and long shots of the band performing, as well as shots showing a narrative of a boy watching his girlfriend with another guy.
3. The shots are described in detail with information on camera angles, lighting, color effects, settings, costumes, and how each shot relates to and advances the lyrics of the song.
Lyrics shot list
This document provides a shot list for the music video of the song "Hot Stuff" with descriptions of different camera angles and shots. It includes a variety of close-up and wide shots showing the band members singing and dancing. There are also shots of props like a phone and food. The shot list culminates in a musical interlude taking place in a dark room with flashing lights, dancing, and shots of the band before the record playing the song is removed.
Music video Evaluation - The Lumineers 'Cleopatra'
The music video for "Cleopatra" by The Lumineers tells the narrative story of a lonely taxi driver. She picks up various passengers throughout the video, including a pregnant woman and later her son from a picture in the taxi. The director uses stylistic techniques like square framing and close-up shots of the characters' faces to tell the emotional story and develop the relationship between the driver and her passengers. In the end, the driver is seen regretfully driving away after dropping off her son, suggesting she remains isolated despite experiencing human connections through her work.
We are perfume 宇多丸評
This documentary focuses on Perfume's global tour from 2014 to 2015. It depicts the trajectory of the tour through backstage videos and interviews, showing the repetitive cycle of holding shows, evaluating performances, and preparing for the next show. While there were likely difficulties, the film does not dramatize or highlight problems, but rather shows Perfume's somber and steady approach as they make small improvements through trial and error over the course of the tour.
Music Video Treatment
The proposed music video treatment aims to tell the story of an isolated old man who has lost his wife through a narrative storyline and performance by the artist. Shots of the man alone in his dark, empty home would contrast with warmly lit scenes to show his changing emotions. Pictures of the man and his wife would establish her absence. The artist's performance would introduce a parallel storyline. Edited close-ups of the men's hands and faces would draw parallels between their experiences with loss. Scenes of the man in his garden suggest finding freedom and peace while thinking of his late wife. The video aims to interpret the song through both characters' stories of lost love.
Storyboard Final
This document provides details on 31 shots to film a music video for the song "Mr. Brightside" by The Killers. Each shot is described in terms of camera angle, movement, scene setting, lighting, color, and characters' costumes. The shots alternate between scenes of a band performing the song and scenes telling a narrative of relationship drama between characters Guy A, Lauren, and Guy B that mirrors the song's lyrics. The shots are planned to seamlessly transition between the band and narrative scenes to fully synchronize the visuals with the music.
Recommended
Music video evaluation - Jake Bugg 'Two Fingers'
The music video tells a narrative story of the artist Jake Bugg's life. It shows him hanging out with friends, then scenes of conflict at home with his mother and her boyfriend drinking and fighting. Shots show Bugg packing up and leaving home, represented by a shot of him at the airport with friends. The video contrasts scenes of his difficult home life with shots of him performing music, suggesting he uses his artistry as an escape from his problems at home.
Music video evaluation loyle carner ~ sun of jean
The music video for 'Sun of Jean' by Loyle Carner uses a narrative structure and stylistic elements to tell the story of family and motherhood. Through a series of shots featuring women in domestic settings accompanied by their children, the video explores the relationships between mothers and sons. The grainy, dimly lit footage shot on square formats evokes a nostalgic, comforting atmosphere. By zooming the camera inward, the director draws the audience into the intimate scenes before coming full circle back to the artist at his mother's home.
Finished story board all together
1. The document provides editing notes and descriptions for 18 shots to film a music video for the song "Mr. Brightside" by The Killers.
2. The shots include both close-ups and long shots of the band performing, as well as shots showing a narrative of a boy watching his girlfriend with another guy.
3. The shots are described in detail with information on camera angles, lighting, color effects, settings, costumes, and how each shot relates to and advances the lyrics of the song.
Lyrics shot list
This document provides a shot list for the music video of the song "Hot Stuff" with descriptions of different camera angles and shots. It includes a variety of close-up and wide shots showing the band members singing and dancing. There are also shots of props like a phone and food. The shot list culminates in a musical interlude taking place in a dark room with flashing lights, dancing, and shots of the band before the record playing the song is removed.
Music video Evaluation - The Lumineers 'Cleopatra'
The music video for "Cleopatra" by The Lumineers tells the narrative story of a lonely taxi driver. She picks up various passengers throughout the video, including a pregnant woman and later her son from a picture in the taxi. The director uses stylistic techniques like square framing and close-up shots of the characters' faces to tell the emotional story and develop the relationship between the driver and her passengers. In the end, the driver is seen regretfully driving away after dropping off her son, suggesting she remains isolated despite experiencing human connections through her work.
We are perfume 宇多丸評
This documentary focuses on Perfume's global tour from 2014 to 2015. It depicts the trajectory of the tour through backstage videos and interviews, showing the repetitive cycle of holding shows, evaluating performances, and preparing for the next show. While there were likely difficulties, the film does not dramatize or highlight problems, but rather shows Perfume's somber and steady approach as they make small improvements through trial and error over the course of the tour.
Music Video Treatment
The proposed music video treatment aims to tell the story of an isolated old man who has lost his wife through a narrative storyline and performance by the artist. Shots of the man alone in his dark, empty home would contrast with warmly lit scenes to show his changing emotions. Pictures of the man and his wife would establish her absence. The artist's performance would introduce a parallel storyline. Edited close-ups of the men's hands and faces would draw parallels between their experiences with loss. Scenes of the man in his garden suggest finding freedom and peace while thinking of his late wife. The video aims to interpret the song through both characters' stories of lost love.
Storyboard Final
This document provides details on 31 shots to film a music video for the song "Mr. Brightside" by The Killers. Each shot is described in terms of camera angle, movement, scene setting, lighting, color, and characters' costumes. The shots alternate between scenes of a band performing the song and scenes telling a narrative of relationship drama between characters Guy A, Lauren, and Guy B that mirrors the song's lyrics. The shots are planned to seamlessly transition between the band and narrative scenes to fully synchronize the visuals with the music.
Shot list A2 EMMA BENTLEY
This document contains a shot list for a music video. It includes 87 shots ranging from establishing shots, close-ups, mid shots and more. The shots involve both talent and artist and capture them in various settings like a kitchen, bedroom, car and party. The shots progress from the talent singing and dancing alone at home to joining the artist at a lavish party while holding hands.
Mudhoney annotated lyrics
Two band members board a train in costumes but become less comfortable in them over time. They later try walking in the costumes in a park but find them impractical. Scenes then show the band successfully performing at a small venue concert in more stylish, normal clothes that fit their alternative style of music better. A montage during the final guitar solo shows the band ditching the earlier costumes and the PR manager approving of their performance.
Practical Production Treatment
This document provides a shot-by-shot storyboard for a music video. It begins with establishing shots of an empty house to set the location. Interspersed with shots of the artist singing and playing guitar, there are longer shots of an actor in the empty house and outdoors, looking distressed. The story appears to be about a man searching for a missing loved one, as indicated by a picture of him with a woman. The video will parallel edit the artist's performance with the actor's scenes of longing and searching for his missing partner.
Max milner
The video analysis discusses the music video for the song "All Our Lives" by Max Milner. It provides a detailed shot-by-shot summary and analysis of the music video. Key points made include:
- The video begins by focusing on the guitarist and establishes the importance of music. It then introduces the love interest.
- Scenes alternate between performance shots and narrative scenes showing the connection between the characters.
- A recurring motif is the male protagonist writing lyrics inspired by the girl in his notebook.
- The video follows the lyrics literally to portray the relationship and everyday moments between the two.
- It concludes by showing the completed song, bringing the story full circle.
Timeline
The document provides a timeline for shooting a music video. It outlines various scenes including the two female actors getting ready, the lead singer singing while the actors are seen in the background at a pub, and filler shots in the pub of glasses and reactions. It also describes daydream scenes of one of the girls boxing and fighting with a guy as the lead singer continues to sing. The timeline concludes with additional singing and filler shots along with speaking parts at the end.
Artic monkeys
The video features a female character who is frequently shown through medium and close-up shots. She appears emotional while watching old videos of the band on TV, seeming to miss them. Various cinematography techniques are used, including tracking shots when she exits the pool at her luxurious home, suggesting she is wealthy. The editing pace matches the song, with rapid cuts during faster parts and longer shots during slower parts. Diegetic sounds like water are used at first to set a calm mood, while the band's voices on the TV overlay the non-diegetic soundtrack at times. Mise-en-scene details like the pool, silk robe, alcohol, and TV add context about the character and her relationship to the band.
9 key frames - lauren and ellie
Emma and Jess discuss their plan to get revenge on Justin for messing around with girls. Emma pretends to flirt with another man, Mark, to make Justin jealous. When Justin sees the text from "Mark" on Emma's phone, he storms off upset. Later, Emma expresses regret to Jess about hurting Justin, as she has begun to develop feelings for him.
Shot list
1. The document describes shots from a music video intercut with lyrics from the song. It shows various actors in different locations interacting with tin can telephones or telephone boxes as they lip sync to the lyrics.
2. Scenes cut between the actors in synchronous ways to the music and include them making calls, disappearing, and leaving the telephones behind as the music fades out.
3. The shots convey a sense of isolation and longing to connect as the actors use the telephones but ultimately leave them alone, represented by the lyrics questioning what is real and feelings of not knowing.
Shooting schedule
This shooting schedule outlines 57 shots for a music studio recording session, a domestic dispute scene, and a night out drinking with friends. The shots include various angles, close-ups, and movements to capture the key actions and emphasize important details. Locations include a recording studio outfitted with instruments, a stereotypical family home, and a public house. Characters are portrayed through their costumes, facial expressions, and interactions with others. The schedule provides technical direction to help visualize and film the intended scenes.
A fine frenzy
The video for "Almost Lover" by A Fine Frenzy uses flashbacks and contrasting camerawork to tell the story of lost love. Scenes of the artist alone singing sadly are interrupted by crosscuts to handheld footage showing her happy with her "almost lover" in the past. Zooms and close-ups are used to highlight emotions. By the end, the final flashback is blurred, symbolizing the lost relationship is now just a dream.
Treatment Improvement
This document outlines the song structure, storyline, characters, costumes, locations and potential issues for a music video treatment. The treatment follows a woman who listens to a female empowerment song and has a daydream about becoming a confident, successful singer. Her daydream depicts the song's verses, choruses and bridges through scenes of getting ready, performing at a party, and watching her music video on TV. The summary outlines the key details for each section of the treatment and song, and identifies potential filming challenges around locations, props, and coordinating large casts and crews.
Original Treatment
This document provides a detailed treatment for a music video featuring a female artist. It outlines the storyline, which follows a woman who dreams of becoming confident and famous. The treatment includes details of each scene, including duration, location, cast, costumes, and any potential problems. It describes scenes such as the woman dancing at home, being picked up in a car, trying on dresses, arriving at a fancy party, and having her daydream rewind to reality at the end. The overall narrative is intended to promote a message of female empowerment.
Music video practical production treatment
This document provides a detailed treatment for a music video, outlining the scenes, shots, timing, and lyrics that correspond to the different parts of the song. It describes using a comedic approach for some parts, with the lead actor lip syncing the lyrics and incorporating exaggerated gestures. Key shots include close-ups of the lead looking desperate, smashing a beer bottle during an argument, and holding a sign saying "I love you" to a woman in an upstairs window. The treatment aims to convey the lead character's frustration and sadness over a failed relationship through both the lyrics and dramatic visuals.
Shot list
The shot list contains 49 shots detailing a romantic storyline between three characters: Actor 1, Actor 2, and Actor 3. The shots show Actor 1 initially sitting alone at a table, noticing Actor 2 but growing disappointed after Actor 2 dances with Actor 3. Later shots depict Actor 1 playing guitar and lip syncing songs of longing for Actor 2. The list concludes with Actor 2 approaching Actor 1 and asking them to dance, implying Actor 1's feelings are reciprocated.
Shooting Schedule
The document provides a shooting schedule for a music video with 19 shots. It describes each shot, including the action, location, camera movements, and lighting/visual effects. Shot 1 shows the pool area with running water. Shot 2 establishes the location with a pan to the pool. Shot 3 shows the actor looking at his phone through a bedroom window with added smoke. The remaining shots continue the story through various indoor and outdoor locations, with the actor singing and reflecting on memories.
Analysis of a professional film opening.
The opening 2-5 minutes of the film Dragonfly introduces the main characters and establishes the central conflict. It shows the husband trying to get a flight to help his wife in South America. Scenes then show the wife helping people in the jungle, but floods occur and she dies when a bus crash causes by falling rocks. The opening establishes the wife as a doctor working internationally and her sudden death. It uses dramatic music, voiceovers, and quick cuts between locations to set the tense tone for the thriller genre.
Shooting schedule
1. The document outlines a shooting schedule for a music video and narrative film, with 65 shots planned over 3 days of filming. Shots include scenes of a band performing in a recording studio, a couple arguing at home, and party scenes.
2. Locations include a recording studio, a stereotypical family home, and a public house party. Costumes include casual clothes and vintage band jackets.
3. Dates are scheduled to film the band on October 18th, couple scenes on October 21st, and party scenes on November 2nd.
Dear future husband
The video portrays the artist in various stereotypical female roles within a perfect, retro-styled home. Bright colors and symmetrical framing create a sense of vintage nostalgia. The artist is shown baking, cleaning, and lying seductively on the bed to portray the idealized wife, while wearing bold red, black, and white outfits. Feminine symbols like pink flowers, dresses, and decor reinforce the theme of finding the perfect husband to complete this retro fantasy.
Props & costumes
The document outlines the props and costumes needed for a music video. Key props include a guitar, microphone, sticky labels, calendar, music sheets, notepad, brochure, and folders/clipboards. A car will be used for transitions. The main character Sarah needs 5 costumes to show the passing of time, including outfits for auditions and playing guitar. Judges and extras are also needed, dressed professionally but casually as it is a music college, all wearing lanyards.
Target audience
Target Audience: A target audience is a specific group that a business aims its marketing and advertising towards. For R&B music, the typical target age is 16-25 year olds, as the genre's themes are often explicit and most relatable to young adults. However, older audiences may still enjoy R&B that they listened to in their youth.
Gender: R&B attracts both male and female listeners, but skews more female. For females, love songs are relatable and male artists are seen as sexy. Female artists are portrayed as glamorous role models. Males are drawn to displays of wealth in male artists' videos.
Ethnicity: While R&B originated from African
Researching into music videos
This music video features Drake and Rihanna singing along to their song "Take Care". Drake is dressed in all black while Rihanna wears all white, possibly representing their contrasting roles. Their facial expressions appear serious and emotional to match the emotional love song. The video primarily uses slow motion and focuses on close-ups of the two artists to emphasize their connection and lyrics about taking care of each other.
evaluation speed dating
This document summarizes feedback from 11 people on a media studies coursework video called "Evaluation Speed Dating". The feedback focused on what each person liked about the video and what they would change if editing it. Overall, most people commented positively on the use of black and white cinematography and felt it set an effective mood. However, some felt certain shots could have been steadier or that the narrative or ending needed more clarity or development.
More Related Content
What's hot
Shot list A2 EMMA BENTLEY
This document contains a shot list for a music video. It includes 87 shots ranging from establishing shots, close-ups, mid shots and more. The shots involve both talent and artist and capture them in various settings like a kitchen, bedroom, car and party. The shots progress from the talent singing and dancing alone at home to joining the artist at a lavish party while holding hands.
Mudhoney annotated lyrics
Two band members board a train in costumes but become less comfortable in them over time. They later try walking in the costumes in a park but find them impractical. Scenes then show the band successfully performing at a small venue concert in more stylish, normal clothes that fit their alternative style of music better. A montage during the final guitar solo shows the band ditching the earlier costumes and the PR manager approving of their performance.
Practical Production Treatment
This document provides a shot-by-shot storyboard for a music video. It begins with establishing shots of an empty house to set the location. Interspersed with shots of the artist singing and playing guitar, there are longer shots of an actor in the empty house and outdoors, looking distressed. The story appears to be about a man searching for a missing loved one, as indicated by a picture of him with a woman. The video will parallel edit the artist's performance with the actor's scenes of longing and searching for his missing partner.
Max milner
The video analysis discusses the music video for the song "All Our Lives" by Max Milner. It provides a detailed shot-by-shot summary and analysis of the music video. Key points made include:
- The video begins by focusing on the guitarist and establishes the importance of music. It then introduces the love interest.
- Scenes alternate between performance shots and narrative scenes showing the connection between the characters.
- A recurring motif is the male protagonist writing lyrics inspired by the girl in his notebook.
- The video follows the lyrics literally to portray the relationship and everyday moments between the two.
- It concludes by showing the completed song, bringing the story full circle.
Timeline
The document provides a timeline for shooting a music video. It outlines various scenes including the two female actors getting ready, the lead singer singing while the actors are seen in the background at a pub, and filler shots in the pub of glasses and reactions. It also describes daydream scenes of one of the girls boxing and fighting with a guy as the lead singer continues to sing. The timeline concludes with additional singing and filler shots along with speaking parts at the end.
Artic monkeys
The video features a female character who is frequently shown through medium and close-up shots. She appears emotional while watching old videos of the band on TV, seeming to miss them. Various cinematography techniques are used, including tracking shots when she exits the pool at her luxurious home, suggesting she is wealthy. The editing pace matches the song, with rapid cuts during faster parts and longer shots during slower parts. Diegetic sounds like water are used at first to set a calm mood, while the band's voices on the TV overlay the non-diegetic soundtrack at times. Mise-en-scene details like the pool, silk robe, alcohol, and TV add context about the character and her relationship to the band.
9 key frames - lauren and ellie
Emma and Jess discuss their plan to get revenge on Justin for messing around with girls. Emma pretends to flirt with another man, Mark, to make Justin jealous. When Justin sees the text from "Mark" on Emma's phone, he storms off upset. Later, Emma expresses regret to Jess about hurting Justin, as she has begun to develop feelings for him.
Shot list
1. The document describes shots from a music video intercut with lyrics from the song. It shows various actors in different locations interacting with tin can telephones or telephone boxes as they lip sync to the lyrics.
2. Scenes cut between the actors in synchronous ways to the music and include them making calls, disappearing, and leaving the telephones behind as the music fades out.
3. The shots convey a sense of isolation and longing to connect as the actors use the telephones but ultimately leave them alone, represented by the lyrics questioning what is real and feelings of not knowing.
Shooting schedule
This shooting schedule outlines 57 shots for a music studio recording session, a domestic dispute scene, and a night out drinking with friends. The shots include various angles, close-ups, and movements to capture the key actions and emphasize important details. Locations include a recording studio outfitted with instruments, a stereotypical family home, and a public house. Characters are portrayed through their costumes, facial expressions, and interactions with others. The schedule provides technical direction to help visualize and film the intended scenes.
A fine frenzy
The video for "Almost Lover" by A Fine Frenzy uses flashbacks and contrasting camerawork to tell the story of lost love. Scenes of the artist alone singing sadly are interrupted by crosscuts to handheld footage showing her happy with her "almost lover" in the past. Zooms and close-ups are used to highlight emotions. By the end, the final flashback is blurred, symbolizing the lost relationship is now just a dream.
Treatment Improvement
This document outlines the song structure, storyline, characters, costumes, locations and potential issues for a music video treatment. The treatment follows a woman who listens to a female empowerment song and has a daydream about becoming a confident, successful singer. Her daydream depicts the song's verses, choruses and bridges through scenes of getting ready, performing at a party, and watching her music video on TV. The summary outlines the key details for each section of the treatment and song, and identifies potential filming challenges around locations, props, and coordinating large casts and crews.
Original Treatment
This document provides a detailed treatment for a music video featuring a female artist. It outlines the storyline, which follows a woman who dreams of becoming confident and famous. The treatment includes details of each scene, including duration, location, cast, costumes, and any potential problems. It describes scenes such as the woman dancing at home, being picked up in a car, trying on dresses, arriving at a fancy party, and having her daydream rewind to reality at the end. The overall narrative is intended to promote a message of female empowerment.
Music video practical production treatment
This document provides a detailed treatment for a music video, outlining the scenes, shots, timing, and lyrics that correspond to the different parts of the song. It describes using a comedic approach for some parts, with the lead actor lip syncing the lyrics and incorporating exaggerated gestures. Key shots include close-ups of the lead looking desperate, smashing a beer bottle during an argument, and holding a sign saying "I love you" to a woman in an upstairs window. The treatment aims to convey the lead character's frustration and sadness over a failed relationship through both the lyrics and dramatic visuals.
Shot list
The shot list contains 49 shots detailing a romantic storyline between three characters: Actor 1, Actor 2, and Actor 3. The shots show Actor 1 initially sitting alone at a table, noticing Actor 2 but growing disappointed after Actor 2 dances with Actor 3. Later shots depict Actor 1 playing guitar and lip syncing songs of longing for Actor 2. The list concludes with Actor 2 approaching Actor 1 and asking them to dance, implying Actor 1's feelings are reciprocated.
Shooting Schedule
The document provides a shooting schedule for a music video with 19 shots. It describes each shot, including the action, location, camera movements, and lighting/visual effects. Shot 1 shows the pool area with running water. Shot 2 establishes the location with a pan to the pool. Shot 3 shows the actor looking at his phone through a bedroom window with added smoke. The remaining shots continue the story through various indoor and outdoor locations, with the actor singing and reflecting on memories.
Analysis of a professional film opening.
The opening 2-5 minutes of the film Dragonfly introduces the main characters and establishes the central conflict. It shows the husband trying to get a flight to help his wife in South America. Scenes then show the wife helping people in the jungle, but floods occur and she dies when a bus crash causes by falling rocks. The opening establishes the wife as a doctor working internationally and her sudden death. It uses dramatic music, voiceovers, and quick cuts between locations to set the tense tone for the thriller genre.
Shooting schedule
1. The document outlines a shooting schedule for a music video and narrative film, with 65 shots planned over 3 days of filming. Shots include scenes of a band performing in a recording studio, a couple arguing at home, and party scenes.
2. Locations include a recording studio, a stereotypical family home, and a public house party. Costumes include casual clothes and vintage band jackets.
3. Dates are scheduled to film the band on October 18th, couple scenes on October 21st, and party scenes on November 2nd.
Dear future husband
The video portrays the artist in various stereotypical female roles within a perfect, retro-styled home. Bright colors and symmetrical framing create a sense of vintage nostalgia. The artist is shown baking, cleaning, and lying seductively on the bed to portray the idealized wife, while wearing bold red, black, and white outfits. Feminine symbols like pink flowers, dresses, and decor reinforce the theme of finding the perfect husband to complete this retro fantasy.
Props & costumes
The document outlines the props and costumes needed for a music video. Key props include a guitar, microphone, sticky labels, calendar, music sheets, notepad, brochure, and folders/clipboards. A car will be used for transitions. The main character Sarah needs 5 costumes to show the passing of time, including outfits for auditions and playing guitar. Judges and extras are also needed, dressed professionally but casually as it is a music college, all wearing lanyards.
What's hot (19)
Viewers also liked
Target audience
Target Audience: A target audience is a specific group that a business aims its marketing and advertising towards. For R&B music, the typical target age is 16-25 year olds, as the genre's themes are often explicit and most relatable to young adults. However, older audiences may still enjoy R&B that they listened to in their youth.
Gender: R&B attracts both male and female listeners, but skews more female. For females, love songs are relatable and male artists are seen as sexy. Female artists are portrayed as glamorous role models. Males are drawn to displays of wealth in male artists' videos.
Ethnicity: While R&B originated from African
Researching into music videos
This music video features Drake and Rihanna singing along to their song "Take Care". Drake is dressed in all black while Rihanna wears all white, possibly representing their contrasting roles. Their facial expressions appear serious and emotional to match the emotional love song. The video primarily uses slow motion and focuses on close-ups of the two artists to emphasize their connection and lyrics about taking care of each other.
evaluation speed dating
This document summarizes feedback from 11 people on a media studies coursework video called "Evaluation Speed Dating". The feedback focused on what each person liked about the video and what they would change if editing it. Overall, most people commented positively on the use of black and white cinematography and felt it set an effective mood. However, some felt certain shots could have been steadier or that the narrative or ending needed more clarity or development.
Pre-production
This document provides details for the pre-production of a music video. It includes locations that will be filmed at including a bedroom, café, and street. Floor plans are provided for the bedroom shots. Costumes and props are outlined, including casual clothes for the actors. Two actors, James and Georgia, are identified. Equipment that will be used includes a Canon DSLR camera, tripod, and SD card. A production schedule is given with dates for filming and post-production editing.
Narrative theory
Narrative theory proposes that narratives are organized sequences of causally related events that unfold over time, from a beginning to a middle to an end, embodying a judgment about the nature of those events. Key theorists identified common character types in narratives, structural elements like codes that readers use to make sense of a story, and underlying symbolic oppositions. More recently, narratives have become more complex, incorporating modified chronologies, alternative versions, loose collections of stories, and other nonlinear techniques.
Media language
This document discusses key concepts in media language and semiotics. It defines media language as the technical elements and codes used to create meaning in media texts. These include mise-en-scene, camera techniques, sound editing, and editing. Semiotics is introduced as the study of signs and their role in constructing meaning. Theorists discussed include Saussure, who defined the sign as consisting of the signifier and signified, and Peirce, who categorized signs into symbols, icons, and indexes. Barthes applied semiotic concepts to culture and argued that signs take on dominant ideological values of a society and position audiences in relationships to signs.
Genre research
R&B originated in the 1940s as a genre of African American popular music. It combines elements of blues, gospel, soul and funk. Typical R&B bands include piano, guitar, bass, drums and saxophone with background vocals. Lyrics focus on relationships, freedom, aspirations and sex. The term R&B has evolved over time as the music incorporated different styles. Famous R&B artists include Beyoncé, Mariah Carey, Michael Jackson, and Rihanna. Key features of typical R&B music videos include locations like houses, clubs and streets, minimal clothing for female artists, and tattoos for male artists. Videos use various camera shots to tell a story.
Audience theory
This document discusses several theories of audience analysis:
- The Frankfurt School proposed the "effects model" which viewed audiences as isolated individuals susceptible to media messages without question.
- The two-step flow theory developed the idea that opinion leaders receive information from media sources and then pass it along to others in their social groups.
- Uses and gratifications theory sees audiences as active consumers who choose media for different reasons like diversion, social interaction, identity, or information gathering.
- David Morley's work identified three types of audience readings - dominant, negotiated, and oppositional - based on the degree to which audience members accept or reject the preferred meaning of a media text.
Genre theory
Genre theory divides texts into categories based on common elements to help study them. Genre helps audiences and institutions decide what to watch or create by supplying demand. Traditionally genres were fixed, but theorists now see them as dynamic and always changing to reflect society. Genre conventions from the past are less common as audiences want more variety. Still, genre remains useful as everyone understands it, allowing producers, audiences, and scholars to analyze media in the same way. Its accessibility also lets genre apply broadly across text types, though genres can restrict creativity and risk-taking if formulas become tired.
Production meeting
The production meeting covered updates on lighting, visuals, sound, stage management, costumes, and makeup. They started installing LEDs in the light boxes, are working on a pre-show montage, and the sound budget went over so they need to make changes or borrow equipment. The stage design was changed so there will be no on-stage toilet, and they are researching final props and collecting what they already have. Costumes are being planned scene-by-scene and templates are being made for character makeup.
Evaluation the show
1) The document describes doing makeup for a theatrical production from February 13-18. Makeup was applied to help characters appear older or distinguish roles.
2) Foundation, powder, and wrinkle lines were used to make male cast members and older characters appear older. Pink eyeshadow and blush were applied to ballet dancers.
3) Quick changes between miners and police officers required swiftly removing coal makeup and reapplying foundation during the show. Cross-dressing scenes required bright lipstick and fake beards.
Creating ideas text
The team printed out everyone's mood boards to finalize character ideas and start designing makeup templates. They began going through scenes and writing down each character's makeup needs. As the play progresses, some characters' makeup will change to show events like injuries or looking more worn over time, requiring makeup changes between scenes and a time schedule for efficient application.
Viewers also liked (12)
Similar to Shot list
Shot list
This document contains a shot list for a music video. It includes 34 shots with descriptions of the camera movement, location, lyrics covered, and any actors or elements included in each shot. The shots progress through different locations like a bar, house, countryside, campfire, and conclude back at the bar. They alternate between close-ups of the main actor and wider shots showing other characters or the full scene. The shots are designed to visually depict the lyrics and story of the song being filmed.
The fratellis chelsea dagger
The music video for "Chelsea Dagger" by The Fratellis has several characteristics common to indie rock music videos. It is performance-based, with long shots of the full band playing their instruments on stage. It also includes a brief narrative section showing burlesque dancers, referencing the lead singer's wife's career. Low-key lighting, minimal sets and edits, and a retro color palette contribute to its low-budget, indie aesthetic. Gender roles are traditional, with the camera focused mostly on the all-male band but also sexualizing the featured women. Technical elements like camera movements and shots are used to depict lyrics and enhance the storytelling.
Work treatment
The document summarizes a proposed music video narrative and plan. The narrative involves a man dealing with a breakup across seven scenes. Feedback was provided requesting a change in song to Bryson Tiller's "Been That Way" to better suit the heartbreak theme. Details of inspiration, casting, locations, considerations and broadcast channels are provided.
Shotlist
This document contains a shot list for a music video production with 15 shots over 5 scenes. The shots include establishing shots, singles, inserts, cutaways and more. They show the female singer entering an empty studio, rehearsing a song while being filmed from different angles, and performing on stage with a male dancer.
4. pre production mv 2018
The document provides planning details for a music video production, including:
- Visual concepts exploring a relationship that turns sinister
- Storyboards and shot lists breaking down the song into scenes
- Use of lighting and location to distinguish between the relationship and horror elements
- Organizational information like crew roles, locations, and contingencies for weather or permissions
My Music Video Storyboard
The document contains a storyboard for a music video containing various shots including:
1) A mid-shot of a CD player starting music and several stop motion shots showing a performer's face and movement.
2) Shots of a performer singing and playing instruments along with shots advancing a narrative of a character.
3) Several stop motion sequences showing a performer and objects moving or changing over multiple shots.
4) Climaxing with shots of the character deciding to go out after receiving a call and meeting friends, smiling at the end.
STORYBOARD..
The document provides details for 9 shots of a music video set to the song "Mr. Brightside" by The Killers. Shot 1 is an establishing shot of the stage with a dolly zoom. Shot 2 is a long shot of the band performing for 2 lines of lyrics. Shot 3 shows the character Guy A standing in a field, introducing the narrative. The following shots alternate between scenes of the band performing and scenes showing the story of Guy A's relationship.
Media A2 pitch
The document proposes a music video concept for the song "That Time" by Regina Spektor. The concept is to have a woman reminiscing through old photos of her ex-boyfriend, with the memories becoming darker as the song lyrics change. Each verse would be visually represented through flashbacks corresponding to the lyrics. Inspiration is drawn from the videos for "Foundations" by Kate Nash and "Turn the Page" by Bobby V for their quirky characters and comic book visual effects. Detailed treatment is provided for how each lyric could be depicted.
Shot script
This document outlines the shooting script for a baking competition show. It includes directions for camera shots and movements that will introduce the contestants and judges. It also describes interview segments where the contestants discuss their baking choices and experience in the competition. The script covers the first challenge round, with shots of contestants successfully and unsuccessfully completing their bakes while judges ask them about their recipes. It concludes by introducing the show's title against a backdrop of the sky.
Shot script
This document outlines the shooting script for a baking competition show. It includes directions for camera shots and movements that will introduce the contestants and judges. It also describes interviews between a host and each contestant, where the host gets insights into the contestants and shows preview clips of their experiences. Scenes with the judges asking contestants about their baking choices in the first round are outlined. The script concludes with shots of contestants succeeding and failing in their first bakes, and an ending title sequence with the "Bake or Break" logo over footage of the sky.
Music Video Treatment
The music video treatment consists of 6 scenes: 1) The lead singer laying in love letters and singing, 2) The band performing on stage with letters falling, 3) Shots of the singer and girl through a window, 4) The singer chasing the girl in the woods but losing her, 5) Various shots of the full band's live performance, and 6) The singer watching TV when the band bursts in to perform.
Music Video: Written Treatment
Sent out to all collaborators through email attachment. This is my written treatment which is to give my actors and helpers some information prior to filming.
Music video analysis when the sun goes down
The music video uses various camera techniques to tell the story and convey meaning. It shows close-ups of the female protagonist
to depict her emotions of misery, shame, and anger at her situation. Point-of-view shots show her perspective of her abusive pimp
when he is drunk and not a nice person. The video cuts between scenes using jump cuts and flashbacks to illustrate how her life
changes for the worse when the sun goes down, as the lyrics suggest. It also applies color correction to make some scenes darker
to match the tone.
Music Video Analysis - Fall Out Boy
The music video shows shots of Fall Out Boy performing intercut with shots of chimpanzees seemingly directing the video. The chimpanzees are shown taking control of cameras, dressing rooms, and even playing the band's instruments. This depicts the evolution from chimpanzees to humans and how music has changed over generations. The video also focuses on the lead singer through various close-up shots, establishing his star image. It ends with the band performing on a brighter stage while a narrative portion shows a romantic relationship mirrored by a chimpanzee, before the lead singer destroys his guitar upon seeing his partner flirt with another.
Analysis of nickelback ‘how you remind me’
1) The clothing, lighting, and setting depict the man's sadness over a lost love and represent the rock genre of the song. High key lighting is used when the woman appears and low key when she leaves.
2) Close-ups show the man's sadness when he realizes the woman is not really there, reflecting the emotional tone of the rock song. Mid shots of the band playing instruments establish it is about a rock band.
3) Rapid cutting between scenes of the band and the man's story keeps the viewer engaged and shows the relationship between the music and lyrics. Shot/reverse shot is used when the man sees the woman to reveal his look of pain.
Apricot[1]
This film is a romance genre that follows the reunion of two old lovers. The costumes, props, and locations help establish the time periods between the present and flashbacks to the woman's childhood. Her dark clothing and makeup in the present stereotype her as emo or rock, while the children's old-fashioned clothes in the flashbacks indicate it is in the past. The lighting and sounds aim to set a nostalgic, dreamy atmosphere for the flashbacks and a romantic one in the restaurant setting. Various camera techniques like close-ups, tracking shots, and focus pulls are used to direct the audience's attention to important details between the past and present.
Apricot
This film is a romance genre that follows the reunion of two old lovers. The costumes, props, and locations help establish the time periods between the present and flashbacks to the woman's childhood. Her dark clothing and makeup in the present stereotype her as emo or rock, while the children's old-fashioned clothes in the flashbacks indicate it is in the past. The lighting and sounds aim to set a nostalgic, dreamy atmosphere for the flashbacks and a romantic one in the restaurant setting. Various camera techniques like close-ups, tracking shots, and focus pulls are used to direct the audience's attention to important details between the past and present.
Mr Brightside Storyboard
The document provides editing notes and instructions for shooting a music video set to the song "Mr. Brightside" by The Killers. It describes 10 shots, including establishing shots of the band performing, flashback scenes showing characters' backstories, and shots advancing the narrative between the song's lyrics. The shots are to be filmed in both indoor and outdoor locations, incorporating changes in lighting, camera angles, and color effects to distinguish flashbacks from the present. The document aims to seamlessly edit the shots together to visualize the song's lyrics and story.
unconditional
Peter Andre's music video for "Unconditional" tells a personal narrative through faded film in the background and shots of Andre alone in a cinema. The video uses close-ups of Andre to show emotion and subtle camera movements. Scenes of a faded film depicting Andre's life, as well as shots of him matching lyrics, help illustrate the song's message. While keeping a simple, lonely aesthetic, the video reveals the personal nature of the song through its storytelling and inclusion of Andre's step-son at the end.
Medistoryboard
The document outlines a shot list and storyboard for a music video featuring singer Katy Hearts. It includes various shots of Katy singing, walking through nature, dancing in a field with glitter, and pulling petals from a flower. Many of the shots are close-ups highlighting her emotions and relating her movements to the song's lyrics per Goodwin's analysis that lyrics and visuals should correspond. Jump cuts, fades, pans and match cuts transition between the shots to emphasize lyrics and keep the video upbeat yet reflective of the indie pop song's love theme.
Similar to Shot list (20)
Recently uploaded
Natural birth techniques - Mrs.Akanksha Trivedi Rama University
Natural birth techniques - Mrs.Akanksha Trivedi Rama UniversityAkanksha trivedi rama nursing college kanpur.
Natural birth techniques are various type such as/ water birth , alexender method, hypnosis, bradley method, lamaze method etcHow to Build a Module in Odoo 17 Using the Scaffold Method
Odoo provides an option for creating a module by using a single line command. By using this command the user can make a whole structure of a module. It is very easy for a beginner to make a module. There is no need to make each file manually. This slide will show how to create a module using the scaffold method.
Azure Interview Questions and Answers PDF By ScholarHat
Azure Interview Questions and Answers PDF By ScholarHat
RPMS TEMPLATE FOR SCHOOL YEAR 2023-2024 FOR TEACHER 1 TO TEACHER 3
RPMS Template 2023-2024 by: Irene S. Rueco
Digital Artifact 1 - 10VCD Environments Unit
Digital Artifact 1 - 10VCD Environments Unit - NGV Pavilion Concept Design
clinical examination of hip joint (1).pdf
described clinical examination all orthopeadic conditions .
ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...
Denis is a dynamic and results-driven Chief Information Officer (CIO) with a distinguished career spanning information systems analysis and technical project management. With a proven track record of spearheading the design and delivery of cutting-edge Information Management solutions, he has consistently elevated business operations, streamlined reporting functions, and maximized process efficiency.
Certified as an ISO/IEC 27001: Information Security Management Systems (ISMS) Lead Implementer, Data Protection Officer, and Cyber Risks Analyst, Denis brings a heightened focus on data security, privacy, and cyber resilience to every endeavor.
His expertise extends across a diverse spectrum of reporting, database, and web development applications, underpinned by an exceptional grasp of data storage and virtualization technologies. His proficiency in application testing, database administration, and data cleansing ensures seamless execution of complex projects.
What sets Denis apart is his comprehensive understanding of Business and Systems Analysis technologies, honed through involvement in all phases of the Software Development Lifecycle (SDLC). From meticulous requirements gathering to precise analysis, innovative design, rigorous development, thorough testing, and successful implementation, he has consistently delivered exceptional results.
Throughout his career, he has taken on multifaceted roles, from leading technical project management teams to owning solutions that drive operational excellence. His conscientious and proactive approach is unwavering, whether he is working independently or collaboratively within a team. His ability to connect with colleagues on a personal level underscores his commitment to fostering a harmonious and productive workplace environment.
Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
-------------------------------------------------------------------------------
Find out more about ISO training and certification services
Training: ISO/IEC 27001 Information Security Management System - EN | PECB
ISO/IEC 42001 Artificial Intelligence Management System - EN | PECB
General Data Protection Regulation (GDPR) - Training Courses - EN | PECB
Webinars: https://pecb.com/webinars
Article: https://pecb.com/article
-------------------------------------------------------------------------------
For more information about PECB:
Website: https://pecb.com/
LinkedIn: https://www.linkedin.com/company/pecb/
Facebook: https://www.facebook.com/PECBInternational/
Slideshare: http://www.slideshare.net/PECBCERTIFICATION
The simplified electron and muon model, Oscillating Spacetime: The Foundation...
Discover the Simplified Electron and Muon Model: A New Wave-Based Approach to Understanding Particles delves into a groundbreaking theory that presents electrons and muons as rotating soliton waves within oscillating spacetime. Geared towards students, researchers, and science buffs, this book breaks down complex ideas into simple explanations. It covers topics such as electron waves, temporal dynamics, and the implications of this model on particle physics. With clear illustrations and easy-to-follow explanations, readers will gain a new outlook on the universe's fundamental nature.
How to Manage Your Lost Opportunities in Odoo 17 CRM
Odoo 17 CRM allows us to track why we lose sales opportunities with "Lost Reasons." This helps analyze our sales process and identify areas for improvement. Here's how to configure lost reasons in Odoo 17 CRM
BBR 2024 Summer Sessions Interview Training
Qualitative research interview training by Professor Katrina Pritchard and Dr Helen Williams
PCOS corelations and management through Ayurveda.
This presentation includes basic of PCOS their pathology and treatment and also Ayurveda correlation of PCOS and Ayurvedic line of treatment mentioned in classics.
How to Setup Warehouse & Location in Odoo 17 Inventory
In this slide, we'll explore how to set up warehouses and locations in Odoo 17 Inventory. This will help us manage our stock effectively, track inventory levels, and streamline warehouse operations.
Advanced Java[Extra Concepts, Not Difficult].docx
This is part 2 of my Java Learning Journey. This contains Hashing, ArrayList, LinkedList, Date and Time Classes, Calendar Class and more.
What is Digital Literacy? A guest blog from Andy McLaughlin, University of Ab...
What is Digital Literacy? A guest blog from Andy McLaughlin, University of Aberdeen
Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...
Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...Dr. Vinod Kumar Kanvaria
Exploiting Artificial Intelligence for Empowering Researchers and Faculty,
International FDP on Fundamentals of Research in Social Sciences
at Integral University, Lucknow, 06.06.2024
By Dr. Vinod Kumar KanvariaHow to Fix the Import Error in the Odoo 17
An import error occurs when a program fails to import a module or library, disrupting its execution. In languages like Python, this issue arises when the specified module cannot be found or accessed, hindering the program's functionality. Resolving import errors is crucial for maintaining smooth software operation and uninterrupted development processes.
Recently uploaded (20)
Natural birth techniques - Mrs.Akanksha Trivedi Rama University
Natural birth techniques - Mrs.Akanksha Trivedi Rama University
How to Build a Module in Odoo 17 Using the Scaffold Method
How to Build a Module in Odoo 17 Using the Scaffold Method
Azure Interview Questions and Answers PDF By ScholarHat
Azure Interview Questions and Answers PDF By ScholarHat
RPMS TEMPLATE FOR SCHOOL YEAR 2023-2024 FOR TEACHER 1 TO TEACHER 3
RPMS TEMPLATE FOR SCHOOL YEAR 2023-2024 FOR TEACHER 1 TO TEACHER 3
ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...
ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...
The simplified electron and muon model, Oscillating Spacetime: The Foundation...
The simplified electron and muon model, Oscillating Spacetime: The Foundation...
How to Manage Your Lost Opportunities in Odoo 17 CRM
How to Manage Your Lost Opportunities in Odoo 17 CRM
How to Setup Warehouse & Location in Odoo 17 Inventory
How to Setup Warehouse & Location in Odoo 17 Inventory
What is Digital Literacy? A guest blog from Andy McLaughlin, University of Ab...
What is Digital Literacy? A guest blog from Andy McLaughlin, University of Ab...
Digital Artefact 1 - Tiny Home Environmental Design
Digital Artefact 1 - Tiny Home Environmental Design
Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...
Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...
Shot list
- 1. Shot number Shot Type Camera Movement Location Sound Detail 1 Medium shot Still Café (Ringwood) ‘intro’- startof the songbefore dialogue begins Cameracomesfrom behind male actor, he issat at a table 2 Medium shot Pan Café (Ringwood) song-“thiswhat happenswhenIthink aboutyou” Camerais positionedinfront of him, panupwardsfromthe table andhe islookingdown at hiscoffee 3 Close up Still Café (Ringwood) Song- “I get inmy feelings,yeah.Istart reminiscingyeah.” Close upof hishandsaround the coffee 4 Close up Still Café (Ringwood) Song- “ nexttime around,I wantit to be different,yeah waitingona sign guessitstime fora differentprayer.” Lookingat him 5 Extreme close up Still Bedroom Song- “lordplease save herfor me , do thisone favourfor me” Of the girl actresses,specific featurese.g.eyes,lips 6 Medium shot Still Bedroom Song- “I had to change my player ways,got waytoo complicatedforme.” “I hope sheswaiting for me.” ‘flashback’of themtogether: genericfilmingof thembeing happy,laughing 7 Extreme close up Still Bedroom Song- “everywhere she go, theyplayin’ my song.” Of the girl actress,specific feature again 8 Medium shot Still Café – leaving (Ringwood) Song- “that’swhyI say the thingsthat I say thayway I know youcant ignore me.” “but so,so.” Shotof himleavingthe café 9 Close up Still Bedroom Song– “so gimmie all of youinexchange for me…. Keyfeaturesof girl actress 10 Medium shot Tracking Street(high streetin Ringwood) Song- “we usedto lay up and thenstay up….” Behindview of himwalking downthe street 11 Medium shot Tracking Street(high streetin Ringwood) Song- “I shouldn’t have playedno gameswithyou,just levelledupmyrank” Front view of himwalking downthe street 12 Medium shot Tracking Street(high streetin Ringwood) Song- “lasttime I saw youwe aintspeak that wasstrange…” Side view of himwalking downthe street,possibly adjustingcoat 13 Close up Still Bedroom Song- “guessyou changedfor the better…” More of a viewof the girl now,maybe lookingintoa mirror
- 2. 14 Close up Still Bedroom Song- “I was never loyal,letyoutell it, yo….” More view of her,adjusting hair,flickingit 15 Medium shot Still Bedroom Song- “so gimmie all of youinexchange for me…. Repeatif a flashback 16 Medium shot Tracking Street(high streetin Ringwood) Song- “for real shawty,yeah,Iknow” “yeah,Is youat 2 keysor tinroof? Maybe… Shotof himarrivingat hiscar 17 Medium shot Still Street/car Song- “the truth aint here to start problems….” Him inside of the car,maybe a shot of himlookinginrear view mirror 18 Medium shot Still Inside of car Song- “I don’twanna getintoit, whyyou stressinhim… His handson the steering wheel,ordriving 19 Close up Still Bedroom Song- “nah,girl,I got a job foryou….” Close upsof her,sittingon the bedor in the room 20 Medium shot Still/tracking Street/park/ large area Song– “I was strollin….” Shotof themmeeting again, talking/smiling.