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Shakespeare
Life of
Shakespeare
Shakespeare
• Born April 23, 1564 in Stratford-upon
Avon
• His father, John Shakespeare was a
successful glove maker
– Finally given coat of arms (family crest)
in 1596 after William’s success
• His mother, Mary Arden came from a
rich, landowning family
• Was the third of eight siblings,
although his two older siblings died
young
Shakespeare in love
• November 1582, 18 year old
Shakespeare married 26 year old
Anne Hathaway, also of Stratford
upon Avon
• May 1583, Susanna (1st child) was
born
• Had three kids:
Susanna, Hamnet, and Judith
– Hamnet died at eleven, leaving
Shakespeare without a son
“All the World’s a Stage”
• 1588, Shakespeare began writing
and acting
– Five poems
– 154 sonnets
– 37 plays
• Histories, comedies, and tragedies
• In 1599, Shakespeare became a
principle holder of the globe
theater
The Globe
• James Burbage built the first theater
named, ―The Theater‖
• Where Burbage built the
theater, charged too high of a rent and
Burbage decided to relocate across
the River Thames
• Moved materials from ―The Theater‖
across the river to South Bank and
used them to build the ―Globe Theater‖
• Southbank was a ―liberty‖ or suburb
just outside of London (where theaters
The End of the Globe
• Extremely lucrative (money making)
until 1613
• During the performance of Henry
VII, the Globe caught fire and was
burnt down
• Rebuilt in 1614
– ―The Globe II‖
• 1624, Globe shut down by Puritan
England
New Place
• 1597, Shakespeare bought New
Place where he would retire in 1611
• New Place destroyed after
Shakespeare’s death
– Too many tourists ruined it, although
some of the gardens still remain intact
The Death of the Bard
• Shakespeare died April 23, 1616
• Buried in Holt Trinity Church in
Stratford-upon-Avon
• Anne Hathaway (wife) died in
August 1623
• Anne Hathaway, daughter
Susanna, Dr. John Hall (son-in-law)
and Thomas Nash (Susanna’s son-
in-law) were buried next to
““Curse Been”
• Curse on Shakespeare's grave
– Good friend for Jesus sake forbear
To dig the dust enclosed here!
Blest be the man that spares these
stones,
And curst be he that moves my bones
• Stated that no body could dig up his
bones
– Common for religious/research purposes
to dig up bodies and experiment on them
• Shakespeare fear of exhumation
caused him to put in his will that he
Elizabethan Theater
Queen Elizabeth
• Queen Elizabeth's reign: 1558—1603
• Known as ―Golden Age‖ because it
was the height of the British
renaissance
– Poetry and drama flourished under her
• Time of religious peace because
everyone was following the Church of
England (Christianity)
– Some citizens practiced
Catholicism, which Elizabeth, unlike many
other rulers of the time, allowed
– Elizabeth did not, ―look into the hearts‖ of
Early Theater
• Elizabeth was frugal, which helped her
restore England's budget
– Because of the financial stability, the
people of England, including Elizabeth,
began enjoying the theater
• Before Elizabeth’s reign, plays were
performed by noblemen actors
• In 1572, actors began to be required to
have a patron in order to keep traveling on
the road to perform in different towns
– As a result of this decree, acting became
better, because actors and playwrights
were forced to hone their craft to ensure
Strict London
• The city of London considered actors
master less men so they were looked
down upon and weren't allowed within
the city limits
• Queen Elizabeth, on the other
hand, enjoyed theatre, and a
compromise was reached when
theatres began to spring up in
London's suburbs, specifically those
located on the south side of the River
Thames
• Also located in South worth were other
unseemly activities, including bear
baiting, cock fighting and prostitution
Popular Elizabethan Theaters
• On of the most popular theaters
was, ―The Theater‖
– Built by James Burbage and John
Brayne in Shoreditch in the year 1576
• More companies soon followed suit:
– The Rose 1587
– The Swan 1595
– The Fortune 1600
Construction of Elizabethan Theaters
• Theaters during the Elizabethan era
looked much different than modern
theater
– almost round in shape
– Had a wood exterior
– Had a thatched roof (making it
extremely flammable)
– Had three stories that surrounded an
open space at the center
All the Classes Gather
• The theater brought all different
classes together to enjoy one
performance
• 15% of London’s population would
attend the theaters at any given
day, but the Queen was the most
important audience
– Elizabeth would have to okay every play
before it was performed, and had to
approve/disapprove any play
• Because of this, playwrights would find a way
to flatter the Queen within the play to win her
Classes are Separate
• Despite the fact that all the classes
were together to watch one
performance, there was still a very
rigid structure of acceptance
• Each watched the play from
different sections of the theatre
– Upper Class: sat in the ―Royal
Box‖, which was located on the third
story, (or Upper Gallery)
– Wealthy: sat in the middle
gallery, while the moderately wealthy
“Groundlings”
• Any commoner who attended the
show was known as a groundling
• Because their entry was one pence,
they had to stand in the open area
at the center of the theatre on the
ground
• Groundlings would often yell insults
or suggestions at the actors and on
many occasions throw food on the
stage if they didn’t like what was
All Audiences
• Because playwrights had to appeal
to both the lower and the upper
class, they would include subtle
compliments to the Queen and
bawdy (dirty) jokes for the lower
class
• Playwrights would do this by
including
– Comic relief
– Action
Staging a Show
• To stage a show, you needed
– A patron
– A company
– Shareholders
– Playwright(s)
– Actors
– Costumes
– Props
– An Audience
The Lord Chamberlain's Men
• Shakespeare’s acting company
• Produced by Lord Chamberlain in
1594
• As a patron, Lord Chamberlain was
basically the behind-the-scenes
man that gave the company
permission and money to perform
their shows
Shareholders
• A company was compromised of
shareholder who, much like
modern-day shareholders, owned a
piece of a company
• These shareholders were
responsible for managing the
company
• Most, if not all, shareholders were
also the major actors in the plays
The Playwright
• All playwrights at this time were men
• Some were formally educated at
Oxford or Cambridge, but many were
not
• While Shakespeare himself was also
an actor, most playwrights stayed
behind the scenes
• A playwrights was paid incrementally
throughout the writing process, and if
his play was accepted, he would
receive a part of the profit
• Once he handed his play over to the
company, it was no longer his, it was
Actors
• With the major role already filled by
the shareholdes, minor actors were
hired by the company to act in small
roles
• Rarely showe the same show two
days in a row –pressure on actors
was tremendous
• A good memory was helpful, but not
100% necessay
– ―Cue acting‖
A Boys Club
• Women were not allowe to perform
on stage until 1630
• Pre-pubescent boys were dressed
in costume an played womens roles
Costumes
• Costumes were extremely elaborate
during Shakespeare’s time
• Scenery was not, so often times the
costumes would set the tone for the
play
• Costumes were so important when
trying to convincingly portray men
as women
Setting the Scene (with no scenery)
• In order to inform their audience
about the setting, Shakespeare and
his contemporaries would always
have a character mention
something about the setting at the
beginning of the scene if it was
important to the play
The Plays themselves
• Whether knowingly or not,
Shakespeare used a rigid structure
that helped him write solidly-
structured plays quickly
• The most important structure to
know in the plot structure
Plot Structure of Tragedy
Expositio
n
Complica
tion
Rising
Action
Clima
x
Fallin
g
Action
Moment
of final
suspens
e
Catastro
phe
Drama Terms
Types of Speech
• Monologue: a long, interrupted
speech spoken in the presence of
other characters
• Soliloquy: a speech, usually
lengthy, in which a character, alone on
stage, expresses his/her thoughts on
stage
• Dialogue: conversation between two
or more characters, (seeking a mutual
understanding)
• Aside: words spoken by a character in
Character Types
• Chorus: a company of performers
whose singing and narration provide
explanation
• Foil: when one characters traits are
different from the opposing
character, therefore making one
seem different then they are
• Protagonist: main character
• Antagonist: opposes main
Other Key Terms
• Prolouge: introduction to a piece of
drama before a performance
– The prolouge in The Tragedy of Romeo
and Juliet was delivered by the chorus
• Tragedy: a lay that tells of the
destruction of a noble hero
• Comic relief: in a tragedy, a short
comic scene that provieds respite from
the building tension of the play
• Blank Verse: poetry written in
unrhymed lamble pentameter line
– ―Two households, both alike in dignity/ In
fair Verona where we lay our scene‖

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Shakespeare and the theater

  • 3. Shakespeare • Born April 23, 1564 in Stratford-upon Avon • His father, John Shakespeare was a successful glove maker – Finally given coat of arms (family crest) in 1596 after William’s success • His mother, Mary Arden came from a rich, landowning family • Was the third of eight siblings, although his two older siblings died young
  • 4. Shakespeare in love • November 1582, 18 year old Shakespeare married 26 year old Anne Hathaway, also of Stratford upon Avon • May 1583, Susanna (1st child) was born • Had three kids: Susanna, Hamnet, and Judith – Hamnet died at eleven, leaving Shakespeare without a son
  • 5. “All the World’s a Stage” • 1588, Shakespeare began writing and acting – Five poems – 154 sonnets – 37 plays • Histories, comedies, and tragedies • In 1599, Shakespeare became a principle holder of the globe theater
  • 6. The Globe • James Burbage built the first theater named, ―The Theater‖ • Where Burbage built the theater, charged too high of a rent and Burbage decided to relocate across the River Thames • Moved materials from ―The Theater‖ across the river to South Bank and used them to build the ―Globe Theater‖ • Southbank was a ―liberty‖ or suburb just outside of London (where theaters
  • 7. The End of the Globe • Extremely lucrative (money making) until 1613 • During the performance of Henry VII, the Globe caught fire and was burnt down • Rebuilt in 1614 – ―The Globe II‖ • 1624, Globe shut down by Puritan England
  • 8. New Place • 1597, Shakespeare bought New Place where he would retire in 1611 • New Place destroyed after Shakespeare’s death – Too many tourists ruined it, although some of the gardens still remain intact
  • 9. The Death of the Bard • Shakespeare died April 23, 1616 • Buried in Holt Trinity Church in Stratford-upon-Avon • Anne Hathaway (wife) died in August 1623 • Anne Hathaway, daughter Susanna, Dr. John Hall (son-in-law) and Thomas Nash (Susanna’s son- in-law) were buried next to
  • 10. ““Curse Been” • Curse on Shakespeare's grave – Good friend for Jesus sake forbear To dig the dust enclosed here! Blest be the man that spares these stones, And curst be he that moves my bones • Stated that no body could dig up his bones – Common for religious/research purposes to dig up bodies and experiment on them • Shakespeare fear of exhumation caused him to put in his will that he
  • 12. Queen Elizabeth • Queen Elizabeth's reign: 1558—1603 • Known as ―Golden Age‖ because it was the height of the British renaissance – Poetry and drama flourished under her • Time of religious peace because everyone was following the Church of England (Christianity) – Some citizens practiced Catholicism, which Elizabeth, unlike many other rulers of the time, allowed – Elizabeth did not, ―look into the hearts‖ of
  • 13. Early Theater • Elizabeth was frugal, which helped her restore England's budget – Because of the financial stability, the people of England, including Elizabeth, began enjoying the theater • Before Elizabeth’s reign, plays were performed by noblemen actors • In 1572, actors began to be required to have a patron in order to keep traveling on the road to perform in different towns – As a result of this decree, acting became better, because actors and playwrights were forced to hone their craft to ensure
  • 14. Strict London • The city of London considered actors master less men so they were looked down upon and weren't allowed within the city limits • Queen Elizabeth, on the other hand, enjoyed theatre, and a compromise was reached when theatres began to spring up in London's suburbs, specifically those located on the south side of the River Thames • Also located in South worth were other unseemly activities, including bear baiting, cock fighting and prostitution
  • 15. Popular Elizabethan Theaters • On of the most popular theaters was, ―The Theater‖ – Built by James Burbage and John Brayne in Shoreditch in the year 1576 • More companies soon followed suit: – The Rose 1587 – The Swan 1595 – The Fortune 1600
  • 16. Construction of Elizabethan Theaters • Theaters during the Elizabethan era looked much different than modern theater – almost round in shape – Had a wood exterior – Had a thatched roof (making it extremely flammable) – Had three stories that surrounded an open space at the center
  • 17. All the Classes Gather • The theater brought all different classes together to enjoy one performance • 15% of London’s population would attend the theaters at any given day, but the Queen was the most important audience – Elizabeth would have to okay every play before it was performed, and had to approve/disapprove any play • Because of this, playwrights would find a way to flatter the Queen within the play to win her
  • 18. Classes are Separate • Despite the fact that all the classes were together to watch one performance, there was still a very rigid structure of acceptance • Each watched the play from different sections of the theatre – Upper Class: sat in the ―Royal Box‖, which was located on the third story, (or Upper Gallery) – Wealthy: sat in the middle gallery, while the moderately wealthy
  • 19. “Groundlings” • Any commoner who attended the show was known as a groundling • Because their entry was one pence, they had to stand in the open area at the center of the theatre on the ground • Groundlings would often yell insults or suggestions at the actors and on many occasions throw food on the stage if they didn’t like what was
  • 20. All Audiences • Because playwrights had to appeal to both the lower and the upper class, they would include subtle compliments to the Queen and bawdy (dirty) jokes for the lower class • Playwrights would do this by including – Comic relief – Action
  • 21. Staging a Show • To stage a show, you needed – A patron – A company – Shareholders – Playwright(s) – Actors – Costumes – Props – An Audience
  • 22. The Lord Chamberlain's Men • Shakespeare’s acting company • Produced by Lord Chamberlain in 1594 • As a patron, Lord Chamberlain was basically the behind-the-scenes man that gave the company permission and money to perform their shows
  • 23. Shareholders • A company was compromised of shareholder who, much like modern-day shareholders, owned a piece of a company • These shareholders were responsible for managing the company • Most, if not all, shareholders were also the major actors in the plays
  • 24. The Playwright • All playwrights at this time were men • Some were formally educated at Oxford or Cambridge, but many were not • While Shakespeare himself was also an actor, most playwrights stayed behind the scenes • A playwrights was paid incrementally throughout the writing process, and if his play was accepted, he would receive a part of the profit • Once he handed his play over to the company, it was no longer his, it was
  • 25. Actors • With the major role already filled by the shareholdes, minor actors were hired by the company to act in small roles • Rarely showe the same show two days in a row –pressure on actors was tremendous • A good memory was helpful, but not 100% necessay – ―Cue acting‖
  • 26. A Boys Club • Women were not allowe to perform on stage until 1630 • Pre-pubescent boys were dressed in costume an played womens roles
  • 27. Costumes • Costumes were extremely elaborate during Shakespeare’s time • Scenery was not, so often times the costumes would set the tone for the play • Costumes were so important when trying to convincingly portray men as women
  • 28. Setting the Scene (with no scenery) • In order to inform their audience about the setting, Shakespeare and his contemporaries would always have a character mention something about the setting at the beginning of the scene if it was important to the play
  • 29. The Plays themselves • Whether knowingly or not, Shakespeare used a rigid structure that helped him write solidly- structured plays quickly • The most important structure to know in the plot structure
  • 30. Plot Structure of Tragedy Expositio n Complica tion Rising Action Clima x Fallin g Action Moment of final suspens e Catastro phe
  • 32. Types of Speech • Monologue: a long, interrupted speech spoken in the presence of other characters • Soliloquy: a speech, usually lengthy, in which a character, alone on stage, expresses his/her thoughts on stage • Dialogue: conversation between two or more characters, (seeking a mutual understanding) • Aside: words spoken by a character in
  • 33. Character Types • Chorus: a company of performers whose singing and narration provide explanation • Foil: when one characters traits are different from the opposing character, therefore making one seem different then they are • Protagonist: main character • Antagonist: opposes main
  • 34. Other Key Terms • Prolouge: introduction to a piece of drama before a performance – The prolouge in The Tragedy of Romeo and Juliet was delivered by the chorus • Tragedy: a lay that tells of the destruction of a noble hero • Comic relief: in a tragedy, a short comic scene that provieds respite from the building tension of the play • Blank Verse: poetry written in unrhymed lamble pentameter line – ―Two households, both alike in dignity/ In fair Verona where we lay our scene‖